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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E7B0CA it is the complementary color #184F35. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E7B0CA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E7B0CA shade: #ECB0C5, #FDC2D8, #FFD4EB, #FFE6FE and #FFF8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E7B0CA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E7B0CA shade: #E7B0CA, #D69EB7, #C58CA4, #B47A91 and #A3687E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E7B0CA shade: #E7B0CA, #E7B0BB and #E7B0B0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E7B0CA shade: #E7B0CA, #E7B0D9, #E6B0E7, #D7B0E7 and #C9B0E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E7B0CA shade matches the following richer shades: #E7B0CA, #EFA8CA and #F7A0C9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E7B0CA shade: #E7B0CA, #DEB9CA, #D6C1CB, #CEC9CB and #C6D1CC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E7B0CA shade: #E6B0E7, #E7B0D9, #E7B0CB, #E7B0BC and #E7B3B0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E7B0CA shade: #D371A0, #DD91B5, #E7B0CA, #F0D0DF and #FAF0F4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E7B0CA shade: #E7B0CA, #E7D7B0 and #B0E0E7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E7B0CA shade: #E7B0CA, #CBE7B0 and #B0CBE7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E7B0CA shade: #E7B0CA, #E7D7B0, #B0E7CC and #B0C0E7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E7B0CA shade: #E7B0CA, #E6E7B0, #B0E7CC and #B1B0E7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 13 / 9

HEX #E7B0CA

RGB 231 176 202

HSL 331.64, 0.53%, 0.8%

LAB 77.46, 24.01, -5.39

 

Complementary color

CMYK 70 / 0 / 33 / 69

HEX #184F35

RGB 24 79 53

HSL 151.64, 0.53%, 0.2%

LAB 29.52, -25.01, 10.2

 

CMYK 0 / 25 / 17 / 7

HEX #ECB0C5

RGB 236 176 197

HSL 339, 0.61%, 0.81%

LAB 77.82, 24.97, -2.08

 

CMYK 0 / 23 / 15 / 1

HEX #FDC2D8

RGB 253 194 216

HSL 337.63, 0.94%, 0.88%

LAB 84.19, 24.37, -2.79

 

CMYK 0 / 17 / 8 / 0

HEX #FFD4EB

RGB 255 212 235

HSL 327.91, 1%, 0.92%

LAB 89.09, 18.7, -5.64

 

CMYK 0 / 10 / 0 / 0

HEX #FFE6FE

RGB 255 230 254

HSL 302.4, 1%, 0.95%

LAB 93.89, 12.61, -8.49

 

CMYK 0 / 3 / 0 / 0

HEX #FFF8FF

RGB 255 248 255

HSL 300, 1%, 0.99%

LAB 98.28, 3.55, -2.53

 

CMYK 0 / 24 / 13 / 9

HEX #E7B0CA

RGB 231 176 202

HSL 331.64, 0.53%, 0.8%

LAB 77.46, 24.01, -5.39

 

CMYK 0 / 26 / 14 / 16

HEX #D69EB7

RGB 214 158 183

HSL 333.21, 0.41%, 0.73%

LAB 70.99, 24.62, -4.72

 

CMYK 0 / 29 / 17 / 23

HEX #C58CA4

RGB 197 140 164

HSL 334.74, 0.33%, 0.66%

LAB 64.41, 25.29, -3.99

 

CMYK 0 / 32 / 19 / 29

HEX #B47A91

RGB 180 122 145

HSL 336.21, 0.28%, 0.59%

LAB 57.72, 26.02, -3.2

 

CMYK 0 / 36 / 23 / 36

HEX #A3687E

RGB 163 104 126

HSL 337.63, 0.24%, 0.52%

LAB 50.91, 26.82, -2.33

 

CMYK 0 / 24 / 13 / 9

HEX #E7B0CA

RGB 231 176 202

HSL 331.64, 0.53%, 0.8%

LAB 77.46, 24.01, -5.39

 

CMYK 0 / 24 / 19 / 9

HEX #E7B0BB

RGB 231 176 187

HSL 348, 0.53%, 0.8%

LAB 77.06, 21.64, 2.18

 

CMYK 0 / 24 / 24 / 9

HEX #E7B0B0

RGB 231 176 176

HSL 0, 0.53%, 0.8%

LAB 76.78, 20.02, 7.78

 

CMYK 0 / 24 / 13 / 9

HEX #E7B0CA

RGB 231 176 202

HSL 331.64, 0.53%, 0.8%

LAB 77.46, 24.01, -5.39

 

CMYK 0 / 24 / 6 / 9

HEX #E7B0D9

RGB 231 176 217

HSL 315.27, 0.53%, 0.8%

LAB 77.9, 26.54, -12.88

 

CMYK 0 / 24 / 0 / 9

HEX #E6B0E7

RGB 230 176 231

HSL 298.91, 0.53%, 0.8%

LAB 78.25, 28.72, -19.94

 

CMYK 7 / 24 / 0 / 9

HEX #D7B0E7

RGB 215 176 231

HSL 282.55, 0.53%, 0.8%

LAB 76.84, 23.86, -22.22

 

CMYK 13 / 24 / 0 / 9

HEX #C9B0E7

RGB 201 176 231

HSL 267.27, 0.53%, 0.8%

LAB 75.6, 19.39, -24.22

 

CMYK 0 / 24 / 13 / 9

HEX #E7B0CA

RGB 231 176 202

HSL 331.64, 0.53%, 0.8%

LAB 77.46, 24.01, -5.39

 

CMYK 0 / 30 / 15 / 6

HEX #EFA8CA

RGB 239 168 202

HSL 331.27, 0.69%, 0.8%

LAB 76.45, 31.05, -6.8

 

CMYK 0 / 35 / 19 / 3

HEX #F7A0C9

RGB 247 160 201

HSL 331.72, 0.84%, 0.8%

LAB 75.53, 37.85, -7.51

 

CMYK 0 / 24 / 13 / 9

HEX #E7B0CA

RGB 231 176 202

HSL 331.64, 0.53%, 0.8%

LAB 77.46, 24.01, -5.39

 

CMYK 0 / 17 / 9 / 13

HEX #DEB9CA

RGB 222 185 202

HSL 332.43, 0.36%, 0.8%

LAB 78.75, 16.03, -3.59

 

CMYK 0 / 10 / 5 / 16

HEX #D6C1CB

RGB 214 193 203

HSL 331.43, 0.2%, 0.8%

LAB 80.04, 9.12, -2.32

 

CMYK 0 / 2 / 1 / 19

HEX #CEC9CB

RGB 206 201 203

HSL 336, 0.05%, 0.8%

LAB 81.41, 2.09, -0.39

 

CMYK 5 / 0 / 2 / 18

HEX #C6D1CC

RGB 198 209 204

HSL 152.73, 0.11%, 0.8%

LAB 82.9, -4.66, 1.18

 

CMYK 0 / 24 / 0 / 9

HEX #E6B0E7

RGB 230 176 231

HSL 298.91, 0.53%, 0.8%

LAB 78.25, 28.72, -19.94

 

CMYK 0 / 24 / 6 / 9

HEX #E7B0D9

RGB 231 176 217

HSL 315.27, 0.53%, 0.8%

LAB 77.9, 26.54, -12.88

 

CMYK 0 / 24 / 12 / 9

HEX #E7B0CB

RGB 231 176 203

HSL 330.55, 0.53%, 0.8%

LAB 77.49, 24.17, -5.89

 

CMYK 0 / 24 / 19 / 9

HEX #E7B0BC

RGB 231 176 188

HSL 346.91, 0.53%, 0.8%

LAB 77.08, 21.8, 1.68

 

CMYK 0 / 23 / 24 / 9

HEX #E7B3B0

RGB 231 179 176

HSL 3.27, 0.53%, 0.8%

LAB 77.5, 18.42, 8.8

 

CMYK 0 / 46 / 24 / 17

HEX #D371A0

RGB 211 113 160

HSL 331.22, 0.53%, 0.64%

LAB 60.07, 44.04, -7.96

 

CMYK 0 / 34 / 18 / 13

HEX #DD91B5

RGB 221 145 181

HSL 331.58, 0.53%, 0.72%

LAB 68.72, 33.78, -6.87

 

CMYK 0 / 24 / 13 / 9

HEX #E7B0CA

RGB 231 176 202

HSL 331.64, 0.53%, 0.8%

LAB 77.46, 24.01, -5.39

 

CMYK 0 / 13 / 7 / 6

HEX #F0D0DF

RGB 240 208 223

HSL 331.88, 0.52%, 0.88%

LAB 86.49, 13.64, -3.27

 

CMYK 0 / 4 / 2 / 2

HEX #FAF0F4

RGB 250 240 244

HSL 336, 0.5%, 0.96%

LAB 95.65, 4.04, -0.74

 

CMYK 0 / 24 / 13 / 9

HEX #E7B0CA

RGB 231 176 202

HSL 331.64, 0.53%, 0.8%

LAB 77.46, 24.01, -5.39

 

CMYK 0 / 7 / 24 / 9

HEX #E7D7B0

RGB 231 215 176

HSL 42.55, 0.53%, 0.8%

LAB 86.37, -0.52, 21.27

 

CMYK 24 / 3 / 0 / 9

HEX #B0E0E7

RGB 176 224 231

HSL 187.64, 0.53%, 0.8%

LAB 86.16, -13.87, -8.5

 

CMYK 0 / 24 / 13 / 9

HEX #E7B0CA

RGB 231 176 202

HSL 331.64, 0.53%, 0.8%

LAB 77.46, 24.01, -5.39

 

CMYK 12 / 0 / 24 / 9

HEX #CBE7B0

RGB 203 231 176

HSL 90.55, 0.53%, 0.8%

LAB 88.44, -18.79, 23.79

 

CMYK 24 / 12 / 0 / 9

HEX #B0CBE7

RGB 176 203 231

HSL 210.55, 0.53%, 0.8%

LAB 80.58, -2.98, -16.85

 

CMYK 0 / 24 / 13 / 9

HEX #E7B0CA

RGB 231 176 202

HSL 331.64, 0.53%, 0.8%

LAB 77.46, 24.01, -5.39

 

CMYK 0 / 7 / 24 / 9

HEX #E7D7B0

RGB 231 215 176

HSL 42.55, 0.53%, 0.8%

LAB 86.37, -0.52, 21.27

 

CMYK 24 / 0 / 12 / 9

HEX #B0E7CC

RGB 176 231 204

HSL 150.55, 0.53%, 0.8%

LAB 87.36, -22.93, 7.46

 

CMYK 24 / 17 / 0 / 9

HEX #B0C0E7

RGB 176 192 231

HSL 222.55, 0.53%, 0.8%

LAB 77.7, 2.91, -21.21

 

CMYK 0 / 24 / 13 / 9

HEX #E7B0CA

RGB 231 176 202

HSL 331.64, 0.53%, 0.8%

LAB 77.46, 24.01, -5.39

 

CMYK 0 / 0 / 24 / 9

HEX #E6E7B0

RGB 230 231 176

HSL 61.09, 0.53%, 0.8%

LAB 90.37, -9.03, 26.75

 

CMYK 24 / 0 / 12 / 9

HEX #B0E7CC

RGB 176 231 204

HSL 150.55, 0.53%, 0.8%

LAB 87.36, -22.93, 7.46

 

CMYK 23 / 24 / 0 / 9

HEX #B1B0E7

RGB 177 176 231

HSL 241.09, 0.53%, 0.8%

LAB 73.65, 11.96, -27.37

 

Description

Color code: HEX #E7B0CA | qconv.com Color code: HEX #E7B0CA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 176 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 176 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 13 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 13% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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