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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E7C6B7 it is the complementary color #183948. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E7C6B7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E7C6B7 shade: #ECC6B2, #FDD8C5, #FFEAD8, #FFFCEB and #FFFFFE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E7C6B7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E7C6B7 shade: #E7C6B7, #D6B4A4, #C5A291, #B4907E and #A37E6B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E7C6B7 shade: #E6C5B6, #E6B8B6 and #E6B6B6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E7C6B7 shade: #E6C5B6, #E6D2B6, #E6DFB6, #E0E6B6 and #D3E6B6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E7C6B7 shade matches the following richer shades: #E6C5B6, #EEC2AE, #F6BFA6 and #FEBC9E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E7C6B7 shade: #E6C5B6, #DEC8BE, #D7CBC6, #CFCECD and #C7D1D5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E7C6B7 shade: #E6B6C1, #E6B7B6, #E6C4B6, #E6D1B6 and #E6DEB6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E7C6B7 shade: #D29478, #DCAC97, #E6C5B6, #F1DDD5 and #FBF6F4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E7C6B7 shade: #E7C6B7, #CEE6B6 and #B6BBE6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E7C6B7 shade: #E7C6B7, #B6E6C4 and #C4B6E6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E7C6B7 shade: #E7C6B7, #CEE6B6, #B6D8E6 and #CEB6E6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E7C6B7 shade: #E7C6B7, #C0E6B6, #B6D8E6 and #DDB6E6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 21 / 9

HEX #E7C6B7

RGB 231 198 183

HSL 18.75, 0.5%, 0.81%

LAB 82.27, 9.35, 11.82

 

Complementary color

CMYK 67 / 21 / 0 / 72

HEX #183948

RGB 24 57 72

HSL 198.75, 0.5%, 0.19%

LAB 22.26, -6.74, -12.85

 

CMYK 0 / 16 / 25 / 7

HEX #ECC6B2

RGB 236 198 178

HSL 20.69, 0.6%, 0.81%

LAB 82.61, 10.49, 15.04

 

CMYK 0 / 15 / 22 / 1

HEX #FDD8C5

RGB 253 216 197

HSL 20.36, 0.93%, 0.88%

LAB 88.93, 10.02, 14.13

 

CMYK 0 / 8 / 15 / 0

HEX #FFEAD8

RGB 255 234 216

HSL 27.69, 1%, 0.92%

LAB 93.91, 4.27, 11.31

 

CMYK 0 / 1 / 8 / 0

HEX #FFFCEB

RGB 255 252 235

HSL 51, 1%, 0.96%

LAB 98.78, -1.86, 8.48

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFE

RGB 255 255 254

HSL 60, 1%, 1%

LAB 99.98, -0.17, 0.47

 

CMYK 0 / 14 / 21 / 9

HEX #E7C6B7

RGB 231 198 183

HSL 18.75, 0.5%, 0.81%

LAB 82.27, 9.35, 11.82

 

CMYK 0 / 16 / 23 / 16

HEX #D6B4A4

RGB 214 180 164

HSL 19.2, 0.38%, 0.74%

LAB 75.83, 9.81, 12.72

 

CMYK 0 / 18 / 26 / 23

HEX #C5A291

RGB 197 162 145

HSL 19.62, 0.31%, 0.67%

LAB 69.29, 10.32, 13.68

 

CMYK 0 / 20 / 30 / 29

HEX #B4907E

RGB 180 144 126

HSL 20, 0.26%, 0.6%

LAB 62.64, 10.9, 14.71

 

CMYK 0 / 23 / 34 / 36

HEX #A37E6B

RGB 163 126 107

HSL 20.36, 0.23%, 0.53%

LAB 55.86, 11.57, 15.84

 

CMYK 0 / 14 / 21 / 10

HEX #E6C5B6

RGB 230 197 182

HSL 18.75, 0.49%, 0.81%

LAB 81.91, 9.36, 11.84

 

CMYK 0 / 20 / 21 / 10

HEX #E6B8B6

RGB 230 184 182

HSL 2.5, 0.49%, 0.81%

LAB 78.74, 16.26, 7.31

 

CMYK 0 / 21 / 21 / 10

HEX #E6B6B6

RGB 230 182 182

HSL 0, 0.49%, 0.81%

LAB 78.26, 17.32, 6.62

 

CMYK 0 / 14 / 21 / 10

HEX #E6C5B6

RGB 230 197 182

HSL 18.75, 0.49%, 0.81%

LAB 81.91, 9.36, 11.84

 

CMYK 0 / 9 / 21 / 10

HEX #E6D2B6

RGB 230 210 182

HSL 35, 0.49%, 0.81%

LAB 85.15, 2.55, 16.4

 

CMYK 0 / 3 / 21 / 10

HEX #E6DFB6

RGB 230 223 182

HSL 51.25, 0.49%, 0.81%

LAB 88.44, -4.14, 20.99

 

CMYK 3 / 0 / 21 / 10

HEX #E0E6B6

RGB 224 230 182

HSL 67.5, 0.49%, 0.81%

LAB 89.77, -9.88, 22.77

 

CMYK 8 / 0 / 21 / 10

HEX #D3E6B6

RGB 211 230 182

HSL 83.75, 0.49%, 0.81%

LAB 88.84, -14.54, 21.33

 

CMYK 0 / 14 / 21 / 10

HEX #E6C5B6

RGB 230 197 182

HSL 18.75, 0.49%, 0.81%

LAB 81.91, 9.36, 11.84

 

CMYK 0 / 18 / 27 / 7

HEX #EEC2AE

RGB 238 194 174

HSL 18.75, 0.65%, 0.81%

LAB 81.74, 12.79, 15.97

 

CMYK 0 / 22 / 33 / 4

HEX #F6BFA6

RGB 246 191 166

HSL 18.75, 0.82%, 0.81%

LAB 81.62, 16.35, 20.19

 

CMYK 0 / 26 / 38 / 0

HEX #FEBC9E

RGB 254 188 158

HSL 18.75, 0.98%, 0.81%

LAB 81.57, 20.02, 24.5

 

CMYK 0 / 14 / 21 / 10

HEX #E6C5B6

RGB 230 197 182

HSL 18.75, 0.49%, 0.81%

LAB 81.91, 9.36, 11.84

 

CMYK 0 / 10 / 14 / 13

HEX #DEC8BE

RGB 222 200 190

HSL 18.75, 0.33%, 0.81%

LAB 82.14, 6.08, 7.79

 

CMYK 0 / 6 / 8 / 16

HEX #D7CBC6

RGB 215 203 198

HSL 17.65, 0.18%, 0.81%

LAB 82.51, 3.31, 3.97

 

CMYK 0 / 0 / 1 / 19

HEX #CFCECD

RGB 207 206 205

HSL 30, 0.02%, 0.81%

LAB 82.82, 0.17, 0.61

 

CMYK 7 / 2 / 0 / 16

HEX #C7D1D5

RGB 199 209 213

HSL 197.14, 0.14%, 0.81%

LAB 83.2, -2.62, -3.16

 

CMYK 0 / 21 / 16 / 10

HEX #E6B6C1

RGB 230 182 193

HSL 346.25, 0.49%, 0.81%

LAB 78.54, 19, 1.06

 

CMYK 0 / 20 / 21 / 10

HEX #E6B7B6

RGB 230 183 182

HSL 1.25, 0.49%, 0.81%

LAB 78.5, 16.79, 6.97

 

CMYK 0 / 15 / 21 / 10

HEX #E6C4B6

RGB 230 196 182

HSL 17.5, 0.49%, 0.81%

LAB 81.66, 9.89, 11.49

 

CMYK 0 / 9 / 21 / 10

HEX #E6D1B6

RGB 230 209 182

HSL 33.75, 0.49%, 0.81%

LAB 84.89, 3.07, 16.05

 

CMYK 0 / 3 / 21 / 10

HEX #E6DEB6

RGB 230 222 182

HSL 50, 0.49%, 0.81%

LAB 88.18, -3.63, 20.63

 

CMYK 0 / 30 / 43 / 18

HEX #D29478

RGB 210 148 120

HSL 18.67, 0.5%, 0.65%

LAB 66.7, 19.96, 24.13

 

CMYK 0 / 22 / 31 / 14

HEX #DCAC97

RGB 220 172 151

HSL 18.26, 0.5%, 0.73%

LAB 74.16, 14.61, 17.52

 

CMYK 0 / 14 / 21 / 10

HEX #E6C5B6

RGB 230 197 182

HSL 18.75, 0.49%, 0.81%

LAB 81.91, 9.36, 11.84

 

CMYK 0 / 8 / 12 / 5

HEX #F1DDD5

RGB 241 221 213

HSL 17.14, 0.5%, 0.89%

LAB 89.49, 5.55, 6.39

 

CMYK 0 / 2 / 3 / 2

HEX #FBF6F4

RGB 251 246 244

HSL 17.14, 0.47%, 0.97%

LAB 97.21, 1.32, 1.54

 

CMYK 0 / 14 / 21 / 9

HEX #E7C6B7

RGB 231 198 183

HSL 18.75, 0.5%, 0.81%

LAB 82.27, 9.35, 11.82

 

CMYK 10 / 0 / 21 / 10

HEX #CEE6B6

RGB 206 230 182

HSL 90, 0.49%, 0.81%

LAB 88.49, -16.31, 20.79

 

CMYK 21 / 19 / 0 / 10

HEX #B6BBE6

RGB 182 187 230

HSL 233.75, 0.49%, 0.81%

LAB 76.8, 7.22, -21.99

 

CMYK 0 / 14 / 21 / 9

HEX #E7C6B7

RGB 231 198 183

HSL 18.75, 0.5%, 0.81%

LAB 82.27, 9.35, 11.82

 

CMYK 21 / 0 / 15 / 10

HEX #B6E6C4

RGB 182 230 196

HSL 137.5, 0.49%, 0.81%

LAB 87.25, -22.05, 11.54

 

CMYK 15 / 21 / 0 / 10

HEX #C4B6E6

RGB 196 182 230

HSL 257.5, 0.49%, 0.81%

LAB 76.62, 14.31, -22.16

 

CMYK 0 / 14 / 21 / 9

HEX #E7C6B7

RGB 231 198 183

HSL 18.75, 0.5%, 0.81%

LAB 82.27, 9.35, 11.82

 

CMYK 10 / 0 / 21 / 10

HEX #CEE6B6

RGB 206 230 182

HSL 90, 0.49%, 0.81%

LAB 88.49, -16.31, 20.79

 

CMYK 21 / 6 / 0 / 10

HEX #B6D8E6

RGB 182 216 230

HSL 197.5, 0.49%, 0.81%

LAB 84.37, -8.19, -10.61

 

CMYK 10 / 21 / 0 / 10

HEX #CEB6E6

RGB 206 182 230

HSL 270, 0.49%, 0.81%

LAB 77.45, 17.5, -20.82

 

CMYK 0 / 14 / 21 / 9

HEX #E7C6B7

RGB 231 198 183

HSL 18.75, 0.5%, 0.81%

LAB 82.27, 9.35, 11.82

 

CMYK 17 / 0 / 21 / 10

HEX #C0E6B6

RGB 192 230 182

HSL 107.5, 0.49%, 0.81%

LAB 87.57, -21.17, 19.37

 

CMYK 21 / 6 / 0 / 10

HEX #B6D8E6

RGB 182 216 230

HSL 197.5, 0.49%, 0.81%

LAB 84.37, -8.19, -10.61

 

CMYK 4 / 21 / 0 / 10

HEX #DDB6E6

RGB 221 182 230

HSL 288.75, 0.49%, 0.81%

LAB 78.78, 22.37, -18.69

 

Description

Color code: HEX #E7C6B7 | qconv.com Color code: HEX #E7C6B7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 198 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 198 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 21 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 21% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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