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Color name
HEX #E7C220

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E7C220 it is the complementary color #183DDF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E7C220. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E7C220 shade: #ECC21B, #FDD42E, #FFE641, #FFF854 and #FFFF67

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E7C220. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E7C220 shade: #E7C220, #D6B00D, #C59E00, #B48C00 and #A37A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E7C220 shade: #E7C221, #E78D21, #E75721, #E72221 and #E72121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E7C220 shade: #E7C221, #D7E721, #A1E721, #6CE721 and #36E721

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E7C220 shade matches the following richer shades: #E7C221 and #FBCF0D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E7C220 shade: #E7C221, #D3B635, #C0A949, #AC9D5C and #989170

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E7C220 shade: #E75621, #E78B21, #E7C021, #DAE721 and #A5E721

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E7C220 shade: #A58911, #CAA815, #E7C221, #EBCC46 and #EFD76C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E7C220 shade: #E7C220, #21E721 and #7021E7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E7C220 shade: #E7C220, #21E7C0 and #C021E7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E7C220 shade: #E7C220, #21E721, #2149E7 and #E721E7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E7C220 shade: #E7C220, #21E75C, #2149E7 and #E721AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 86 / 9

HEX #E7C220

RGB 231 194 32

HSL 48.84, 0.81%, 0.52%

LAB 79.43, -1.07, 76.31

 

Complementary color

CMYK 89 / 73 / 0 / 13

HEX #183DDF

RGB 24 61 223

HSL 228.84, 0.81%, 0.48%

LAB 35.71, 49.48, -84.04

 

CMYK 0 / 18 / 89 / 7

HEX #ECC21B

RGB 236 194 27

HSL 47.94, 0.85%, 0.52%

LAB 79.9, 0.98, 77.92

 

CMYK 0 / 16 / 82 / 1

HEX #FDD42E

RGB 253 212 46

HSL 48.12, 0.98%, 0.59%

LAB 86.09, -0.56, 79.23

 

CMYK 0 / 10 / 75 / 0

HEX #FFE641

RGB 255 230 65

HSL 52.11, 1%, 0.63%

LAB 90.89, -8.13, 77.9

 

CMYK 0 / 3 / 67 / 0

HEX #FFF854

RGB 255 248 84

HSL 57.54, 1%, 0.66%

LAB 95.6, -16.1, 75.86

 

CMYK 0 / 0 / 60 / 0

HEX #FFFF67

RGB 255 255 103

HSL 60, 1%, 0.7%

LAB 97.53, -18.38, 70.5

 

CMYK 0 / 16 / 86 / 9

HEX #E7C220

RGB 231 194 32

HSL 48.84, 0.81%, 0.52%

LAB 79.43, -1.07, 76.31

 

CMYK 0 / 18 / 94 / 16

HEX #D6B00D

RGB 214 176 13

HSL 48.66, 0.89%, 0.45%

LAB 73.14, 0.6, 74.12

 

CMYK 0 / 20 / 100 / 23

HEX #C59E00

RGB 197 158 0

HSL 48.12, 1%, 0.39%

LAB 66.77, 2.49, 70.36

 

CMYK 0 / 22 / 100 / 29

HEX #B48C00

RGB 180 140 0

HSL 46.67, 1%, 0.35%

LAB 60.3, 4.6, 65.03

 

CMYK 0 / 25 / 100 / 36

HEX #A37A00

RGB 163 122 0

HSL 44.91, 1%, 0.32%

LAB 53.71, 6.8, 59.61

 

CMYK 0 / 16 / 86 / 9

HEX #E7C221

RGB 231 194 33

HSL 48.79, 0.8%, 0.52%

LAB 79.43, -1.05, 76.09

 

CMYK 0 / 39 / 86 / 9

HEX #E78D21

RGB 231 141 33

HSL 32.73, 0.8%, 0.52%

LAB 66.63, 26.93, 65.68

 

CMYK 0 / 62 / 86 / 9

HEX #E75721

RGB 231 87 33

HSL 16.36, 0.8%, 0.52%

LAB 56, 53.53, 56.98

 

CMYK 0 / 85 / 86 / 9

HEX #E72221

RGB 231 34 33

HSL 0.3, 0.8%, 0.52%

LAB 49.79, 70.67, 51.85

 

CMYK 0 / 86 / 86 / 9

HEX #E72121

RGB 231 33 33

HSL 0, 0.8%, 0.52%

LAB 49.72, 70.86, 51.79

 

CMYK 0 / 16 / 86 / 9

HEX #E7C221

RGB 231 194 33

HSL 48.79, 0.8%, 0.52%

LAB 79.43, -1.05, 76.09

 

CMYK 7 / 0 / 86 / 9

HEX #D7E721

RGB 215 231 33

HSL 64.85, 0.8%, 0.52%

LAB 87.83, -26.2, 82.38

 

CMYK 30 / 0 / 86 / 9

HEX #A1E721

RGB 161 231 33

HSL 81.21, 0.8%, 0.52%

LAB 84.4, -47.3, 78.13

 

CMYK 53 / 0 / 86 / 9

HEX #6CE721

RGB 108 231 33

HSL 97.27, 0.8%, 0.52%

LAB 82.08, -64.27, 75.23

 

CMYK 77 / 0 / 86 / 9

HEX #36E721

RGB 54 231 33

HSL 113.64, 0.8%, 0.52%

LAB 80.76, -75.25, 73.57

 

CMYK 0 / 16 / 86 / 9

HEX #E7C221

RGB 231 194 33

HSL 48.79, 0.8%, 0.52%

LAB 79.43, -1.05, 76.09

 

CMYK 0 / 18 / 95 / 2

HEX #FBCF0D

RGB 251 207 13

HSL 48.91, 0.97%, 0.52%

LAB 84.57, 0.54, 84.12

 

CMYK 0 / 16 / 86 / 9

HEX #E7C221

RGB 231 194 33

HSL 48.79, 0.8%, 0.52%

LAB 79.43, -1.05, 76.09

 

CMYK 0 / 14 / 75 / 17

HEX #D3B635

RGB 211 182 53

HSL 48.99, 0.64%, 0.52%

LAB 74.55, -2.82, 65.23

 

CMYK 0 / 12 / 62 / 25

HEX #C0A949

RGB 192 169 73

HSL 48.4, 0.49%, 0.52%

LAB 69.51, -3.09, 51.34

 

CMYK 0 / 9 / 47 / 33

HEX #AC9D5C

RGB 172 157 92

HSL 48.75, 0.33%, 0.52%

LAB 64.69, -3.62, 35.85

 

CMYK 0 / 5 / 26 / 40

HEX #989170

RGB 152 145 112

HSL 49.5, 0.16%, 0.52%

LAB 59.98, -2.91, 18.49

 

CMYK 0 / 63 / 86 / 9

HEX #E75621

RGB 231 86 33

HSL 16.06, 0.8%, 0.52%

LAB 55.84, 53.96, 56.84

 

CMYK 0 / 40 / 86 / 9

HEX #E78B21

RGB 231 139 33

HSL 32.12, 0.8%, 0.52%

LAB 66.19, 27.98, 65.32

 

CMYK 0 / 17 / 86 / 9

HEX #E7C021

RGB 231 192 33

HSL 48.18, 0.8%, 0.52%

LAB 78.92, -0.01, 75.68

 

CMYK 6 / 0 / 86 / 9

HEX #DAE721

RGB 218 231 33

HSL 63.94, 0.8%, 0.52%

LAB 88.05, -24.96, 82.65

 

CMYK 29 / 0 / 86 / 9

HEX #A5E721

RGB 165 231 33

HSL 80, 0.8%, 0.52%

LAB 84.62, -45.84, 78.4

 

CMYK 0 / 17 / 90 / 35

HEX #A58911

RGB 165 137 17

HSL 48.65, 0.81%, 0.36%

LAB 57.97, -0.36, 59.74

 

CMYK 0 / 17 / 90 / 21

HEX #CAA815

RGB 202 168 21

HSL 48.73, 0.81%, 0.44%

LAB 69.91, -0.35, 69.87

 

CMYK 0 / 16 / 86 / 9

HEX #E7C221

RGB 231 194 33

HSL 48.79, 0.8%, 0.52%

LAB 79.43, -1.05, 76.09

 

CMYK 0 / 13 / 70 / 8

HEX #EBCC46

RGB 235 204 70

HSL 48.73, 0.8%, 0.6%

LAB 82.53, -3.17, 67.47

 

CMYK 0 / 10 / 55 / 6

HEX #EFD76C

RGB 239 215 108

HSL 49.01, 0.8%, 0.68%

LAB 86.02, -4.72, 55.06

 

CMYK 0 / 16 / 86 / 9

HEX #E7C220

RGB 231 194 32

HSL 48.84, 0.81%, 0.52%

LAB 79.43, -1.07, 76.31

 

CMYK 86 / 0 / 86 / 9

HEX #21E721

RGB 33 231 33

HSL 120, 0.8%, 0.52%

LAB 80.51, -77.54, 73.24

 

CMYK 52 / 86 / 0 / 9

HEX #7021E7

RGB 112 33 231

HSL 263.94, 0.8%, 0.52%

LAB 38.38, 70.96, -84

 

CMYK 0 / 16 / 86 / 9

HEX #E7C220

RGB 231 194 32

HSL 48.84, 0.81%, 0.52%

LAB 79.43, -1.07, 76.31

 

CMYK 86 / 0 / 17 / 9

HEX #21E7C0

RGB 33 231 192

HSL 168.18, 0.8%, 0.52%

LAB 82.53, -54.05, 6.22

 

CMYK 17 / 86 / 0 / 9

HEX #C021E7

RGB 192 33 231

HSL 288.18, 0.8%, 0.52%

LAB 49.57, 81.47, -65.25

 

CMYK 0 / 16 / 86 / 9

HEX #E7C220

RGB 231 194 32

HSL 48.84, 0.81%, 0.52%

LAB 79.43, -1.07, 76.31

 

CMYK 86 / 0 / 86 / 9

HEX #21E721

RGB 33 231 33

HSL 120, 0.8%, 0.52%

LAB 80.51, -77.54, 73.24

 

CMYK 86 / 68 / 0 / 9

HEX #2149E7

RGB 33 73 231

HSL 227.88, 0.8%, 0.52%

LAB 39.34, 45.55, -82.6

 

CMYK 0 / 86 / 0 / 9

HEX #E721E7

RGB 231 33 231

HSL 300, 0.8%, 0.52%

LAB 55.93, 87.9, -54.68

 

CMYK 0 / 16 / 86 / 9

HEX #E7C220

RGB 231 194 32

HSL 48.84, 0.81%, 0.52%

LAB 79.43, -1.07, 76.31

 

CMYK 86 / 0 / 60 / 9

HEX #21E75C

RGB 33 231 92

HSL 137.88, 0.8%, 0.52%

LAB 80.88, -72.9, 53.86

 

CMYK 86 / 68 / 0 / 9

HEX #2149E7

RGB 33 73 231

HSL 227.88, 0.8%, 0.52%

LAB 39.34, 45.55, -82.6

 

CMYK 0 / 86 / 26 / 9

HEX #E721AC

RGB 231 33 172

HSL 317.88, 0.8%, 0.52%

LAB 53.01, 80.17, -25.37

 

Description

Color code: HEX #E7C220 | qconv.com Color code: HEX #E7C220 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 194 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 194 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 86 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 86% 9% C M Y K

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