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Color name
HEX #E7DF21

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E7DF21 it is the complementary color #1820DE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E7DF21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E7DF21 shade: #ECDF1C, #FDF12F, #FFFF42, #FFFF55 and #FFFF68

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E7DF21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E7DF21 shade: #E7DF21, #D6CD0E, #C5BB00, #B4A900 and #A39700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E7DF21 shade: #E6DE22, #E6A922, #E67422, #E64022 and #E62222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E7DF21 shade: #E6DE22, #B9E622, #84E622, #4FE622 and #22E62A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E7DF21 shade matches the following richer shades: #E6DE22 and #FAF00E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E7DF21 shade: #E6DE22, #D2CC36, #BEBA4A, #ABA85E and #979571

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E7DF21 shade: #E67422, #E6A822, #E6DC22, #BCE622 and #87E622

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E7DF21 shade: #A49E12, #C9C216, #E6DE22, #EAE447 and #EEE96C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E7DF21 shade: #E7DF21, #22E640 and #8E22E6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E7DF21 shade: #E7DF21, #22E6DC and #DC22E6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E7DF21 shade: #E7DF21, #22E640, #222CE6 and #E622C9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E7DF21 shade: #E7DF21, #22E67A, #222CE6 and #E6228E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 86 / 9

HEX #E7DF21

RGB 231 223 33

HSL 57.58, 0.8%, 0.52%

LAB 86.94, -15.68, 82.16

 

Complementary color

CMYK 89 / 86 / 0 / 13

HEX #1820DE

RGB 24 32 222

HSL 237.58, 0.8%, 0.48%

LAB 30.64, 63.5, -91.88

 

CMYK 0 / 6 / 88 / 7

HEX #ECDF1C

RGB 236 223 28

HSL 56.25, 0.85%, 0.52%

LAB 87.34, -13.68, 83.57

 

CMYK 0 / 5 / 81 / 1

HEX #FDF12F

RGB 253 241 47

HSL 56.5, 0.98%, 0.59%

LAB 93.45, -14.97, 85.22

 

CMYK 0 / 0 / 74 / 0

HEX #FFFF42

RGB 255 255 66

HSL 60, 1%, 0.63%

LAB 97.3, -20.27, 83.52

 

CMYK 0 / 0 / 67 / 0

HEX #FFFF55

RGB 255 255 85

HSL 60, 1%, 0.67%

LAB 97.4, -19.42, 77.31

 

CMYK 0 / 0 / 59 / 0

HEX #FFFF68

RGB 255 255 104

HSL 60, 1%, 0.7%

LAB 97.54, -18.31, 70.1

 

CMYK 0 / 3 / 86 / 9

HEX #E7DF21

RGB 231 223 33

HSL 57.58, 0.8%, 0.52%

LAB 86.94, -15.68, 82.16

 

CMYK 0 / 4 / 93 / 16

HEX #D6CD0E

RGB 214 205 14

HSL 57.3, 0.88%, 0.45%

LAB 80.73, -14.29, 79.69

 

CMYK 0 / 5 / 100 / 23

HEX #C5BB00

RGB 197 187 0

HSL 56.95, 1%, 0.39%

LAB 74.45, -12.71, 75.83

 

CMYK 0 / 6 / 100 / 29

HEX #B4A900

RGB 180 169 0

HSL 56.33, 1%, 0.35%

LAB 68.08, -10.95, 70.54

 

CMYK 0 / 7 / 100 / 36

HEX #A39700

RGB 163 151 0

HSL 55.58, 1%, 0.32%

LAB 61.58, -9.13, 65.16

 

CMYK 0 / 3 / 85 / 10

HEX #E6DE22

RGB 230 222 34

HSL 57.55, 0.8%, 0.52%

LAB 86.59, -15.59, 81.65

 

CMYK 0 / 27 / 85 / 10

HEX #E6A922

RGB 230 169 34

HSL 41.33, 0.8%, 0.52%

LAB 73.1, 11.65, 70.64

 

CMYK 0 / 50 / 85 / 10

HEX #E67422

RGB 230 116 34

HSL 25.1, 0.8%, 0.52%

LAB 61.16, 39.5, 60.8

 

CMYK 0 / 72 / 85 / 10

HEX #E64022

RGB 230 64 34

HSL 9.18, 0.8%, 0.52%

LAB 52.51, 62.22, 53.59

 

CMYK 0 / 85 / 85 / 10

HEX #E62222

RGB 230 34 34

HSL 0, 0.8%, 0.52%

LAB 49.6, 70.42, 51.13

 

CMYK 0 / 3 / 85 / 10

HEX #E6DE22

RGB 230 222 34

HSL 57.55, 0.8%, 0.52%

LAB 86.59, -15.59, 81.65

 

CMYK 20 / 0 / 85 / 10

HEX #B9E622

RGB 185 230 34

HSL 73.78, 0.8%, 0.52%

LAB 85.52, -37.76, 79.43

 

CMYK 43 / 0 / 85 / 10

HEX #84E622

RGB 132 230 34

HSL 90, 0.8%, 0.52%

LAB 82.71, -56.8, 75.93

 

CMYK 66 / 0 / 85 / 10

HEX #4FE622

RGB 79 230 34

HSL 106.22, 0.8%, 0.52%

LAB 80.94, -70.72, 73.71

 

CMYK 85 / 0 / 82 / 10

HEX #22E62A

RGB 34 230 42

HSL 122.45, 0.8%, 0.52%

LAB 80.24, -76.76, 70.94

 

CMYK 0 / 3 / 85 / 10

HEX #E6DE22

RGB 230 222 34

HSL 57.55, 0.8%, 0.52%

LAB 86.59, -15.59, 81.65

 

CMYK 0 / 4 / 94 / 2

HEX #FAF00E

RGB 250 240 14

HSL 57.46, 0.96%, 0.52%

LAB 92.87, -16.32, 90.12

 

CMYK 0 / 3 / 85 / 10

HEX #E6DE22

RGB 230 222 34

HSL 57.55, 0.8%, 0.52%

LAB 86.59, -15.59, 81.65

 

CMYK 0 / 3 / 74 / 18

HEX #D2CC36

RGB 210 204 54

HSL 57.69, 0.63%, 0.52%

LAB 80.27, -14.47, 70.23

 

CMYK 0 / 2 / 61 / 25

HEX #BEBA4A

RGB 190 186 74

HSL 57.93, 0.47%, 0.52%

LAB 73.91, -12.74, 55.64

 

CMYK 0 / 2 / 45 / 33

HEX #ABA85E

RGB 171 168 94

HSL 57.66, 0.31%, 0.52%

LAB 67.63, -9.7, 38.44

 

CMYK 0 / 1 / 25 / 41

HEX #979571

RGB 151 149 113

HSL 56.84, 0.15%, 0.52%

LAB 61.02, -5.36, 19.33

 

CMYK 0 / 50 / 85 / 10

HEX #E67422

RGB 230 116 34

HSL 25.1, 0.8%, 0.52%

LAB 61.16, 39.5, 60.8

 

CMYK 0 / 27 / 85 / 10

HEX #E6A822

RGB 230 168 34

HSL 41.02, 0.8%, 0.52%

LAB 72.85, 12.18, 70.44

 

CMYK 0 / 4 / 85 / 10

HEX #E6DC22

RGB 230 220 34

HSL 56.94, 0.8%, 0.52%

LAB 86.07, -14.6, 81.23

 

CMYK 18 / 0 / 85 / 10

HEX #BCE622

RGB 188 230 34

HSL 72.86, 0.8%, 0.52%

LAB 85.71, -36.59, 79.67

 

CMYK 41 / 0 / 85 / 10

HEX #87E622

RGB 135 230 34

HSL 89.08, 0.8%, 0.52%

LAB 82.84, -55.83, 76.09

 

CMYK 0 / 4 / 89 / 36

HEX #A49E12

RGB 164 158 18

HSL 57.53, 0.8%, 0.36%

LAB 63.66, -12.09, 64.02

 

CMYK 0 / 3 / 89 / 21

HEX #C9C216

RGB 201 194 22

HSL 57.65, 0.8%, 0.44%

LAB 76.71, -14.24, 74.98

 

CMYK 0 / 3 / 85 / 10

HEX #E6DE22

RGB 230 222 34

HSL 57.55, 0.8%, 0.52%

LAB 86.59, -15.59, 81.65

 

CMYK 0 / 3 / 70 / 8

HEX #EAE447

RGB 234 228 71

HSL 57.79, 0.8%, 0.6%

LAB 88.65, -15.58, 73.12

 

CMYK 0 / 2 / 55 / 7

HEX #EEE96C

RGB 238 233 108

HSL 57.69, 0.79%, 0.68%

LAB 90.57, -14.12, 60.27

 

CMYK 0 / 3 / 86 / 9

HEX #E7DF21

RGB 231 223 33

HSL 57.58, 0.8%, 0.52%

LAB 86.94, -15.68, 82.16

 

CMYK 85 / 0 / 72 / 10

HEX #22E640

RGB 34 230 64

HSL 129.18, 0.8%, 0.52%

LAB 80.35, -75.32, 64.37

 

CMYK 38 / 85 / 0 / 10

HEX #8E22E6

RGB 142 34 230

HSL 273.06, 0.8%, 0.52%

LAB 42.17, 73.9, -77.07

 

CMYK 0 / 3 / 86 / 9

HEX #E7DF21

RGB 231 223 33

HSL 57.58, 0.8%, 0.52%

LAB 86.94, -15.68, 82.16

 

CMYK 85 / 0 / 4 / 10

HEX #22E6DC

RGB 34 230 220

HSL 176.94, 0.8%, 0.52%

LAB 82.97, -46.12, -7.93

 

CMYK 4 / 85 / 0 / 10

HEX #DC22E6

RGB 220 34 230

HSL 296.94, 0.8%, 0.52%

LAB 54.1, 85.7, -57.15

 

CMYK 0 / 3 / 86 / 9

HEX #E7DF21

RGB 231 223 33

HSL 57.58, 0.8%, 0.52%

LAB 86.94, -15.68, 82.16

 

CMYK 85 / 0 / 72 / 10

HEX #22E640

RGB 34 230 64

HSL 129.18, 0.8%, 0.52%

LAB 80.35, -75.32, 64.37

 

CMYK 85 / 81 / 0 / 10

HEX #222CE6

RGB 34 44 230

HSL 236.94, 0.8%, 0.52%

LAB 33.68, 61.04, -91.4

 

CMYK 0 / 85 / 13 / 10

HEX #E622C9

RGB 230 34 201

HSL 308.88, 0.8%, 0.52%

LAB 54.22, 83.37, -40.34

 

CMYK 0 / 3 / 86 / 9

HEX #E7DF21

RGB 231 223 33

HSL 57.58, 0.8%, 0.52%

LAB 86.94, -15.68, 82.16

 

CMYK 85 / 0 / 47 / 10

HEX #22E67A

RGB 34 230 122

HSL 146.94, 0.8%, 0.52%

LAB 80.93, -68.26, 39.99

 

CMYK 85 / 81 / 0 / 10

HEX #222CE6

RGB 34 44 230

HSL 236.94, 0.8%, 0.52%

LAB 33.68, 61.04, -91.4

 

CMYK 0 / 85 / 38 / 10

HEX #E6228E

RGB 230 34 142

HSL 326.94, 0.8%, 0.52%

LAB 51.75, 76.61, -9.51

 

Description

Color code: HEX #E7DF21 | qconv.com Color code: HEX #E7DF21 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 223 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 223 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 86 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 86% 9% C M Y K

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