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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E7DF2B it is the complementary color #1820D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E7DF2B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E7DF2B shade: #ECDF26, #FDF139, #FFFF4C, #FFFF5F and #FFFF72

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E7DF2B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E7DF2B shade: #E7DF2B, #D6CD18, #C5BB05, #B4A900 and #A39700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E7DF2B shade: #E7DF2B, #E7AC2B, #E77A2B, #E7472B and #E72B2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E7DF2B shade: #E7DF2B, #BCE72B, #8AE72B, #57E72B and #2BE732

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E7DF2B shade matches the following richer shades: #E7DF2B and #FAF018

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E7DF2B shade: #E7DF2B, #D4CE3E, #C1BC51, #AEAB64 and #9B9A77

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E7DF2B shade: #E77A2B, #E7AC2B, #E7DE2B, #BEE72B and #8CE72B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E7DF2B shade: #ADA713, #D2CA17, #E7DF2B, #EBE550 and #EFEA76

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E7DF2B shade: #E7DF2B, #2BE748 and #932BE7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E7DF2B shade: #E7DF2B, #2BE7DE and #DE2BE7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E7DF2B shade: #E7DF2B, #2BE748, #2B35E7 and #E72BCB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E7DF2B shade: #E7DF2B, #2BE780, #2B35E7 and #E72B93

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 81 / 9

HEX #E7DF2B

RGB 231 223 43

HSL 57.45, 0.8%, 0.54%

LAB 86.97, -15.43, 79.98

 

Complementary color

CMYK 89 / 85 / 0 / 17

HEX #1820D4

RGB 24 32 212

HSL 237.45, 0.8%, 0.46%

LAB 29.36, 60.6, -88.24

 

CMYK 0 / 6 / 84 / 7

HEX #ECDF26

RGB 236 223 38

HSL 56.06, 0.84%, 0.54%

LAB 87.36, -13.46, 81.64

 

CMYK 0 / 5 / 77 / 1

HEX #FDF139

RGB 253 241 57

HSL 56.33, 0.98%, 0.61%

LAB 93.49, -14.67, 82.64

 

CMYK 0 / 0 / 70 / 0

HEX #FFFF4C

RGB 255 255 76

HSL 60, 1%, 0.65%

LAB 97.35, -19.85, 80.39

 

CMYK 0 / 0 / 63 / 0

HEX #FFFF5F

RGB 255 255 95

HSL 60, 1%, 0.69%

LAB 97.47, -18.87, 73.62

 

CMYK 0 / 0 / 55 / 0

HEX #FFFF72

RGB 255 255 114

HSL 60, 1%, 0.72%

LAB 97.63, -17.63, 66

 

CMYK 0 / 3 / 81 / 9

HEX #E7DF2B

RGB 231 223 43

HSL 57.45, 0.8%, 0.54%

LAB 86.97, -15.43, 79.98

 

CMYK 0 / 4 / 89 / 16

HEX #D6CD18

RGB 214 205 24

HSL 57.16, 0.8%, 0.47%

LAB 80.75, -14.14, 78.29

 

CMYK 0 / 5 / 97 / 23

HEX #C5BB05

RGB 197 187 5

HSL 56.88, 0.95%, 0.4%

LAB 74.46, -12.66, 75.29

 

CMYK 0 / 6 / 100 / 29

HEX #B4A900

RGB 180 169 0

HSL 56.33, 1%, 0.35%

LAB 68.08, -10.95, 70.54

 

CMYK 0 / 7 / 100 / 36

HEX #A39700

RGB 163 151 0

HSL 55.58, 1%, 0.32%

LAB 61.58, -9.13, 65.16

 

CMYK 0 / 3 / 81 / 9

HEX #E7DF2B

RGB 231 223 43

HSL 57.45, 0.8%, 0.54%

LAB 86.97, -15.43, 79.98

 

CMYK 0 / 26 / 81 / 9

HEX #E7AC2B

RGB 231 172 43

HSL 41.17, 0.8%, 0.54%

LAB 73.98, 10.74, 68.81

 

CMYK 0 / 47 / 81 / 9

HEX #E77A2B

RGB 231 122 43

HSL 25.21, 0.8%, 0.54%

LAB 62.58, 37.09, 58.71

 

CMYK 0 / 69 / 81 / 9

HEX #E7472B

RGB 231 71 43

HSL 8.94, 0.8%, 0.54%

LAB 53.67, 60.25, 50.53

 

CMYK 0 / 81 / 81 / 9

HEX #E72B2B

RGB 231 43 43

HSL 0, 0.8%, 0.54%

LAB 50.56, 68.93, 47.58

 

CMYK 0 / 3 / 81 / 9

HEX #E7DF2B

RGB 231 223 43

HSL 57.45, 0.8%, 0.54%

LAB 86.97, -15.43, 79.98

 

CMYK 19 / 0 / 81 / 9

HEX #BCE72B

RGB 188 231 43

HSL 73.72, 0.8%, 0.54%

LAB 86.02, -36.76, 77.93

 

CMYK 40 / 0 / 81 / 9

HEX #8AE72B

RGB 138 231 43

HSL 89.68, 0.8%, 0.54%

LAB 83.3, -54.91, 74.49

 

CMYK 62 / 0 / 81 / 9

HEX #57E72B

RGB 87 231 43

HSL 105.96, 0.8%, 0.54%

LAB 81.48, -68.98, 72.17

 

CMYK 81 / 0 / 78 / 9

HEX #2BE732

RGB 43 231 50

HSL 122.23, 0.8%, 0.54%

LAB 80.68, -75.74, 69.22

 

CMYK 0 / 3 / 81 / 9

HEX #E7DF2B

RGB 231 223 43

HSL 57.45, 0.8%, 0.54%

LAB 86.97, -15.43, 79.98

 

CMYK 0 / 4 / 90 / 2

HEX #FAF018

RGB 250 240 24

HSL 57.35, 0.96%, 0.54%

LAB 92.89, -16.2, 89

 

CMYK 0 / 3 / 81 / 9

HEX #E7DF2B

RGB 231 223 43

HSL 57.45, 0.8%, 0.54%

LAB 86.97, -15.43, 79.98

 

CMYK 0 / 3 / 71 / 17

HEX #D4CE3E

RGB 212 206 62

HSL 57.6, 0.64%, 0.54%

LAB 81.01, -14.27, 68.26

 

CMYK 0 / 3 / 58 / 24

HEX #C1BC51

RGB 193 188 81

HSL 57.32, 0.47%, 0.54%

LAB 74.76, -12.01, 53.55

 

CMYK 0 / 2 / 43 / 32

HEX #AEAB64

RGB 174 171 100

HSL 57.57, 0.31%, 0.54%

LAB 68.78, -9.4, 36.85

 

CMYK 0 / 1 / 23 / 39

HEX #9B9A77

RGB 155 154 119

HSL 58.33, 0.15%, 0.54%

LAB 62.85, -5.61, 18.56

 

CMYK 0 / 47 / 81 / 9

HEX #E77A2B

RGB 231 122 43

HSL 25.21, 0.8%, 0.54%

LAB 62.58, 37.09, 58.71

 

CMYK 0 / 26 / 81 / 9

HEX #E7AC2B

RGB 231 172 43

HSL 41.17, 0.8%, 0.54%

LAB 73.98, 10.74, 68.81

 

CMYK 0 / 4 / 81 / 9

HEX #E7DE2B

RGB 231 222 43

HSL 57.13, 0.8%, 0.54%

LAB 86.7, -14.94, 79.76

 

CMYK 18 / 0 / 81 / 9

HEX #BEE72B

RGB 190 231 43

HSL 73.09, 0.8%, 0.54%

LAB 86.14, -35.98, 78.1

 

CMYK 39 / 0 / 81 / 9

HEX #8CE72B

RGB 140 231 43

HSL 89.04, 0.8%, 0.54%

LAB 83.39, -54.25, 74.61

 

CMYK 0 / 3 / 89 / 32

HEX #ADA713

RGB 173 167 19

HSL 57.66, 0.8%, 0.38%

LAB 66.95, -12.75, 66.78

 

CMYK 0 / 4 / 89 / 18

HEX #D2CA17

RGB 210 202 23

HSL 57.43, 0.8%, 0.46%

LAB 79.62, -14.37, 77.42

 

CMYK 0 / 3 / 81 / 9

HEX #E7DF2B

RGB 231 223 43

HSL 57.45, 0.8%, 0.54%

LAB 86.97, -15.43, 79.98

 

CMYK 0 / 3 / 66 / 8

HEX #EBE550

RGB 235 229 80

HSL 57.68, 0.79%, 0.62%

LAB 89.05, -15.2, 70.22

 

CMYK 0 / 2 / 51 / 6

HEX #EFEA76

RGB 239 234 118

HSL 57.52, 0.79%, 0.7%

LAB 91.01, -13.42, 56.28

 

CMYK 0 / 3 / 81 / 9

HEX #E7DF2B

RGB 231 223 43

HSL 57.45, 0.8%, 0.54%

LAB 86.97, -15.43, 79.98

 

CMYK 81 / 0 / 69 / 9

HEX #2BE748

RGB 43 231 72

HSL 129.26, 0.8%, 0.54%

LAB 80.81, -74.08, 61.97

 

CMYK 36 / 81 / 0 / 9

HEX #932BE7

RGB 147 43 231

HSL 273.19, 0.8%, 0.54%

LAB 43.8, 72.22, -74.93

 

CMYK 0 / 3 / 81 / 9

HEX #E7DF2B

RGB 231 223 43

HSL 57.45, 0.8%, 0.54%

LAB 86.97, -15.43, 79.98

 

CMYK 81 / 0 / 4 / 9

HEX #2BE7DE

RGB 43 231 222

HSL 177.13, 0.8%, 0.54%

LAB 83.41, -45.38, -8.32

 

CMYK 4 / 81 / 0 / 9

HEX #DE2BE7

RGB 222 43 231

HSL 297.13, 0.8%, 0.54%

LAB 55.1, 84.42, -56.1

 

CMYK 0 / 3 / 81 / 9

HEX #E7DF2B

RGB 231 223 43

HSL 57.45, 0.8%, 0.54%

LAB 86.97, -15.43, 79.98

 

CMYK 81 / 0 / 69 / 9

HEX #2BE748

RGB 43 231 72

HSL 129.26, 0.8%, 0.54%

LAB 80.81, -74.08, 61.97

 

CMYK 81 / 77 / 0 / 9

HEX #2B35E7

RGB 43 53 231

HSL 236.81, 0.8%, 0.54%

LAB 35.65, 57.36, -88.68

 

CMYK 0 / 81 / 12 / 9

HEX #E72BCB

RGB 231 43 203

HSL 308.94, 0.8%, 0.54%

LAB 55.1, 82.06, -40.09

 

CMYK 0 / 3 / 81 / 9

HEX #E7DF2B

RGB 231 223 43

HSL 57.45, 0.8%, 0.54%

LAB 86.97, -15.43, 79.98

 

CMYK 81 / 0 / 45 / 9

HEX #2BE780

RGB 43 231 128

HSL 147.13, 0.8%, 0.54%

LAB 81.41, -66.81, 37.68

 

CMYK 81 / 77 / 0 / 9

HEX #2B35E7

RGB 43 53 231

HSL 236.81, 0.8%, 0.54%

LAB 35.65, 57.36, -88.68

 

CMYK 0 / 81 / 36 / 9

HEX #E72B93

RGB 231 43 147

HSL 326.81, 0.8%, 0.54%

LAB 52.76, 75.46, -10.96

 

Description

Color code: HEX #E7DF2B | qconv.com Color code: HEX #E7DF2B | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 223 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 223 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 81 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 81% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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