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Color name
HEX #E7E5AB

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E7E5AB it is the complementary color #181A54. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E7E5AB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E7E5AB shade: #ECE5A6, #FDF7B9, #FFFFCC, #FFFFDF and #FFFFF2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E7E5AB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E7E5AB shade: #E7E5AB, #D6D398, #C5C185, #B4AF72 and #A39D5F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E7E5AB shade: #E7E5AB, #E7D5AB, #E7C5AB, #E7B4AB and #E7ABAB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E7E5AB shade: #E7E5AB, #D9E7AB, #C9E7AB, #B8E7AB and #ABE7AE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E7E5AB shade matches the following richer shades: #E7E5AB, #F0EDA2 and #F8F59A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E7E5AB shade: #E7E5AB, #DEDDB4, #D6D5BC, #CDCDC5 and #C4C5CE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E7E5AB shade: #E7C5AB, #E7D5AB, #E7E5AB, #D9E7AB and #C9E7AB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E7E5AB shade: #D5D16B, #DEDB8B, #E7E5AB, #F0EFCB and #F9F9EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E7E5AB shade: #E7E5AB, #ABE7B5 and #CDABE7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E7E5AB shade: #E7E5AB, #ABE7E5 and #E5ABE7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E7E5AB shade: #E7E5AB, #ABE7B5, #ABADE7 and #E7ABDD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E7E5AB shade: #E7E5AB, #ABE7C7, #ABADE7 and #E7ABCB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 26 / 9

HEX #E7E5AB

RGB 231 229 171

HSL 58, 0.56%, 0.79%

LAB 89.84, -8.32, 28.61

 

Complementary color

CMYK 71 / 69 / 0 / 67

HEX #181A54

RGB 24 26 84

HSL 238, 0.56%, 0.21%

LAB 13.07, 20.3, -35.59

 

CMYK 0 / 3 / 30 / 7

HEX #ECE5A6

RGB 236 229 166

HSL 54, 0.65%, 0.79%

LAB 90.15, -7.09, 31.65

 

CMYK 0 / 2 / 27 / 1

HEX #FDF7B9

RGB 253 247 185

HSL 54.71, 0.94%, 0.86%

LAB 96.37, -7.36, 30.6

 

CMYK 0 / 0 / 20 / 0

HEX #FFFFCC

RGB 255 255 204

HSL 60, 1%, 0.9%

LAB 98.88, -8.05, 24.44

 

CMYK 0 / 0 / 13 / 0

HEX #FFFFDF

RGB 255 255 223

HSL 60, 1%, 0.94%

LAB 99.26, -5.26, 15.31

 

CMYK 0 / 0 / 5 / 0

HEX #FFFFF2

RGB 255 255 242

HSL 60, 1%, 0.97%

LAB 99.69, -2.22, 6.2

 

CMYK 0 / 1 / 26 / 9

HEX #E7E5AB

RGB 231 229 171

HSL 58, 0.56%, 0.79%

LAB 89.84, -8.32, 28.61

 

CMYK 0 / 1 / 29 / 16

HEX #D6D398

RGB 214 211 152

HSL 57.1, 0.43%, 0.72%

LAB 83.52, -8.09, 29.67

 

CMYK 0 / 2 / 32 / 23

HEX #C5C185

RGB 197 193 133

HSL 56.25, 0.36%, 0.65%

LAB 77.1, -7.81, 30.78

 

CMYK 0 / 3 / 37 / 29

HEX #B4AF72

RGB 180 175 114

HSL 55.45, 0.31%, 0.58%

LAB 70.58, -7.48, 31.94

 

CMYK 0 / 4 / 42 / 36

HEX #A39D5F

RGB 163 157 95

HSL 54.71, 0.27%, 0.51%

LAB 63.94, -7.08, 33.17

 

CMYK 0 / 1 / 26 / 9

HEX #E7E5AB

RGB 231 229 171

HSL 58, 0.56%, 0.79%

LAB 89.84, -8.32, 28.61

 

CMYK 0 / 8 / 26 / 9

HEX #E7D5AB

RGB 231 213 171

HSL 42, 0.56%, 0.79%

LAB 85.76, -0.17, 23.05

 

CMYK 0 / 15 / 26 / 9

HEX #E7C5AB

RGB 231 197 171

HSL 26, 0.56%, 0.79%

LAB 81.76, 8.17, 17.51

 

CMYK 0 / 22 / 26 / 9

HEX #E7B4AB

RGB 231 180 171

HSL 9, 0.56%, 0.79%

LAB 77.62, 17.18, 11.68

 

CMYK 0 / 26 / 26 / 9

HEX #E7ABAB

RGB 231 171 171

HSL 0, 0.56%, 0.79%

LAB 75.49, 21.99, 8.64

 

CMYK 0 / 1 / 26 / 9

HEX #E7E5AB

RGB 231 229 171

HSL 58, 0.56%, 0.79%

LAB 89.84, -8.32, 28.61

 

CMYK 6 / 0 / 26 / 9

HEX #D9E7AB

RGB 217 231 171

HSL 74, 0.56%, 0.79%

LAB 89.32, -14.49, 27.73

 

CMYK 13 / 0 / 26 / 9

HEX #C9E7AB

RGB 201 231 171

HSL 90, 0.56%, 0.79%

LAB 88.21, -20.24, 26.04

 

CMYK 20 / 0 / 26 / 9

HEX #B8E7AB

RGB 184 231 171

HSL 107, 0.56%, 0.79%

LAB 87.14, -26.15, 24.39

 

CMYK 26 / 0 / 25 / 9

HEX #ABE7AE

RGB 171 231 174

HSL 123, 0.56%, 0.79%

LAB 86.44, -29.97, 21.76

 

CMYK 0 / 1 / 26 / 9

HEX #E7E5AB

RGB 231 229 171

HSL 58, 0.56%, 0.79%

LAB 89.84, -8.32, 28.61

 

CMYK 0 / 1 / 33 / 6

HEX #F0EDA2

RGB 240 237 162

HSL 57.69, 0.72%, 0.79%

LAB 92.44, -10.08, 36.77

 

CMYK 0 / 1 / 38 / 3

HEX #F8F59A

RGB 248 245 154

HSL 58.09, 0.87%, 0.79%

LAB 94.99, -11.9, 44.16

 

CMYK 0 / 1 / 26 / 9

HEX #E7E5AB

RGB 231 229 171

HSL 58, 0.56%, 0.79%

LAB 89.84, -8.32, 28.61

 

CMYK 0 / 0 / 19 / 13

HEX #DEDDB4

RGB 222 221 180

HSL 58.57, 0.39%, 0.79%

LAB 87.26, -6.34, 20.3

 

CMYK 0 / 0 / 12 / 16

HEX #D6D5BC

RGB 214 213 188

HSL 57.69, 0.24%, 0.79%

LAB 84.75, -3.91, 12.49

 

CMYK 0 / 0 / 4 / 20

HEX #CDCDC5

RGB 205 205 197

HSL 60, 0.07%, 0.79%

LAB 82.2, -1.43, 3.97

 

CMYK 5 / 4 / 0 / 19

HEX #C4C5CE

RGB 196 197 206

HSL 234, 0.09%, 0.79%

LAB 79.68, 1.35, -4.62

 

CMYK 0 / 15 / 26 / 9

HEX #E7C5AB

RGB 231 197 171

HSL 26, 0.56%, 0.79%

LAB 81.76, 8.17, 17.51

 

CMYK 0 / 8 / 26 / 9

HEX #E7D5AB

RGB 231 213 171

HSL 42, 0.56%, 0.79%

LAB 85.76, -0.17, 23.05

 

CMYK 0 / 1 / 26 / 9

HEX #E7E5AB

RGB 231 229 171

HSL 58, 0.56%, 0.79%

LAB 89.84, -8.32, 28.61

 

CMYK 6 / 0 / 26 / 9

HEX #D9E7AB

RGB 217 231 171

HSL 74, 0.56%, 0.79%

LAB 89.32, -14.49, 27.73

 

CMYK 13 / 0 / 26 / 9

HEX #C9E7AB

RGB 201 231 171

HSL 90, 0.56%, 0.79%

LAB 88.21, -20.24, 26.04

 

CMYK 0 / 2 / 50 / 16

HEX #D5D16B

RGB 213 209 107

HSL 57.74, 0.56%, 0.63%

LAB 82.28, -12.33, 50.57

 

CMYK 0 / 1 / 37 / 13

HEX #DEDB8B

RGB 222 219 139

HSL 57.83, 0.56%, 0.71%

LAB 86.03, -10.61, 39.71

 

CMYK 0 / 1 / 26 / 9

HEX #E7E5AB

RGB 231 229 171

HSL 58, 0.56%, 0.79%

LAB 89.84, -8.32, 28.61

 

CMYK 0 / 0 / 15 / 6

HEX #F0EFCB

RGB 240 239 203

HSL 58.38, 0.55%, 0.87%

LAB 93.7, -5.56, 17.57

 

CMYK 0 / 0 / 6 / 2

HEX #F9F9EB

RGB 249 249 235

HSL 60, 0.54%, 0.95%

LAB 97.59, -2.39, 6.7

 

CMYK 0 / 1 / 26 / 9

HEX #E7E5AB

RGB 231 229 171

HSL 58, 0.56%, 0.79%

LAB 89.84, -8.32, 28.61

 

CMYK 26 / 0 / 22 / 9

HEX #ABE7B5

RGB 171 231 181

HSL 130, 0.56%, 0.79%

LAB 86.58, -28.76, 18.32

 

CMYK 11 / 26 / 0 / 9

HEX #CDABE7

RGB 205 171 231

HSL 274, 0.56%, 0.79%

LAB 74.75, 23.39, -25.49

 

CMYK 0 / 1 / 26 / 9

HEX #E7E5AB

RGB 231 229 171

HSL 58, 0.56%, 0.79%

LAB 89.84, -8.32, 28.61

 

CMYK 26 / 0 / 1 / 9

HEX #ABE7E5

RGB 171 231 229

HSL 178, 0.56%, 0.79%

LAB 87.71, -19.28, -5.19

 

CMYK 1 / 26 / 0 / 9

HEX #E5ABE7

RGB 229 171 231

HSL 298, 0.56%, 0.79%

LAB 77.01, 31.08, -21.83

 

CMYK 0 / 1 / 26 / 9

HEX #E7E5AB

RGB 231 229 171

HSL 58, 0.56%, 0.79%

LAB 89.84, -8.32, 28.61

 

CMYK 26 / 0 / 22 / 9

HEX #ABE7B5

RGB 171 231 181

HSL 130, 0.56%, 0.79%

LAB 86.58, -28.76, 18.32

 

CMYK 26 / 25 / 0 / 9

HEX #ABADE7

RGB 171 173 231

HSL 238, 0.56%, 0.79%

LAB 72.44, 11.82, -29.28

 

CMYK 0 / 26 / 4 / 9

HEX #E7ABDD

RGB 231 171 221

HSL 310, 0.56%, 0.79%

LAB 76.88, 29.92, -16.59

 

CMYK 0 / 1 / 26 / 9

HEX #E7E5AB

RGB 231 229 171

HSL 58, 0.56%, 0.79%

LAB 89.84, -8.32, 28.61

 

CMYK 26 / 0 / 14 / 9

HEX #ABE7C7

RGB 171 231 199

HSL 148, 0.56%, 0.79%

LAB 86.96, -25.45, 9.47

 

CMYK 26 / 25 / 0 / 9

HEX #ABADE7

RGB 171 173 231

HSL 238, 0.56%, 0.79%

LAB 72.44, 11.82, -29.28

 

CMYK 0 / 26 / 12 / 9

HEX #E7ABCB

RGB 231 171 203

HSL 328, 0.56%, 0.79%

LAB 76.33, 26.85, -7.61

 

Description

Color code: HEX #E7E5AB | qconv.com Color code: HEX #E7E5AB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 229 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 229 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 26 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 26% 9% C M Y K

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