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Color name
HEX #E7E1DA

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E7E1DA it is the complementary color #181E25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E7E1DA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E7E1DA shade: #ECE1D5, #FDF3E8 and #FFFFFB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E7E1DA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E7E1DA shade: #E7E1DA, #D6CFC7, #C5BDB4, #B4ABA1 and #A3998E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E7E1DA shade: #E6E0D9, #E6DDD9 and #E6D9D9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E7E1DA shade: #E6E0D9, #E6E4D9, #E5E6D9, #E2E6D9 and #DEE6D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E7E1DA shade matches the following richer shades: #E6E0D9, #EBE1D5, #F0E1D0, #F5E2CB and #FAE2C6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E7E1DA shade: #E6E0D9, #E1E0DE, #DCE0E3, #D7DFE8 and #D3DFED

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E7E1DA shade: #E6D9D9, #E6DDD9, #E6E0D9, #E6E4D9 and #E5E6D9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E7E1DA shade: #C6B8A8, #D6CCC1, #E6E0D9 and #F7F5F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E7E1DA shade: #E7E1DA, #DDE6D9 and #DBD9E6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E7E1DA shade: #E7E1DA, #D9E6E0 and #E0D9E6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E7E1DA shade: #E7E1DA, #DDE6D9, #D9DFE6 and #E3D9E6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E7E1DA shade: #E7E1DA, #D9E6DA, #D9DFE6 and #E6D9E6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 6 / 9

HEX #E7E1DA

RGB 231 225 218

HSL 32.31, 0.21%, 0.88%

LAB 89.81, 0.83, 4.13

 

Complementary color

CMYK 35 / 19 / 0 / 85

HEX #181E25

RGB 24 30 37

HSL 212.31, 0.21%, 0.12%

LAB 10.97, -0.63, -5.66

 

CMYK 0 / 5 / 10 / 7

HEX #ECE1D5

RGB 236 225 213

HSL 31.3, 0.38%, 0.88%

LAB 90.09, 1.73, 7.19

 

CMYK 0 / 4 / 8 / 1

HEX #FDF3E8

RGB 253 243 232

HSL 31.43, 0.84%, 0.95%

LAB 96.33, 1.51, 6.48

 

CMYK 0 / 0 / 2 / 0

HEX #FFFFFB

RGB 255 255 251

HSL 60, 1%, 0.99%

LAB 99.9, -0.69, 1.9

 

CMYK 0 / 3 / 6 / 9

HEX #E7E1DA

RGB 231 225 218

HSL 32.31, 0.21%, 0.88%

LAB 89.81, 0.83, 4.13

 

CMYK 0 / 3 / 7 / 16

HEX #D6CFC7

RGB 214 207 199

HSL 32, 0.15%, 0.81%

LAB 83.47, 1.02, 4.82

 

CMYK 0 / 4 / 9 / 23

HEX #C5BDB4

RGB 197 189 180

HSL 31.76, 0.13%, 0.74%

LAB 77.02, 1.24, 5.54

 

CMYK 0 / 5 / 11 / 29

HEX #B4ABA1

RGB 180 171 161

HSL 31.58, 0.11%, 0.67%

LAB 70.46, 1.47, 6.29

 

CMYK 0 / 6 / 13 / 36

HEX #A3998E

RGB 163 153 142

HSL 31.43, 0.1%, 0.6%

LAB 63.77, 1.72, 7.09

 

CMYK 0 / 3 / 6 / 10

HEX #E6E0D9

RGB 230 224 217

HSL 32.31, 0.21%, 0.88%

LAB 89.46, 0.83, 4.13

 

CMYK 0 / 4 / 6 / 10

HEX #E6DDD9

RGB 230 221 217

HSL 18.46, 0.21%, 0.88%

LAB 88.71, 2.38, 3.04

 

CMYK 0 / 6 / 6 / 10

HEX #E6D9D9

RGB 230 217 217

HSL 0, 0.21%, 0.88%

LAB 87.71, 4.46, 1.59

 

CMYK 0 / 3 / 6 / 10

HEX #E6E0D9

RGB 230 224 217

HSL 32.31, 0.21%, 0.88%

LAB 89.46, 0.83, 4.13

 

CMYK 0 / 1 / 6 / 10

HEX #E6E4D9

RGB 230 228 217

HSL 50.77, 0.21%, 0.88%

LAB 90.47, -1.23, 5.59

 

CMYK 0 / 0 / 6 / 10

HEX #E5E6D9

RGB 229 230 217

HSL 64.62, 0.21%, 0.88%

LAB 90.9, -2.6, 6.2

 

CMYK 2 / 0 / 6 / 10

HEX #E2E6D9

RGB 226 230 217

HSL 78.46, 0.21%, 0.88%

LAB 90.68, -3.63, 5.85

 

CMYK 3 / 0 / 6 / 10

HEX #DEE6D9

RGB 222 230 217

HSL 96.92, 0.21%, 0.88%

LAB 90.38, -4.99, 5.39

 

CMYK 0 / 3 / 6 / 10

HEX #E6E0D9

RGB 230 224 217

HSL 32.31, 0.21%, 0.88%

LAB 89.46, 0.83, 4.13

 

CMYK 0 / 4 / 9 / 8

HEX #EBE1D5

RGB 235 225 213

HSL 32.73, 0.35%, 0.88%

LAB 90.01, 1.38, 7.07

 

CMYK 0 / 6 / 13 / 6

HEX #F0E1D0

RGB 240 225 208

HSL 31.88, 0.52%, 0.88%

LAB 90.29, 2.34, 10.14

HEX #F0E1D0

CMYK 0 / 8 / 17 / 4

HEX #F5E2CB

RGB 245 226 203

HSL 32.86, 0.68%, 0.88%

LAB 90.83, 2.84, 13.58

HEX #F5E2CB

CMYK 0 / 10 / 21 / 2

HEX #FAE2C6

RGB 250 226 198

HSL 32.31, 0.84%, 0.88%

LAB 91.14, 3.92, 16.68

HEX #FAE2C6

CMYK 0 / 3 / 6 / 10

HEX #E6E0D9

RGB 230 224 217

HSL 32.31, 0.21%, 0.88%

LAB 89.46, 0.83, 4.13

 

CMYK 0 / 0 / 1 / 12

HEX #E1E0DE

RGB 225 224 222

HSL 40, 0.05%, 0.88%

LAB 89.2, -0.01, 1.09

 

CMYK 3 / 1 / 0 / 11

HEX #DCE0E3

RGB 220 224 227

HSL 205.71, 0.11%, 0.88%

LAB 88.96, -0.79, -1.94

 

CMYK 7 / 4 / 0 / 9

HEX #D7DFE8

RGB 215 223 232

HSL 211.76, 0.27%, 0.88%

LAB 88.47, -0.98, -5.33

 

CMYK 11 / 6 / 0 / 7

HEX #D3DFED

RGB 211 223 237

HSL 212.31, 0.42%, 0.88%

LAB 88.32, -1.3, -8.21

 

CMYK 0 / 6 / 6 / 10

HEX #E6D9D9

RGB 230 217 217

HSL 0, 0.21%, 0.88%

LAB 87.71, 4.46, 1.59

 

CMYK 0 / 4 / 6 / 10

HEX #E6DDD9

RGB 230 221 217

HSL 18.46, 0.21%, 0.88%

LAB 88.71, 2.38, 3.04

 

CMYK 0 / 3 / 6 / 10

HEX #E6E0D9

RGB 230 224 217

HSL 32.31, 0.21%, 0.88%

LAB 89.46, 0.83, 4.13

 

CMYK 0 / 1 / 6 / 10

HEX #E6E4D9

RGB 230 228 217

HSL 50.77, 0.21%, 0.88%

LAB 90.47, -1.23, 5.59

 

CMYK 0 / 0 / 6 / 10

HEX #E5E6D9

RGB 229 230 217

HSL 64.62, 0.21%, 0.88%

LAB 90.9, -2.6, 6.2

 

CMYK 0 / 7 / 15 / 22

HEX #C6B8A8

RGB 198 184 168

HSL 32, 0.21%, 0.72%

LAB 75.52, 2.28, 9.91

 

CMYK 0 / 5 / 10 / 16

HEX #D6CCC1

RGB 214 204 193

HSL 31.43, 0.2%, 0.8%

LAB 82.56, 1.59, 6.7

 

CMYK 0 / 3 / 6 / 10

HEX #E6E0D9

RGB 230 224 217

HSL 32.31, 0.21%, 0.88%

LAB 89.46, 0.83, 4.13

 

CMYK 0 / 1 / 2 / 3

HEX #F7F5F2

RGB 247 245 242

HSL 36, 0.24%, 0.96%

LAB 96.61, 0.15, 1.66

 

CMYK 0 / 3 / 6 / 9

HEX #E7E1DA

RGB 231 225 218

HSL 32.31, 0.21%, 0.88%

LAB 89.81, 0.83, 4.13

 

CMYK 4 / 0 / 6 / 10

HEX #DDE6D9

RGB 221 230 217

HSL 101.54, 0.21%, 0.88%

LAB 90.31, -5.33, 5.28

 

CMYK 5 / 6 / 0 / 10

HEX #DBD9E6

RGB 219 217 230

HSL 249.23, 0.21%, 0.88%

LAB 87.19, 3.07, -6.13

 

CMYK 0 / 3 / 6 / 9

HEX #E7E1DA

RGB 231 225 218

HSL 32.31, 0.21%, 0.88%

LAB 89.81, 0.83, 4.13

 

CMYK 6 / 0 / 3 / 10

HEX #D9E6E0

RGB 217 230 224

HSL 152.31, 0.21%, 0.88%

LAB 90.2, -5.42, 1.41

 

CMYK 3 / 6 / 0 / 10

HEX #E0D9E6

RGB 224 217 230

HSL 272.31, 0.21%, 0.88%

LAB 87.58, 4.74, -5.52

 

CMYK 0 / 3 / 6 / 9

HEX #E7E1DA

RGB 231 225 218

HSL 32.31, 0.21%, 0.88%

LAB 89.81, 0.83, 4.13

 

CMYK 4 / 0 / 6 / 10

HEX #DDE6D9

RGB 221 230 217

HSL 101.54, 0.21%, 0.88%

LAB 90.31, -5.33, 5.28

 

CMYK 6 / 3 / 0 / 10

HEX #D9DFE6

RGB 217 223 230

HSL 212.31, 0.21%, 0.88%

LAB 88.56, -0.71, -4.13

 

CMYK 1 / 6 / 0 / 10

HEX #E3D9E6

RGB 227 217 230

HSL 286.15, 0.21%, 0.88%

LAB 87.81, 5.74, -5.15

 

CMYK 0 / 3 / 6 / 9

HEX #E7E1DA

RGB 231 225 218

HSL 32.31, 0.21%, 0.88%

LAB 89.81, 0.83, 4.13

 

CMYK 6 / 0 / 5 / 10

HEX #D9E6DA

RGB 217 230 218

HSL 124.62, 0.21%, 0.88%

LAB 90.05, -6.5, 4.34

 

CMYK 6 / 3 / 0 / 10

HEX #D9DFE6

RGB 217 223 230

HSL 212.31, 0.21%, 0.88%

LAB 88.56, -0.71, -4.13

 

CMYK 0 / 6 / 0 / 10

HEX #E6D9E6

RGB 230 217 230

HSL 300, 0.21%, 0.88%

LAB 88.05, 6.74, -4.77

 

Description

Color code: HEX #E7E1DA | qconv.com Color code: HEX #E7E1DA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 225 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 225 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 6 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 6% 9% C M Y K

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Provide designers and agencies with accurate color values.

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