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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E7F07F it is the complementary color #180F80. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E7F07F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E7F07F shade: #ECF07A, #FDFF8D, #FFFFA0, #FFFFB3 and #FFFFC6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E7F07F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E7F07F shade: #E7F07F, #D6DE6C, #C5CC59, #B4BA46 and #A3A833

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E7F07F shade: #E7F07F, #F0DA7F, #F0BC7F, #F09D7F and #F07F7F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E7F07F shade: #E7F07F, #C8F07F, #AAF07F, #8BF07F and #7FF091

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E7F07F shade matches the following richer shades: #E7F07F and #F0FB73

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E7F07F shade: #E7F07F, #DDE48A, #D3D896, #C9CDA1 and #C0C1AD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E7F07F shade: #F0BB7F, #F0D97F, #E8F07F, #CAF07F and #ACF07F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E7F07F shade: #D9E735, #E0EB5A, #E7F07F, #EDF4A4 and #F4F8C9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E7F07F shade: #E7F07F, #7FF09D and #CA7FF0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E7F07F shade: #E7F07F, #7FE8F0 and #F07FE8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E7F07F shade: #E7F07F, #7FF09D, #867FF0 and #F07FD1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E7F07F shade: #E7F07F, #7FF0BF, #867FF0 and #F07FB0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 47 / 6

HEX #E7F07F

RGB 231 240 127

HSL 64.78, 0.79%, 0.72%

LAB 92.06, -18.71, 53.2

 

Complementary color

CMYK 81 / 88 / 0 / 50

HEX #180F80

RGB 24 15 128

HSL 244.78, 0.79%, 0.28%

LAB 15.97, 42.3, -59.67

 

CMYK 2 / 0 / 49 / 6

HEX #ECF07A

RGB 236 240 122

HSL 62.03, 0.8%, 0.71%

LAB 92.38, -17.21, 55.99

 

CMYK 1 / 0 / 45 / 0

HEX #FDFF8D

RGB 253 255 141

HSL 61.05, 1%, 0.78%

LAB 97.76, -16.17, 53.95

 

CMYK 0 / 0 / 37 / 0

HEX #FFFFA0

RGB 255 255 160

HSL 60, 1%, 0.81%

LAB 98.16, -13.5, 45.4

 

CMYK 0 / 0 / 30 / 0

HEX #FFFFB3

RGB 255 255 179

HSL 60, 1%, 0.85%

LAB 98.45, -11.32, 36.42

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC6

RGB 255 255 198

HSL 60, 1%, 0.89%

LAB 98.77, -8.88, 27.33

 

CMYK 4 / 0 / 47 / 6

HEX #E7F07F

RGB 231 240 127

HSL 64.78, 0.79%, 0.72%

LAB 92.06, -18.71, 53.2

 

CMYK 4 / 0 / 51 / 13

HEX #D6DE6C

RGB 214 222 108

HSL 64.21, 0.63%, 0.65%

LAB 85.82, -18.31, 54.3

 

CMYK 3 / 0 / 56 / 20

HEX #C5CC59

RGB 197 204 89

HSL 63.65, 0.53%, 0.57%

LAB 79.49, -17.82, 55.34

 

CMYK 3 / 0 / 62 / 27

HEX #B4BA46

RGB 180 186 70

HSL 63.1, 0.46%, 0.5%

LAB 73.06, -17.22, 56.21

 

CMYK 3 / 0 / 70 / 34

HEX #A3A833

RGB 163 168 51

HSL 62.56, 0.53%, 0.43%

LAB 66.54, -16.48, 56.77

 

CMYK 4 / 0 / 47 / 6

HEX #E7F07F

RGB 231 240 127

HSL 64.78, 0.79%, 0.72%

LAB 92.06, -18.71, 53.2

 

CMYK 0 / 9 / 47 / 6

HEX #F0DA7F

RGB 240 218 127

HSL 48.32, 0.79%, 0.72%

LAB 87.1, -4.23, 47.3

 

CMYK 0 / 22 / 47 / 6

HEX #F0BC7F

RGB 240 188 127

HSL 32.39, 0.79%, 0.72%

LAB 79.63, 11.3, 37.92

 

CMYK 0 / 35 / 47 / 6

HEX #F09D7F

RGB 240 157 127

HSL 15.93, 0.79%, 0.72%

LAB 72.34, 27.69, 28.44

 

CMYK 0 / 47 / 47 / 6

HEX #F07F7F

RGB 240 127 127

HSL 0, 0.79%, 0.72%

LAB 65.93, 43.23, 19.81

 

CMYK 4 / 0 / 47 / 6

HEX #E7F07F

RGB 231 240 127

HSL 64.78, 0.79%, 0.72%

LAB 92.06, -18.71, 53.2

 

CMYK 17 / 0 / 47 / 6

HEX #C8F07F

RGB 200 240 127

HSL 81.24, 0.79%, 0.72%

LAB 89.92, -30.49, 50.1

 

CMYK 29 / 0 / 47 / 6

HEX #AAF07F

RGB 170 240 127

HSL 97.17, 0.79%, 0.72%

LAB 88.16, -41.16, 47.54

 

CMYK 42 / 0 / 47 / 6

HEX #8BF07F

RGB 139 240 127

HSL 113.63, 0.79%, 0.72%

LAB 86.67, -51.02, 45.37

 

CMYK 47 / 0 / 40 / 6

HEX #7FF091

RGB 127 240 145

HSL 129.56, 0.79%, 0.72%

LAB 86.44, -51.8, 36.17

 

CMYK 4 / 0 / 47 / 6

HEX #E7F07F

RGB 231 240 127

HSL 64.78, 0.79%, 0.72%

LAB 92.06, -18.71, 53.2

 

CMYK 4 / 0 / 54 / 2

HEX #F0FB73

RGB 240 251 115

HSL 64.85, 0.94%, 0.72%

LAB 95.48, -21.52, 62.82

 

CMYK 4 / 0 / 47 / 6

HEX #E7F07F

RGB 231 240 127

HSL 64.78, 0.79%, 0.72%

LAB 92.06, -18.71, 53.2

 

CMYK 3 / 0 / 39 / 11

HEX #DDE48A

RGB 221 228 138

HSL 64.67, 0.63%, 0.72%

LAB 88.3, -15.6, 43.09

 

CMYK 2 / 0 / 31 / 15

HEX #D3D896

RGB 211 216 150

HSL 64.55, 0.46%, 0.72%

LAB 84.57, -12.02, 32.05

 

CMYK 2 / 0 / 21 / 20

HEX #C9CDA1

RGB 201 205 161

HSL 65.45, 0.31%, 0.72%

LAB 81.1, -8.68, 21.5

 

CMYK 1 / 0 / 10 / 24

HEX #C0C1AD

RGB 192 193 173

HSL 63, 0.14%, 0.72%

LAB 77.5, -3.87, 9.95

 

CMYK 0 / 22 / 47 / 6

HEX #F0BB7F

RGB 240 187 127

HSL 31.86, 0.79%, 0.72%

LAB 79.38, 11.82, 37.61

 

CMYK 0 / 10 / 47 / 6

HEX #F0D97F

RGB 240 217 127

HSL 47.79, 0.79%, 0.72%

LAB 86.84, -3.72, 46.99

 

CMYK 3 / 0 / 47 / 6

HEX #E8F07F

RGB 232 240 127

HSL 64.25, 0.79%, 0.72%

LAB 92.14, -18.32, 53.31

 

CMYK 16 / 0 / 47 / 6

HEX #CAF07F

RGB 202 240 127

HSL 80.18, 0.79%, 0.72%

LAB 90.05, -29.75, 50.29

 

CMYK 28 / 0 / 47 / 6

HEX #ACF07F

RGB 172 240 127

HSL 96.11, 0.79%, 0.72%

LAB 88.27, -40.48, 47.7

 

CMYK 6 / 0 / 77 / 9

HEX #D9E735

RGB 217 231 53

HSL 64.72, 0.79%, 0.56%

LAB 88.05, -24.78, 77.85

 

CMYK 5 / 0 / 62 / 8

HEX #E0EB5A

RGB 224 235 90

HSL 64.55, 0.78%, 0.64%

LAB 89.86, -21.98, 66.86

 

CMYK 4 / 0 / 47 / 6

HEX #E7F07F

RGB 231 240 127

HSL 64.78, 0.79%, 0.72%

LAB 92.06, -18.71, 53.2

 

CMYK 3 / 0 / 33 / 4

HEX #EDF4A4

RGB 237 244 164

HSL 65.25, 0.78%, 0.8%

LAB 94.05, -14.42, 37.84

 

CMYK 2 / 0 / 19 / 3

HEX #F4F8C9

RGB 244 248 201

HSL 65.11, 0.77%, 0.88%

LAB 96.24, -8.93, 22.18

 

CMYK 4 / 0 / 47 / 6

HEX #E7F07F

RGB 231 240 127

HSL 64.78, 0.79%, 0.72%

LAB 92.06, -18.71, 53.2

 

CMYK 47 / 0 / 35 / 6

HEX #7FF09D

RGB 127 240 157

HSL 135.93, 0.79%, 0.72%

LAB 86.64, -49.84, 30.4

 

CMYK 16 / 47 / 0 / 6

HEX #CA7FF0

RGB 202 127 240

HSL 279.82, 0.79%, 0.72%

LAB 64.98, 48.2, -45.6

 

CMYK 4 / 0 / 47 / 6

HEX #E7F07F

RGB 231 240 127

HSL 64.78, 0.79%, 0.72%

LAB 92.06, -18.71, 53.2

 

CMYK 47 / 3 / 0 / 6

HEX #7FE8F0

RGB 127 232 240

HSL 184.25, 0.79%, 0.72%

LAB 86.26, -28.38, -13.34

 

CMYK 0 / 47 / 3 / 6

HEX #F07FE8

RGB 240 127 232

HSL 304.25, 0.79%, 0.72%

LAB 69.13, 57.36, -34.37

 

CMYK 4 / 0 / 47 / 6

HEX #E7F07F

RGB 231 240 127

HSL 64.78, 0.79%, 0.72%

LAB 92.06, -18.71, 53.2

 

CMYK 47 / 0 / 35 / 6

HEX #7FF09D

RGB 127 240 157

HSL 135.93, 0.79%, 0.72%

LAB 86.64, -49.84, 30.4

 

CMYK 44 / 47 / 0 / 6

HEX #867FF0

RGB 134 127 240

HSL 243.72, 0.79%, 0.72%

LAB 58.54, 30.64, -56.22

 

CMYK 0 / 47 / 13 / 6

HEX #F07FD1

RGB 240 127 209

HSL 316.46, 0.79%, 0.72%

LAB 68.25, 53.61, -22.99

 

CMYK 4 / 0 / 47 / 6

HEX #E7F07F

RGB 231 240 127

HSL 64.78, 0.79%, 0.72%

LAB 92.06, -18.71, 53.2

 

CMYK 47 / 0 / 20 / 6

HEX #7FF0BF

RGB 127 240 191

HSL 153.98, 0.79%, 0.72%

LAB 87.29, -43.42, 13.82

 

CMYK 44 / 47 / 0 / 6

HEX #867FF0

RGB 134 127 240

HSL 243.72, 0.79%, 0.72%

LAB 58.54, 30.64, -56.22

 

CMYK 0 / 47 / 27 / 6

HEX #F07FB0

RGB 240 127 176

HSL 333.98, 0.79%, 0.72%

LAB 67.16, 48.83, -6.13

 

Description

Color code: HEX #E7F07F | qconv.com Color code: HEX #E7F07F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 240 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 240 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 47 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 47% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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