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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E7F15F it is the complementary color #180EA0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E7F15F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E7F15F shade: #ECF15A, #FDFF6D, #FFFF80, #FFFF93 and #FFFFA6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E7F15F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E7F15F shade: #E7F15F, #D6DF4C, #C5CD39, #B4BB26 and #A3A913

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E7F15F shade: #E7F15F, #F1D35F, #F1AC5F, #F1855F and #F15F5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E7F15F shade: #E7F15F, #BFF15F, #98F15F, #71F15F and #5FF174

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E7F15F shade matches the following richer shades: #E7F15F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E7F15F shade: #E7F15F, #DBE36D, #CED57B, #C2C789 and #B6B997

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E7F15F shade: #F1AD5F, #F1D35F, #E7F15F, #C0F15F and #99F15F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E7F15F shade: #DBE914, #E1ED39, #E7F15F, #ECF485 and #F2F7AB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E7F15F shade: #E7F15F, #5FF186 and #C05FF1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E7F15F shade: #E7F15F, #5FE7F1 and #F15FE7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E7F15F shade: #E7F15F, #5FF186, #695FF1 and #F15FCA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E7F15F shade: #E7F15F, #5FF1B2, #695FF1 and #F15F9E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 61 / 5

HEX #E7F15F

RGB 231 241 95

HSL 64.11, 0.84%, 0.66%

LAB 92.01, -21.73, 67.28

 

Complementary color

CMYK 85 / 91 / 0 / 37

HEX #180EA0

RGB 24 14 160

HSL 244.11, 0.84%, 0.34%

LAB 20.23, 52.21, -72.53

 

CMYK 2 / 0 / 63 / 5

HEX #ECF15A

RGB 236 241 90

HSL 61.99, 0.84%, 0.65%

LAB 92.35, -20.05, 69.76

 

CMYK 1 / 0 / 57 / 0

HEX #FDFF6D

RGB 253 255 109

HSL 60.82, 1%, 0.71%

LAB 97.43, -18.77, 67.86

 

CMYK 0 / 0 / 50 / 0

HEX #FFFF80

RGB 255 255 128

HSL 60, 1%, 0.75%

LAB 97.77, -16.54, 59.98

 

CMYK 0 / 0 / 42 / 0

HEX #FFFF93

RGB 255 255 147

HSL 60, 1%, 0.79%

LAB 97.99, -14.83, 51.43

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA6

RGB 255 255 166

HSL 60, 1%, 0.83%

LAB 98.25, -12.84, 42.58

 

CMYK 4 / 0 / 61 / 5

HEX #E7F15F

RGB 231 241 95

HSL 64.11, 0.84%, 0.66%

LAB 92.01, -21.73, 67.28

 

CMYK 4 / 0 / 66 / 13

HEX #D6DF4C

RGB 214 223 76

HSL 63.67, 0.7%, 0.59%

LAB 85.8, -21.08, 67.91

 

CMYK 4 / 0 / 72 / 20

HEX #C5CD39

RGB 197 205 57

HSL 63.24, 0.6%, 0.51%

LAB 79.52, -20.3, 68.15

 

CMYK 4 / 0 / 80 / 27

HEX #B4BB26

RGB 180 187 38

HSL 62.82, 0.66%, 0.44%

LAB 73.14, -19.35, 67.73

 

CMYK 4 / 0 / 89 / 34

HEX #A3A913

RGB 163 169 19

HSL 62.4, 0.8%, 0.37%

LAB 66.68, -18.19, 66.21

 

CMYK 4 / 0 / 61 / 5

HEX #E7F15F

RGB 231 241 95

HSL 64.11, 0.84%, 0.66%

LAB 92.01, -21.73, 67.28

 

CMYK 0 / 12 / 61 / 5

HEX #F1D35F

RGB 241 211 95

HSL 47.67, 0.84%, 0.66%

LAB 85.06, -2.8, 59.9

 

CMYK 0 / 29 / 61 / 5

HEX #F1AC5F

RGB 241 172 95

HSL 31.64, 0.84%, 0.66%

LAB 75.47, 17.51, 48.99

 

CMYK 0 / 45 / 61 / 5

HEX #F1855F

RGB 241 133 95

HSL 15.62, 0.84%, 0.66%

LAB 66.75, 37.94, 38.54

 

CMYK 0 / 61 / 61 / 5

HEX #F15F5F

RGB 241 95 95

HSL 0, 0.84%, 0.66%

LAB 59.63, 56.16, 29.59

 

CMYK 4 / 0 / 61 / 5

HEX #E7F15F

RGB 231 241 95

HSL 64.11, 0.84%, 0.66%

LAB 92.01, -21.73, 67.28

 

CMYK 21 / 0 / 61 / 5

HEX #BFF15F

RGB 191 241 95

HSL 80.55, 0.84%, 0.66%

LAB 89.31, -37.23, 63.55

 

CMYK 37 / 0 / 61 / 5

HEX #98F15F

RGB 152 241 95

HSL 96.58, 0.84%, 0.66%

LAB 87.2, -50.93, 60.63

 

CMYK 53 / 0 / 61 / 5

HEX #71F15F

RGB 113 241 95

HSL 112.6, 0.84%, 0.66%

LAB 85.63, -62.33, 58.43

 

CMYK 61 / 0 / 52 / 5

HEX #5FF174

RGB 95 241 116

HSL 128.63, 0.84%, 0.66%

LAB 85.3, -64.07, 48.54

 

CMYK 4 / 0 / 61 / 5

HEX #E7F15F

RGB 231 241 95

HSL 64.11, 0.84%, 0.66%

LAB 92.01, -21.73, 67.28

 

CMYK 4 / 0 / 61 / 5

HEX #E7F15F

RGB 231 241 95

HSL 64.11, 0.84%, 0.66%

LAB 92.01, -21.73, 67.28

 

CMYK 4 / 0 / 52 / 11

HEX #DBE36D

RGB 219 227 109

HSL 64.07, 0.68%, 0.66%

LAB 87.53, -18.68, 55.94

 

CMYK 3 / 0 / 42 / 16

HEX #CED57B

RGB 206 213 123

HSL 64.67, 0.52%, 0.66%

LAB 82.99, -15.59, 43.56

 

CMYK 3 / 0 / 31 / 22

HEX #C2C789

RGB 194 199 137

HSL 64.84, 0.36%, 0.66%

LAB 78.53, -11.56, 30.54

 

CMYK 2 / 0 / 18 / 27

HEX #B6B997

RGB 182 185 151

HSL 65.29, 0.2%, 0.66%

LAB 74.11, -6.89, 16.94

 

CMYK 0 / 28 / 61 / 5

HEX #F1AD5F

RGB 241 173 95

HSL 32.05, 0.84%, 0.66%

LAB 75.71, 16.99, 49.26

 

CMYK 0 / 12 / 61 / 5

HEX #F1D35F

RGB 241 211 95

HSL 47.67, 0.84%, 0.66%

LAB 85.06, -2.8, 59.9

 

CMYK 4 / 0 / 61 / 5

HEX #E7F15F

RGB 231 241 95

HSL 64.11, 0.84%, 0.66%

LAB 92.01, -21.73, 67.28

 

CMYK 20 / 0 / 61 / 5

HEX #C0F15F

RGB 192 241 95

HSL 80.14, 0.84%, 0.66%

LAB 89.37, -36.86, 63.64

 

CMYK 37 / 0 / 61 / 5

HEX #99F15F

RGB 153 241 95

HSL 96.16, 0.84%, 0.66%

LAB 87.25, -50.6, 60.69

 

CMYK 6 / 0 / 91 / 9

HEX #DBE914

RGB 219 233 20

HSL 63.94, 0.84%, 0.5%

LAB 88.63, -25.74, 85.2

 

CMYK 5 / 0 / 76 / 7

HEX #E1ED39

RGB 225 237 57

HSL 64, 0.83%, 0.58%

LAB 90.26, -24.22, 78.92

 

CMYK 4 / 0 / 61 / 5

HEX #E7F15F

RGB 231 241 95

HSL 64.11, 0.84%, 0.66%

LAB 92.01, -21.73, 67.28

 

CMYK 3 / 0 / 45 / 4

HEX #ECF485

RGB 236 244 133

HSL 64.32, 0.83%, 0.74%

LAB 93.55, -18.15, 52.27

 

CMYK 2 / 0 / 31 / 3

HEX #F2F7AB

RGB 242 247 171

HSL 63.95, 0.83%, 0.82%

LAB 95.3, -13.19, 36.07

 

CMYK 4 / 0 / 61 / 5

HEX #E7F15F

RGB 231 241 95

HSL 64.11, 0.84%, 0.66%

LAB 92.01, -21.73, 67.28

 

CMYK 61 / 0 / 44 / 5

HEX #5FF186

RGB 95 241 134

HSL 136.03, 0.84%, 0.66%

LAB 85.54, -61.48, 40.23

 

CMYK 20 / 61 / 0 / 5

HEX #C05FF1

RGB 192 95 241

HSL 279.86, 0.84%, 0.66%

LAB 57.79, 61.89, -57.64

 

CMYK 4 / 0 / 61 / 5

HEX #E7F15F

RGB 231 241 95

HSL 64.11, 0.84%, 0.66%

LAB 92.01, -21.73, 67.28

 

CMYK 61 / 4 / 0 / 5

HEX #5FE7F1

RGB 95 231 241

HSL 184.11, 0.84%, 0.66%

LAB 84.96, -33.8, -15.93

 

CMYK 0 / 61 / 4 / 5

HEX #F15FE7

RGB 241 95 231

HSL 304.11, 0.84%, 0.66%

LAB 63.88, 71.82, -42

 

CMYK 4 / 0 / 61 / 5

HEX #E7F15F

RGB 231 241 95

HSL 64.11, 0.84%, 0.66%

LAB 92.01, -21.73, 67.28

 

CMYK 61 / 0 / 44 / 5

HEX #5FF186

RGB 95 241 134

HSL 136.03, 0.84%, 0.66%

LAB 85.54, -61.48, 40.23

 

CMYK 56 / 61 / 0 / 5

HEX #695FF1

RGB 105 95 241

HSL 244.11, 0.84%, 0.66%

LAB 48.93, 43.84, -72.38

 

CMYK 0 / 61 / 16 / 5

HEX #F15FCA

RGB 241 95 202

HSL 316.03, 0.84%, 0.66%

LAB 62.63, 67.44, -27.66

 

CMYK 4 / 0 / 61 / 5

HEX #E7F15F

RGB 231 241 95

HSL 64.11, 0.84%, 0.66%

LAB 92.01, -21.73, 67.28

 

CMYK 61 / 0 / 26 / 5

HEX #5FF1B2

RGB 95 241 178

HSL 154.11, 0.84%, 0.66%

LAB 86.28, -53.48, 19

 

CMYK 56 / 61 / 0 / 5

HEX #695FF1

RGB 105 95 241

HSL 244.11, 0.84%, 0.66%

LAB 48.93, 43.84, -72.38

 

CMYK 0 / 61 / 34 / 5

HEX #F15F9E

RGB 241 95 158

HSL 334.11, 0.84%, 0.66%

LAB 61.09, 61.8, -4.81

 

Description

Color code: HEX #E7F15F | qconv.com Color code: HEX #E7F15F | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 241 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 241 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 61 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 61% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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