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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E415BF it is the complementary color #1BEA40. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E415BF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E415BF shade: #E915BA, #FA27CD, #FF39E0, #FF4BF3 and #FF5DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E415BF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E415BF shade: #E415BF, #D303AC, #C20099, #B10086 and #A00073

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E415BF shade: #E415BF, #E41587, #E4154F, #E41517 and #E41515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E415BF shade: #E415BF, #D115E4, #9915E4, #6115E4 and #2915E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E415BF shade matches the following richer shades: #E415BF and #F801CC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E415BF shade: #E415BF, #D029B2, #BC3DA5, #A85198 and #93668B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E415BF shade: #9815E4, #CF15E4, #E415C2, #E4158A and #E41553

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E415BF shade: #990E80, #BE119F, #E415BF, #EC36CB and #EF5CD5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E415BF shade: #E415BF, #E46115 and #15E4B4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E415BF shade: #E415BF, #C2E415 and #15C2E4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E415BF shade: #E415BF, #E46115, #15E437 and #1598E4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E415BF shade: #E415BF, #E49F15, #15E437 and #155AE4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 91 / 16 / 11

HEX #E415BF

RGB 228 21 191

HSL 310.72, 0.83%, 0.49%

LAB 52.72, 83.62, -36.95

 

Complementary color

CMYK 88 / 0 / 73 / 8

HEX #1BEA40

RGB 27 234 64

HSL 130.72, 0.83%, 0.51%

LAB 81.54, -76.99, 65.56

 

CMYK 0 / 91 / 20 / 9

HEX #E915BA

RGB 233 21 186

HSL 313.3, 0.83%, 0.5%

LAB 53.39, 83.95, -32.93

 

CMYK 0 / 84 / 18 / 2

HEX #FA27CD

RGB 250 39 205

HSL 312.8, 0.95%, 0.57%

LAB 58.21, 86.88, -36.12

 

CMYK 0 / 78 / 12 / 0

HEX #FF39E0

RGB 255 57 224

HSL 309.39, 1%, 0.61%

LAB 61.28, 86.46, -42.02

 

CMYK 0 / 71 / 5 / 0

HEX #FF4BF3

RGB 255 75 243

HSL 304, 1%, 0.65%

LAB 63.97, 84.07, -48.39

 

CMYK 0 / 64 / 0 / 0

HEX #FF5DFF

RGB 255 93 255

HSL 300, 1%, 0.68%

LAB 66.76, 79.72, -50.61

 

CMYK 0 / 91 / 16 / 11

HEX #E415BF

RGB 228 21 191

HSL 310.72, 0.83%, 0.49%

LAB 52.72, 83.62, -36.95

 

CMYK 0 / 99 / 18 / 17

HEX #D303AC

RGB 211 3 172

HSL 311.25, 0.97%, 0.42%

LAB 48.12, 79.73, -33.25

 

CMYK 0 / 100 / 21 / 24

HEX #C20099

RGB 194 0 153

HSL 312.68, 1%, 0.38%

LAB 43.9, 74.49, -28.75

 

CMYK 0 / 100 / 24 / 31

HEX #B10086

RGB 177 0 134

HSL 314.58, 1%, 0.35%

LAB 39.7, 68.94, -23.96

 

CMYK 0 / 100 / 28 / 37

HEX #A00073

RGB 160 0 115

HSL 316.88, 1%, 0.31%

LAB 35.42, 63.3, -18.98

 

CMYK 0 / 91 / 16 / 11

HEX #E415BF

RGB 228 21 191

HSL 310.72, 0.83%, 0.49%

LAB 52.72, 83.62, -36.95

 

CMYK 0 / 91 / 41 / 11

HEX #E41587

RGB 228 21 135

HSL 326.96, 0.83%, 0.49%

LAB 50.43, 77.55, -7.31

 

CMYK 0 / 91 / 65 / 11

HEX #E4154F

RGB 228 21 79

HSL 343.19, 0.83%, 0.49%

LAB 49, 73.62, 24.89

 

CMYK 0 / 91 / 90 / 11

HEX #E41517

RGB 228 21 23

HSL 359.42, 0.83%, 0.49%

LAB 48.38, 71.86, 54.91

 

CMYK 0 / 91 / 91 / 11

HEX #E41515

RGB 228 21 21

HSL 0, 0.83%, 0.49%

LAB 48.37, 71.83, 55.69

 

CMYK 0 / 91 / 16 / 11

HEX #E415BF

RGB 228 21 191

HSL 310.72, 0.83%, 0.49%

LAB 52.72, 83.62, -36.95

 

CMYK 8 / 91 / 0 / 11

HEX #D115E4

RGB 209 21 228

HSL 294.49, 0.83%, 0.49%

LAB 51.49, 85.56, -60.32

 

CMYK 33 / 91 / 0 / 11

HEX #9915E4

RGB 153 21 228

HSL 278.26, 0.83%, 0.49%

LAB 42.63, 77.63, -75.11

 

CMYK 57 / 91 / 0 / 11

HEX #6115E4

RGB 97 21 228

HSL 262.03, 0.83%, 0.49%

LAB 35.36, 72.01, -87.34

 

CMYK 82 / 91 / 0 / 11

HEX #2915E4

RGB 41 21 228

HSL 245.8, 0.83%, 0.49%

LAB 30.9, 69.16, -94.88

 

CMYK 0 / 91 / 16 / 11

HEX #E415BF

RGB 228 21 191

HSL 310.72, 0.83%, 0.49%

LAB 52.72, 83.62, -36.95

 

CMYK 0 / 100 / 18 / 3

HEX #F801CC

RGB 248 1 204

HSL 310.69, 0.99%, 0.49%

LAB 56.42, 90.43, -38.38

 

CMYK 0 / 91 / 16 / 11

HEX #E415BF

RGB 228 21 191

HSL 310.72, 0.83%, 0.49%

LAB 52.72, 83.62, -36.95

 

CMYK 0 / 80 / 14 / 18

HEX #D029B2

RGB 208 41 178

HSL 310.78, 0.67%, 0.49%

LAB 49.75, 74.43, -34.27

 

CMYK 0 / 68 / 12 / 26

HEX #BC3DA5

RGB 188 61 165

HSL 310.87, 0.51%, 0.49%

LAB 47.94, 61.78, -29.69

 

CMYK 0 / 52 / 10 / 34

HEX #A85198

RGB 168 81 152

HSL 311.03, 0.35%, 0.49%

LAB 47.59, 45.21, -22.74

 

CMYK 0 / 31 / 5 / 42

HEX #93668B

RGB 147 102 139

HSL 310.67, 0.18%, 0.49%

LAB 48.97, 24.34, -13.15

 

CMYK 33 / 91 / 0 / 11

HEX #9815E4

RGB 152 21 228

HSL 277.97, 0.83%, 0.49%

LAB 42.48, 77.51, -75.36

 

CMYK 9 / 91 / 0 / 11

HEX #CF15E4

RGB 207 21 228

HSL 293.91, 0.83%, 0.49%

LAB 51.16, 85.24, -60.87

 

CMYK 0 / 91 / 15 / 11

HEX #E415C2

RGB 228 21 194

HSL 309.86, 0.83%, 0.49%

LAB 52.87, 84, -38.45

 

CMYK 0 / 91 / 39 / 11

HEX #E4158A

RGB 228 21 138

HSL 326.09, 0.83%, 0.49%

LAB 50.53, 77.83, -8.97

 

CMYK 0 / 91 / 64 / 11

HEX #E41553

RGB 228 21 83

HSL 342.03, 0.83%, 0.49%

LAB 49.07, 73.83, 22.54

 

CMYK 0 / 91 / 16 / 40

HEX #990E80

RGB 153 14 128

HSL 310.79, 0.83%, 0.33%

LAB 35.29, 61.68, -27.46

 

CMYK 0 / 91 / 16 / 25

HEX #BE119F

RGB 190 17 159

HSL 310.75, 0.84%, 0.41%

LAB 44.02, 72.77, -32.23

 

CMYK 0 / 91 / 16 / 11

HEX #E415BF

RGB 228 21 191

HSL 310.72, 0.83%, 0.49%

LAB 52.72, 83.62, -36.95

 

CMYK 0 / 77 / 14 / 7

HEX #EC36CB

RGB 236 54 203

HSL 310.88, 0.83%, 0.57%

LAB 56.86, 80.45, -37.26

 

CMYK 0 / 62 / 11 / 6

HEX #EF5CD5

RGB 239 92 213

HSL 310.61, 0.82%, 0.65%

LAB 62.35, 69.75, -34.34

 

CMYK 0 / 91 / 16 / 11

HEX #E415BF

RGB 228 21 191

HSL 310.72, 0.83%, 0.49%

LAB 52.72, 83.62, -36.95

 

CMYK 0 / 57 / 91 / 11

HEX #E46115

RGB 228 97 21

HSL 22.03, 0.83%, 0.49%

LAB 57.17, 47.73, 61.76

 

CMYK 91 / 0 / 21 / 11

HEX #15E4B4

RGB 21 228 180

HSL 166.09, 0.83%, 0.49%

LAB 81.26, -56.49, 10.72

 

CMYK 0 / 91 / 16 / 11

HEX #E415BF

RGB 228 21 191

HSL 310.72, 0.83%, 0.49%

LAB 52.72, 83.62, -36.95

 

CMYK 15 / 0 / 91 / 11

HEX #C2E415

RGB 194 228 21

HSL 69.86, 0.83%, 0.49%

LAB 85.51, -33.57, 81.86

 

CMYK 91 / 15 / 0 / 11

HEX #15C2E4

RGB 21 194 228

HSL 189.86, 0.83%, 0.49%

LAB 72.46, -27.73, -28.1

 

CMYK 0 / 91 / 16 / 11

HEX #E415BF

RGB 228 21 191

HSL 310.72, 0.83%, 0.49%

LAB 52.72, 83.62, -36.95

 

CMYK 0 / 57 / 91 / 11

HEX #E46115

RGB 228 97 21

HSL 22.03, 0.83%, 0.49%

LAB 57.17, 47.73, 61.76

 

CMYK 91 / 0 / 76 / 11

HEX #15E437

RGB 21 228 55

HSL 129.86, 0.83%, 0.49%

LAB 79.57, -76.33, 66.56

 

CMYK 91 / 33 / 0 / 11

HEX #1598E4

RGB 21 152 228

HSL 202.03, 0.83%, 0.49%

LAB 60.08, -5.3, -47.39

 

CMYK 0 / 91 / 16 / 11

HEX #E415BF

RGB 228 21 191

HSL 310.72, 0.83%, 0.49%

LAB 52.72, 83.62, -36.95

 

CMYK 0 / 30 / 91 / 11

HEX #E49F15

RGB 228 159 21

HSL 40, 0.83%, 0.49%

LAB 70.42, 15.85, 71.46

 

CMYK 91 / 0 / 76 / 11

HEX #15E437

RGB 21 228 55

HSL 129.86, 0.83%, 0.49%

LAB 79.57, -76.33, 66.56

 

CMYK 91 / 61 / 0 / 11

HEX #155AE4

RGB 21 90 228

HSL 220, 0.83%, 0.49%

LAB 42.87, 33.2, -75.1

 

Description

Color code: HEX #E415BF | qconv.com Color code: HEX #E415BF | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 21 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 21 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 91 magenta, 16 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 91% 16% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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