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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E41FCC it is the complementary color #1BE033. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E41FCC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E41FCC shade: #E91FC7, #FA31DA, #FF43ED, #FF55FF and #FF67FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E41FCC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E41FCC shade: #E41FCC, #D30DB9, #C200A6, #B10093 and #A00080

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E41FCC shade: #E320CB, #E32097, #E32062, #E3202E and #E32020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E41FCC shade: #E320CB, #C620E3, #9220E3, #5D20E3 and #2920E3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E41FCC shade matches the following richer shades: #E320CB and #F70CDB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E41FCC shade: #E320CB, #CF34BC, #BB49AD, #A65D9D and #92718E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E41FCC shade: #9220E3, #C620E3, #E320CC, #E32098 and #E32064

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E41FCC shade: #9E138D, #C218AD, #E320CB, #E845D4 and #EC6ADC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E41FCC shade: #E41FCC, #E35E20 and #20E3AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E41FCC shade: #E41FCC, #CCE320 and #20CCE3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E41FCC shade: #E41FCC, #E35E20, #20E337 and #20A5E3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E41FCC shade: #E41FCC, #E39820, #20E337 and #206BE3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 86 / 11 / 11

HEX #E41FCC

RGB 228 31 204

HSL 307.31, 0.78%, 0.51%

LAB 53.85, 83.9, -42.67

 

Complementary color

CMYK 88 / 0 / 77 / 12

HEX #1BE033

RGB 27 224 51

HSL 127.31, 0.78%, 0.49%

LAB 78.34, -75.1, 66.62

 

CMYK 0 / 87 / 15 / 9

HEX #E91FC7

RGB 233 31 199

HSL 310.1, 0.82%, 0.52%

LAB 54.48, 84.19, -38.75

 

CMYK 0 / 80 / 13 / 2

HEX #FA31DA

RGB 250 49 218

HSL 309.55, 0.95%, 0.59%

LAB 59.51, 86.53, -41.48

 

CMYK 0 / 74 / 7 / 0

HEX #FF43ED

RGB 255 67 237

HSL 305.74, 1%, 0.63%

LAB 62.83, 85.59, -46.85

 

CMYK 0 / 67 / 0 / 0

HEX #FF55FF

RGB 255 85 255

HSL 300, 1%, 0.67%

LAB 65.73, 82.6, -52.23

 

CMYK 0 / 60 / 0 / 0

HEX #FF67FF

RGB 255 103 255

HSL 300, 1%, 0.7%

LAB 68.15, 75.83, -48.4

 

CMYK 0 / 86 / 11 / 11

HEX #E41FCC

RGB 228 31 204

HSL 307.31, 0.78%, 0.51%

LAB 53.85, 83.9, -42.67

 

CMYK 0 / 94 / 12 / 17

HEX #D30DB9

RGB 211 13 185

HSL 307.88, 0.88%, 0.44%

LAB 49.06, 80.56, -39.43

 

CMYK 0 / 100 / 14 / 24

HEX #C200A6

RGB 194 0 166

HSL 308.66, 1%, 0.38%

LAB 44.55, 76.12, -35.53

 

CMYK 0 / 100 / 17 / 31

HEX #B10093

RGB 177 0 147

HSL 310.17, 1%, 0.35%

LAB 40.33, 70.54, -30.93

 

CMYK 0 / 100 / 20 / 37

HEX #A00080

RGB 160 0 128

HSL 312, 1%, 0.31%

LAB 36.05, 64.87, -26.18

 

CMYK 0 / 86 / 11 / 11

HEX #E320CB

RGB 227 32 203

HSL 307.38, 0.78%, 0.51%

LAB 53.68, 83.41, -42.38

 

CMYK 0 / 86 / 33 / 11

HEX #E32097

RGB 227 32 151

HSL 323.38, 0.78%, 0.51%

LAB 51.38, 77.2, -15.5

 

CMYK 0 / 86 / 57 / 11

HEX #E32062

RGB 227 32 98

HSL 339.69, 0.78%, 0.51%

LAB 49.79, 72.73, 14.29

 

CMYK 0 / 86 / 80 / 11

HEX #E3202E

RGB 227 32 46

HSL 355.69, 0.78%, 0.51%

LAB 48.96, 70.31, 44.15

 

CMYK 0 / 86 / 86 / 11

HEX #E32020

RGB 227 32 32

HSL 0, 0.78%, 0.51%

LAB 48.84, 69.98, 51.21

 

CMYK 0 / 86 / 11 / 11

HEX #E320CB

RGB 227 32 203

HSL 307.38, 0.78%, 0.51%

LAB 53.68, 83.41, -42.38

 

CMYK 13 / 86 / 0 / 11

HEX #C620E3

RGB 198 32 227

HSL 291.08, 0.78%, 0.51%

LAB 50.2, 81.94, -61.92

 

CMYK 36 / 86 / 0 / 11

HEX #9220E3

RGB 146 32 227

HSL 275.08, 0.78%, 0.51%

LAB 42.29, 74.29, -75.13

 

CMYK 59 / 86 / 0 / 11

HEX #5D20E3

RGB 93 32 227

HSL 258.77, 0.78%, 0.51%

LAB 35.8, 68.53, -86.05

 

CMYK 82 / 86 / 0 / 11

HEX #2920E3

RGB 41 32 227

HSL 242.77, 0.78%, 0.51%

LAB 31.92, 65.41, -92.6

 

CMYK 0 / 86 / 11 / 11

HEX #E320CB

RGB 227 32 203

HSL 307.38, 0.78%, 0.51%

LAB 53.68, 83.41, -42.38

 

CMYK 0 / 95 / 11 / 3

HEX #F70CDB

RGB 247 12 219

HSL 307.15, 0.94%, 0.51%

LAB 57.22, 91.41, -45.68

 

CMYK 0 / 86 / 11 / 11

HEX #E320CB

RGB 227 32 203

HSL 307.38, 0.78%, 0.51%

LAB 53.68, 83.41, -42.38

 

CMYK 0 / 75 / 9 / 19

HEX #CF34BC

RGB 207 52 188

HSL 307.35, 0.62%, 0.51%

LAB 51.1, 72.68, -38.01

 

CMYK 0 / 61 / 7 / 27

HEX #BB49AD

RGB 187 73 173

HSL 307.37, 0.46%, 0.51%

LAB 49.91, 57.9, -31.33

 

CMYK 0 / 44 / 5 / 35

HEX #A65D9D

RGB 166 93 157

HSL 307.4, 0.29%, 0.51%

LAB 49.94, 39.2, -22.11

 

CMYK 0 / 23 / 3 / 43

HEX #92718E

RGB 146 113 142

HSL 307.27, 0.13%, 0.51%

LAB 51.69, 18.16, -10.82

 

CMYK 36 / 86 / 0 / 11

HEX #9220E3

RGB 146 32 227

HSL 275.08, 0.78%, 0.51%

LAB 42.29, 74.29, -75.13

 

CMYK 13 / 86 / 0 / 11

HEX #C620E3

RGB 198 32 227

HSL 291.08, 0.78%, 0.51%

LAB 50.2, 81.94, -61.92

 

CMYK 0 / 86 / 10 / 11

HEX #E320CC

RGB 227 32 204

HSL 307.08, 0.78%, 0.51%

LAB 53.73, 83.55, -42.87

 

CMYK 0 / 86 / 33 / 11

HEX #E32098

RGB 227 32 152

HSL 323.08, 0.78%, 0.51%

LAB 51.42, 77.31, -16.04

 

CMYK 0 / 86 / 56 / 11

HEX #E32064

RGB 227 32 100

HSL 339.08, 0.78%, 0.51%

LAB 49.84, 72.86, 13.13

 

CMYK 0 / 88 / 11 / 38

HEX #9E138D

RGB 158 19 141

HSL 307.34, 0.79%, 0.35%

LAB 37.22, 63.67, -32.41

 

CMYK 0 / 88 / 11 / 24

HEX #C218AD

RGB 194 24 173

HSL 307.41, 0.78%, 0.43%

LAB 45.82, 74.39, -37.68

 

CMYK 0 / 86 / 11 / 11

HEX #E320CB

RGB 227 32 203

HSL 307.38, 0.78%, 0.51%

LAB 53.68, 83.41, -42.38

 

CMYK 0 / 70 / 9 / 9

HEX #E845D4

RGB 232 69 212

HSL 307.36, 0.78%, 0.59%

LAB 58.19, 76.4, -40.35

 

CMYK 0 / 55 / 7 / 7

HEX #EC6ADC

RGB 236 106 220

HSL 307.38, 0.77%, 0.67%

LAB 64.41, 64.08, -35.09

 

CMYK 0 / 86 / 11 / 11

HEX #E41FCC

RGB 228 31 204

HSL 307.31, 0.78%, 0.51%

LAB 53.85, 83.9, -42.67

 

CMYK 0 / 59 / 86 / 11

HEX #E35E20

RGB 227 94 32

HSL 19.08, 0.78%, 0.51%

LAB 56.53, 48.96, 57.52

 

CMYK 86 / 0 / 24 / 11

HEX #20E3AC

RGB 32 227 172

HSL 163.08, 0.78%, 0.51%

LAB 80.86, -57.39, 14.37

 

CMYK 0 / 86 / 11 / 11

HEX #E41FCC

RGB 228 31 204

HSL 307.31, 0.78%, 0.51%

LAB 53.85, 83.9, -42.67

 

CMYK 10 / 0 / 86 / 11

HEX #CCE320

RGB 204 227 32

HSL 67.08, 0.78%, 0.51%

LAB 85.95, -28.84, 80.7

 

CMYK 86 / 10 / 0 / 11

HEX #20CCE3

RGB 32 204 227

HSL 187.08, 0.78%, 0.51%

LAB 75.48, -32.35, -22.93

 

CMYK 0 / 86 / 11 / 11

HEX #E41FCC

RGB 228 31 204

HSL 307.31, 0.78%, 0.51%

LAB 53.85, 83.9, -42.67

 

CMYK 0 / 59 / 86 / 11

HEX #E35E20

RGB 227 94 32

HSL 19.08, 0.78%, 0.51%

LAB 56.53, 48.96, 57.52

 

CMYK 86 / 0 / 76 / 11

HEX #20E337

RGB 32 227 55

HSL 127.08, 0.78%, 0.51%

LAB 79.34, -75.3, 66.37

 

CMYK 86 / 27 / 0 / 11

HEX #20A5E3

RGB 32 165 227

HSL 199.08, 0.78%, 0.51%

LAB 63.97, -12.33, -40.71

 

CMYK 0 / 86 / 11 / 11

HEX #E41FCC

RGB 228 31 204

HSL 307.31, 0.78%, 0.51%

LAB 53.85, 83.9, -42.67

 

CMYK 0 / 33 / 86 / 11

HEX #E39820

RGB 227 152 32

HSL 36.92, 0.78%, 0.51%

LAB 68.67, 19.37, 67.43

 

CMYK 86 / 0 / 76 / 11

HEX #20E337

RGB 32 227 55

HSL 127.08, 0.78%, 0.51%

LAB 79.34, -75.3, 66.37

 

CMYK 86 / 53 / 0 / 11

HEX #206BE3

RGB 32 107 227

HSL 216.92, 0.78%, 0.51%

LAB 47.45, 22.48, -67.06

 

Description

Color code: HEX #E41FCC | qconv.com Color code: HEX #E41FCC | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 31 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 31 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 86 magenta, 11 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 86% 11% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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