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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E429D2 it is the complementary color #1BD62D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E429D2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E429D2 shade: #E929CD, #FA3BE0, #FF4DF3, #FF5FFF and #FF71FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E429D2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E429D2 shade: #E429D2, #D317BF, #C205AC, #B10099 and #A00086

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E429D2 shade: #E429D2, #E429A0, #E4296D, #E4293B and #E42929

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E429D2 shade: #E429D2, #C429E4, #9129E4, #5F29E4 and #2C29E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E429D2 shade matches the following richer shades: #E429D2 and #F816E2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E429D2 shade: #E429D2, #D13DC2, #BD50B3, #AA63A3 and #977793

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E429D2 shade: #9029E4, #C229E4, #E429D5, #E429A3 and #E42971

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E429D2 shade: #A71499, #CB19BA, #E429D2, #E94EDA and #ED73E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E429D2 shade: #E429D2, #E45E29 and #29E4A9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E429D2 shade: #E429D2, #D5E429 and #29D5E4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E429D2 shade: #E429D2, #E45E29, #29E439 and #29AFE4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E429D2 shade: #E429D2, #E49629, #29E439 and #2977E4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 8 / 11

HEX #E429D2

RGB 228 41 210

HSL 305.78, 0.78%, 0.53%

LAB 54.8, 82.86, -44.61

 

Complementary color

CMYK 87 / 0 / 79 / 16

HEX #1BD62D

RGB 27 214 45

HSL 125.78, 0.78%, 0.47%

LAB 75.15, -72.64, 65.35

 

CMYK 0 / 82 / 12 / 9

HEX #E929CD

RGB 233 41 205

HSL 308.75, 0.81%, 0.54%

LAB 55.4, 83.15, -40.75

 

CMYK 0 / 76 / 10 / 2

HEX #FA3BE0

RGB 250 59 224

HSL 308.17, 0.95%, 0.61%

LAB 60.63, 84.92, -43.09

 

CMYK 0 / 70 / 5 / 0

HEX #FF4DF3

RGB 255 77 243

HSL 304.04, 1%, 0.65%

LAB 64.19, 83.43, -48.04

 

CMYK 0 / 63 / 0 / 0

HEX #FF5FFF

RGB 255 95 255

HSL 300, 1%, 0.69%

LAB 67.02, 78.97, -50.18

 

CMYK 0 / 56 / 0 / 0

HEX #FF71FF

RGB 255 113 255

HSL 300, 1%, 0.72%

LAB 69.68, 71.66, -46.01

 

CMYK 0 / 82 / 8 / 11

HEX #E429D2

RGB 228 41 210

HSL 305.78, 0.78%, 0.53%

LAB 54.8, 82.86, -44.61

 

CMYK 0 / 89 / 9 / 17

HEX #D317BF

RGB 211 23 191

HSL 306.38, 0.8%, 0.46%

LAB 49.77, 80.2, -41.81

 

CMYK 0 / 97 / 11 / 24

HEX #C205AC

RGB 194 5 172

HSL 306.98, 0.95%, 0.39%

LAB 45.02, 76.46, -38.36

 

CMYK 0 / 100 / 14 / 31

HEX #B10099

RGB 177 0 153

HSL 308.14, 1%, 0.35%

LAB 40.65, 71.33, -34.08

 

CMYK 0 / 100 / 16 / 37

HEX #A00086

RGB 160 0 134

HSL 309.75, 1%, 0.31%

LAB 36.36, 65.65, -29.42

 

CMYK 0 / 82 / 8 / 11

HEX #E429D2

RGB 228 41 210

HSL 305.78, 0.78%, 0.53%

LAB 54.8, 82.86, -44.61

 

CMYK 0 / 82 / 30 / 11

HEX #E429A0

RGB 228 41 160

HSL 321.82, 0.78%, 0.53%

LAB 52.53, 76.58, -19.08

 

CMYK 0 / 82 / 52 / 11

HEX #E4296D

RGB 228 41 109

HSL 338.18, 0.78%, 0.53%

LAB 50.9, 71.87, 9.16

 

CMYK 0 / 82 / 74 / 11

HEX #E4293B

RGB 228 41 59

HSL 354.22, 0.78%, 0.53%

LAB 49.97, 69.09, 37.98

 

CMYK 0 / 82 / 82 / 11

HEX #E42929

RGB 228 41 41

HSL 0, 0.78%, 0.53%

LAB 49.79, 68.53, 47.67

 

CMYK 0 / 82 / 8 / 11

HEX #E429D2

RGB 228 41 210

HSL 305.78, 0.78%, 0.53%

LAB 54.8, 82.86, -44.61

 

CMYK 14 / 82 / 0 / 11

HEX #C429E4

RGB 196 41 228

HSL 289.73, 0.78%, 0.53%

LAB 50.6, 79.86, -61.86

 

CMYK 36 / 82 / 0 / 11

HEX #9129E4

RGB 145 41 228

HSL 273.37, 0.78%, 0.53%

LAB 43.07, 71.91, -74.43

 

CMYK 58 / 82 / 0 / 11

HEX #5F29E4

RGB 95 41 228

HSL 257.33, 0.78%, 0.53%

LAB 37.15, 65.87, -84.38

 

CMYK 81 / 82 / 0 / 11

HEX #2C29E4

RGB 44 41 228

HSL 240.96, 0.78%, 0.53%

LAB 33.4, 62.2, -90.71

 

CMYK 0 / 82 / 8 / 11

HEX #E429D2

RGB 228 41 210

HSL 305.78, 0.78%, 0.53%

LAB 54.8, 82.86, -44.61

 

CMYK 0 / 91 / 9 / 3

HEX #F816E2

RGB 248 22 226

HSL 305.84, 0.94%, 0.53%

LAB 58.06, 91.62, -48.31

 

CMYK 0 / 82 / 8 / 11

HEX #E429D2

RGB 228 41 210

HSL 305.78, 0.78%, 0.53%

LAB 54.8, 82.86, -44.61

 

CMYK 0 / 71 / 7 / 18

HEX #D13DC2

RGB 209 61 194

HSL 306.08, 0.62%, 0.53%

LAB 52.72, 71.18, -38.91

 

CMYK 0 / 58 / 5 / 26

HEX #BD50B3

RGB 189 80 179

HSL 305.5, 0.45%, 0.53%

LAB 51.62, 56.33, -32.15

 

CMYK 0 / 42 / 4 / 33

HEX #AA63A3

RGB 170 99 163

HSL 305.92, 0.29%, 0.53%

LAB 51.97, 38.35, -22.48

 

CMYK 0 / 21 / 3 / 41

HEX #977793

RGB 151 119 147

HSL 307.5, 0.13%, 0.53%

LAB 53.9, 17.46, -10.39

 

CMYK 37 / 82 / 0 / 11

HEX #9029E4

RGB 144 41 228

HSL 273.05, 0.78%, 0.53%

LAB 42.94, 71.77, -74.65

 

CMYK 15 / 82 / 0 / 11

HEX #C229E4

RGB 194 41 228

HSL 289.09, 0.78%, 0.53%

LAB 50.28, 79.53, -62.39

 

CMYK 0 / 82 / 7 / 11

HEX #E429D5

RGB 228 41 213

HSL 304.81, 0.78%, 0.53%

LAB 54.95, 83.28, -46.08

 

CMYK 0 / 82 / 29 / 11

HEX #E429A3

RGB 228 41 163

HSL 320.86, 0.78%, 0.53%

LAB 52.65, 76.92, -20.67

 

CMYK 0 / 82 / 50 / 11

HEX #E42971

RGB 228 41 113

HSL 336.9, 0.78%, 0.53%

LAB 51, 72.18, 6.87

 

CMYK 0 / 88 / 8 / 35

HEX #A71499

RGB 167 20 153

HSL 305.71, 0.79%, 0.37%

LAB 39.61, 67.01, -35.85

 

CMYK 0 / 88 / 8 / 20

HEX #CB19BA

RGB 203 25 186

HSL 305.73, 0.78%, 0.45%

LAB 48.18, 77.74, -41.5

 

CMYK 0 / 82 / 8 / 11

HEX #E429D2

RGB 228 41 210

HSL 305.78, 0.78%, 0.53%

LAB 54.8, 82.86, -44.61

 

CMYK 0 / 67 / 6 / 9

HEX #E94EDA

RGB 233 78 218

HSL 305.81, 0.78%, 0.61%

LAB 59.74, 74.41, -41.3

 

CMYK 0 / 51 / 5 / 7

HEX #ED73E1

RGB 237 115 225

HSL 305.9, 0.77%, 0.69%

LAB 66.29, 61.06, -34.94

 

CMYK 0 / 82 / 8 / 11

HEX #E429D2

RGB 228 41 210

HSL 305.78, 0.78%, 0.53%

LAB 54.8, 82.86, -44.61

 

CMYK 0 / 59 / 82 / 11

HEX #E45E29

RGB 228 94 41

HSL 17.01, 0.78%, 0.53%

LAB 56.74, 49.55, 54.09

 

CMYK 82 / 0 / 26 / 11

HEX #29E4A9

RGB 41 228 169

HSL 161.07, 0.78%, 0.53%

LAB 81.19, -57.78, 16.42

 

CMYK 0 / 82 / 8 / 11

HEX #E429D2

RGB 228 41 210

HSL 305.78, 0.78%, 0.53%

LAB 54.8, 82.86, -44.61

 

CMYK 7 / 0 / 82 / 11

HEX #D5E429

RGB 213 228 41

HSL 64.81, 0.78%, 0.53%

LAB 86.9, -25.39, 79.84

 

CMYK 82 / 7 / 0 / 11

HEX #29D5E4

RGB 41 213 228

HSL 184.81, 0.78%, 0.53%

LAB 78.26, -35.68, -19.23

 

CMYK 0 / 82 / 8 / 11

HEX #E429D2

RGB 228 41 210

HSL 305.78, 0.78%, 0.53%

LAB 54.8, 82.86, -44.61

 

CMYK 0 / 59 / 82 / 11

HEX #E45E29

RGB 228 94 41

HSL 17.01, 0.78%, 0.53%

LAB 56.74, 49.55, 54.09

 

CMYK 82 / 0 / 75 / 11

HEX #29E439

RGB 41 228 57

HSL 125.13, 0.78%, 0.53%

LAB 79.76, -74.62, 66.17

 

CMYK 82 / 23 / 0 / 11

HEX #29AFE4

RGB 41 175 228

HSL 197.01, 0.78%, 0.53%

LAB 67.08, -16.72, -36.4

 

CMYK 0 / 82 / 8 / 11

HEX #E429D2

RGB 228 41 210

HSL 305.78, 0.78%, 0.53%

LAB 54.8, 82.86, -44.61

 

CMYK 0 / 34 / 82 / 11

HEX #E49629

RGB 228 150 41

HSL 34.97, 0.78%, 0.53%

LAB 68.36, 21.1, 64.43

 

CMYK 82 / 0 / 75 / 11

HEX #29E439

RGB 41 228 57

HSL 125.13, 0.78%, 0.53%

LAB 79.76, -74.62, 66.17

 

CMYK 82 / 48 / 0 / 11

HEX #2977E4

RGB 41 119 228

HSL 214.97, 0.78%, 0.53%

LAB 51, 15.94, -61.89

 

Description

Color code: HEX #E429D2 | qconv.com Color code: HEX #E429D2 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 41 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 41 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 8 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 8% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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