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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E448E2 it is the complementary color #1BB71D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E448E2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E448E2 shade: #E948DD, #FA5AF0, #FF6CFF, #FF7EFF and #FF90FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E448E2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E448E2 shade: #E448E2, #D336CF, #C224BC, #B112A9 and #A00096

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E448E2 shade: #E349E1, #E349B8, #E3498E, #E34964 and #E34949

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E448E2 shade: #E349E1, #BC49E3, #9249E3, #6849E3 and #4949E3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E448E2 shade matches the following richer shades: #E349E1 and #F438F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E448E2 shade: #E349E1, #D259D1, #C16AC0, #B17BB0 and #A08C9F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E448E2 shade: #9149E3, #BA49E3, #E349E3, #E349BA and #E34991

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E448E2 shade: #BD1CBB, #DE25DC, #E349E1, #E96CE7 and #EE90ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E448E2 shade: #E448E2, #E36849 and #49E3A5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E448E2 shade: #E448E2, #E3E349 and #49E3E3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E448E2 shade: #E448E2, #E36849, #49E349 and #49C4E3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E448E2 shade: #E448E2, #E39649, #49E349 and #4996E3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 1 / 11

HEX #E448E2

RGB 228 72 226

HSL 300.77, 0.74%, 0.59%

LAB 58.62, 76.64, -47.63

 

Complementary color

CMYK 85 / 0 / 84 / 28

HEX #1BB71D

RGB 27 183 29

HSL 120.77, 0.74%, 0.41%

LAB 65.11, -64.59, 60.37

 

CMYK 0 / 69 / 5 / 9

HEX #E948DD

RGB 233 72 221

HSL 304.47, 0.79%, 0.6%

LAB 59.14, 76.97, -43.94

 

CMYK 0 / 64 / 4 / 2

HEX #FA5AF0

RGB 250 90 240

HSL 303.75, 0.94%, 0.67%

LAB 64.91, 77.33, -45.3

 

CMYK 0 / 58 / 0 / 0

HEX #FF6CFF

RGB 255 108 255

HSL 300, 1%, 0.71%

LAB 68.9, 73.78, -47.23

 

CMYK 0 / 51 / 0 / 0

HEX #FF7EFF

RGB 255 126 255

HSL 300, 1%, 0.75%

LAB 71.83, 65.87, -42.63

 

CMYK 0 / 44 / 0 / 0

HEX #FF90FF

RGB 255 144 255

HSL 300, 1%, 0.78%

LAB 75.09, 57.3, -37.55

 

CMYK 0 / 68 / 1 / 11

HEX #E448E2

RGB 228 72 226

HSL 300.77, 0.74%, 0.59%

LAB 58.62, 76.64, -47.63

 

CMYK 0 / 74 / 2 / 17

HEX #D336CF

RGB 211 54 207

HSL 301.53, 0.64%, 0.52%

LAB 52.94, 75.8, -46.01

 

CMYK 0 / 81 / 3 / 24

HEX #C224BC

RGB 194 36 188

HSL 302.28, 0.69%, 0.45%

LAB 47.45, 74.2, -43.93

 

CMYK 0 / 90 / 5 / 31

HEX #B112A9

RGB 177 18 169

HSL 303.02, 0.82%, 0.38%

LAB 42.22, 71.56, -41.2

 

CMYK 0 / 100 / 6 / 37

HEX #A00096

RGB 160 0 150

HSL 303.75, 1%, 0.31%

LAB 37.25, 67.86, -37.84

 

CMYK 0 / 68 / 1 / 11

HEX #E349E1

RGB 227 73 225

HSL 300.78, 0.73%, 0.59%

LAB 58.54, 75.92, -47.2

 

CMYK 0 / 68 / 19 / 11

HEX #E349B8

RGB 227 73 184

HSL 316.75, 0.73%, 0.59%

LAB 56.64, 69.87, -26.8

 

CMYK 0 / 68 / 37 / 11

HEX #E3498E

RGB 227 73 142

HSL 333.12, 0.73%, 0.59%

LAB 55.12, 64.8, -4.54

 

CMYK 0 / 68 / 56 / 11

HEX #E34964

RGB 227 73 100

HSL 349.48, 0.73%, 0.59%

LAB 54.04, 61.06, 18.89

 

CMYK 0 / 68 / 68 / 11

HEX #E34949

RGB 227 73 73

HSL 0, 0.73%, 0.59%

LAB 53.58, 59.39, 34.11

 

CMYK 0 / 68 / 1 / 11

HEX #E349E1

RGB 227 73 225

HSL 300.78, 0.73%, 0.59%

LAB 58.54, 75.92, -47.2

 

CMYK 17 / 68 / 0 / 11

HEX #BC49E3

RGB 188 73 227

HSL 284.81, 0.73%, 0.59%

LAB 52.95, 67.83, -57.57

 

CMYK 36 / 68 / 0 / 11

HEX #9249E3

RGB 146 73 227

HSL 268.44, 0.73%, 0.59%

LAB 47.52, 59.29, -66.6

 

CMYK 54 / 68 / 0 / 11

HEX #6849E3

RGB 104 73 227

HSL 252.08, 0.73%, 0.59%

LAB 43.14, 51.86, -73.93

 

CMYK 68 / 68 / 0 / 11

HEX #4949E3

RGB 73 73 227

HSL 240, 0.73%, 0.59%

LAB 40.78, 47.59, -77.89

 

CMYK 0 / 68 / 1 / 11

HEX #E349E1

RGB 227 73 225

HSL 300.78, 0.73%, 0.59%

LAB 58.54, 75.92, -47.2

 

CMYK 0 / 77 / 1 / 4

HEX #F438F2

RGB 244 56 242

HSL 300.64, 0.9%, 0.59%

LAB 60.31, 87.09, -53.74

 

CMYK 0 / 68 / 1 / 11

HEX #E349E1

RGB 227 73 225

HSL 300.78, 0.73%, 0.59%

LAB 58.54, 75.92, -47.2

 

CMYK 0 / 58 / 0 / 18

HEX #D259D1

RGB 210 89 209

HSL 300.5, 0.57%, 0.59%

LAB 57.51, 62.95, -39.95

 

CMYK 0 / 45 / 1 / 24

HEX #C16AC0

RGB 193 106 192

HSL 300.69, 0.41%, 0.59%

LAB 57.51, 47.1, -30.43

 

CMYK 0 / 31 / 1 / 31

HEX #B17BB0

RGB 177 123 176

HSL 301.11, 0.26%, 0.59%

LAB 58.65, 29.85, -19.69

 

CMYK 0 / 13 / 1 / 37

HEX #A08C9F

RGB 160 140 159

HSL 303, 0.1%, 0.59%

LAB 60.55, 11, -7.29

 

CMYK 36 / 68 / 0 / 11

HEX #9149E3

RGB 145 73 227

HSL 268.05, 0.73%, 0.59%

LAB 47.41, 59.09, -66.8

 

CMYK 18 / 68 / 0 / 11

HEX #BA49E3

RGB 186 73 227

HSL 284.03, 0.73%, 0.59%

LAB 52.68, 67.41, -58.03

 

CMYK 0 / 68 / 0 / 11

HEX #E349E3

RGB 227 73 227

HSL 300, 0.73%, 0.59%

LAB 58.64, 76.24, -48.16

 

CMYK 0 / 68 / 18 / 11

HEX #E349BA

RGB 227 73 186

HSL 315.97, 0.73%, 0.59%

LAB 56.72, 70.14, -27.82

 

CMYK 0 / 68 / 36 / 11

HEX #E34991

RGB 227 73 145

HSL 331.95, 0.73%, 0.59%

LAB 55.22, 65.12, -6.17

 

CMYK 0 / 85 / 1 / 26

HEX #BD1CBB

RGB 189 28 187

HSL 300.75, 0.74%, 0.43%

LAB 45.96, 74.77, -45.77

 

CMYK 0 / 83 / 1 / 13

HEX #DE25DC

RGB 222 37 220

HSL 300.65, 0.74%, 0.51%

LAB 54.05, 83.99, -51.56

 

CMYK 0 / 68 / 1 / 11

HEX #E349E1

RGB 227 73 225

HSL 300.78, 0.73%, 0.59%

LAB 58.54, 75.92, -47.2

 

CMYK 0 / 54 / 1 / 9

HEX #E96CE7

RGB 233 108 231

HSL 300.96, 0.74%, 0.67%

LAB 64.82, 64.2, -40.61

 

CMYK 0 / 39 / 0 / 7

HEX #EE90ED

RGB 238 144 237

HSL 300.64, 0.73%, 0.75%

LAB 72.39, 49.17, -32.1

 

CMYK 0 / 68 / 1 / 11

HEX #E448E2

RGB 228 72 226

HSL 300.77, 0.74%, 0.59%

LAB 58.62, 76.64, -47.63

 

CMYK 0 / 54 / 68 / 11

HEX #E36849

RGB 227 104 73

HSL 12.08, 0.73%, 0.59%

LAB 58.71, 45.78, 40.21

 

CMYK 68 / 0 / 27 / 11

HEX #49E3A5

RGB 73 227 165

HSL 155.84, 0.73%, 0.59%

LAB 81.33, -54.42, 18.78

 

CMYK 0 / 68 / 1 / 11

HEX #E448E2

RGB 228 72 226

HSL 300.77, 0.74%, 0.59%

LAB 58.62, 76.64, -47.63

 

CMYK 0 / 0 / 68 / 11

HEX #E3E349

RGB 227 227 73

HSL 60, 0.73%, 0.59%

LAB 87.85, -17.87, 71.41

 

CMYK 68 / 0 / 0 / 11

HEX #49E3E3

RGB 73 227 227

HSL 180, 0.73%, 0.59%

LAB 82.86, -39.09, -11.73

 

CMYK 0 / 68 / 1 / 11

HEX #E448E2

RGB 228 72 226

HSL 300.77, 0.74%, 0.59%

LAB 58.62, 76.64, -47.63

 

CMYK 0 / 54 / 68 / 11

HEX #E36849

RGB 227 104 73

HSL 12.08, 0.73%, 0.59%

LAB 58.71, 45.78, 40.21

 

CMYK 68 / 0 / 68 / 11

HEX #49E349

RGB 73 227 73

HSL 120, 0.73%, 0.59%

LAB 80.09, -68.45, 60.97

 

CMYK 68 / 14 / 0 / 11

HEX #49C4E3

RGB 73 196 227

HSL 192.08, 0.73%, 0.59%

LAB 73.83, -24.26, -25.38

 

CMYK 0 / 68 / 1 / 11

HEX #E448E2

RGB 228 72 226

HSL 300.77, 0.74%, 0.59%

LAB 58.62, 76.64, -47.63

 

CMYK 0 / 34 / 68 / 11

HEX #E39649

RGB 227 150 73

HSL 30, 0.73%, 0.59%

LAB 68.48, 22.03, 51.25

 

CMYK 68 / 0 / 68 / 11

HEX #49E349

RGB 73 227 73

HSL 120, 0.73%, 0.59%

LAB 80.09, -68.45, 60.97

 

CMYK 68 / 34 / 0 / 11

HEX #4996E3

RGB 73 150 227

HSL 210, 0.73%, 0.59%

LAB 60.58, 0.68, -45.97

 

Description

Color code: HEX #E448E2 | qconv.com Color code: HEX #E448E2 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 72 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 72 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 1 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 1% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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