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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E4685C it is the complementary color #1B97A3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E4685C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E4685C shade: #E96857, #FA7A6A, #FF8C7D, #FF9E90 and #FFB0A3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E4685C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E4685C shade: #E4685C, #D35649, #C24436, #B13223 and #A02010

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E4685C shade: #E4685C and #E45C5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E4685C shade: #E4685C, #E48D5C, #E4B15C, #E4D65C and #CDE45C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E4685C shade matches the following richer shades: #E4685C and #F35C4D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E4685C shade: #E4685C, #D5756B, #C6817B, #B68E8A and #A79A99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E4685C shade: #E45C99, #E45C75, #E4685C, #E48C5C and #E4B05C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E4685C shade: #CD3021, #DE4739, #E4685C, #EA8980 and #F0AAA3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E4685C shade: #E4685C, #BEE45C and #5C87E4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E4685C shade: #E4685C, #5CE468 and #685CE4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E4685C shade: #E4685C, #BEE45C, #5CD9E4 and #835CE4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E4685C shade: #E4685C, #95E45C, #5CD9E4 and #AB5CE4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 60 / 11

HEX #E4685C

RGB 228 104 92

HSL 5.29, 0.72%, 0.63%

LAB 59.13, 47.32, 30.25

 

Complementary color

CMYK 83 / 7 / 0 / 36

HEX #1B97A3

RGB 27 151 163

HSL 185.29, 0.72%, 0.37%

LAB 57.09, -27.21, -15.44

 

CMYK 0 / 55 / 63 / 9

HEX #E96857

RGB 233 104 87

HSL 6.99, 0.77%, 0.63%

LAB 59.81, 48.79, 34.07

 

CMYK 0 / 51 / 58 / 2

HEX #FA7A6A

RGB 250 122 106

HSL 6.67, 0.94%, 0.7%

LAB 65.97, 47.56, 31.84

 

CMYK 0 / 45 / 51 / 0

HEX #FF8C7D

RGB 255 140 125

HSL 6.92, 1%, 0.75%

LAB 70.52, 41.99, 27.45

 

CMYK 0 / 38 / 44 / 0

HEX #FF9E90

RGB 255 158 144

HSL 7.57, 1%, 0.78%

LAB 74.65, 34.57, 22.62

 

CMYK 0 / 31 / 36 / 0

HEX #FFB0A3

RGB 255 176 163

HSL 8.48, 1%, 0.82%

LAB 79.02, 27.27, 18.33

 

CMYK 0 / 54 / 60 / 11

HEX #E4685C

RGB 228 104 92

HSL 5.29, 0.72%, 0.63%

LAB 59.13, 47.32, 30.25

 

CMYK 0 / 59 / 65 / 17

HEX #D35649

RGB 211 86 73

HSL 5.65, 0.61%, 0.56%

LAB 52.93, 48.5, 32.71

 

CMYK 0 / 65 / 72 / 24

HEX #C24436

RGB 194 68 54

HSL 6, 0.56%, 0.49%

LAB 46.8, 49.57, 35.55

 

CMYK 0 / 72 / 80 / 31

HEX #B13223

RGB 177 50 35

HSL 6.34, 0.67%, 0.42%

LAB 40.82, 50.38, 38.74

 

CMYK 0 / 80 / 90 / 37

HEX #A02010

RGB 160 32 16

HSL 6.67, 0.82%, 0.35%

LAB 35.09, 50.62, 41.88

 

CMYK 0 / 54 / 60 / 11

HEX #E4685C

RGB 228 104 92

HSL 5.29, 0.72%, 0.63%

LAB 59.13, 47.32, 30.25

 

CMYK 0 / 60 / 60 / 11

HEX #E45C5C

RGB 228 92 92

HSL 0, 0.72%, 0.63%

LAB 57, 52.9, 27.51

 

CMYK 0 / 54 / 60 / 11

HEX #E4685C

RGB 228 104 92

HSL 5.29, 0.72%, 0.63%

LAB 59.13, 47.32, 30.25

 

CMYK 0 / 38 / 60 / 11

HEX #E48D5C

RGB 228 141 92

HSL 21.62, 0.72%, 0.63%

LAB 66.76, 28.45, 39.76

 

CMYK 0 / 22 / 60 / 11

HEX #E4B15C

RGB 228 177 92

HSL 37.5, 0.72%, 0.63%

LAB 75.27, 9.27, 49.86

 

CMYK 0 / 6 / 60 / 11

HEX #E4D65C

RGB 228 214 92

HSL 53.82, 0.72%, 0.63%

LAB 84.67, -9.88, 60.48

 

CMYK 10 / 0 / 60 / 11

HEX #CDE45C

RGB 205 228 92

HSL 70.15, 0.72%, 0.63%

LAB 86.62, -26.05, 62.12

 

CMYK 0 / 54 / 60 / 11

HEX #E4685C

RGB 228 104 92

HSL 5.29, 0.72%, 0.63%

LAB 59.13, 47.32, 30.25

 

CMYK 0 / 62 / 68 / 5

HEX #F35C4D

RGB 243 92 77

HSL 5.42, 0.87%, 0.63%

LAB 59.2, 57.09, 39.24

 

CMYK 0 / 54 / 60 / 11

HEX #E4685C

RGB 228 104 92

HSL 5.29, 0.72%, 0.63%

LAB 59.13, 47.32, 30.25

 

CMYK 0 / 45 / 50 / 16

HEX #D5756B

RGB 213 117 107

HSL 5.66, 0.56%, 0.63%

LAB 59.83, 36.45, 22.24

 

CMYK 0 / 35 / 38 / 22

HEX #C6817B

RGB 198 129 123

HSL 4.8, 0.4%, 0.63%

LAB 60.9, 25.93, 14.29

 

CMYK 0 / 22 / 24 / 29

HEX #B68E8A

RGB 182 142 138

HSL 5.45, 0.23%, 0.63%

LAB 62.61, 14.52, 7.93

 

CMYK 0 / 8 / 8 / 35

HEX #A79A99

RGB 167 154 153

HSL 4.29, 0.07%, 0.63%

LAB 64.67, 4.58, 2.24

 

CMYK 0 / 60 / 33 / 11

HEX #E45C99

RGB 228 92 153

HSL 333.09, 0.72%, 0.63%

LAB 58.46, 58.59, -6.03

 

CMYK 0 / 60 / 49 / 11

HEX #E45C75

RGB 228 92 117

HSL 348.97, 0.72%, 0.63%

LAB 57.49, 54.86, 13.63

 

CMYK 0 / 54 / 60 / 11

HEX #E4685C

RGB 228 104 92

HSL 5.29, 0.72%, 0.63%

LAB 59.13, 47.32, 30.25

 

CMYK 0 / 39 / 60 / 11

HEX #E48C5C

RGB 228 140 92

HSL 21.18, 0.72%, 0.63%

LAB 66.54, 28.98, 39.48

 

CMYK 0 / 23 / 60 / 11

HEX #E4B05C

RGB 228 176 92

HSL 37.06, 0.72%, 0.63%

LAB 75.02, 9.8, 49.57

 

CMYK 0 / 77 / 84 / 20

HEX #CD3021

RGB 205 48 33

HSL 5.23, 0.72%, 0.47%

LAB 45.91, 59.82, 46.5

 

CMYK 0 / 68 / 74 / 13

HEX #DE4739

RGB 222 71 57

HSL 5.09, 0.71%, 0.55%

LAB 52.21, 57.82, 41.29

 

CMYK 0 / 54 / 60 / 11

HEX #E4685C

RGB 228 104 92

HSL 5.29, 0.72%, 0.63%

LAB 59.13, 47.32, 30.25

 

CMYK 0 / 41 / 45 / 8

HEX #EA8980

RGB 234 137 128

HSL 5.09, 0.72%, 0.71%

LAB 67.23, 35.99, 20.9

 

CMYK 0 / 29 / 32 / 6

HEX #F0AAA3

RGB 240 170 163

HSL 5.45, 0.72%, 0.79%

LAB 76.02, 24.82, 13.9

 

CMYK 0 / 54 / 60 / 11

HEX #E4685C

RGB 228 104 92

HSL 5.29, 0.72%, 0.63%

LAB 59.13, 47.32, 30.25

 

CMYK 17 / 0 / 60 / 11

HEX #BEE45C

RGB 190 228 92

HSL 76.76, 0.72%, 0.63%

LAB 85.61, -31.9, 60.72

 

CMYK 60 / 41 / 0 / 11

HEX #5C87E4

RGB 92 135 228

HSL 221.03, 0.72%, 0.63%

LAB 57.27, 13.18, -51.72

 

CMYK 0 / 54 / 60 / 11

HEX #E4685C

RGB 228 104 92

HSL 5.29, 0.72%, 0.63%

LAB 59.13, 47.32, 30.25

 

CMYK 60 / 0 / 54 / 11

HEX #5CE468

RGB 92 228 104

HSL 125.29, 0.72%, 0.63%

LAB 81.16, -61.59, 49.08

 

CMYK 54 / 60 / 0 / 11

HEX #685CE4

RGB 104 92 228

HSL 245.29, 0.72%, 0.63%

LAB 47.23, 41.43, -67.83

 

CMYK 0 / 54 / 60 / 11

HEX #E4685C

RGB 228 104 92

HSL 5.29, 0.72%, 0.63%

LAB 59.13, 47.32, 30.25

 

CMYK 17 / 0 / 60 / 11

HEX #BEE45C

RGB 190 228 92

HSL 76.76, 0.72%, 0.63%

LAB 85.61, -31.9, 60.72

 

CMYK 60 / 5 / 0 / 11

HEX #5CD9E4

RGB 92 217 228

HSL 184.85, 0.72%, 0.63%

LAB 80.46, -31.26, -15.81

 

CMYK 43 / 60 / 0 / 11

HEX #835CE4

RGB 131 92 228

HSL 257.21, 0.72%, 0.63%

LAB 49.59, 46.72, -63.89

 

CMYK 0 / 54 / 60 / 11

HEX #E4685C

RGB 228 104 92

HSL 5.29, 0.72%, 0.63%

LAB 59.13, 47.32, 30.25

 

CMYK 35 / 0 / 60 / 11

HEX #95E45C

RGB 149 228 92

HSL 94.85, 0.72%, 0.63%

LAB 83.26, -46.79, 57.44

 

CMYK 60 / 5 / 0 / 11

HEX #5CD9E4

RGB 92 217 228

HSL 184.85, 0.72%, 0.63%

LAB 80.46, -31.26, -15.81

 

CMYK 25 / 60 / 0 / 11

HEX #AB5CE4

RGB 171 92 228

HSL 274.85, 0.72%, 0.63%

LAB 53.94, 55.65, -56.68

 

Description

Color code: HEX #E4685C | qconv.com Color code: HEX #E4685C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 104 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 104 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 60 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 60% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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