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Color name
HEX #E48CA8

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E48CA8 it is the complementary color #1B7357. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E48CA8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E48CA8 shade: #E98CA3, #FA9EB6, #FFB0C9, #FFC2DC and #FFD4EF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E48CA8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E48CA8 shade: #E48CA8, #D37A95, #C26882, #B1566F and #A0445C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E48CA8 shade: #E38BA7, #E38B8F and #E38B8B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E48CA8 shade: #E38BA7, #E38BBF, #E38BD7, #D88BE3 and #C08BE3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E48CA8 shade matches the following richer shades: #E38BA7, #EF7FA3 and #FA749F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E48CA8 shade: #E38BA7, #D896AB, #CCA2AF, #C1ADB4 and #B5B9B8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E48CA8 shade: #E38BD8, #E38BC0, #E38BA8, #E38B91 and #E39D8B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E48CA8 shade: #D44874, #DC698E, #E38BA7, #EBACC0 and #F3CEDA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E48CA8 shade: #E48CA8, #E3D88B and #8BCCE3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E48CA8 shade: #E48CA8, #A8E38B and #8BA8E3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E48CA8 shade: #E48CA8, #E3D88B, #8BE3C6 and #8B97E3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E48CA8 shade: #E48CA8, #D5E38B, #8BE3C6 and #9A8BE3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 26 / 11

HEX #E48CA8

RGB 228 140 168

HSL 340.91, 0.62%, 0.72%

LAB 68.08, 36.98, -0.44

 

Complementary color

CMYK 77 / 0 / 24 / 55

HEX #1B7357

RGB 27 115 87

HSL 160.91, 0.62%, 0.28%

LAB 43.04, -32.62, 8.29

 

CMYK 0 / 40 / 30 / 9

HEX #E98CA3

RGB 233 140 163

HSL 345.16, 0.68%, 0.73%

LAB 68.55, 38.09, 3.12

 

CMYK 0 / 37 / 27 / 2

HEX #FA9EB6

RGB 250 158 182

HSL 344.35, 0.9%, 0.8%

LAB 74.92, 37.24, 2.07

 

CMYK 0 / 31 / 21 / 0

HEX #FFB0C9

RGB 255 176 201

HSL 341.01, 1%, 0.85%

LAB 79.91, 32.25, -0.96

 

CMYK 0 / 24 / 14 / 0

HEX #FFC2DC

RGB 255 194 220

HSL 334.43, 1%, 0.88%

LAB 84.49, 25.69, -4.45

 

CMYK 0 / 17 / 6 / 0

HEX #FFD4EF

RGB 255 212 239

HSL 322.33, 1%, 0.92%

LAB 89.2, 19.37, -7.58

 

CMYK 0 / 39 / 26 / 11

HEX #E48CA8

RGB 228 140 168

HSL 340.91, 0.62%, 0.72%

LAB 68.08, 36.98, -0.44

 

CMYK 0 / 42 / 29 / 17

HEX #D37A95

RGB 211 122 149

HSL 341.8, 0.5%, 0.65%

LAB 61.6, 37.85, 0.62

 

CMYK 0 / 46 / 33 / 24

HEX #C26882

RGB 194 104 130

HSL 342.67, 0.42%, 0.58%

LAB 55.05, 38.75, 1.85

 

CMYK 0 / 51 / 37 / 31

HEX #B1566F

RGB 177 86 111

HSL 343.52, 0.37%, 0.52%

LAB 48.45, 39.67, 3.28

 

CMYK 0 / 58 / 43 / 37

HEX #A0445C

RGB 160 68 92

HSL 344.35, 0.4%, 0.45%

LAB 41.81, 40.54, 5.03

 

CMYK 0 / 39 / 26 / 11

HEX #E38BA7

RGB 227 139 167

HSL 340.91, 0.61%, 0.72%

LAB 67.71, 37.02, -0.43

 

CMYK 0 / 39 / 37 / 11

HEX #E38B8F

RGB 227 139 143

HSL 357.27, 0.61%, 0.72%

LAB 67.11, 33.95, 12.19

 

CMYK 0 / 39 / 39 / 11

HEX #E38B8B

RGB 227 139 139

HSL 0, 0.61%, 0.72%

LAB 67.02, 33.49, 14.31

 

CMYK 0 / 39 / 26 / 11

HEX #E38BA7

RGB 227 139 167

HSL 340.91, 0.61%, 0.72%

LAB 67.71, 37.02, -0.43

 

CMYK 0 / 39 / 16 / 11

HEX #E38BBF

RGB 227 139 191

HSL 324.55, 0.61%, 0.72%

LAB 68.43, 40.55, -12.82

 

CMYK 0 / 39 / 5 / 11

HEX #E38BD7

RGB 227 139 215

HSL 308.18, 0.61%, 0.72%

LAB 69.26, 44.51, -24.92

 

CMYK 5 / 39 / 0 / 11

HEX #D88BE3

RGB 216 139 227

HSL 292.5, 0.61%, 0.72%

LAB 68.47, 43.32, -32.87

 

CMYK 15 / 39 / 0 / 11

HEX #C08BE3

RGB 192 139 227

HSL 276.14, 0.61%, 0.72%

LAB 65.92, 36.13, -37.03

 

CMYK 0 / 39 / 26 / 11

HEX #E38BA7

RGB 227 139 167

HSL 340.91, 0.61%, 0.72%

LAB 67.71, 37.02, -0.43

 

CMYK 0 / 47 / 32 / 6

HEX #EF7FA3

RGB 239 127 163

HSL 340.71, 0.78%, 0.72%

LAB 66.65, 46.82, 0.46

 

CMYK 0 / 54 / 36 / 2

HEX #FA749F

RGB 250 116 159

HSL 340.75, 0.93%, 0.72%

LAB 66, 55.32, 1.96

 

CMYK 0 / 39 / 26 / 11

HEX #E38BA7

RGB 227 139 167

HSL 340.91, 0.61%, 0.72%

LAB 67.71, 37.02, -0.43

 

CMYK 0 / 31 / 21 / 15

HEX #D896AB

RGB 216 150 171

HSL 340.91, 0.46%, 0.72%

LAB 69.01, 27.79, -0.93

 

CMYK 0 / 21 / 14 / 20

HEX #CCA2AF

RGB 204 162 175

HSL 341.43, 0.29%, 0.72%

LAB 70.71, 17.54, -0.8

 

CMYK 0 / 10 / 7 / 24

HEX #C1ADB4

RGB 193 173 180

HSL 339, 0.14%, 0.72%

LAB 72.57, 8.41, -0.96

 

CMYK 2 / 0 / 1 / 27

HEX #B5B9B8

RGB 181 185 184

HSL 165, 0.03%, 0.72%

LAB 74.81, -1.58, 0.01

 

CMYK 0 / 39 / 5 / 11

HEX #E38BD8

RGB 227 139 216

HSL 307.5, 0.61%, 0.72%

LAB 69.29, 44.69, -25.42

 

CMYK 0 / 39 / 15 / 11

HEX #E38BC0

RGB 227 139 192

HSL 323.86, 0.61%, 0.72%

LAB 68.46, 40.71, -13.33

 

CMYK 0 / 39 / 26 / 11

HEX #E38BA8

RGB 227 139 168

HSL 340.23, 0.61%, 0.72%

LAB 67.74, 37.16, -0.95

 

CMYK 0 / 39 / 36 / 11

HEX #E38B91

RGB 227 139 145

HSL 355.91, 0.61%, 0.72%

LAB 67.16, 34.19, 11.14

 

CMYK 0 / 31 / 39 / 11

HEX #E39D8B

RGB 227 157 139

HSL 12.27, 0.61%, 0.72%

LAB 71.08, 23.9, 19.94

 

CMYK 0 / 66 / 45 / 17

HEX #D44874

RGB 212 72 116

HSL 341.14, 0.62%, 0.56%

LAB 51.72, 58.19, 5.69

 

CMYK 0 / 52 / 35 / 14

HEX #DC698E

RGB 220 105 142

HSL 340.7, 0.62%, 0.64%

LAB 59.23, 48.72, 1.35

 

CMYK 0 / 39 / 26 / 11

HEX #E38BA7

RGB 227 139 167

HSL 340.91, 0.61%, 0.72%

LAB 67.71, 37.02, -0.43

 

CMYK 0 / 27 / 18 / 8

HEX #EBACC0

RGB 235 172 192

HSL 340.95, 0.61%, 0.8%

LAB 76.66, 25.97, -1.07

 

CMYK 0 / 15 / 10 / 5

HEX #F3CEDA

RGB 243 206 218

HSL 340.54, 0.61%, 0.88%

LAB 86.14, 14.89, -1.1

 

CMYK 0 / 39 / 26 / 11

HEX #E48CA8

RGB 228 140 168

HSL 340.91, 0.62%, 0.72%

LAB 68.08, 36.98, -0.44

 

CMYK 0 / 5 / 39 / 11

HEX #E3D88B

RGB 227 216 139

HSL 52.5, 0.61%, 0.72%

LAB 85.66, -7.14, 39.31

 

CMYK 39 / 10 / 0 / 11

HEX #8BCCE3

RGB 139 204 227

HSL 195.68, 0.61%, 0.72%

LAB 78.59, -14.85, -17.92

 

CMYK 0 / 39 / 26 / 11

HEX #E48CA8

RGB 228 140 168

HSL 340.91, 0.62%, 0.72%

LAB 68.08, 36.98, -0.44

 

CMYK 26 / 0 / 39 / 11

HEX #A8E38B

RGB 168 227 139

HSL 100.23, 0.61%, 0.72%

LAB 84.55, -34.46, 37.08

 

CMYK 39 / 26 / 0 / 11

HEX #8BA8E3

RGB 139 168 227

HSL 220.23, 0.61%, 0.72%

LAB 68.78, 4.57, -32.92

 

CMYK 0 / 39 / 26 / 11

HEX #E48CA8

RGB 228 140 168

HSL 340.91, 0.62%, 0.72%

LAB 68.08, 36.98, -0.44

 

CMYK 0 / 5 / 39 / 11

HEX #E3D88B

RGB 227 216 139

HSL 52.5, 0.61%, 0.72%

LAB 85.66, -7.14, 39.31

 

CMYK 39 / 0 / 13 / 11

HEX #8BE3C6

RGB 139 227 198

HSL 160.23, 0.61%, 0.72%

LAB 84.23, -32.99, 5.86

 

CMYK 39 / 33 / 0 / 11

HEX #8B97E3

RGB 139 151 227

HSL 231.82, 0.61%, 0.72%

LAB 64.3, 14.24, -39.9

 

CMYK 0 / 39 / 26 / 11

HEX #E48CA8

RGB 228 140 168

HSL 340.91, 0.62%, 0.72%

LAB 68.08, 36.98, -0.44

 

CMYK 6 / 0 / 39 / 11

HEX #D5E38B

RGB 213 227 139

HSL 69.55, 0.61%, 0.72%

LAB 87.46, -18.06, 41.4

 

CMYK 39 / 0 / 13 / 11

HEX #8BE3C6

RGB 139 227 198

HSL 160.23, 0.61%, 0.72%

LAB 84.23, -32.99, 5.86

 

CMYK 32 / 39 / 0 / 11

HEX #9A8BE3

RGB 154 139 227

HSL 250.23, 0.61%, 0.72%

LAB 62.41, 25.22, -42.78

 

Description

Color code: HEX #E48CA8 | qconv.com Color code: HEX #E48CA8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 140 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 140 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 26 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 26% 11% C M Y K

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Provide designers and agencies with accurate color values.

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