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Color name
HEX #E49452

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E49452 it is the complementary color #1B6BAD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E49452. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E49452 shade: #E9944D, #FAA660, #FFB873, #FFCA86 and #FFDC99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E49452. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E49452 shade: #E49452, #D3823F, #C2702C, #B15E19 and #A04C06

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E49452 shade: #E49452, #E46D52 and #E45252

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E49452 shade: #E49452, #E4BB52, #E4E252, #BEE452 and #97E452

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E49452 shade matches the following richer shades: #E49452 and #F49342

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E49452 shade: #E49452, #D49663, #C39773, #B39983 and #A39A93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E49452 shade: #E4525F, #E46D52, #E49452, #E4BB52 and #E4E152

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E49452 shade: #C56A1E, #DE7E2F, #E49452, #E9AA76 and #EFC09A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E49452 shade: #E49452, #85E452 and #5A52E4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E49452 shade: #E49452, #52E494 and #9452E4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E49452 shade: #E49452, #85E452, #52A2E4 and #B152E4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E49452 shade: #E49452, #5AE452, #52A2E4 and #DC52E4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 64 / 11

HEX #E49452

RGB 228 148 82

HSL 27.12, 0.73%, 0.61%

LAB 68.23, 24.05, 46.62

 

Complementary color

CMYK 84 / 38 / 0 / 32

HEX #1B6BAD

RGB 27 107 173

HSL 207.12, 0.73%, 0.39%

LAB 43.89, 1.11, -41.73

 

CMYK 0 / 36 / 67 / 9

HEX #E9944D

RGB 233 148 77

HSL 27.31, 0.78%, 0.61%

LAB 68.78, 25.8, 49.87

 

CMYK 0 / 34 / 62 / 2

HEX #FAA660

RGB 250 166 96

HSL 27.27, 0.94%, 0.68%

LAB 75.1, 24.41, 48.32

 

CMYK 0 / 28 / 55 / 0

HEX #FFB873

RGB 255 184 115

HSL 29.57, 1%, 0.73%

LAB 80.06, 18.37, 44.9

 

CMYK 0 / 21 / 47 / 0

HEX #FFCA86

RGB 255 202 134

HSL 33.72, 1%, 0.76%

LAB 84.6, 10.63, 40.99

 

CMYK 0 / 14 / 40 / 0

HEX #FFDC99

RGB 255 220 153

HSL 39.41, 1%, 0.8%

LAB 89.27, 3.25, 37.39

 

CMYK 0 / 35 / 64 / 11

HEX #E49452

RGB 228 148 82

HSL 27.12, 0.73%, 0.61%

LAB 68.23, 24.05, 46.62

 

CMYK 0 / 38 / 70 / 17

HEX #D3823F

RGB 211 130 63

HSL 27.16, 0.63%, 0.54%

LAB 61.8, 25.54, 48.19

 

CMYK 0 / 42 / 77 / 24

HEX #C2702C

RGB 194 112 44

HSL 27.2, 0.63%, 0.47%

LAB 55.32, 27.24, 49.63

 

CMYK 0 / 47 / 86 / 31

HEX #B15E19

RGB 177 94 25

HSL 27.24, 0.75%, 0.4%

LAB 48.79, 29.17, 50.59

 

CMYK 0 / 53 / 96 / 37

HEX #A04C06

RGB 160 76 6

HSL 27.27, 0.93%, 0.33%

LAB 42.24, 31.31, 50.3

 

CMYK 0 / 35 / 64 / 11

HEX #E49452

RGB 228 148 82

HSL 27.12, 0.73%, 0.61%

LAB 68.23, 24.05, 46.62

 

CMYK 0 / 52 / 64 / 11

HEX #E46D52

RGB 228 109 82

HSL 11.1, 0.73%, 0.61%

LAB 59.93, 44.24, 36.81

 

CMYK 0 / 64 / 64 / 11

HEX #E45252

RGB 228 82 82

HSL 0, 0.73%, 0.61%

LAB 55.21, 56.59, 31

 

CMYK 0 / 35 / 64 / 11

HEX #E49452

RGB 228 148 82

HSL 27.12, 0.73%, 0.61%

LAB 68.23, 24.05, 46.62

 

CMYK 0 / 18 / 64 / 11

HEX #E4BB52

RGB 228 187 82

HSL 43.15, 0.73%, 0.61%

LAB 77.66, 3.34, 57.19

 

CMYK 0 / 1 / 64 / 11

HEX #E4E252

RGB 228 226 82

HSL 59.18, 0.73%, 0.61%

LAB 87.73, -16.48, 67.9

 

CMYK 17 / 0 / 64 / 11

HEX #BEE452

RGB 190 228 82

HSL 75.62, 0.73%, 0.61%

LAB 85.53, -32.64, 64.75

 

CMYK 34 / 0 / 64 / 11

HEX #97E452

RGB 151 228 82

HSL 91.64, 0.73%, 0.61%

LAB 83.27, -46.97, 61.67

 

CMYK 0 / 35 / 64 / 11

HEX #E49452

RGB 228 148 82

HSL 27.12, 0.73%, 0.61%

LAB 68.23, 24.05, 46.62

 

CMYK 0 / 40 / 73 / 4

HEX #F49342

RGB 244 147 66

HSL 27.3, 0.89%, 0.61%

LAB 69.82, 30.25, 56.54

 

CMYK 0 / 35 / 64 / 11

HEX #E49452

RGB 228 148 82

HSL 27.12, 0.73%, 0.61%

LAB 68.23, 24.05, 46.62

 

CMYK 0 / 29 / 53 / 17

HEX #D49663

RGB 212 150 99

HSL 27.08, 0.57%, 0.61%

LAB 67.06, 17.65, 36.01

 

CMYK 0 / 23 / 41 / 24

HEX #C39773

RGB 195 151 115

HSL 27, 0.4%, 0.61%

LAB 65.73, 11.71, 25.29

 

CMYK 0 / 15 / 27 / 30

HEX #B39983

RGB 179 153 131

HSL 27.5, 0.24%, 0.61%

LAB 64.97, 6.22, 15.14

 

CMYK 0 / 6 / 10 / 36

HEX #A39A93

RGB 163 154 147

HSL 26.25, 0.08%, 0.61%

LAB 64.16, 2.03, 4.84

 

CMYK 0 / 64 / 58 / 11

HEX #E4525F

RGB 228 82 95

HSL 354.66, 0.73%, 0.61%

LAB 55.44, 57.42, 23.73

 

CMYK 0 / 52 / 64 / 11

HEX #E46D52

RGB 228 109 82

HSL 11.1, 0.73%, 0.61%

LAB 59.93, 44.24, 36.81

 

CMYK 0 / 35 / 64 / 11

HEX #E49452

RGB 228 148 82

HSL 27.12, 0.73%, 0.61%

LAB 68.23, 24.05, 46.62

 

CMYK 0 / 18 / 64 / 11

HEX #E4BB52

RGB 228 187 82

HSL 43.15, 0.73%, 0.61%

LAB 77.66, 3.34, 57.19

 

CMYK 0 / 1 / 64 / 11

HEX #E4E152

RGB 228 225 82

HSL 58.77, 0.73%, 0.61%

LAB 87.46, -15.99, 67.63

 

CMYK 0 / 46 / 85 / 23

HEX #C56A1E

RGB 197 106 30

HSL 27.31, 0.74%, 0.45%

LAB 54.31, 31.25, 54.58

 

CMYK 0 / 43 / 79 / 13

HEX #DE7E2F

RGB 222 126 47

HSL 27.09, 0.73%, 0.53%

LAB 62.22, 31.52, 56.3

 

CMYK 0 / 35 / 64 / 11

HEX #E49452

RGB 228 148 82

HSL 27.12, 0.73%, 0.61%

LAB 68.23, 24.05, 46.62

 

CMYK 0 / 27 / 49 / 9

HEX #E9AA76

RGB 233 170 118

HSL 27.13, 0.72%, 0.69%

LAB 74.43, 17.16, 35.81

 

CMYK 0 / 20 / 36 / 6

HEX #EFC09A

RGB 239 192 154

HSL 26.82, 0.73%, 0.77%

LAB 80.95, 11.69, 25.53

 

CMYK 0 / 35 / 64 / 11

HEX #E49452

RGB 228 148 82

HSL 27.12, 0.73%, 0.61%

LAB 68.23, 24.05, 46.62

 

CMYK 42 / 0 / 64 / 11

HEX #85E452

RGB 133 228 82

HSL 99.04, 0.73%, 0.61%

LAB 82.42, -52.88, 60.5

 

CMYK 61 / 64 / 0 / 11

HEX #5A52E4

RGB 90 82 228

HSL 243.29, 0.73%, 0.61%

LAB 43.96, 44.96, -73.21

 

CMYK 0 / 35 / 64 / 11

HEX #E49452

RGB 228 148 82

HSL 27.12, 0.73%, 0.61%

LAB 68.23, 24.05, 46.62

 

CMYK 64 / 0 / 35 / 11

HEX #52E494

RGB 82 228 148

HSL 147.12, 0.73%, 0.61%

LAB 81.52, -56.69, 27.88

 

CMYK 35 / 64 / 0 / 11

HEX #9452E4

RGB 148 82 228

HSL 267.12, 0.73%, 0.61%

LAB 49.41, 55.55, -64.1

 

CMYK 0 / 35 / 64 / 11

HEX #E49452

RGB 228 148 82

HSL 27.12, 0.73%, 0.61%

LAB 68.23, 24.05, 46.62

 

CMYK 42 / 0 / 64 / 11

HEX #85E452

RGB 133 228 82

HSL 99.04, 0.73%, 0.61%

LAB 82.42, -52.88, 60.5

 

CMYK 64 / 29 / 0 / 11

HEX #52A2E4

RGB 82 162 228

HSL 207.12, 0.73%, 0.61%

LAB 64.35, -4.39, -40.58

 

CMYK 22 / 64 / 0 / 11

HEX #B152E4

RGB 177 82 228

HSL 279.04, 0.73%, 0.61%

LAB 52.93, 61.79, -58.25

 

CMYK 0 / 35 / 64 / 11

HEX #E49452

RGB 228 148 82

HSL 27.12, 0.73%, 0.61%

LAB 68.23, 24.05, 46.62

 

CMYK 61 / 0 / 64 / 11

HEX #5AE452

RGB 90 228 82

HSL 116.71, 0.73%, 0.61%

LAB 80.89, -64.5, 58.38

 

CMYK 64 / 29 / 0 / 11

HEX #52A2E4

RGB 82 162 228

HSL 207.12, 0.73%, 0.61%

LAB 64.35, -4.39, -40.58

 

CMYK 4 / 64 / 0 / 11

HEX #DC52E4

RGB 220 82 228

HSL 296.71, 0.73%, 0.61%

LAB 58.84, 71.51, -48.48

 

Description

Color code: HEX #E49452 | qconv.com Color code: HEX #E49452 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 148 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 148 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 64 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 64% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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