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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E49DE4 it is the complementary color #1B621B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E49DE4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E49DE4 shade: #E99DDF, #FAAFF2, #FFC1FF, #FFD3FF and #FFE5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E49DE4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E49DE4 shade: #E49DE4, #D38BD1, #C279BE, #B167AB and #A05598

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E49DE4 shade: #E39AE3, #E39ACF, #E39ABC, #E39AA8 and #E39A9A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E49DE4 shade: #E39AE3, #CF9AE3, #BC9AE3, #A89AE3 and #9A9AE3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E49DE4 shade matches the following richer shades: #E39AE3, #ED90ED and #F886F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E49DE4 shade: #E39AE3, #D9A5D9, #CEAFCE, #C4B9C4 and #BAC4BA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E49DE4 shade: #BC9AE3, #D09AE3, #E39AE3, #E39AD0 and #E39ABC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E49DE4 shade: #D15AD1, #DA7ADA, #E39AE3, #ECBBEC and #F5DBF5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E49DE4 shade: #E49DE4, #E3A99A and #9AE3C6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E49DE4 shade: #E49DE4, #E3E39A and #9AE3E3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E49DE4 shade: #E49DE4, #E3A99A, #9AE39A and #9AD5E3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E49DE4 shade: #E49DE4, #E3BF9A, #9AE39A and #9ABFE3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 0 / 11

HEX #E49DE4

RGB 228 157 228

HSL 300, 0.57%, 0.75%

LAB 73.68, 37.68, -25.29

 

Complementary color

CMYK 72 / 0 / 72 / 62

HEX #1B621B

RGB 27 98 27

HSL 120, 0.57%, 0.25%

LAB 36.08, -36.9, 32.8

 

CMYK 0 / 33 / 4 / 9

HEX #E99DDF

RGB 233 157 223

HSL 307.89, 0.63%, 0.76%

LAB 74.04, 38.37, -21.96

 

CMYK 0 / 30 / 3 / 2

HEX #FAAFF2

RGB 250 175 242

HSL 306.4, 0.88%, 0.83%

LAB 80.4, 37.69, -22.42

 

CMYK 0 / 24 / 0 / 0

HEX #FFC1FF

RGB 255 193 255

HSL 300, 1%, 0.88%

LAB 85.31, 32.15, -21.87

 

CMYK 0 / 17 / 0 / 0

HEX #FFD3FF

RGB 255 211 255

HSL 300, 1%, 0.91%

LAB 89.43, 22.7, -15.67

 

CMYK 0 / 10 / 0 / 0

HEX #FFE5FF

RGB 255 229 255

HSL 300, 1%, 0.95%

LAB 93.68, 13.31, -9.32

 

CMYK 0 / 31 / 0 / 11

HEX #E49DE4

RGB 228 157 228

HSL 300, 0.57%, 0.75%

LAB 73.68, 37.68, -25.29

 

CMYK 0 / 34 / 1 / 17

HEX #D38BD1

RGB 211 139 209

HSL 301.67, 0.45%, 0.69%

LAB 67.22, 38.39, -24.87

 

CMYK 0 / 38 / 2 / 24

HEX #C279BE

RGB 194 121 190

HSL 303.29, 0.37%, 0.62%

LAB 60.66, 39.14, -24.42

 

CMYK 0 / 42 / 3 / 31

HEX #B167AB

RGB 177 103 171

HSL 304.86, 0.32%, 0.55%

LAB 54.01, 39.9, -23.91

 

CMYK 0 / 47 / 5 / 37

HEX #A05598

RGB 160 85 152

HSL 306.4, 0.31%, 0.48%

LAB 47.28, 40.65, -23.31

 

CMYK 0 / 32 / 0 / 11

HEX #E39AE3

RGB 227 154 227

HSL 300, 0.57%, 0.75%

LAB 72.88, 38.77, -25.97

 

CMYK 0 / 32 / 9 / 11

HEX #E39ACF

RGB 227 154 207

HSL 316.44, 0.57%, 0.75%

LAB 72.19, 35.24, -16.04

 

CMYK 0 / 32 / 17 / 11

HEX #E39ABC

RGB 227 154 188

HSL 332.05, 0.57%, 0.75%

LAB 71.6, 32.15, -6.42

 

CMYK 0 / 32 / 26 / 11

HEX #E39AA8

RGB 227 154 168

HSL 348.49, 0.57%, 0.75%

LAB 71.06, 29.2, 3.87

 

CMYK 0 / 32 / 32 / 11

HEX #E39A9A

RGB 227 154 154

HSL 0, 0.57%, 0.75%

LAB 70.72, 27.33, 11.15

 

CMYK 0 / 32 / 0 / 11

HEX #E39AE3

RGB 227 154 227

HSL 300, 0.57%, 0.75%

LAB 72.88, 38.77, -25.97

 

CMYK 9 / 32 / 0 / 11

HEX #CF9AE3

RGB 207 154 227

HSL 283.56, 0.57%, 0.75%

LAB 70.82, 32.49, -29.32

 

CMYK 17 / 32 / 0 / 11

HEX #BC9AE3

RGB 188 154 227

HSL 267.95, 0.57%, 0.75%

LAB 69, 26.62, -32.27

 

CMYK 26 / 32 / 0 / 11

HEX #A89AE3

RGB 168 154 227

HSL 251.51, 0.57%, 0.75%

LAB 67.26, 20.64, -35.11

 

CMYK 32 / 32 / 0 / 11

HEX #9A9AE3

RGB 154 154 227

HSL 240, 0.57%, 0.75%

LAB 66.16, 16.62, -36.91

 

CMYK 0 / 32 / 0 / 11

HEX #E39AE3

RGB 227 154 227

HSL 300, 0.57%, 0.75%

LAB 72.88, 38.77, -25.97

 

CMYK 0 / 39 / 0 / 7

HEX #ED90ED

RGB 237 144 237

HSL 300, 0.72%, 0.75%

LAB 72.27, 48.87, -32.29

 

CMYK 0 / 46 / 0 / 3

HEX #F886F8

RGB 248 134 248

HSL 300, 0.89%, 0.75%

LAB 72.08, 58.98, -38.48

 

CMYK 0 / 32 / 0 / 11

HEX #E39AE3

RGB 227 154 227

HSL 300, 0.57%, 0.75%

LAB 72.88, 38.77, -25.97

 

CMYK 0 / 24 / 0 / 15

HEX #D9A5D9

RGB 217 165 217

HSL 300, 0.41%, 0.75%

LAB 73.98, 27.79, -18.93

 

CMYK 0 / 15 / 0 / 19

HEX #CEAFCE

RGB 206 175 206

HSL 300, 0.24%, 0.75%

LAB 74.97, 16.61, -11.52

 

CMYK 0 / 6 / 0 / 23

HEX #C4B9C4

RGB 196 185 196

HSL 300, 0.09%, 0.75%

LAB 76.33, 5.88, -4.16

 

CMYK 5 / 0 / 5 / 23

HEX #BAC4BA

RGB 186 196 186

HSL 120, 0.08%, 0.75%

LAB 78.15, -5.3, 3.82

 

CMYK 17 / 32 / 0 / 11

HEX #BC9AE3

RGB 188 154 227

HSL 267.95, 0.57%, 0.75%

LAB 69, 26.62, -32.27

 

CMYK 8 / 32 / 0 / 11

HEX #D09AE3

RGB 208 154 227

HSL 284.38, 0.57%, 0.75%

LAB 70.92, 32.8, -29.16

 

CMYK 0 / 32 / 0 / 11

HEX #E39AE3

RGB 227 154 227

HSL 300, 0.57%, 0.75%

LAB 72.88, 38.77, -25.97

 

CMYK 0 / 32 / 8 / 11

HEX #E39AD0

RGB 227 154 208

HSL 315.62, 0.57%, 0.75%

LAB 72.23, 35.41, -16.54

 

CMYK 0 / 32 / 17 / 11

HEX #E39ABC

RGB 227 154 188

HSL 332.05, 0.57%, 0.75%

LAB 71.6, 32.15, -6.42

 

CMYK 0 / 57 / 0 / 18

HEX #D15AD1

RGB 209 90 209

HSL 300, 0.56%, 0.59%

LAB 57.53, 62.25, -39.93

 

CMYK 0 / 44 / 0 / 15

HEX #DA7ADA

RGB 218 122 218

HSL 300, 0.56%, 0.67%

LAB 64.87, 51.04, -33.44

 

CMYK 0 / 32 / 0 / 11

HEX #E39AE3

RGB 227 154 227

HSL 300, 0.57%, 0.75%

LAB 72.88, 38.77, -25.97

 

CMYK 0 / 21 / 0 / 7

HEX #ECBBEC

RGB 236 187 236

HSL 300, 0.56%, 0.83%

LAB 81.53, 25.72, -17.63

 

CMYK 0 / 11 / 0 / 4

HEX #F5DBF5

RGB 245 219 245

HSL 300, 0.57%, 0.91%

LAB 90.17, 13.42, -9.39

 

CMYK 0 / 31 / 0 / 11

HEX #E49DE4

RGB 228 157 228

HSL 300, 0.57%, 0.75%

LAB 73.68, 37.68, -25.29

 

CMYK 0 / 26 / 32 / 11

HEX #E3A99A

RGB 227 169 154

HSL 12.33, 0.57%, 0.75%

LAB 74.22, 19.29, 16.07

 

CMYK 32 / 0 / 13 / 11

HEX #9AE3C6

RGB 154 227 198

HSL 156.16, 0.57%, 0.75%

LAB 84.94, -28.81, 6.97

 

CMYK 0 / 31 / 0 / 11

HEX #E49DE4

RGB 228 157 228

HSL 300, 0.57%, 0.75%

LAB 73.68, 37.68, -25.29

 

CMYK 0 / 0 / 32 / 11

HEX #E3E39A

RGB 227 227 154

HSL 60, 0.57%, 0.75%

LAB 88.73, -10.97, 35.74

 

CMYK 32 / 0 / 0 / 11

HEX #9AE3E3

RGB 154 227 227

HSL 180, 0.57%, 0.75%

LAB 85.68, -22.49, -7.23

 

CMYK 0 / 31 / 0 / 11

HEX #E49DE4

RGB 228 157 228

HSL 300, 0.57%, 0.75%

LAB 73.68, 37.68, -25.29

 

CMYK 0 / 26 / 32 / 11

HEX #E3A99A

RGB 227 169 154

HSL 12.33, 0.57%, 0.75%

LAB 74.22, 19.29, 16.07

 

CMYK 32 / 0 / 32 / 11

HEX #9AE39A

RGB 154 227 154

HSL 120, 0.57%, 0.75%

LAB 84.04, -36.86, 28.65

 

CMYK 32 / 6 / 0 / 11

HEX #9AD5E3

RGB 154 213 227

HSL 191.51, 0.57%, 0.75%

LAB 81.84, -15.46, -12.95

 

CMYK 0 / 31 / 0 / 11

HEX #E49DE4

RGB 228 157 228

HSL 300, 0.57%, 0.75%

LAB 73.68, 37.68, -25.29

 

CMYK 0 / 16 / 32 / 11

HEX #E3BF9A

RGB 227 191 154

HSL 30.41, 0.57%, 0.75%

LAB 79.57, 7.57, 23.47

 

CMYK 32 / 0 / 32 / 11

HEX #9AE39A

RGB 154 227 154

HSL 120, 0.57%, 0.75%

LAB 84.04, -36.86, 28.65

 

CMYK 32 / 16 / 0 / 11

HEX #9ABFE3

RGB 154 191 227

HSL 209.59, 0.57%, 0.75%

LAB 75.87, -3.94, -21.96

 

Description

Color code: HEX #E49DE4 | qconv.com Color code: HEX #E49DE4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 157 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 157 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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