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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E49F2F it is the complementary color #1B60D0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E49F2F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E49F2F shade: #E99F2A, #FAB13D, #FFC350, #FFD563 and #FFE776

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E49F2F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E49F2F shade: #E49F2F, #D38D1C, #C27B09, #B16900 and #A05700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E49F2F shade: #E49F2F, #E46E2F, #E43D2F and #E42F2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E49F2F shade: #E49F2F, #E4CF2F, #C7E42F, #96E42F and #66E42F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E49F2F shade matches the following richer shades: #E49F2F and #F7A31C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E49F2F shade: #E49F2F, #D19A42, #BE9655, #AB9168 and #988D7B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E49F2F shade: #E43E2F, #E46E2F, #E49E2F, #E4CE2F and #C8E42F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E49F2F shade: #AA7216, #CF8A1A, #E49F2F, #E8B053 and #EDC078

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E49F2F shade: #E49F2F, #50E42F and #562FE4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E49F2F shade: #E49F2F, #2FE49E and #9E2FE4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E49F2F shade: #E49F2F, #50E42F, #2F74E4 and #C22FE4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E49F2F shade: #E49F2F, #2FE444, #2F74E4 and #E42FCE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 79 / 11

HEX #E49F2F

RGB 228 159 47

HSL 37.13, 0.77%, 0.54%

LAB 70.52, 16.49, 64.27

 

Complementary color

CMYK 87 / 54 / 0 / 18

HEX #1B60D0

RGB 27 96 208

HSL 217.13, 0.77%, 0.46%

LAB 42.99, 21.91, -63.49

 

CMYK 0 / 32 / 82 / 9

HEX #E99F2A

RGB 233 159 42

HSL 36.75, 0.81%, 0.54%

LAB 71.07, 18.46, 66.68

 

CMYK 0 / 29 / 76 / 2

HEX #FAB13D

RGB 250 177 61

HSL 36.83, 0.95%, 0.61%

LAB 77.34, 16.79, 66.34

 

CMYK 0 / 24 / 69 / 0

HEX #FFC350

RGB 255 195 80

HSL 39.43, 1%, 0.66%

LAB 82.31, 10.36, 63.83

 

CMYK 0 / 16 / 61 / 0

HEX #FFD563

RGB 255 213 99

HSL 43.85, 1%, 0.69%

LAB 86.87, 2.2, 60.51

 

CMYK 0 / 9 / 54 / 0

HEX #FFE776

RGB 255 231 118

HSL 49.49, 1%, 0.73%

LAB 91.56, -5.54, 57.25

 

CMYK 0 / 30 / 79 / 11

HEX #E49F2F

RGB 228 159 47

HSL 37.13, 0.77%, 0.54%

LAB 70.52, 16.49, 64.27

 

CMYK 0 / 33 / 87 / 17

HEX #D38D1C

RGB 211 141 28

HSL 37.05, 0.77%, 0.47%

LAB 64.15, 18.3, 64.09

 

CMYK 0 / 37 / 95 / 24

HEX #C27B09

RGB 194 123 9

HSL 36.97, 0.91%, 0.4%

LAB 57.71, 20.37, 62.53

 

CMYK 0 / 41 / 100 / 31

HEX #B16900

RGB 177 105 0

HSL 35.59, 1%, 0.35%

LAB 51.21, 22.7, 58.79

 

CMYK 0 / 46 / 100 / 37

HEX #A05700

RGB 160 87 0

HSL 32.63, 1%, 0.31%

LAB 44.65, 25.22, 53.48

 

CMYK 0 / 30 / 79 / 11

HEX #E49F2F

RGB 228 159 47

HSL 37.13, 0.77%, 0.54%

LAB 70.52, 16.49, 64.27

 

CMYK 0 / 52 / 79 / 11

HEX #E46E2F

RGB 228 110 47

HSL 20.88, 0.77%, 0.54%

LAB 59.75, 42.09, 54.26

 

CMYK 0 / 73 / 79 / 11

HEX #E43D2F

RGB 228 61 47

HSL 4.64, 0.77%, 0.54%

LAB 51.88, 62.97, 46.6

 

CMYK 0 / 79 / 79 / 11

HEX #E42F2F

RGB 228 47 47

HSL 0, 0.77%, 0.54%

LAB 50.37, 67.19, 45.09

 

CMYK 0 / 30 / 79 / 11

HEX #E49F2F

RGB 228 159 47

HSL 37.13, 0.77%, 0.54%

LAB 70.52, 16.49, 64.27

 

CMYK 0 / 9 / 79 / 11

HEX #E4CF2F

RGB 228 207 47

HSL 53.04, 0.77%, 0.54%

LAB 82.55, -8.59, 75.01

 

CMYK 13 / 0 / 79 / 11

HEX #C7E42F

RGB 199 228 47

HSL 69.61, 0.77%, 0.54%

LAB 85.92, -30.89, 77.12

 

CMYK 34 / 0 / 79 / 11

HEX #96E42F

RGB 150 228 47

HSL 85.86, 0.77%, 0.54%

LAB 83.01, -49.47, 73.4

 

CMYK 55 / 0 / 79 / 11

HEX #66E42F

RGB 102 228 47

HSL 101.77, 0.77%, 0.54%

LAB 81.03, -64.2, 70.85

 

CMYK 0 / 30 / 79 / 11

HEX #E49F2F

RGB 228 159 47

HSL 37.13, 0.77%, 0.54%

LAB 70.52, 16.49, 64.27

 

CMYK 0 / 34 / 89 / 3

HEX #F7A31C

RGB 247 163 28

HSL 36.99, 0.93%, 0.54%

LAB 73.58, 21.94, 73.33

 

CMYK 0 / 30 / 79 / 11

HEX #E49F2F

RGB 228 159 47

HSL 37.13, 0.77%, 0.54%

LAB 70.52, 16.49, 64.27

 

CMYK 0 / 26 / 68 / 18

HEX #D19A42

RGB 209 154 66

HSL 36.92, 0.61%, 0.54%

LAB 67.32, 11.87, 52.65

 

CMYK 0 / 21 / 55 / 25

HEX #BE9655

RGB 190 150 85

HSL 37.14, 0.45%, 0.54%

LAB 64.5, 7.21, 39.64

 

CMYK 0 / 15 / 39 / 33

HEX #AB9168

RGB 171 145 104

HSL 36.72, 0.29%, 0.54%

LAB 61.57, 3.84, 25.39

 

CMYK 0 / 7 / 19 / 40

HEX #988D7B

RGB 152 141 123

HSL 37.24, 0.12%, 0.54%

LAB 59.12, 1, 11.08

 

CMYK 0 / 73 / 79 / 11

HEX #E43E2F

RGB 228 62 47

HSL 4.97, 0.77%, 0.54%

LAB 52, 62.63, 46.72

 

CMYK 0 / 52 / 79 / 11

HEX #E46E2F

RGB 228 110 47

HSL 20.88, 0.77%, 0.54%

LAB 59.75, 42.09, 54.26

 

CMYK 0 / 31 / 79 / 11

HEX #E49E2F

RGB 228 158 47

HSL 36.8, 0.77%, 0.54%

LAB 70.28, 17.02, 64.05

 

CMYK 0 / 10 / 79 / 11

HEX #E4CE2F

RGB 228 206 47

HSL 52.71, 0.77%, 0.54%

LAB 82.29, -8.09, 74.78

 

CMYK 12 / 0 / 79 / 11

HEX #C8E42F

RGB 200 228 47

HSL 69.28, 0.77%, 0.54%

LAB 85.99, -30.48, 77.2

 

CMYK 0 / 33 / 87 / 33

HEX #AA7216

RGB 170 114 22

HSL 37.3, 0.77%, 0.38%

LAB 52.55, 14.92, 54.33

 

CMYK 0 / 33 / 87 / 19

HEX #CF8A1A

RGB 207 138 26

HSL 37.13, 0.78%, 0.46%

LAB 62.94, 18.14, 63.47

 

CMYK 0 / 30 / 79 / 11

HEX #E49F2F

RGB 228 159 47

HSL 37.13, 0.77%, 0.54%

LAB 70.52, 16.49, 64.27

 

CMYK 0 / 24 / 64 / 9

HEX #E8B053

RGB 232 176 83

HSL 37.45, 0.76%, 0.62%

LAB 75.35, 10.88, 54.3

 

CMYK 0 / 19 / 49 / 7

HEX #EDC078

RGB 237 192 120

HSL 36.92, 0.76%, 0.7%

LAB 80.21, 7.34, 42.17

 

CMYK 0 / 30 / 79 / 11

HEX #E49F2F

RGB 228 159 47

HSL 37.13, 0.77%, 0.54%

LAB 70.52, 16.49, 64.27

 

CMYK 65 / 0 / 79 / 11

HEX #50E42F

RGB 80 228 47

HSL 109.06, 0.77%, 0.54%

LAB 80.4, -69.28, 70.04

 

CMYK 62 / 79 / 0 / 11

HEX #562FE4

RGB 86 47 228

HSL 252.93, 0.77%, 0.54%

LAB 37.14, 62.58, -84.43

 

CMYK 0 / 30 / 79 / 11

HEX #E49F2F

RGB 228 159 47

HSL 37.13, 0.77%, 0.54%

LAB 70.52, 16.49, 64.27

 

CMYK 79 / 0 / 31 / 11

HEX #2FE49E

RGB 47 228 158

HSL 156.8, 0.77%, 0.54%

LAB 81.05, -59.63, 21.97

 

CMYK 31 / 79 / 0 / 11

HEX #9E2FE4

RGB 158 47 228

HSL 276.8, 0.77%, 0.54%

LAB 45.5, 71.98, -70.39

 

CMYK 0 / 30 / 79 / 11

HEX #E49F2F

RGB 228 159 47

HSL 37.13, 0.77%, 0.54%

LAB 70.52, 16.49, 64.27

 

CMYK 65 / 0 / 79 / 11

HEX #50E42F

RGB 80 228 47

HSL 109.06, 0.77%, 0.54%

LAB 80.4, -69.28, 70.04

 

CMYK 79 / 49 / 0 / 11

HEX #2F74E4

RGB 47 116 228

HSL 217.13, 0.77%, 0.54%

LAB 50.33, 18.37, -62.95

 

CMYK 15 / 79 / 0 / 11

HEX #C22FE4

RGB 194 47 228

HSL 288.73, 0.77%, 0.54%

LAB 50.81, 78, -61.54

 

CMYK 0 / 30 / 79 / 11

HEX #E49F2F

RGB 228 159 47

HSL 37.13, 0.77%, 0.54%

LAB 70.52, 16.49, 64.27

 

CMYK 79 / 0 / 70 / 11

HEX #2FE444

RGB 47 228 68

HSL 126.96, 0.77%, 0.54%

LAB 79.9, -73.09, 62.52

 

CMYK 79 / 49 / 0 / 11

HEX #2F74E4

RGB 47 116 228

HSL 217.13, 0.77%, 0.54%

LAB 50.33, 18.37, -62.95

 

CMYK 0 / 79 / 10 / 11

HEX #E42FCE

RGB 228 47 206

HSL 307.29, 0.77%, 0.54%

LAB 55.06, 80.96, -41.92

 

Description

Color code: HEX #E49F2F | qconv.com Color code: HEX #E49F2F | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 159 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 159 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 79 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 79% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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