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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E4B558 it is the complementary color #1B4AA7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E4B558. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E4B558 shade: #E9B553, #FAC766, #FFD979, #FFEB8C and #FFFD9F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E4B558. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E4B558 shade: #E4B558, #D3A345, #C29132, #B17F1F and #A06D0C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E4B558 shade: #E3B558, #E38F58, #E36958 and #E35858

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E4B558 shade: #E3B558, #E3DA58, #C7E358, #A1E358 and #7CE358

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E4B558 shade matches the following richer shades: #E3B558 and #F3BA48

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E4B558 shade: #E3B558, #D4AF68, #C4AA77, #B4A587 and #A5A097

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E4B558 shade: #E36858, #E38D58, #E3B358, #E3D858 and #CAE358

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E4B558 shade: #C89020, #DEA534, #E3B558, #E9C47B and #EFD49F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E4B558 shade: #E4B558, #6DE358 and #7B58E3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E4B558 shade: #E4B558, #58E3B3 and #B358E3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E4B558 shade: #E4B558, #6DE358, #5889E3 and #CE58E3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E4B558 shade: #E4B558, #58E36D, #5889E3 and #E358CE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 61 / 11

HEX #E4B558

RGB 228 181 88

HSL 39.86, 0.72%, 0.62%

LAB 76.22, 6.88, 52.85

 

Complementary color

CMYK 84 / 56 / 0 / 35

HEX #1B4AA7

RGB 27 74 167

HSL 219.86, 0.72%, 0.38%

LAB 33.82, 20.33, -54.38

 

CMYK 0 / 22 / 64 / 9

HEX #E9B553

RGB 233 181 83

HSL 39.2, 0.77%, 0.62%

LAB 76.68, 8.66, 55.8

 

CMYK 0 / 20 / 59 / 2

HEX #FAC766

RGB 250 199 102

HSL 39.32, 0.94%, 0.69%

LAB 82.98, 7.56, 54.59

 

CMYK 0 / 15 / 53 / 0

HEX #FFD979

RGB 255 217 121

HSL 42.99, 1%, 0.74%

LAB 88.1, 1.77, 51.73

 

CMYK 0 / 8 / 45 / 0

HEX #FFEB8C

RGB 255 235 140

HSL 49.57, 1%, 0.77%

LAB 92.83, -5.64, 48.37

 

CMYK 0 / 1 / 38 / 0

HEX #FFFD9F

RGB 255 253 159

HSL 58.75, 1%, 0.81%

LAB 97.64, -12.63, 45.21

 

CMYK 0 / 21 / 61 / 11

HEX #E4B558

RGB 228 181 88

HSL 39.86, 0.72%, 0.62%

LAB 76.22, 6.88, 52.85

 

CMYK 0 / 23 / 67 / 17

HEX #D3A345

RGB 211 163 69

HSL 39.72, 0.62%, 0.55%

LAB 69.81, 8.05, 54.01

 

CMYK 0 / 25 / 74 / 24

HEX #C29132

RGB 194 145 50

HSL 39.58, 0.59%, 0.48%

LAB 63.3, 9.42, 54.93

 

CMYK 0 / 28 / 82 / 31

HEX #B17F1F

RGB 177 127 31

HSL 39.45, 0.7%, 0.41%

LAB 56.71, 11.05, 55.3

 

CMYK 0 / 32 / 93 / 37

HEX #A06D0C

RGB 160 109 12

HSL 39.32, 0.86%, 0.34%

LAB 50.02, 12.98, 54.44

 

CMYK 0 / 20 / 61 / 11

HEX #E3B558

RGB 227 181 88

HSL 40.14, 0.71%, 0.62%

LAB 76.12, 6.46, 52.71

 

CMYK 0 / 37 / 61 / 11

HEX #E38F58

RGB 227 143 88

HSL 23.74, 0.71%, 0.62%

LAB 67.04, 26.7, 42.14

 

CMYK 0 / 54 / 61 / 11

HEX #E36958

RGB 227 105 88

HSL 7.34, 0.71%, 0.62%

LAB 59.1, 46.21, 32.43

 

CMYK 0 / 61 / 61 / 11

HEX #E35858

RGB 227 88 88

HSL 0, 0.71%, 0.62%

LAB 56.1, 54.06, 28.64

 

CMYK 0 / 20 / 61 / 11

HEX #E3B558

RGB 227 181 88

HSL 40.14, 0.71%, 0.62%

LAB 76.12, 6.46, 52.71

 

CMYK 0 / 4 / 61 / 11

HEX #E3DA58

RGB 227 218 88

HSL 56.12, 0.71%, 0.62%

LAB 85.59, -12.56, 63.17

 

CMYK 12 / 0 / 61 / 11

HEX #C7E358

RGB 199 227 88

HSL 72.09, 0.71%, 0.62%

LAB 85.9, -28.24, 62.89

 

CMYK 29 / 0 / 61 / 11

HEX #A1E358

RGB 161 227 88

HSL 88.49, 0.71%, 0.62%

LAB 83.56, -42.55, 59.65

 

CMYK 45 / 0 / 61 / 11

HEX #7CE358

RGB 124 227 88

HSL 104.46, 0.71%, 0.62%

LAB 81.8, -54.69, 57.21

 

CMYK 0 / 20 / 61 / 11

HEX #E3B558

RGB 227 181 88

HSL 40.14, 0.71%, 0.62%

LAB 76.12, 6.46, 52.71

 

CMYK 0 / 23 / 70 / 5

HEX #F3BA48

RGB 243 186 72

HSL 40, 0.88%, 0.62%

LAB 78.83, 9.63, 63.18

 

CMYK 0 / 20 / 61 / 11

HEX #E3B558

RGB 227 181 88

HSL 40.14, 0.71%, 0.62%

LAB 76.12, 6.46, 52.71

 

CMYK 0 / 17 / 51 / 17

HEX #D4AF68

RGB 212 175 104

HSL 39.44, 0.56%, 0.62%

LAB 73.32, 4.63, 41.2

 

CMYK 0 / 13 / 39 / 23

HEX #C4AA77

RGB 196 170 119

HSL 39.74, 0.39%, 0.62%

LAB 70.74, 2.26, 29.78

 

CMYK 0 / 8 / 25 / 29

HEX #B4A587

RGB 180 165 135

HSL 40, 0.23%, 0.62%

LAB 68.29, 0.62, 17.54

 

CMYK 0 / 3 / 8 / 35

HEX #A5A097

RGB 165 160 151

HSL 38.57, 0.07%, 0.62%

LAB 66.04, 0.18, 5.32

 

CMYK 0 / 54 / 61 / 11

HEX #E36858

RGB 227 104 88

HSL 6.91, 0.71%, 0.62%

LAB 58.92, 46.69, 32.2

 

CMYK 0 / 38 / 61 / 11

HEX #E38D58

RGB 227 141 88

HSL 22.88, 0.71%, 0.62%

LAB 66.58, 27.76, 41.6

 

CMYK 0 / 21 / 61 / 11

HEX #E3B358

RGB 227 179 88

HSL 39.28, 0.71%, 0.62%

LAB 75.62, 7.52, 52.14

 

CMYK 0 / 5 / 61 / 11

HEX #E3D858

RGB 227 216 88

HSL 55.25, 0.71%, 0.62%

LAB 85.07, -11.56, 62.61

 

CMYK 11 / 0 / 61 / 11

HEX #CAE358

RGB 202 227 88

HSL 70.79, 0.71%, 0.62%

LAB 86.11, -27.05, 63.17

 

CMYK 0 / 28 / 84 / 22

HEX #C89020

RGB 200 144 32

HSL 40, 0.72%, 0.45%

LAB 63.61, 11.95, 61.96

 

CMYK 0 / 26 / 77 / 13

HEX #DEA534

RGB 222 165 52

HSL 39.88, 0.72%, 0.54%

LAB 71.34, 10.9, 62.96

 

CMYK 0 / 20 / 61 / 11

HEX #E3B558

RGB 227 181 88

HSL 40.14, 0.71%, 0.62%

LAB 76.12, 6.46, 52.71

 

CMYK 0 / 16 / 47 / 9

HEX #E9C47B

RGB 233 196 123

HSL 39.82, 0.71%, 0.7%

LAB 80.87, 3.91, 41.4

 

CMYK 0 / 11 / 33 / 6

HEX #EFD49F

RGB 239 212 159

HSL 39.75, 0.71%, 0.78%

LAB 85.98, 1.86, 29.7

 

CMYK 0 / 21 / 61 / 11

HEX #E4B558

RGB 228 181 88

HSL 39.86, 0.72%, 0.62%

LAB 76.22, 6.88, 52.85

 

CMYK 52 / 0 / 61 / 11

HEX #6DE358

RGB 109 227 88

HSL 110.94, 0.71%, 0.62%

LAB 81.23, -58.9, 56.42

 

CMYK 46 / 61 / 0 / 11

HEX #7B58E3

RGB 123 88 227

HSL 255.11, 0.71%, 0.62%

LAB 47.93, 47.03, -66.06

 

CMYK 0 / 21 / 61 / 11

HEX #E4B558

RGB 228 181 88

HSL 39.86, 0.72%, 0.62%

LAB 76.22, 6.88, 52.85

 

CMYK 61 / 0 / 21 / 11

HEX #58E3B3

RGB 88 227 179

HSL 159.28, 0.71%, 0.62%

LAB 81.98, -48.81, 12.41

 

CMYK 21 / 61 / 0 / 11

HEX #B358E3

RGB 179 88 227

HSL 279.28, 0.71%, 0.62%

LAB 54.14, 59.24, -55.73

 

CMYK 0 / 21 / 61 / 11

HEX #E4B558

RGB 228 181 88

HSL 39.86, 0.72%, 0.62%

LAB 76.22, 6.88, 52.85

 

CMYK 52 / 0 / 61 / 11

HEX #6DE358

RGB 109 227 88

HSL 110.94, 0.71%, 0.62%

LAB 81.23, -58.9, 56.42

 

CMYK 61 / 40 / 0 / 11

HEX #5889E3

RGB 88 137 227

HSL 218.85, 0.71%, 0.62%

LAB 57.57, 10.9, -50.71

 

CMYK 9 / 61 / 0 / 11

HEX #CE58E3

RGB 206 88 227

HSL 290.94, 0.71%, 0.62%

LAB 57.7, 65.59, -49.85

 

CMYK 0 / 21 / 61 / 11

HEX #E4B558

RGB 228 181 88

HSL 39.86, 0.72%, 0.62%

LAB 76.22, 6.88, 52.85

 

CMYK 61 / 0 / 52 / 11

HEX #58E36D

RGB 88 227 109

HSL 129.06, 0.71%, 0.62%

LAB 80.8, -61.44, 46.29

 

CMYK 61 / 40 / 0 / 11

HEX #5889E3

RGB 88 137 227

HSL 218.85, 0.71%, 0.62%

LAB 57.57, 10.9, -50.71

 

CMYK 0 / 61 / 9 / 11

HEX #E358CE

RGB 227 88 206

HSL 309.06, 0.71%, 0.62%

LAB 59.68, 67.24, -34.68

 

Description

Color code: HEX #E4B558 | qconv.com Color code: HEX #E4B558 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 181 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 181 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 61 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 61% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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