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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E4BE70 it is the complementary color #1B418F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E4BE70. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E4BE70 shade: #E9BE6B, #FAD07E, #FFE291, #FFF4A4 and #FFFFB7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E4BE70. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E4BE70 shade: #E4BE70, #D3AC5D, #C29A4A, #B18837 and #A07624

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E4BE70 shade: #E4BE71, #E49F71, #E48071 and #E47171

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E4BE70 shade: #E4BE71, #E4DD71, #CBE471, #ACE471 and #8EE471

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E4BE70 shade matches the following richer shades: #E4BE71 and #F1C364

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E4BE70 shade: #E4BE71, #D6B97F, #C8B58C, #BBB09A and #ADABA8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E4BE70 shade: #E48071, #E49F71, #E4BD71, #E4DC71 and #CDE471

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E4BE70 shade: #D69E2C, #DDAE4E, #E4BE71, #EACE94 and #F1DEB6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E4BE70 shade: #E4BE70, #80E471 and #9071E4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E4BE70 shade: #E4BE70, #71E4BD and #BD71E4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E4BE70 shade: #E4BE70, #80E471, #7197E4 and #D471E4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E4BE70 shade: #E4BE70, #71E484, #7197E4 and #E471D0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 51 / 11

HEX #E4BE70

RGB 228 190 112

HSL 40.34, 0.68%, 0.67%

LAB 78.75, 4.01, 44.18

 

Complementary color

CMYK 81 / 55 / 0 / 44

HEX #1B418F

RGB 27 65 143

HSL 220.34, 0.68%, 0.33%

LAB 29.4, 16.83, -46.99

 

CMYK 0 / 18 / 54 / 9

HEX #E9BE6B

RGB 233 190 107

HSL 39.52, 0.74%, 0.67%

LAB 79.16, 5.64, 47.28

 

CMYK 0 / 17 / 50 / 2

HEX #FAD07E

RGB 250 208 126

HSL 39.68, 0.93%, 0.74%

LAB 85.47, 4.8, 45.99

 

CMYK 0 / 11 / 43 / 0

HEX #FFE291

RGB 255 226 145

HSL 44.18, 1%, 0.78%

LAB 90.64, -0.63, 43.17

 

CMYK 0 / 4 / 36 / 0

HEX #FFF4A4

RGB 255 244 164

HSL 52.75, 1%, 0.82%

LAB 95.43, -7.65, 39.91

 

CMYK 0 / 0 / 28 / 0

HEX #FFFFB7

RGB 255 255 183

HSL 60, 1%, 0.86%

LAB 98.51, -10.83, 34.51

 

CMYK 0 / 17 / 51 / 11

HEX #E4BE70

RGB 228 190 112

HSL 40.34, 0.68%, 0.67%

LAB 78.75, 4.01, 44.18

 

CMYK 0 / 18 / 56 / 17

HEX #D3AC5D

RGB 211 172 93

HSL 40.17, 0.57%, 0.6%

LAB 72.32, 4.88, 45.49

 

CMYK 0 / 21 / 62 / 24

HEX #C29A4A

RGB 194 154 74

HSL 40, 0.5%, 0.53%

LAB 65.81, 5.9, 46.78

 

CMYK 0 / 23 / 69 / 31

HEX #B18837

RGB 177 136 55

HSL 39.84, 0.53%, 0.45%

LAB 59.19, 7.12, 47.96

 

CMYK 0 / 26 / 78 / 37

HEX #A07624

RGB 160 118 36

HSL 39.68, 0.63%, 0.38%

LAB 52.46, 8.58, 48.81

 

CMYK 0 / 17 / 50 / 11

HEX #E4BE71

RGB 228 190 113

HSL 40.17, 0.68%, 0.67%

LAB 78.76, 4.1, 43.7

 

CMYK 0 / 30 / 50 / 11

HEX #E49F71

RGB 228 159 113

HSL 24, 0.68%, 0.67%

LAB 71.2, 20.56, 34.2

 

CMYK 0 / 44 / 50 / 11

HEX #E48071

RGB 228 128 113

HSL 7.83, 0.68%, 0.67%

LAB 64.26, 36.97, 25.14

 

CMYK 0 / 50 / 50 / 11

HEX #E47171

RGB 228 113 113

HSL 0, 0.68%, 0.67%

LAB 61.22, 44.59, 21.06

 

CMYK 0 / 17 / 50 / 11

HEX #E4BE71

RGB 228 190 113

HSL 40.17, 0.68%, 0.67%

LAB 78.76, 4.1, 43.7

 

CMYK 0 / 3 / 50 / 11

HEX #E4DD71

RGB 228 221 113

HSL 56.35, 0.68%, 0.67%

LAB 86.7, -11.79, 53.29

 

CMYK 11 / 0 / 50 / 11

HEX #CBE471

RGB 203 228 113

HSL 73.04, 0.68%, 0.67%

LAB 86.69, -25.08, 52.82

 

CMYK 25 / 0 / 50 / 11

HEX #ACE471

RGB 172 228 113

HSL 89.22, 0.68%, 0.67%

LAB 84.71, -36.67, 49.98

 

CMYK 38 / 0 / 50 / 11

HEX #8EE471

RGB 142 228 113

HSL 104.87, 0.68%, 0.67%

LAB 83.14, -46.86, 47.71

 

CMYK 0 / 17 / 50 / 11

HEX #E4BE71

RGB 228 190 113

HSL 40.17, 0.68%, 0.67%

LAB 78.76, 4.1, 43.7

 

CMYK 0 / 19 / 59 / 5

HEX #F1C364

RGB 241 195 100

HSL 40.43, 0.83%, 0.67%

LAB 81.1, 5.79, 53.13

 

CMYK 0 / 17 / 50 / 11

HEX #E4BE71

RGB 228 190 113

HSL 40.17, 0.68%, 0.67%

LAB 78.76, 4.1, 43.7

 

CMYK 0 / 14 / 41 / 16

HEX #D6B97F

RGB 214 185 127

HSL 40, 0.51%, 0.67%

LAB 76.39, 2.44, 33.25

 

CMYK 0 / 10 / 30 / 22

HEX #C8B58C

RGB 200 181 140

HSL 41, 0.35%, 0.67%

LAB 74.33, 0.56, 23.4

 

CMYK 0 / 6 / 18 / 27

HEX #BBB09A

RGB 187 176 154

HSL 40, 0.2%, 0.67%

LAB 72.19, 0.24, 12.68

 

CMYK 0 / 1 / 3 / 32

HEX #ADABA8

RGB 173 171 168

HSL 36, 0.03%, 0.67%

LAB 70.06, 0.16, 1.78

 

CMYK 0 / 44 / 50 / 11

HEX #E48071

RGB 228 128 113

HSL 7.83, 0.68%, 0.67%

LAB 64.26, 36.97, 25.14

 

CMYK 0 / 30 / 50 / 11

HEX #E49F71

RGB 228 159 113

HSL 24, 0.68%, 0.67%

LAB 71.2, 20.56, 34.2

 

CMYK 0 / 17 / 50 / 11

HEX #E4BD71

RGB 228 189 113

HSL 39.65, 0.68%, 0.67%

LAB 78.51, 4.62, 43.39

 

CMYK 0 / 4 / 50 / 11

HEX #E4DC71

RGB 228 220 113

HSL 55.83, 0.68%, 0.67%

LAB 86.44, -11.29, 52.98

 

CMYK 10 / 0 / 50 / 11

HEX #CDE471

RGB 205 228 113

HSL 72, 0.68%, 0.67%

LAB 86.83, -24.31, 53.02

 

CMYK 0 / 26 / 79 / 16

HEX #D69E2C

RGB 214 158 44

HSL 40.24, 0.67%, 0.51%

LAB 68.7, 10.89, 63.09

 

CMYK 0 / 21 / 65 / 13

HEX #DDAE4E

RGB 221 174 78

HSL 40.28, 0.68%, 0.59%

LAB 73.67, 6.99, 54.43

 

CMYK 0 / 17 / 50 / 11

HEX #E4BE71

RGB 228 190 113

HSL 40.17, 0.68%, 0.67%

LAB 78.76, 4.1, 43.7

 

CMYK 0 / 12 / 37 / 8

HEX #EACE94

RGB 234 206 148

HSL 40.47, 0.67%, 0.75%

LAB 83.85, 1.73, 32.47

 

CMYK 0 / 8 / 24 / 5

HEX #F1DEB6

RGB 241 222 182

HSL 40.68, 0.68%, 0.83%

LAB 89.07, 0.43, 22.01

 

CMYK 0 / 17 / 51 / 11

HEX #E4BE70

RGB 228 190 112

HSL 40.34, 0.68%, 0.67%

LAB 78.75, 4.01, 44.18

 

CMYK 44 / 0 / 50 / 11

HEX #80E471

RGB 128 228 113

HSL 112.17, 0.68%, 0.67%

LAB 82.52, -51.14, 46.81

 

CMYK 37 / 50 / 0 / 11

HEX #9071E4

RGB 144 113 228

HSL 256.17, 0.68%, 0.67%

LAB 55.42, 37.83, -54.46

 

CMYK 0 / 17 / 51 / 11

HEX #E4BE70

RGB 228 190 112

HSL 40.34, 0.68%, 0.67%

LAB 78.75, 4.01, 44.18

 

CMYK 50 / 0 / 17 / 11

HEX #71E4BD

RGB 113 228 189

HSL 159.65, 0.68%, 0.67%

LAB 83.27, -41.86, 9.09

 

CMYK 17 / 50 / 0 / 11

HEX #BD71E4

RGB 189 113 228

HSL 279.65, 0.68%, 0.67%

LAB 60.1, 49.47, -46.75

 

CMYK 0 / 17 / 51 / 11

HEX #E4BE70

RGB 228 190 112

HSL 40.34, 0.68%, 0.67%

LAB 78.75, 4.01, 44.18

 

CMYK 44 / 0 / 50 / 11

HEX #80E471

RGB 128 228 113

HSL 112.17, 0.68%, 0.67%

LAB 82.52, -51.14, 46.81

 

CMYK 50 / 34 / 0 / 11

HEX #7197E4

RGB 113 151 228

HSL 220.17, 0.68%, 0.67%

LAB 62.71, 8.12, -43.05

 

CMYK 7 / 50 / 0 / 11

HEX #D471E4

RGB 212 113 228

HSL 291.65, 0.68%, 0.67%

LAB 62.85, 55.68, -42.22

 

CMYK 0 / 17 / 51 / 11

HEX #E4BE70

RGB 228 190 112

HSL 40.34, 0.68%, 0.67%

LAB 78.75, 4.01, 44.18

 

CMYK 50 / 0 / 42 / 11

HEX #71E484

RGB 113 228 132

HSL 129.91, 0.68%, 0.67%

LAB 82.2, -52.62, 37.03

 

CMYK 50 / 34 / 0 / 11

HEX #7197E4

RGB 113 151 228

HSL 220.17, 0.68%, 0.67%

LAB 62.71, 8.12, -43.05

 

CMYK 0 / 50 / 9 / 11

HEX #E471D0

RGB 228 113 208

HSL 310.43, 0.68%, 0.67%

LAB 64.05, 56.67, -29.02

 

Description

Color code: HEX #E4BE70 | qconv.com Color code: HEX #E4BE70 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 190 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 190 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 51 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 51% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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