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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E4BEE4 it is the complementary color #1B411B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E4BEE4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E4BEE4 shade: #E9BEDF, #FAD0F2, #FFE2FF and #FFF4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E4BEE4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E4BEE4 shade: #E4BEE4, #D3ACD1, #C29ABE, #B188AB and #A07698

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E4BEE4 shade: #E3BEE3, #E3BED9, #E3BECF, #E3BEC5 and #E3BEBE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E4BEE4 shade: #E3BEE3, #D9BEE3, #CFBEE3, #C5BEE3 and #BEBEE3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E4BEE4 shade matches the following richer shades: #E3BEE3, #EBB6EB, #F2AFF2 and #FAA8FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E4BEE4 shade: #E3BEE3, #DCC5DC, #D5CDD5, #CDD4CD and #C6DBC6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E4BEE4 shade: #CFBEE3, #D9BEE3, #E3BEE3, #E3BED9 and #E3BECF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E4BEE4 shade: #CB84CB, #D7A1D7, #E3BEE3, #F0DBF0 and #FCF8FC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E4BEE4 shade: #E4BEE4, #E3C5BE and #BEE3D4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E4BEE4 shade: #E4BEE4, #E3E3BE and #BEE3E3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E4BEE4 shade: #E4BEE4, #E3C5BE, #BEE3BE and #BEDCE3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E4BEE4 shade: #E4BEE4, #E3D1BE, #BEE3BE and #BED1E3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 0 / 11

HEX #E4BEE4

RGB 228 190 228

HSL 300, 0.41%, 0.82%

LAB 81.25, 20.01, -13.83

 

Complementary color

CMYK 58 / 0 / 58 / 75

HEX #1B411B

RGB 27 65 27

HSL 120, 0.41%, 0.18%

LAB 23.98, -22.82, 19

 

CMYK 0 / 18 / 4 / 9

HEX #E9BEDF

RGB 233 190 223

HSL 313.95, 0.49%, 0.83%

LAB 81.55, 20.79, -10.64

 

CMYK 0 / 17 / 3 / 2

HEX #FAD0F2

RGB 250 208 242

HSL 311.43, 0.81%, 0.9%

LAB 87.89, 20.31, -11.15

 

CMYK 0 / 11 / 0 / 0

HEX #FFE2FF

RGB 255 226 255

HSL 300, 1%, 0.94%

LAB 92.96, 14.86, -10.39

 

CMYK 0 / 4 / 0 / 0

HEX #FFF4FF

RGB 255 244 255

HSL 300, 1%, 0.98%

LAB 97.3, 5.59, -3.97

 

CMYK 0 / 17 / 0 / 11

HEX #E4BEE4

RGB 228 190 228

HSL 300, 0.41%, 0.82%

LAB 81.25, 20.01, -13.83

 

CMYK 0 / 18 / 1 / 17

HEX #D3ACD1

RGB 211 172 209

HSL 303.08, 0.31%, 0.75%

LAB 74.8, 20.5, -13.38

 

CMYK 0 / 21 / 2 / 24

HEX #C29ABE

RGB 194 154 190

HSL 306, 0.25%, 0.68%

LAB 68.24, 21.03, -12.91

 

CMYK 0 / 23 / 3 / 31

HEX #B188AB

RGB 177 136 171

HSL 308.78, 0.21%, 0.61%

LAB 61.56, 21.6, -12.42

 

CMYK 0 / 26 / 5 / 37

HEX #A07698

RGB 160 118 152

HSL 311.43, 0.18%, 0.55%

LAB 54.76, 22.23, -11.91

 

CMYK 0 / 16 / 0 / 11

HEX #E3BEE3

RGB 227 190 227

HSL 300, 0.4%, 0.82%

LAB 81.13, 19.49, -13.48

 

CMYK 0 / 16 / 4 / 11

HEX #E3BED9

RGB 227 190 217

HSL 316.22, 0.4%, 0.82%

LAB 80.83, 17.69, -8.55

 

CMYK 0 / 16 / 9 / 11

HEX #E3BECF

RGB 227 190 207

HSL 332.43, 0.4%, 0.82%

LAB 80.55, 15.95, -3.58

 

CMYK 0 / 16 / 13 / 11

HEX #E3BEC5

RGB 227 190 197

HSL 348.65, 0.4%, 0.82%

LAB 80.29, 14.3, 1.41

 

CMYK 0 / 16 / 16 / 11

HEX #E3BEBE

RGB 227 190 190

HSL 0, 0.4%, 0.82%

LAB 80.11, 13.19, 4.93

 

CMYK 0 / 16 / 0 / 11

HEX #E3BEE3

RGB 227 190 227

HSL 300, 0.4%, 0.82%

LAB 81.13, 19.49, -13.48

 

CMYK 4 / 16 / 0 / 11

HEX #D9BEE3

RGB 217 190 227

HSL 283.78, 0.4%, 0.82%

LAB 80.25, 16.17, -14.89

 

CMYK 9 / 16 / 0 / 11

HEX #CFBEE3

RGB 207 190 227

HSL 267.57, 0.4%, 0.82%

LAB 79.41, 12.88, -16.24

 

CMYK 13 / 16 / 0 / 11

HEX #C5BEE3

RGB 197 190 227

HSL 251.35, 0.4%, 0.82%

LAB 78.6, 9.65, -17.53

 

CMYK 16 / 16 / 0 / 11

HEX #BEBEE3

RGB 190 190 227

HSL 240, 0.4%, 0.82%

LAB 78.06, 7.42, -18.4

 

CMYK 0 / 16 / 0 / 11

HEX #E3BEE3

RGB 227 190 227

HSL 300, 0.4%, 0.82%

LAB 81.13, 19.49, -13.48

 

CMYK 0 / 23 / 0 / 8

HEX #EBB6EB

RGB 235 182 235

HSL 300, 0.57%, 0.82%

LAB 80.24, 27.88, -19.04

 

CMYK 0 / 28 / 0 / 5

HEX #F2AFF2

RGB 242 175 242

HSL 300, 0.72%, 0.82%

LAB 79.58, 35.14, -23.74

 

CMYK 0 / 33 / 0 / 2

HEX #FAA8FA

RGB 250 168 250

HSL 300, 0.89%, 0.82%

LAB 79.17, 42.76, -28.6

 

CMYK 0 / 16 / 0 / 11

HEX #E3BEE3

RGB 227 190 227

HSL 300, 0.4%, 0.82%

LAB 81.13, 19.49, -13.48

 

CMYK 0 / 10 / 0 / 14

HEX #DCC5DC

RGB 220 197 220

HSL 300, 0.25%, 0.82%

LAB 82.01, 12.11, -8.48

 

CMYK 0 / 4 / 0 / 16

HEX #D5CDD5

RGB 213 205 213

HSL 300, 0.09%, 0.82%

LAB 83.24, 4.2, -2.99

 

CMYK 3 / 0 / 3 / 17

HEX #CDD4CD

RGB 205 212 205

HSL 120, 0.08%, 0.82%

LAB 84.21, -3.65, 2.62

 

CMYK 10 / 0 / 10 / 14

HEX #C6DBC6

RGB 198 219 198

HSL 120, 0.23%, 0.82%

LAB 85.38, -10.89, 7.94

 

CMYK 9 / 16 / 0 / 11

HEX #CFBEE3

RGB 207 190 227

HSL 267.57, 0.4%, 0.82%

LAB 79.41, 12.88, -16.24

 

CMYK 4 / 16 / 0 / 11

HEX #D9BEE3

RGB 217 190 227

HSL 283.78, 0.4%, 0.82%

LAB 80.25, 16.17, -14.89

 

CMYK 0 / 16 / 0 / 11

HEX #E3BEE3

RGB 227 190 227

HSL 300, 0.4%, 0.82%

LAB 81.13, 19.49, -13.48

 

CMYK 0 / 16 / 4 / 11

HEX #E3BED9

RGB 227 190 217

HSL 316.22, 0.4%, 0.82%

LAB 80.83, 17.69, -8.55

 

CMYK 0 / 16 / 9 / 11

HEX #E3BECF

RGB 227 190 207

HSL 332.43, 0.4%, 0.82%

LAB 80.55, 15.95, -3.58

 

CMYK 0 / 35 / 0 / 20

HEX #CB84CB

RGB 203 132 203

HSL 300, 0.41%, 0.66%

LAB 64.57, 38.49, -25.66

 

CMYK 0 / 25 / 0 / 16

HEX #D7A1D7

RGB 215 161 215

HSL 300, 0.4%, 0.74%

LAB 72.79, 28.93, -19.65

 

CMYK 0 / 16 / 0 / 11

HEX #E3BEE3

RGB 227 190 227

HSL 300, 0.4%, 0.82%

LAB 81.13, 19.49, -13.48

 

CMYK 0 / 9 / 0 / 6

HEX #F0DBF0

RGB 240 219 240

HSL 300, 0.41%, 0.9%

LAB 89.62, 10.85, -7.63

 

CMYK 0 / 2 / 0 / 1

HEX #FCF8FC

RGB 252 248 252

HSL 300, 0.4%, 0.98%

LAB 97.98, 2.03, -1.45

 

CMYK 0 / 17 / 0 / 11

HEX #E4BEE4

RGB 228 190 228

HSL 300, 0.41%, 0.82%

LAB 81.25, 20.01, -13.83

 

CMYK 0 / 13 / 16 / 11

HEX #E3C5BE

RGB 227 197 190

HSL 11.35, 0.4%, 0.82%

LAB 81.83, 9.47, 7.4

 

CMYK 16 / 0 / 7 / 11

HEX #BEE3D4

RGB 190 227 212

HSL 155.68, 0.4%, 0.82%

LAB 87.31, -14.98, 3.29

 

CMYK 0 / 17 / 0 / 11

HEX #E4BEE4

RGB 228 190 228

HSL 300, 0.41%, 0.82%

LAB 81.25, 20.01, -13.83

 

CMYK 0 / 0 / 16 / 11

HEX #E3E3BE

RGB 227 227 190

HSL 60, 0.4%, 0.82%

LAB 89.39, -6.1, 18.11

 

CMYK 16 / 0 / 0 / 11

HEX #BEE3E3

RGB 190 227 227

HSL 180, 0.4%, 0.82%

LAB 87.69, -12, -4.04

 

CMYK 0 / 17 / 0 / 11

HEX #E4BEE4

RGB 228 190 228

HSL 300, 0.41%, 0.82%

LAB 81.25, 20.01, -13.83

 

CMYK 0 / 13 / 16 / 11

HEX #E3C5BE

RGB 227 197 190

HSL 11.35, 0.4%, 0.82%

LAB 81.83, 9.47, 7.4

 

CMYK 16 / 0 / 16 / 11

HEX #BEE3BE

RGB 190 227 190

HSL 120, 0.4%, 0.82%

LAB 86.8, -19.02, 14.11

 

CMYK 16 / 3 / 0 / 11

HEX #BEDCE3

RGB 190 220 227

HSL 191.35, 0.4%, 0.82%

LAB 85.85, -8.43, -6.76

 

CMYK 0 / 17 / 0 / 11

HEX #E4BEE4

RGB 228 190 228

HSL 300, 0.41%, 0.82%

LAB 81.25, 20.01, -13.83

 

CMYK 0 / 8 / 16 / 11

HEX #E3D1BE

RGB 227 209 190

HSL 30.81, 0.4%, 0.82%

LAB 84.82, 3.17, 11.67

 

CMYK 16 / 0 / 16 / 11

HEX #BEE3BE

RGB 190 227 190

HSL 120, 0.4%, 0.82%

LAB 86.8, -19.02, 14.11

 

CMYK 16 / 8 / 0 / 11

HEX #BED1E3

RGB 190 209 227

HSL 209.19, 0.4%, 0.82%

LAB 82.96, -2.71, -11.04

 

Description

Color code: HEX #E4BEE4 | qconv.com Color code: HEX #E4BEE4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 190 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 190 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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