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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E4CF61 it is the complementary color #1B309E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E4CF61. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E4CF61 shade: #E9CF5C, #FAE16F, #FFF382, #FFFF95 and #FFFFA8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E4CF61. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E4CF61 shade: #E4CF61, #D3BD4E, #C2AB3B, #B19928 and #A08715

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E4CF61 shade: #E4CF62, #E4AC62, #E48962, #E46662 and #E46262

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E4CF61 shade: #E4CF62, #D6E462, #B2E462, #8FE462 and #6CE462

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E4CF61 shade matches the following richer shades: #E4CF62 and #F3D953

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E4CF61 shade: #E4CF62, #D5C570, #C6BB7F, #B7B18E and #A8A79D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E4CF61 shade: #E48962, #E4AB62, #E4CE62, #D7E462 and #B4E462

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E4CF61 shade: #D0B423, #DEC43E, #E4CF62, #EADA85 and #F0E4A8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E4CF61 shade: #E4CF61, #62E466 and #9A62E4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E4CF61 shade: #E4CF61, #62E4CE and #CE62E4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E4CF61 shade: #E4CF61, #62E466, #6277E4 and #E462E0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E4CF61 shade: #E4CF61, #62E48D, #6277E4 and #E462B8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 57 / 11

HEX #E4CF61

RGB 228 207 97

HSL 50.38, 0.71%, 0.64%

LAB 82.9, -5.99, 56.27

 

Complementary color

CMYK 83 / 70 / 0 / 38

HEX #1B309E

RGB 27 48 158

HSL 230.38, 0.71%, 0.36%

LAB 26.2, 34.26, -61.41

 

CMYK 0 / 11 / 61 / 9

HEX #E9CF5C

RGB 233 207 92

HSL 48.94, 0.76%, 0.64%

LAB 83.3, -4.27, 59.08

 

CMYK 0 / 10 / 56 / 2

HEX #FAE16F

RGB 250 225 111

HSL 49.21, 0.93%, 0.71%

LAB 89.54, -5.08, 58

 

CMYK 0 / 5 / 49 / 0

HEX #FFF382

RGB 255 243 130

HSL 54.24, 1%, 0.75%

LAB 94.73, -10.52, 55.45

 

CMYK 0 / 0 / 42 / 0

HEX #FFFF95

RGB 255 255 149

HSL 60, 1%, 0.79%

LAB 98.01, -14.63, 50.51

 

CMYK 0 / 0 / 34 / 0

HEX #FFFFA8

RGB 255 255 168

HSL 60, 1%, 0.83%

LAB 98.28, -12.61, 41.64

 

CMYK 0 / 9 / 57 / 11

HEX #E4CF61

RGB 228 207 97

HSL 50.38, 0.71%, 0.64%

LAB 82.9, -5.99, 56.27

 

CMYK 0 / 10 / 63 / 17

HEX #D3BD4E

RGB 211 189 78

HSL 50.08, 0.6%, 0.57%

LAB 76.55, -5.14, 57.29

 

CMYK 0 / 12 / 70 / 24

HEX #C2AB3B

RGB 194 171 59

HSL 49.78, 0.53%, 0.5%

LAB 70.11, -4.13, 58.08

 

CMYK 0 / 14 / 77 / 31

HEX #B19928

RGB 177 153 40

HSL 49.49, 0.63%, 0.43%

LAB 63.58, -2.92, 58.39

 

CMYK 0 / 16 / 87 / 37

HEX #A08715

RGB 160 135 21

HSL 49.21, 0.77%, 0.35%

LAB 56.93, -1.46, 57.75

 

CMYK 0 / 9 / 57 / 11

HEX #E4CF62

RGB 228 207 98

HSL 50.31, 0.71%, 0.64%

LAB 82.91, -5.91, 55.83

 

CMYK 0 / 25 / 57 / 11

HEX #E4AC62

RGB 228 172 98

HSL 34.15, 0.71%, 0.64%

LAB 74.11, 12.37, 45.55

 

CMYK 0 / 40 / 57 / 11

HEX #E48962

RGB 228 137 98

HSL 18, 0.71%, 0.64%

LAB 65.96, 31.01, 35.57

 

CMYK 0 / 55 / 57 / 11

HEX #E46662

RGB 228 102 98

HSL 1.85, 0.71%, 0.64%

LAB 58.86, 48.71, 26.49

 

CMYK 0 / 57 / 57 / 11

HEX #E46262

RGB 228 98 98

HSL 0, 0.71%, 0.64%

LAB 58.14, 50.59, 25.55

 

CMYK 0 / 9 / 57 / 11

HEX #E4CF62

RGB 228 207 98

HSL 50.31, 0.71%, 0.64%

LAB 82.91, -5.91, 55.83

 

CMYK 6 / 0 / 57 / 11

HEX #D6E462

RGB 214 228 98

HSL 66.46, 0.71%, 0.64%

LAB 87.32, -22.04, 60.51

 

CMYK 22 / 0 / 57 / 11

HEX #B2E462

RGB 178 228 98

HSL 83.08, 0.71%, 0.64%

LAB 84.91, -35.94, 57.13

 

CMYK 37 / 0 / 57 / 11

HEX #8FE462

RGB 143 228 98

HSL 99.23, 0.71%, 0.64%

LAB 83.02, -48.19, 54.47

 

CMYK 53 / 0 / 57 / 11

HEX #6CE462

RGB 108 228 98

HSL 115.38, 0.71%, 0.64%

LAB 81.6, -58.47, 52.45

 

CMYK 0 / 9 / 57 / 11

HEX #E4CF62

RGB 228 207 98

HSL 50.31, 0.71%, 0.64%

LAB 82.91, -5.91, 55.83

 

CMYK 0 / 11 / 66 / 5

HEX #F3D953

RGB 243 217 83

HSL 50.25, 0.87%, 0.64%

LAB 86.65, -5.75, 66.77

 

CMYK 0 / 9 / 57 / 11

HEX #E4CF62

RGB 228 207 98

HSL 50.31, 0.71%, 0.64%

LAB 82.91, -5.91, 55.83

 

CMYK 0 / 8 / 47 / 16

HEX #D5C570

RGB 213 197 112

HSL 50.5, 0.55%, 0.64%

LAB 79.18, -5.76, 44.41

 

CMYK 0 / 6 / 36 / 22

HEX #C6BB7F

RGB 198 187 127

HSL 50.7, 0.38%, 0.64%

LAB 75.5, -5.02, 31.82

 

CMYK 0 / 3 / 22 / 28

HEX #B7B18E

RGB 183 177 142

HSL 51.22, 0.22%, 0.64%

LAB 71.87, -3.64, 18.71

 

CMYK 0 / 1 / 7 / 34

HEX #A8A79D

RGB 168 167 157

HSL 54.55, 0.06%, 0.64%

LAB 68.31, -1.47, 5.29

 

CMYK 0 / 40 / 57 / 11

HEX #E48962

RGB 228 137 98

HSL 18, 0.71%, 0.64%

LAB 65.96, 31.01, 35.57

 

CMYK 0 / 25 / 57 / 11

HEX #E4AB62

RGB 228 171 98

HSL 33.69, 0.71%, 0.64%

LAB 73.87, 12.9, 45.26

 

CMYK 0 / 10 / 57 / 11

HEX #E4CE62

RGB 228 206 98

HSL 49.85, 0.71%, 0.64%

LAB 82.66, -5.4, 55.54

 

CMYK 6 / 0 / 57 / 11

HEX #D7E462

RGB 215 228 98

HSL 66, 0.71%, 0.64%

LAB 87.4, -21.64, 60.61

 

CMYK 21 / 0 / 57 / 11

HEX #B4E462

RGB 180 228 98

HSL 82.15, 0.71%, 0.64%

LAB 85.03, -35.2, 57.3

 

CMYK 0 / 13 / 83 / 18

HEX #D0B423

RGB 208 180 35

HSL 50.29, 0.71%, 0.48%

LAB 73.66, -3.7, 69.93

 

CMYK 0 / 12 / 72 / 13

HEX #DEC43E

RGB 222 196 62

HSL 50.25, 0.71%, 0.56%

LAB 79.25, -4.95, 66.84

 

CMYK 0 / 9 / 57 / 11

HEX #E4CF62

RGB 228 207 98

HSL 50.31, 0.71%, 0.64%

LAB 82.91, -5.91, 55.83

 

CMYK 0 / 7 / 43 / 8

HEX #EADA85

RGB 234 218 133

HSL 50.5, 0.71%, 0.72%

LAB 86.67, -6.03, 43.71

 

CMYK 0 / 5 / 30 / 6

HEX #F0E4A8

RGB 240 228 168

HSL 50, 0.71%, 0.8%

LAB 90.25, -4.83, 30.81

 

CMYK 0 / 9 / 57 / 11

HEX #E4CF61

RGB 228 207 97

HSL 50.38, 0.71%, 0.64%

LAB 82.9, -5.99, 56.27

 

CMYK 57 / 0 / 55 / 11

HEX #62E466

RGB 98 228 102

HSL 121.85, 0.71%, 0.64%

LAB 81.32, -60.47, 50.23

 

CMYK 32 / 57 / 0 / 11

HEX #9A62E4

RGB 154 98 228

HSL 265.85, 0.71%, 0.64%

LAB 53.18, 48.57, -58

 

CMYK 0 / 9 / 57 / 11

HEX #E4CF61

RGB 228 207 97

HSL 50.38, 0.71%, 0.64%

LAB 82.9, -5.99, 56.27

 

CMYK 57 / 0 / 10 / 11

HEX #62E4CE

RGB 98 228 206

HSL 169.85, 0.71%, 0.64%

LAB 83.2, -41.03, -0.05

 

CMYK 10 / 57 / 0 / 11

HEX #CE62E4

RGB 206 98 228

HSL 289.85, 0.71%, 0.64%

LAB 59.4, 61.29, -47.72

 

CMYK 0 / 9 / 57 / 11

HEX #E4CF61

RGB 228 207 97

HSL 50.38, 0.71%, 0.64%

LAB 82.9, -5.99, 56.27

 

CMYK 57 / 0 / 55 / 11

HEX #62E466

RGB 98 228 102

HSL 121.85, 0.71%, 0.64%

LAB 81.32, -60.47, 50.23

 

CMYK 57 / 48 / 0 / 11

HEX #6277E4

RGB 98 119 228

HSL 230.31, 0.71%, 0.64%

LAB 53.38, 24.03, -57.94

 

CMYK 0 / 57 / 2 / 11

HEX #E462E0

RGB 228 98 224

HSL 301.85, 0.71%, 0.64%

LAB 62.18, 66.16, -40.9

 

CMYK 0 / 9 / 57 / 11

HEX #E4CF61

RGB 228 207 97

HSL 50.38, 0.71%, 0.64%

LAB 82.9, -5.99, 56.27

 

CMYK 57 / 0 / 38 / 11

HEX #62E48D

RGB 98 228 141

HSL 139.85, 0.71%, 0.64%

LAB 81.84, -54.72, 31.95

 

CMYK 57 / 48 / 0 / 11

HEX #6277E4

RGB 98 119 228

HSL 230.31, 0.71%, 0.64%

LAB 53.38, 24.03, -57.94

 

CMYK 0 / 57 / 19 / 11

HEX #E462B8

RGB 228 98 184

HSL 320.31, 0.71%, 0.64%

LAB 60.51, 59.97, -20.85

 

Description

Color code: HEX #E4CF61 | qconv.com Color code: HEX #E4CF61 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 207 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 207 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 57 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 57% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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