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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E4D548 it is the complementary color #1B2AB7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E4D548. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E4D548 shade: #E9D543, #FAE756, #FFF969, #FFFF7C and #FFFF8F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E4D548. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E4D548 shade: #E4D548, #D3C335, #C2B122, #B19F0F and #A08D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E4D548 shade: #E3D449, #E3AB49, #E38149, #E35749 and #E34949

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E4D548 shade: #E3D449, #C8E349, #9FE349, #75E349 and #4BE349

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E4D548 shade matches the following richer shades: #E3D449 and #F4E238

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E4D548 shade: #E3D449, #D2C759, #C1B96A, #B1AB7B and #A09E8C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E4D548 shade: #E38149, #E3AB49, #E3D449, #CAE349 and #A0E349

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E4D548 shade: #BDAE1C, #DECC25, #E3D449, #E9DD6C and #EEE590

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E4D548 shade: #E4D548, #49E358 and #9649E3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E4D548 shade: #E4D548, #49E3D4 and #D449E3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E4D548 shade: #E4D548, #49E358, #4958E3 and #E349D4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E4D548 shade: #E4D548, #49E386, #4958E3 and #E349A5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 68 / 11

HEX #E4D548

RGB 228 213 72

HSL 54.23, 0.74%, 0.59%

LAB 84.25, -10.57, 68.22

 

Complementary color

CMYK 85 / 77 / 0 / 28

HEX #1B2AB7

RGB 27 42 183

HSL 234.23, 0.74%, 0.41%

LAB 27.59, 46.77, -74.15

 

CMYK 0 / 9 / 71 / 9

HEX #E9D543

RGB 233 213 67

HSL 52.77, 0.79%, 0.59%

LAB 84.65, -8.72, 70.61

 

CMYK 0 / 8 / 66 / 2

HEX #FAE756

RGB 250 231 86

HSL 53.05, 0.94%, 0.66%

LAB 90.85, -9.7, 70.12

 

CMYK 0 / 2 / 59 / 0

HEX #FFF969

RGB 255 249 105

HSL 57.6, 1%, 0.71%

LAB 96.01, -15.35, 68.02

 

CMYK 0 / 0 / 51 / 0

HEX #FFFF7C

RGB 255 255 124

HSL 60, 1%, 0.74%

LAB 97.73, -16.86, 61.73

 

CMYK 0 / 0 / 44 / 0

HEX #FFFF8F

RGB 255 255 143

HSL 60, 1%, 0.78%

LAB 97.94, -15.21, 53.26

 

CMYK 0 / 7 / 68 / 11

HEX #E4D548

RGB 228 213 72

HSL 54.23, 0.74%, 0.59%

LAB 84.25, -10.57, 68.22

 

CMYK 0 / 8 / 75 / 17

HEX #D3C335

RGB 211 195 53

HSL 53.92, 0.64%, 0.52%

LAB 77.96, -9.53, 68.43

 

CMYK 0 / 9 / 82 / 24

HEX #C2B122

RGB 194 177 34

HSL 53.63, 0.7%, 0.45%

LAB 71.57, -8.3, 67.92

 

CMYK 0 / 10 / 92 / 31

HEX #B19F0F

RGB 177 159 15

HSL 53.33, 0.84%, 0.38%

LAB 65.1, -6.84, 66.19

 

CMYK 0 / 12 / 100 / 37

HEX #A08D00

RGB 160 141 0

HSL 52.88, 1%, 0.31%

LAB 58.53, -5.13, 62.84

 

CMYK 0 / 7 / 68 / 11

HEX #E3D449

RGB 227 212 73

HSL 54.16, 0.73%, 0.59%

LAB 83.91, -10.44, 67.47

 

CMYK 0 / 25 / 68 / 11

HEX #E3AB49

RGB 227 171 73

HSL 38.18, 0.73%, 0.59%

LAB 73.51, 10.83, 56.68

 

CMYK 0 / 43 / 68 / 11

HEX #E38149

RGB 227 129 73

HSL 21.82, 0.73%, 0.59%

LAB 63.76, 33.15, 46.01

 

CMYK 0 / 62 / 68 / 11

HEX #E35749

RGB 227 87 73

HSL 5.45, 0.73%, 0.59%

LAB 55.71, 53.62, 36.68

 

CMYK 0 / 68 / 68 / 11

HEX #E34949

RGB 227 73 73

HSL 0, 0.73%, 0.59%

LAB 53.58, 59.39, 34.11

 

CMYK 0 / 7 / 68 / 11

HEX #E3D449

RGB 227 212 73

HSL 54.16, 0.73%, 0.59%

LAB 83.91, -10.44, 67.47

 

CMYK 12 / 0 / 68 / 11

HEX #C8E349

RGB 200 227 73

HSL 70.52, 0.73%, 0.59%

LAB 85.86, -28.81, 68.76

 

CMYK 30 / 0 / 68 / 11

HEX #9FE349

RGB 159 227 73

HSL 86.49, 0.73%, 0.59%

LAB 83.33, -44.41, 65.37

 

CMYK 48 / 0 / 68 / 11

HEX #75E349

RGB 117 227 73

HSL 102.86, 0.73%, 0.59%

LAB 81.4, -58.05, 62.76

 

CMYK 67 / 0 / 68 / 11

HEX #4BE349

RGB 75 227 73

HSL 119.22, 0.73%, 0.59%

LAB 80.13, -68.08, 61.04

 

CMYK 0 / 7 / 68 / 11

HEX #E3D449

RGB 227 212 73

HSL 54.16, 0.73%, 0.59%

LAB 83.91, -10.44, 67.47

 

CMYK 0 / 7 / 77 / 4

HEX #F4E238

RGB 244 226 56

HSL 54.26, 0.9%, 0.59%

LAB 88.88, -11.06, 78.53

 

CMYK 0 / 7 / 68 / 11

HEX #E3D449

RGB 227 212 73

HSL 54.16, 0.73%, 0.59%

LAB 83.91, -10.44, 67.47

 

CMYK 0 / 5 / 58 / 18

HEX #D2C759

RGB 210 199 89

HSL 54.55, 0.57%, 0.59%

LAB 79.2, -9.94, 55.29

 

CMYK 0 / 4 / 45 / 24

HEX #C1B96A

RGB 193 185 106

HSL 54.48, 0.41%, 0.59%

LAB 74.24, -8.29, 40.93

 

CMYK 0 / 3 / 31 / 31

HEX #B1AB7B

RGB 177 171 123

HSL 53.33, 0.26%, 0.59%

LAB 69.4, -5.44, 25.55

 

CMYK 0 / 1 / 13 / 37

HEX #A09E8C

RGB 160 158 140

HSL 54, 0.1%, 0.59%

LAB 64.82, -2.5, 9.67

 

CMYK 0 / 43 / 68 / 11

HEX #E38149

RGB 227 129 73

HSL 21.82, 0.73%, 0.59%

LAB 63.76, 33.15, 46.01

 

CMYK 0 / 25 / 68 / 11

HEX #E3AB49

RGB 227 171 73

HSL 38.18, 0.73%, 0.59%

LAB 73.51, 10.83, 56.68

 

CMYK 0 / 7 / 68 / 11

HEX #E3D449

RGB 227 212 73

HSL 54.16, 0.73%, 0.59%

LAB 83.91, -10.44, 67.47

 

CMYK 11 / 0 / 68 / 11

HEX #CAE349

RGB 202 227 73

HSL 69.74, 0.73%, 0.59%

LAB 85.99, -28.01, 68.95

 

CMYK 30 / 0 / 68 / 11

HEX #A0E349

RGB 160 227 73

HSL 86.1, 0.73%, 0.59%

LAB 83.39, -44.05, 65.45

 

CMYK 0 / 8 / 85 / 26

HEX #BDAE1C

RGB 189 174 28

HSL 54.41, 0.74%, 0.43%

LAB 70.3, -9.1, 68.17

 

CMYK 0 / 8 / 83 / 13

HEX #DECC25

RGB 222 204 37

HSL 54.16, 0.74%, 0.51%

LAB 81.21, -9.93, 76.28

 

CMYK 0 / 7 / 68 / 11

HEX #E3D449

RGB 227 212 73

HSL 54.16, 0.73%, 0.59%

LAB 83.91, -10.44, 67.47

 

CMYK 0 / 5 / 54 / 9

HEX #E9DD6C

RGB 233 221 108

HSL 54.24, 0.74%, 0.67%

LAB 87.06, -10.18, 56.13

 

CMYK 0 / 4 / 39 / 7

HEX #EEE590

RGB 238 229 144

HSL 54.26, 0.73%, 0.75%

LAB 89.97, -8.87, 42.51

 

CMYK 0 / 7 / 68 / 11

HEX #E4D548

RGB 228 213 72

HSL 54.23, 0.74%, 0.59%

LAB 84.25, -10.57, 68.22

 

CMYK 68 / 0 / 61 / 11

HEX #49E358

RGB 73 227 88

HSL 125.84, 0.73%, 0.59%

LAB 80.21, -66.95, 54.99

 

CMYK 34 / 68 / 0 / 11

HEX #9649E3

RGB 150 73 227

HSL 270, 0.73%, 0.59%

LAB 48, 60.06, -65.81

 

CMYK 0 / 7 / 68 / 11

HEX #E4D548

RGB 228 213 72

HSL 54.23, 0.74%, 0.59%

LAB 84.25, -10.57, 68.22

 

CMYK 68 / 0 / 7 / 11

HEX #49E3D4

RGB 73 227 212

HSL 174.16, 0.73%, 0.59%

LAB 82.44, -43.16, -4.41

 

CMYK 7 / 68 / 0 / 11

HEX #D449E3

RGB 212 73 227

HSL 294.16, 0.73%, 0.59%

LAB 56.4, 72.97, -51.87

 

CMYK 0 / 7 / 68 / 11

HEX #E4D548

RGB 228 213 72

HSL 54.23, 0.74%, 0.59%

LAB 84.25, -10.57, 68.22

 

CMYK 68 / 0 / 61 / 11

HEX #49E358

RGB 73 227 88

HSL 125.84, 0.73%, 0.59%

LAB 80.21, -66.95, 54.99

 

CMYK 68 / 61 / 0 / 11

HEX #4958E3

RGB 73 88 227

HSL 234.16, 0.73%, 0.59%

LAB 44.15, 38.64, -72.38

 

CMYK 0 / 68 / 7 / 11

HEX #E349D4

RGB 227 73 212

HSL 305.84, 0.73%, 0.59%

LAB 57.89, 73.9, -40.87

 

CMYK 0 / 7 / 68 / 11

HEX #E4D548

RGB 228 213 72

HSL 54.23, 0.74%, 0.59%

LAB 84.25, -10.57, 68.22

 

CMYK 68 / 0 / 41 / 11

HEX #49E386

RGB 73 227 134

HSL 143.77, 0.73%, 0.59%

LAB 80.78, -60.42, 33.97

 

CMYK 68 / 61 / 0 / 11

HEX #4958E3

RGB 73 88 227

HSL 234.16, 0.73%, 0.59%

LAB 44.15, 38.64, -72.38

 

CMYK 0 / 68 / 27 / 11

HEX #E349A5

RGB 227 73 165

HSL 324.16, 0.73%, 0.59%

LAB 55.9, 67.43, -16.9

 

Description

Color code: HEX #E4D548 | qconv.com Color code: HEX #E4D548 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 213 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 213 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 68 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 68% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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