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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E4E67E it is the complementary color #1B1981. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E4E67E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E4E67E shade: #E9E679, #FAF88C, #FFFF9F, #FFFFB2 and #FFFFC5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E4E67E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E4E67E shade: #E4E67E, #D3D46B, #C2C258, #B1B045 and #A09E32

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E4E67E shade: #E4E67E, #E6CC7E, #E6B07E, #E6947E and #E67E7E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E4E67E shade: #E4E67E, #C8E67E, #ACE67E, #90E67E and #7EE688

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E4E67E shade matches the following richer shades: #E4E67E and #F0F272

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E4E67E shade: #E4E67E, #D8DA8A, #CCCD97, #C0C1A3 and #B4B5AF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E4E67E shade: #E6B07E, #E6CC7E, #E4E67E, #C9E67E and #ADE67E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E4E67E shade: #D6D939, #DDDF5B, #E4E67E, #EBEDA1 and #F2F3C3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E4E67E shade: #E4E67E, #7EE695 and #BE7EE6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E4E67E shade: #E4E67E, #7EE4E6 and #E67EE4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E4E67E shade: #E4E67E, #7EE695, #807EE6 and #E67ECF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E4E67E shade: #E4E67E, #7EE6B4, #807EE6 and #E67EB0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 45 / 10

HEX #E4E67E

RGB 228 230 126

HSL 61.15, 0.68%, 0.7%

LAB 89.2, -15.08, 50.15

 

Complementary color

CMYK 79 / 81 / 0 / 49

HEX #1B1981

RGB 27 25 129

HSL 241.15, 0.68%, 0.3%

LAB 17.98, 37.87, -56.98

 

CMYK 0 / 1 / 48 / 9

HEX #E9E679

RGB 233 230 121

HSL 58.39, 0.72%, 0.69%

LAB 89.53, -13.57, 53.01

 

CMYK 0 / 1 / 44 / 2

HEX #FAF88C

RGB 250 248 140

HSL 58.91, 0.92%, 0.76%

LAB 95.73, -14.02, 51.87

 

CMYK 0 / 0 / 38 / 0

HEX #FFFF9F

RGB 255 255 159

HSL 60, 1%, 0.81%

LAB 98.15, -13.6, 45.86

 

CMYK 0 / 0 / 30 / 0

HEX #FFFFB2

RGB 255 255 178

HSL 60, 1%, 0.85%

LAB 98.43, -11.44, 36.89

 

CMYK 0 / 0 / 23 / 0

HEX #FFFFC5

RGB 255 255 197

HSL 60, 1%, 0.89%

LAB 98.75, -9.01, 27.81

 

CMYK 1 / 0 / 45 / 10

HEX #E4E67E

RGB 228 230 126

HSL 61.15, 0.68%, 0.7%

LAB 89.2, -15.08, 50.15

 

CMYK 0 / 0 / 50 / 17

HEX #D3D46B

RGB 211 212 107

HSL 60.57, 0.55%, 0.63%

LAB 82.91, -14.64, 51.29

 

CMYK 0 / 0 / 55 / 24

HEX #C2C258

RGB 194 194 88

HSL 60, 0.46%, 0.55%

LAB 76.53, -14.11, 52.38

 

CMYK 0 / 1 / 61 / 31

HEX #B1B045

RGB 177 176 69

HSL 59.44, 0.44%, 0.48%

LAB 70.05, -13.46, 53.34

 

CMYK 0 / 1 / 69 / 37

HEX #A09E32

RGB 160 158 50

HSL 58.91, 0.52%, 0.41%

LAB 63.47, -12.66, 54.01

 

CMYK 1 / 0 / 45 / 10

HEX #E4E67E

RGB 228 230 126

HSL 61.15, 0.68%, 0.7%

LAB 89.2, -15.08, 50.15

 

CMYK 0 / 11 / 45 / 10

HEX #E6CC7E

RGB 230 204 126

HSL 45, 0.68%, 0.7%

LAB 82.65, -1.16, 42.08

 

CMYK 0 / 23 / 45 / 10

HEX #E6B07E

RGB 230 176 126

HSL 28.85, 0.68%, 0.7%

LAB 75.69, 13.54, 33.16

 

CMYK 0 / 36 / 45 / 10

HEX #E6947E

RGB 230 148 126

HSL 12.69, 0.68%, 0.7%

LAB 69.12, 28.47, 24.47

 

CMYK 0 / 45 / 45 / 10

HEX #E67E7E

RGB 230 126 126

HSL 0, 0.68%, 0.7%

LAB 64.36, 39.98, 18.01

 

CMYK 1 / 0 / 45 / 10

HEX #E4E67E

RGB 228 230 126

HSL 61.15, 0.68%, 0.7%

LAB 89.2, -15.08, 50.15

 

CMYK 13 / 0 / 45 / 10

HEX #C8E67E

RGB 200 230 126

HSL 77.31, 0.68%, 0.7%

LAB 87.18, -25.88, 47.21

 

CMYK 25 / 0 / 45 / 10

HEX #ACE67E

RGB 172 230 126

HSL 93.46, 0.68%, 0.7%

LAB 85.44, -36.11, 44.67

 

CMYK 37 / 0 / 45 / 10

HEX #90E67E

RGB 144 230 126

HSL 109.62, 0.68%, 0.7%

LAB 83.98, -45.44, 42.53

 

CMYK 45 / 0 / 41 / 10

HEX #7EE688

RGB 126 230 136

HSL 125.77, 0.68%, 0.7%

LAB 83.34, -49.34, 36.61

 

CMYK 1 / 0 / 45 / 10

HEX #E4E67E

RGB 228 230 126

HSL 61.15, 0.68%, 0.7%

LAB 89.2, -15.08, 50.15

 

CMYK 1 / 0 / 53 / 5

HEX #F0F272

RGB 240 242 114

HSL 60.94, 0.83%, 0.7%

LAB 93.12, -17.26, 60.57

 

CMYK 1 / 0 / 45 / 10

HEX #E4E67E

RGB 228 230 126

HSL 61.15, 0.68%, 0.7%

LAB 89.2, -15.08, 50.15

 

CMYK 1 / 0 / 37 / 15

HEX #D8DA8A

RGB 216 218 138

HSL 61.5, 0.52%, 0.7%

LAB 85.29, -12.55, 39.16

 

CMYK 0 / 0 / 26 / 20

HEX #CCCD97

RGB 204 205 151

HSL 61.11, 0.35%, 0.7%

LAB 81.15, -8.96, 26.86

 

CMYK 1 / 0 / 16 / 24

HEX #C0C1A3

RGB 192 193 163

HSL 62, 0.19%, 0.7%

LAB 77.28, -5.49, 15.02

 

CMYK 1 / 0 / 3 / 29

HEX #B4B5AF

RGB 180 181 175

HSL 70, 0.04%, 0.7%

LAB 73.45, -1.45, 2.92

 

CMYK 0 / 23 / 45 / 10

HEX #E6B07E

RGB 230 176 126

HSL 28.85, 0.68%, 0.7%

LAB 75.69, 13.54, 33.16

 

CMYK 0 / 11 / 45 / 10

HEX #E6CC7E

RGB 230 204 126

HSL 45, 0.68%, 0.7%

LAB 82.65, -1.16, 42.08

 

CMYK 1 / 0 / 45 / 10

HEX #E4E67E

RGB 228 230 126

HSL 61.15, 0.68%, 0.7%

LAB 89.2, -15.08, 50.15

 

CMYK 13 / 0 / 45 / 10

HEX #C9E67E

RGB 201 230 126

HSL 76.73, 0.68%, 0.7%

LAB 87.25, -25.5, 47.31

 

CMYK 25 / 0 / 45 / 10

HEX #ADE67E

RGB 173 230 126

HSL 92.88, 0.68%, 0.7%

LAB 85.5, -35.76, 44.75

 

CMYK 1 / 0 / 74 / 15

HEX #D6D939

RGB 214 217 57

HSL 61.13, 0.68%, 0.54%

LAB 84.08, -19.1, 72.92

 

CMYK 1 / 0 / 59 / 13

HEX #DDDF5B

RGB 221 223 91

HSL 60.91, 0.67%, 0.62%

LAB 86.46, -17.29, 62.7

 

CMYK 1 / 0 / 45 / 10

HEX #E4E67E

RGB 228 230 126

HSL 61.15, 0.68%, 0.7%

LAB 89.2, -15.08, 50.15

 

CMYK 1 / 0 / 32 / 7

HEX #EBEDA1

RGB 235 237 161

HSL 61.58, 0.68%, 0.78%

LAB 92.04, -12.08, 36.68

 

CMYK 0 / 0 / 20 / 5

HEX #F2F3C3

RGB 242 243 195

HSL 61.25, 0.67%, 0.86%

LAB 94.7, -8.02, 23.1

 

CMYK 1 / 0 / 45 / 10

HEX #E4E67E

RGB 228 230 126

HSL 61.15, 0.68%, 0.7%

LAB 89.2, -15.08, 50.15

 

CMYK 45 / 0 / 35 / 10

HEX #7EE695

RGB 126 230 149

HSL 133.27, 0.68%, 0.7%

LAB 83.55, -47.26, 30.33

 

CMYK 17 / 45 / 0 / 10

HEX #BE7EE6

RGB 190 126 230

HSL 276.92, 0.68%, 0.7%

LAB 63, 43.27, -43.28

 

CMYK 1 / 0 / 45 / 10

HEX #E4E67E

RGB 228 230 126

HSL 61.15, 0.68%, 0.7%

LAB 89.2, -15.08, 50.15

 

CMYK 45 / 1 / 0 / 10

HEX #7EE4E6

RGB 126 228 230

HSL 181.15, 0.68%, 0.7%

LAB 84.81, -29.21, -10.25

 

CMYK 0 / 45 / 1 / 10

HEX #E67EE4

RGB 230 126 228

HSL 301.15, 0.68%, 0.7%

LAB 67.54, 54.3, -34.74

 

CMYK 1 / 0 / 45 / 10

HEX #E4E67E

RGB 228 230 126

HSL 61.15, 0.68%, 0.7%

LAB 89.2, -15.08, 50.15

 

CMYK 45 / 0 / 35 / 10

HEX #7EE695

RGB 126 230 149

HSL 133.27, 0.68%, 0.7%

LAB 83.55, -47.26, 30.33

 

CMYK 44 / 45 / 0 / 10

HEX #807EE6

RGB 128 126 230

HSL 241.15, 0.68%, 0.7%

LAB 57.29, 26.94, -52.68

 

CMYK 0 / 45 / 10 / 10

HEX #E67ECF

RGB 230 126 207

HSL 313.27, 0.68%, 0.7%

LAB 66.71, 50.74, -24.34

 

CMYK 1 / 0 / 45 / 10

HEX #E4E67E

RGB 228 230 126

HSL 61.15, 0.68%, 0.7%

LAB 89.2, -15.08, 50.15

 

CMYK 45 / 0 / 22 / 10

HEX #7EE6B4

RGB 126 230 180

HSL 151.15, 0.68%, 0.7%

LAB 84.13, -41.51, 15.1

 

CMYK 44 / 45 / 0 / 10

HEX #807EE6

RGB 128 126 230

HSL 241.15, 0.68%, 0.7%

LAB 57.29, 26.94, -52.68

 

CMYK 0 / 45 / 23 / 10

HEX #E67EB0

RGB 230 126 176

HSL 331.15, 0.68%, 0.7%

LAB 65.65, 46.02, -8.5

 

Description

Color code: HEX #E4E67E | qconv.com Color code: HEX #E4E67E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 230 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 230 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 45 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 45% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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