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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E4EA99 it is the complementary color #1B1566. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E4EA99. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E4EA99 shade: #E9EA94, #FAFCA7, #FFFFBA, #FFFFCD and #FFFFE0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E4EA99. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E4EA99 shade: #E4EA99, #D3D886, #C2C673, #B1B460 and #A0A24D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E4EA99 shade: #E4EA99, #EADA99, #EAC499, #EAAE99 and #EA9999

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E4EA99 shade: #E4EA99, #CEEA99, #B8EA99, #A2EA99 and #99EAA5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E4EA99 shade matches the following richer shades: #E4EA99, #ECF48F and #F5FD85

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E4EA99 shade: #E4EA99, #DBE0A3, #D3D6AD, #CACCB7 and #C2C2C1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E4EA99 shade: #EAC499, #EADA99, #E4EA99, #CFEA99 and #B9EA99

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E4EA99 shade: #D2DC54, #DBE377, #E4EA99, #EDF1BB and #F6F8DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E4EA99 shade: #E4EA99, #99EAAE and #CF99EA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E4EA99 shade: #E4EA99, #99E4EA and #EA99E4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E4EA99 shade: #E4EA99, #99EAAE, #9E99EA and #EA99D4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E4EA99 shade: #E4EA99, #99EAC7, #9E99EA and #EA99BC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 35 / 8

HEX #E4EA99

RGB 228 234 153

HSL 64.44, 0.66%, 0.76%

LAB 90.62, -14.19, 38.71

 

Complementary color

CMYK 74 / 79 / 0 / 60

HEX #1B1566

RGB 27 21 102

HSL 244.44, 0.66%, 0.24%

LAB 13.99, 30.78, -46.11

 

CMYK 0 / 0 / 37 / 8

HEX #E9EA94

RGB 233 234 148

HSL 60.7, 0.67%, 0.75%

LAB 90.92, -12.86, 41.67

 

CMYK 1 / 0 / 34 / 1

HEX #FAFCA7

RGB 250 252 167

HSL 61.41, 0.93%, 0.82%

LAB 97.12, -13.13, 40.55

 

CMYK 0 / 0 / 27 / 0

HEX #FFFFBA

RGB 255 255 186

HSL 60, 1%, 0.86%

LAB 98.56, -10.45, 33.08

 

CMYK 0 / 0 / 20 / 0

HEX #FFFFCD

RGB 255 255 205

HSL 60, 1%, 0.9%

LAB 98.9, -7.91, 23.96

 

CMYK 0 / 0 / 12 / 0

HEX #FFFFE0

RGB 255 255 224

HSL 60, 1%, 0.94%

LAB 99.28, -5.1, 14.83

 

CMYK 3 / 0 / 35 / 8

HEX #E4EA99

RGB 228 234 153

HSL 64.44, 0.66%, 0.76%

LAB 90.62, -14.19, 38.71

 

CMYK 2 / 0 / 38 / 15

HEX #D3D886

RGB 211 216 134

HSL 63.66, 0.51%, 0.69%

LAB 84.32, -13.94, 39.85

 

CMYK 2 / 0 / 42 / 22

HEX #C2C673

RGB 194 198 115

HSL 62.89, 0.42%, 0.61%

LAB 77.93, -13.63, 41.02

 

CMYK 2 / 0 / 47 / 29

HEX #B1B460

RGB 177 180 96

HSL 62.14, 0.36%, 0.54%

LAB 71.44, -13.26, 42.22

 

CMYK 1 / 0 / 52 / 36

HEX #A0A24D

RGB 160 162 77

HSL 61.41, 0.36%, 0.47%

LAB 64.84, -12.8, 43.39

 

CMYK 3 / 0 / 35 / 8

HEX #E4EA99

RGB 228 234 153

HSL 64.44, 0.66%, 0.76%

LAB 90.62, -14.19, 38.71

 

CMYK 0 / 7 / 35 / 8

HEX #EADA99

RGB 234 218 153

HSL 48.15, 0.66%, 0.76%

LAB 86.97, -3.86, 34.02

 

CMYK 0 / 16 / 35 / 8

HEX #EAC499

RGB 234 196 153

HSL 31.85, 0.66%, 0.76%

LAB 81.44, 7.53, 26.64

 

CMYK 0 / 26 / 35 / 8

HEX #EAAE99

RGB 234 174 153

HSL 15.56, 0.66%, 0.76%

LAB 76.11, 19.17, 19.35

 

CMYK 0 / 35 / 35 / 8

HEX #EA9999

RGB 234 153 153

HSL 0, 0.66%, 0.76%

LAB 71.27, 30.35, 12.59

 

CMYK 3 / 0 / 35 / 8

HEX #E4EA99

RGB 228 234 153

HSL 64.44, 0.66%, 0.76%

LAB 90.62, -14.19, 38.71

 

CMYK 12 / 0 / 35 / 8

HEX #CEEA99

RGB 206 234 153

HSL 80.74, 0.66%, 0.76%

LAB 89.05, -22.39, 36.37

 

CMYK 21 / 0 / 35 / 8

HEX #B8EA99

RGB 184 234 153

HSL 97.04, 0.66%, 0.76%

LAB 87.65, -30.25, 34.27

 

CMYK 31 / 0 / 35 / 8

HEX #A2EA99

RGB 162 234 153

HSL 113.33, 0.66%, 0.76%

LAB 86.42, -37.63, 32.42

 

CMYK 35 / 0 / 29 / 8

HEX #99EAA5

RGB 153 234 165

HSL 128.89, 0.66%, 0.76%

LAB 86.17, -38.53, 25.89

 

CMYK 3 / 0 / 35 / 8

HEX #E4EA99

RGB 228 234 153

HSL 64.44, 0.66%, 0.76%

LAB 90.62, -14.19, 38.71

 

CMYK 3 / 0 / 41 / 4

HEX #ECF48F

RGB 236 244 143

HSL 64.75, 0.82%, 0.76%

LAB 93.67, -17.15, 47.66

 

CMYK 3 / 0 / 47 / 1

HEX #F5FD85

RGB 245 253 133

HSL 64, 0.97%, 0.76%

LAB 96.56, -19.02, 56.07

 

CMYK 3 / 0 / 35 / 8

HEX #E4EA99

RGB 228 234 153

HSL 64.44, 0.66%, 0.76%

LAB 90.62, -14.19, 38.71

 

CMYK 2 / 0 / 27 / 12

HEX #DBE0A3

RGB 219 224 163

HSL 64.92, 0.5%, 0.76%

LAB 87.49, -11.34, 29.39

 

CMYK 1 / 0 / 19 / 16

HEX #D3D6AD

RGB 211 214 173

HSL 64.39, 0.33%, 0.76%

LAB 84.46, -7.83, 19.95

 

CMYK 1 / 0 / 10 / 20

HEX #CACCB7

RGB 202 204 183

HSL 65.71, 0.17%, 0.76%

LAB 81.38, -4.36, 10.23

 

CMYK 0 / 0 / 1 / 24

HEX #C2C2C1

RGB 194 194 193

HSL 60, 0.01%, 0.76%

LAB 78.41, -0.18, 0.49

 

CMYK 0 / 16 / 35 / 8

HEX #EAC499

RGB 234 196 153

HSL 31.85, 0.66%, 0.76%

LAB 81.44, 7.53, 26.64

 

CMYK 0 / 7 / 35 / 8

HEX #EADA99

RGB 234 218 153

HSL 48.15, 0.66%, 0.76%

LAB 86.97, -3.86, 34.02

 

CMYK 3 / 0 / 35 / 8

HEX #E4EA99

RGB 228 234 153

HSL 64.44, 0.66%, 0.76%

LAB 90.62, -14.19, 38.71

 

CMYK 12 / 0 / 35 / 8

HEX #CFEA99

RGB 207 234 153

HSL 80, 0.66%, 0.76%

LAB 89.12, -22.02, 36.47

 

CMYK 21 / 0 / 35 / 8

HEX #B9EA99

RGB 185 234 153

HSL 96.3, 0.66%, 0.76%

LAB 87.71, -29.91, 34.36

 

CMYK 5 / 0 / 62 / 14

HEX #D2DC54

RGB 210 220 84

HSL 64.41, 0.66%, 0.6%

LAB 84.76, -20.76, 63.54

 

CMYK 4 / 0 / 48 / 11

HEX #DBE377

RGB 219 227 119

HSL 64.44, 0.66%, 0.68%

LAB 87.65, -17.8, 51.43

 

CMYK 3 / 0 / 35 / 8

HEX #E4EA99

RGB 228 234 153

HSL 64.44, 0.66%, 0.76%

LAB 90.62, -14.19, 38.71

 

CMYK 2 / 0 / 22 / 5

HEX #EDF1BB

RGB 237 241 187

HSL 64.44, 0.66%, 0.84%

LAB 93.67, -9.95, 25.71

 

CMYK 1 / 0 / 11 / 3

HEX #F6F8DD

RGB 246 248 221

HSL 64.44, 0.66%, 0.92%

LAB 96.8, -5.19, 12.75

 

CMYK 3 / 0 / 35 / 8

HEX #E4EA99

RGB 228 234 153

HSL 64.44, 0.66%, 0.76%

LAB 90.62, -14.19, 38.71

 

CMYK 35 / 0 / 26 / 8

HEX #99EAAE

RGB 153 234 174

HSL 135.56, 0.66%, 0.76%

LAB 86.34, -36.97, 21.48

 

CMYK 12 / 35 / 0 / 8

HEX #CF99EA

RGB 207 153 234

HSL 280, 0.66%, 0.76%

LAB 70.86, 34.46, -33.09

 

CMYK 3 / 0 / 35 / 8

HEX #E4EA99

RGB 228 234 153

HSL 64.44, 0.66%, 0.76%

LAB 90.62, -14.19, 38.71

 

CMYK 35 / 3 / 0 / 8

HEX #99E4EA

RGB 153 228 234

HSL 184.44, 0.66%, 0.76%

LAB 86.11, -21.62, -10.3

 

CMYK 0 / 35 / 3 / 8

HEX #EA99E4

RGB 234 153 228

HSL 304.44, 0.66%, 0.76%

LAB 73.47, 41.68, -25.56

 

CMYK 3 / 0 / 35 / 8

HEX #E4EA99

RGB 228 234 153

HSL 64.44, 0.66%, 0.76%

LAB 90.62, -14.19, 38.71

 

CMYK 35 / 0 / 26 / 8

HEX #99EAAE

RGB 153 234 174

HSL 135.56, 0.66%, 0.76%

LAB 86.34, -36.97, 21.48

 

CMYK 32 / 35 / 0 / 8

HEX #9E99EA

RGB 158 153 234

HSL 243.7, 0.66%, 0.76%

LAB 66.51, 20.1, -40.19

 

CMYK 0 / 35 / 9 / 8

HEX #EA99D4

RGB 234 153 212

HSL 316.3, 0.66%, 0.76%

LAB 72.91, 38.92, -17.63

 

CMYK 3 / 0 / 35 / 8

HEX #E4EA99

RGB 228 234 153

HSL 64.44, 0.66%, 0.76%

LAB 90.62, -14.19, 38.71

 

CMYK 35 / 0 / 15 / 8

HEX #99EAC7

RGB 153 234 199

HSL 154.07, 0.66%, 0.76%

LAB 86.87, -32.2, 9.21

 

CMYK 32 / 35 / 0 / 8

HEX #9E99EA

RGB 158 153 234

HSL 243.7, 0.66%, 0.76%

LAB 66.51, 20.1, -40.19

 

CMYK 0 / 35 / 20 / 8

HEX #EA99BC

RGB 234 153 188

HSL 334.07, 0.66%, 0.76%

LAB 72.17, 35.11, -5.5

 

Description

Color code: HEX #E4EA99 | qconv.com Color code: HEX #E4EA99 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 234 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 234 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 35 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 35% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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