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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E4F36B it is the complementary color #1B0C94. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E4F36B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E4F36B shade: #E9F366, #FAFF79, #FFFF8C, #FFFF9F and #FFFFB2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E4F36B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E4F36B shade: #E4F36B, #D3E158, #C2CF45, #B1BD32 and #A0AB1F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E4F36B shade: #E4F36C, #F3DD6C, #F3B96C, #F3956C and #F3716C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E4F36B shade: #E4F36C, #C0F36C, #9BF36C, #77F36C and #6CF386

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E4F36B shade matches the following richer shades: #E4F36C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E4F36B shade: #E4F36C, #DAE679, #D0D986, #C6CC93 and #BCBF9F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E4F36B shade: #F3B86C, #F3DC6C, #E5F36C, #C1F36C and #9EF36C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E4F36B shade: #D6EC20, #DDF046, #E4F36C, #EBF692 and #F2F9B9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E4F36B shade: #E4F36B, #6CF395 and #CA6CF3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E4F36B shade: #E4F36B, #6CE5F3 and #F36CE5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E4F36B shade: #E4F36B, #6CF395, #7A6CF3 and #F36CCA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E4F36B shade: #E4F36B, #6CF3BD, #7A6CF3 and #F36CA2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 56 / 5

HEX #E4F36B

RGB 228 243 107

HSL 66.62, 0.85%, 0.69%

LAB 92.42, -23.02, 62.61

 

Complementary color

CMYK 82 / 92 / 0 / 42

HEX #1B0C94

RGB 27 12 148

HSL 246.62, 0.85%, 0.31%

LAB 18.51, 49.53, -68

 

CMYK 4 / 0 / 58 / 5

HEX #E9F366

RGB 233 243 102

HSL 64.26, 0.85%, 0.68%

LAB 92.74, -21.42, 65.21

 

CMYK 2 / 0 / 53 / 0

HEX #FAFF79

RGB 250 255 121

HSL 62.24, 1%, 0.74%

LAB 97.32, -19.06, 62.49

 

CMYK 0 / 0 / 45 / 0

HEX #FFFF8C

RGB 255 255 140

HSL 60, 1%, 0.77%

LAB 97.9, -15.49, 54.62

 

CMYK 0 / 0 / 38 / 0

HEX #FFFF9F

RGB 255 255 159

HSL 60, 1%, 0.81%

LAB 98.15, -13.6, 45.86

 

CMYK 0 / 0 / 30 / 0

HEX #FFFFB2

RGB 255 255 178

HSL 60, 1%, 0.85%

LAB 98.43, -11.44, 36.89

 

CMYK 6 / 0 / 56 / 5

HEX #E4F36B

RGB 228 243 107

HSL 66.62, 0.85%, 0.69%

LAB 92.42, -23.02, 62.61

 

CMYK 6 / 0 / 61 / 12

HEX #D3E158

RGB 211 225 88

HSL 66.13, 0.7%, 0.61%

LAB 86.21, -22.51, 63.47

 

CMYK 6 / 0 / 67 / 19

HEX #C2CF45

RGB 194 207 69

HSL 65.65, 0.59%, 0.54%

LAB 79.91, -21.89, 64.1

 

CMYK 6 / 0 / 74 / 26

HEX #B1BD32

RGB 177 189 50

HSL 65.18, 0.58%, 0.47%

LAB 73.53, -21.13, 64.29

 

CMYK 6 / 0 / 82 / 33

HEX #A0AB1F

RGB 160 171 31

HSL 64.71, 0.69%, 0.4%

LAB 67.05, -20.18, 63.7

 

CMYK 6 / 0 / 56 / 5

HEX #E4F36C

RGB 228 243 108

HSL 66.67, 0.85%, 0.69%

LAB 92.43, -22.94, 62.19

 

CMYK 0 / 9 / 56 / 5

HEX #F3DD6C

RGB 243 221 108

HSL 50.22, 0.85%, 0.69%

LAB 87.9, -6.13, 57.32

 

CMYK 0 / 24 / 56 / 5

HEX #F3B96C

RGB 243 185 108

HSL 34.22, 0.85%, 0.69%

LAB 78.95, 12.44, 46.76

 

CMYK 0 / 39 / 56 / 5

HEX #F3956C

RGB 243 149 108

HSL 18.22, 0.85%, 0.69%

LAB 70.62, 31.4, 36.48

 

CMYK 0 / 53 / 56 / 5

HEX #F3716C

RGB 243 113 108

HSL 2.22, 0.85%, 0.69%

LAB 63.3, 49.54, 27.06

 

CMYK 6 / 0 / 56 / 5

HEX #E4F36C

RGB 228 243 108

HSL 66.67, 0.85%, 0.69%

LAB 92.43, -22.94, 62.19

 

CMYK 21 / 0 / 56 / 5

HEX #C0F36C

RGB 192 243 108

HSL 82.67, 0.85%, 0.69%

LAB 90.04, -36.67, 58.82

 

CMYK 36 / 0 / 56 / 5

HEX #9BF36C

RGB 155 243 108

HSL 99.11, 0.85%, 0.69%

LAB 88.04, -49.53, 55.99

 

CMYK 51 / 0 / 56 / 5

HEX #77F36C

RGB 119 243 108

HSL 115.11, 0.85%, 0.69%

LAB 86.56, -60.12, 53.88

 

CMYK 56 / 0 / 45 / 5

HEX #6CF386

RGB 108 243 134

HSL 131.56, 0.85%, 0.69%

LAB 86.51, -59.39, 41.54

 

CMYK 6 / 0 / 56 / 5

HEX #E4F36C

RGB 228 243 108

HSL 66.67, 0.85%, 0.69%

LAB 92.43, -22.94, 62.19

 

CMYK 6 / 0 / 56 / 5

HEX #E4F36C

RGB 228 243 108

HSL 66.67, 0.85%, 0.69%

LAB 92.43, -22.94, 62.19

 

CMYK 5 / 0 / 47 / 10

HEX #DAE679

RGB 218 230 121

HSL 66.61, 0.69%, 0.69%

LAB 88.39, -19.47, 51.36

 

CMYK 4 / 0 / 38 / 15

HEX #D0D986

RGB 208 217 134

HSL 66.51, 0.52%, 0.69%

LAB 84.36, -15.6, 39.85

 

CMYK 3 / 0 / 28 / 20

HEX #C6CC93

RGB 198 204 147

HSL 66.32, 0.36%, 0.69%

LAB 80.35, -11.26, 27.79

 

CMYK 2 / 0 / 17 / 25

HEX #BCBF9F

RGB 188 191 159

HSL 65.63, 0.2%, 0.69%

LAB 76.35, -6.55, 15.82

 

CMYK 0 / 24 / 56 / 5

HEX #F3B86C

RGB 243 184 108

HSL 33.78, 0.85%, 0.69%

LAB 78.71, 12.96, 46.47

 

CMYK 0 / 9 / 56 / 5

HEX #F3DC6C

RGB 243 220 108

HSL 49.78, 0.85%, 0.69%

LAB 87.64, -5.63, 57.02

 

CMYK 6 / 0 / 56 / 5

HEX #E5F36C

RGB 229 243 108

HSL 66.22, 0.85%, 0.69%

LAB 92.51, -22.55, 62.29

 

CMYK 21 / 0 / 56 / 5

HEX #C1F36C

RGB 193 243 108

HSL 82.22, 0.85%, 0.69%

LAB 90.1, -36.3, 58.91

 

CMYK 35 / 0 / 56 / 5

HEX #9EF36C

RGB 158 243 108

HSL 97.78, 0.85%, 0.69%

LAB 88.19, -48.55, 56.2

 

CMYK 9 / 0 / 86 / 7

HEX #D6EC20

RGB 214 236 32

HSL 66.47, 0.84%, 0.53%

LAB 89.11, -28.98, 83.58

 

CMYK 8 / 0 / 71 / 6

HEX #DDF046

RGB 221 240 70

HSL 66.71, 0.85%, 0.61%

LAB 90.84, -26.69, 75.25

 

CMYK 6 / 0 / 56 / 5

HEX #E4F36C

RGB 228 243 108

HSL 66.67, 0.85%, 0.69%

LAB 92.43, -22.94, 62.19

 

CMYK 4 / 0 / 41 / 4

HEX #EBF692

RGB 235 246 146

HSL 66.6, 0.85%, 0.77%

LAB 94.16, -18.19, 46.8

 

CMYK 3 / 0 / 26 / 2

HEX #F2F9B9

RGB 242 249 185

HSL 66.56, 0.84%, 0.85%

LAB 96.05, -12.37, 30.03

 

CMYK 6 / 0 / 56 / 5

HEX #E4F36B

RGB 228 243 107

HSL 66.62, 0.85%, 0.69%

LAB 92.42, -23.02, 62.61

 

CMYK 56 / 0 / 39 / 5

HEX #6CF395

RGB 108 243 149

HSL 138.22, 0.85%, 0.69%

LAB 86.73, -57.02, 34.43

 

CMYK 17 / 56 / 0 / 5

HEX #CA6CF3

RGB 202 108 243

HSL 281.78, 0.85%, 0.69%

LAB 61.44, 58.48, -52.86

 

CMYK 6 / 0 / 56 / 5

HEX #E4F36B

RGB 228 243 107

HSL 66.62, 0.85%, 0.69%

LAB 92.42, -23.02, 62.61

 

CMYK 56 / 6 / 0 / 5

HEX #6CE5F3

RGB 108 229 243

HSL 186.22, 0.85%, 0.69%

LAB 84.84, -30.01, -17.12

 

CMYK 0 / 56 / 6 / 5

HEX #F36CE5

RGB 243 108 229

HSL 306.22, 0.85%, 0.69%

LAB 66.09, 66.5, -37.42

 

CMYK 6 / 0 / 56 / 5

HEX #E4F36B

RGB 228 243 107

HSL 66.62, 0.85%, 0.69%

LAB 92.42, -23.02, 62.61

 

CMYK 56 / 0 / 39 / 5

HEX #6CF395

RGB 108 243 149

HSL 138.22, 0.85%, 0.69%

LAB 86.73, -57.02, 34.43

 

CMYK 50 / 56 / 0 / 5

HEX #7A6CF3

RGB 122 108 243

HSL 246.22, 0.85%, 0.69%

LAB 53.31, 40.02, -66.33

 

CMYK 0 / 56 / 17 / 5

HEX #F36CCA

RGB 243 108 202

HSL 318.22, 0.85%, 0.69%

LAB 65, 62.38, -24

 

CMYK 6 / 0 / 56 / 5

HEX #E4F36B

RGB 228 243 107

HSL 66.62, 0.85%, 0.69%

LAB 92.42, -23.02, 62.61

 

CMYK 56 / 0 / 22 / 5

HEX #6CF3BD

RGB 108 243 189

HSL 156, 0.85%, 0.69%

LAB 87.47, -49.42, 15.02

 

CMYK 50 / 56 / 0 / 5

HEX #7A6CF3

RGB 122 108 243

HSL 246.22, 0.85%, 0.69%

LAB 53.31, 40.02, -66.33

 

CMYK 0 / 56 / 33 / 5

HEX #F36CA2

RGB 243 108 162

HSL 336, 0.85%, 0.69%

LAB 63.66, 57.13, -3.29

 

Description

Color code: HEX #E4F36B | qconv.com Color code: HEX #E4F36B | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 243 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 243 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 56 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 56% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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