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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E5237E it is the complementary color #1ADC81. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E5237E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E5237E shade: #EA2379, #FB358C, #FF479F, #FF59B2 and #FF6BC5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E5237E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E5237E shade: #E5237E, #D4116B, #C30058, #B20045 and #A10032

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E5237E shade: #E5237E, #E5234A and #E52323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E5237E shade: #E5237E, #E523B2, #E323E5, #AF23E5 and #7B23E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E5237E shade matches the following richer shades: #E5237E and #F9107D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E5237E shade: #E5237E, #D1377F, #BD4B81, #A95F82 and #967383

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E5237E shade: #E223E5, #E523B4, #E52381, #E5234D and #E52D23

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E5237E shade: #A31356, #C8176A, #E5237E, #E94894 and #ED6DA9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E5237E shade: #E5237E, #E5AE23 and #23CEE5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E5237E shade: #E5237E, #81E523 and #2381E5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E5237E shade: #E5237E, #E5AE23, #23E587 and #235AE5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E5237E shade: #E5237E, #E2E523, #23E587 and #2723E5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 85 / 45 / 10

HEX #E5237E

RGB 229 35 126

HSL 331.86, 0.79%, 0.52%

LAB 51.11, 74.75, -0.83

 

Complementary color

CMYK 88 / 0 / 41 / 14

HEX #1ADC81

RGB 26 220 129

HSL 151.86, 0.79%, 0.48%

LAB 77.87, -64.25, 32.55

 

CMYK 0 / 85 / 48 / 8

HEX #EA2379

RGB 234 35 121

HSL 334.07, 0.83%, 0.53%

LAB 51.92, 75.52, 3.49

 

CMYK 0 / 79 / 44 / 2

HEX #FB358C

RGB 251 53 140

HSL 333.64, 0.96%, 0.6%

LAB 57.03, 77.2, -0.07

 

CMYK 0 / 72 / 38 / 0

HEX #FF479F

RGB 255 71 159

HSL 331.3, 1%, 0.64%

LAB 60.13, 74.8, -6.57

 

CMYK 0 / 65 / 30 / 0

HEX #FF59B2

RGB 255 89 178

HSL 327.83, 1%, 0.67%

LAB 63.03, 70.52, -13.2

 

CMYK 0 / 58 / 23 / 0

HEX #FF6BC5

RGB 255 107 197

HSL 323.51, 1%, 0.71%

LAB 66.37, 65.55, -18.93

 

CMYK 0 / 85 / 45 / 10

HEX #E5237E

RGB 229 35 126

HSL 331.86, 0.79%, 0.52%

LAB 51.11, 74.75, -0.83

 

CMYK 0 / 92 / 50 / 17

HEX #D4116B

RGB 212 17 107

HSL 332.31, 0.85%, 0.45%

LAB 46.26, 72.1, 3.33

 

CMYK 0 / 100 / 55 / 24

HEX #C30058

RGB 195 0 88

HSL 332.92, 1%, 0.38%

LAB 41.7, 68.49, 8.27

 

CMYK 0 / 100 / 61 / 30

HEX #B20045

RGB 178 0 69

HSL 336.74, 1%, 0.35%

LAB 37.65, 63.3, 14.28

 

CMYK 0 / 100 / 69 / 37

HEX #A10032

RGB 161 0 50

HSL 341.37, 1%, 0.32%

LAB 33.58, 58.13, 20.59

 

CMYK 0 / 85 / 45 / 10

HEX #E5237E

RGB 229 35 126

HSL 331.86, 0.79%, 0.52%

LAB 51.11, 74.75, -0.83

 

CMYK 0 / 85 / 68 / 10

HEX #E5234A

RGB 229 35 74

HSL 347.94, 0.79%, 0.52%

LAB 49.92, 71.31, 29.13

 

CMYK 0 / 85 / 85 / 10

HEX #E52323

RGB 229 35 35

HSL 0, 0.79%, 0.52%

LAB 49.47, 69.98, 50.47

 

CMYK 0 / 85 / 45 / 10

HEX #E5237E

RGB 229 35 126

HSL 331.86, 0.79%, 0.52%

LAB 51.11, 74.75, -0.83

 

CMYK 0 / 85 / 22 / 10

HEX #E523B2

RGB 229 35 178

HSL 315.77, 0.79%, 0.52%

LAB 53.03, 80.09, -28.88

 

CMYK 1 / 85 / 0 / 10

HEX #E323E5

RGB 227 35 229

HSL 299.38, 0.79%, 0.52%

LAB 55.27, 86.57, -54.66

 

CMYK 24 / 85 / 0 / 10

HEX #AF23E5

RGB 175 35 229

HSL 283.3, 0.79%, 0.52%

LAB 46.94, 78.07, -68.51

 

CMYK 46 / 85 / 0 / 10

HEX #7B23E5

RGB 123 35 229

HSL 267.22, 0.79%, 0.52%

LAB 39.7, 71.1, -80.64

 

CMYK 0 / 85 / 45 / 10

HEX #E5237E

RGB 229 35 126

HSL 331.86, 0.79%, 0.52%

LAB 51.11, 74.75, -0.83

 

CMYK 0 / 94 / 50 / 2

HEX #F9107D

RGB 249 16 125

HSL 331.93, 0.95%, 0.52%

LAB 54.02, 81.9, 4.47

 

CMYK 0 / 85 / 45 / 10

HEX #E5237E

RGB 229 35 126

HSL 331.86, 0.79%, 0.52%

LAB 51.11, 74.75, -0.83

 

CMYK 0 / 74 / 39 / 18

HEX #D1377F

RGB 209 55 127

HSL 331.95, 0.63%, 0.52%

LAB 49.28, 64.62, -4.56

 

CMYK 0 / 60 / 32 / 26

HEX #BD4B81

RGB 189 75 129

HSL 331.58, 0.46%, 0.52%

LAB 48.8, 51.23, -6.84

 

CMYK 0 / 44 / 23 / 34

HEX #A95F82

RGB 169 95 130

HSL 331.62, 0.3%, 0.52%

LAB 49.78, 34.62, -6.3

 

CMYK 0 / 23 / 13 / 41

HEX #967383

RGB 150 115 131

HSL 332.57, 0.14%, 0.52%

LAB 52.27, 16.43, -3.45

 

CMYK 1 / 85 / 0 / 10

HEX #E223E5

RGB 226 35 229

HSL 299.07, 0.79%, 0.52%

LAB 55.1, 86.4, -54.93

 

CMYK 0 / 85 / 21 / 10

HEX #E523B4

RGB 229 35 180

HSL 315.15, 0.79%, 0.52%

LAB 53.12, 80.33, -29.91

 

CMYK 0 / 85 / 44 / 10

HEX #E52381

RGB 229 35 129

HSL 330.93, 0.79%, 0.52%

LAB 51.2, 75, -2.51

 

CMYK 0 / 85 / 66 / 10

HEX #E5234D

RGB 229 35 77

HSL 347.01, 0.79%, 0.52%

LAB 49.97, 71.45, 27.38

 

CMYK 0 / 80 / 85 / 10

HEX #E52D23

RGB 229 45 35

HSL 3.09, 0.79%, 0.52%

LAB 50.28, 67.68, 51.16

 

CMYK 0 / 88 / 47 / 36

HEX #A31356

RGB 163 19 86

HSL 332.08, 0.79%, 0.36%

LAB 35.84, 58.37, 0.27

 

CMYK 0 / 89 / 47 / 22

HEX #C8176A

RGB 200 23 106

HSL 331.86, 0.79%, 0.44%

LAB 44.14, 68.37, 0.58

 

CMYK 0 / 85 / 45 / 10

HEX #E5237E

RGB 229 35 126

HSL 331.86, 0.79%, 0.52%

LAB 51.11, 74.75, -0.83

 

CMYK 0 / 69 / 36 / 9

HEX #E94894

RGB 233 72 148

HSL 331.68, 0.79%, 0.6%

LAB 56.18, 67.47, -6.4

 

CMYK 0 / 54 / 29 / 7

HEX #ED6DA9

RGB 237 109 169

HSL 331.88, 0.78%, 0.68%

LAB 63.18, 55.63, -8.1

 

CMYK 0 / 85 / 45 / 10

HEX #E5237E

RGB 229 35 126

HSL 331.86, 0.79%, 0.52%

LAB 51.11, 74.75, -0.83

 

CMYK 0 / 24 / 85 / 10

HEX #E5AE23

RGB 229 174 35

HSL 42.99, 0.79%, 0.52%

LAB 74.22, 8.6, 71.25

 

CMYK 85 / 10 / 0 / 10

HEX #23CEE5

RGB 35 206 229

HSL 187.11, 0.79%, 0.52%

LAB 76.17, -32.49, -22.96

 

CMYK 0 / 85 / 45 / 10

HEX #E5237E

RGB 229 35 126

HSL 331.86, 0.79%, 0.52%

LAB 51.11, 74.75, -0.83

 

CMYK 44 / 0 / 85 / 10

HEX #81E523

RGB 129 229 35

HSL 90.93, 0.79%, 0.52%

LAB 82.29, -57.33, 75.3

 

CMYK 85 / 44 / 0 / 10

HEX #2381E5

RGB 35 129 229

HSL 210.93, 0.79%, 0.52%

LAB 53.72, 9.62, -58.07

 

CMYK 0 / 85 / 45 / 10

HEX #E5237E

RGB 229 35 126

HSL 331.86, 0.79%, 0.52%

LAB 51.11, 74.75, -0.83

 

CMYK 0 / 24 / 85 / 10

HEX #E5AE23

RGB 229 174 35

HSL 42.99, 0.79%, 0.52%

LAB 74.22, 8.6, 71.25

 

CMYK 85 / 0 / 41 / 10

HEX #23E587

RGB 35 229 135

HSL 150.93, 0.79%, 0.52%

LAB 80.82, -65.6, 33.41

 

CMYK 85 / 61 / 0 / 10

HEX #235AE5

RGB 35 90 229

HSL 222.99, 0.79%, 0.52%

LAB 43.25, 34.33, -75.04

 

CMYK 0 / 85 / 45 / 10

HEX #E5237E

RGB 229 35 126

HSL 331.86, 0.79%, 0.52%

LAB 51.11, 74.75, -0.83

 

CMYK 1 / 0 / 85 / 10

HEX #E2E523

RGB 226 229 35

HSL 60.93, 0.79%, 0.52%

LAB 88.13, -20.65, 82.57

 

CMYK 85 / 0 / 41 / 10

HEX #23E587

RGB 35 229 135

HSL 150.93, 0.79%, 0.52%

LAB 80.82, -65.6, 33.41

 

CMYK 83 / 85 / 0 / 10

HEX #2723E5

RGB 39 35 229

HSL 241.24, 0.79%, 0.52%

LAB 32.46, 64.77, -92.85

 

Description

Color code: HEX #E5237E | qconv.com Color code: HEX #E5237E | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 35 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 35 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 85 magenta, 45 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 85% 45% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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