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Color name
HEX #E52A53

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E52A53 it is the complementary color #1AD5AC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E52A53. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E52A53 shade: #EA2A4E, #FB3C61, #FF4E74, #FF6087 and #FF729A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E52A53. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E52A53 shade: #E52A53, #D41840, #C3062D, #B2001A and #A10007

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E52A53 shade: #E42952 and #E42929

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E52A53 shade: #E42952, #E42985, #E429B7, #DF29E4 and #AC29E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E52A53 shade matches the following richer shades: #E42952 and #F81647

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E52A53 shade: #E42952, #D13D5D, #BD5068, #AA6373 and #97777E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E52A53 shade: #E429B9, #E42987, #E42955, #E42F29 and #E46129

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E52A53 shade: #A71434, #CB1940, #E42952, #E94E70 and #ED738D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E52A53 shade: #E52A53, #E4DE29 and #29A0E4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E52A53 shade: #E52A53, #55E429 and #2955E4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E52A53 shade: #E52A53, #E4DE29, #29E4B9 and #292FE4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E52A53 shade: #E52A53, #B2E429, #29E4B9 and #5B29E4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 64 / 10

HEX #E52A53

RGB 229 42 83

HSL 346.84, 0.78%, 0.53%

LAB 50.62, 70.23, 24.59

 

Complementary color

CMYK 88 / 0 / 19 / 16

HEX #1AD5AC

RGB 26 213 172

HSL 166.84, 0.78%, 0.47%

LAB 76.55, -52.3, 8.24

 

CMYK 0 / 82 / 67 / 8

HEX #EA2A4E

RGB 234 42 78

HSL 348.75, 0.82%, 0.54%

LAB 51.49, 71.29, 28.91

 

CMYK 0 / 76 / 61 / 2

HEX #FB3C61

RGB 251 60 97

HSL 348.38, 0.96%, 0.61%

LAB 56.69, 72.18, 24.95

 

CMYK 0 / 69 / 55 / 0

HEX #FF4E74

RGB 255 78 116

HSL 347.12, 1%, 0.65%

LAB 59.86, 68.73, 18.18

 

CMYK 0 / 62 / 47 / 0

HEX #FF6087

RGB 255 96 135

HSL 345.28, 1%, 0.69%

LAB 62.82, 63.32, 11.26

 

CMYK 0 / 55 / 40 / 0

HEX #FF729A

RGB 255 114 154

HSL 342.98, 1%, 0.72%

LAB 66.23, 57.32, 5.24

 

CMYK 0 / 82 / 64 / 10

HEX #E52A53

RGB 229 42 83

HSL 346.84, 0.78%, 0.53%

LAB 50.62, 70.23, 24.59

 

CMYK 0 / 89 / 70 / 17

HEX #D41840

RGB 212 24 64

HSL 347.23, 0.8%, 0.46%

LAB 45.66, 68.5, 29.15

 

CMYK 0 / 97 / 77 / 24

HEX #C3062D

RGB 195 6 45

HSL 347.62, 0.94%, 0.39%

LAB 41.09, 65.69, 34.43

 

CMYK 0 / 100 / 85 / 30

HEX #B2001A

RGB 178 0 26

HSL 351.24, 1%, 0.35%

LAB 37, 61.55, 40.05

 

CMYK 0 / 100 / 96 / 37

HEX #A10007

RGB 161 0 7

HSL 357.39, 1%, 0.32%

LAB 33.12, 56.89, 44.37

 

CMYK 0 / 82 / 64 / 11

HEX #E42952

RGB 228 41 82

HSL 346.84, 0.78%, 0.53%

LAB 50.32, 70.15, 24.77

 

CMYK 0 / 82 / 82 / 11

HEX #E42929

RGB 228 41 41

HSL 0, 0.78%, 0.53%

LAB 49.79, 68.53, 47.67

 

CMYK 0 / 82 / 64 / 11

HEX #E42952

RGB 228 41 82

HSL 346.84, 0.78%, 0.53%

LAB 50.32, 70.15, 24.77

 

CMYK 0 / 82 / 42 / 11

HEX #E42985

RGB 228 41 133

HSL 330.48, 0.78%, 0.53%

LAB 51.58, 73.86, -4.39

 

CMYK 0 / 82 / 20 / 11

HEX #E429B7

RGB 228 41 183

HSL 314.44, 0.78%, 0.53%

LAB 53.49, 79.29, -31.09

 

CMYK 2 / 82 / 0 / 11

HEX #DF29E4

RGB 223 41 228

HSL 298.4, 0.78%, 0.53%

LAB 54.94, 84.56, -54.65

 

CMYK 25 / 82 / 0 / 11

HEX #AC29E4

RGB 172 41 228

HSL 282.03, 0.78%, 0.53%

LAB 46.92, 75.94, -67.99

 

CMYK 0 / 82 / 64 / 11

HEX #E42952

RGB 228 41 82

HSL 346.84, 0.78%, 0.53%

LAB 50.32, 70.15, 24.77

 

CMYK 0 / 91 / 71 / 3

HEX #F81647

RGB 248 22 71

HSL 346.99, 0.94%, 0.53%

LAB 52.93, 77.99, 35.45

 

CMYK 0 / 82 / 64 / 11

HEX #E42952

RGB 228 41 82

HSL 346.84, 0.78%, 0.53%

LAB 50.32, 70.15, 24.77

 

CMYK 0 / 71 / 56 / 18

HEX #D13D5D

RGB 209 61 93

HSL 347.03, 0.62%, 0.53%

LAB 49.11, 59.56, 15.86

 

CMYK 0 / 58 / 45 / 26

HEX #BD5068

RGB 189 80 104

HSL 346.79, 0.45%, 0.53%

LAB 48.95, 46.07, 8.47

 

CMYK 0 / 42 / 32 / 33

HEX #AA6373

RGB 170 99 115

HSL 346.48, 0.29%, 0.53%

LAB 50.34, 30.65, 3.5

 

CMYK 0 / 21 / 17 / 41

HEX #97777E

RGB 151 119 126

HSL 346.88, 0.13%, 0.53%

LAB 53.25, 13.63, 0.94

 

CMYK 0 / 82 / 19 / 11

HEX #E429B9

RGB 228 41 185

HSL 313.8, 0.78%, 0.53%

LAB 53.58, 79.54, -32.11

 

CMYK 0 / 82 / 41 / 11

HEX #E42987

RGB 228 41 135

HSL 329.84, 0.78%, 0.53%

LAB 51.64, 74.04, -5.5

 

CMYK 0 / 82 / 63 / 11

HEX #E42955

RGB 228 41 85

HSL 345.88, 0.78%, 0.53%

LAB 50.38, 70.31, 23.03

 

CMYK 0 / 79 / 82 / 11

HEX #E42F29

RGB 228 47 41

HSL 1.93, 0.78%, 0.53%

LAB 50.32, 67.02, 48.17

 

CMYK 0 / 57 / 82 / 11

HEX #E46129

RGB 228 97 41

HSL 17.97, 0.78%, 0.53%

LAB 57.27, 48.16, 54.57

 

CMYK 0 / 88 / 69 / 35

HEX #A71434

RGB 167 20 52

HSL 346.94, 0.79%, 0.37%

LAB 35.91, 56.87, 22.51

 

CMYK 0 / 88 / 68 / 20

HEX #CB1940

RGB 203 25 64

HSL 346.85, 0.78%, 0.45%

LAB 43.89, 66.02, 26.56

 

CMYK 0 / 82 / 64 / 11

HEX #E42952

RGB 228 41 82

HSL 346.84, 0.78%, 0.53%

LAB 50.32, 70.15, 24.77

 

CMYK 0 / 67 / 52 / 9

HEX #E94E70

RGB 233 78 112

HSL 346.84, 0.78%, 0.61%

LAB 56.03, 61.87, 14.66

 

CMYK 0 / 51 / 41 / 7

HEX #ED738D

RGB 237 115 141

HSL 347.21, 0.77%, 0.69%

LAB 63.5, 49.51, 8.39

 

CMYK 0 / 82 / 64 / 10

HEX #E52A53

RGB 229 42 83

HSL 346.84, 0.78%, 0.53%

LAB 50.62, 70.23, 24.59

 

CMYK 0 / 3 / 82 / 11

HEX #E4DE29

RGB 228 222 41

HSL 58.07, 0.78%, 0.53%

LAB 86.45, -16.25, 79.93

 

CMYK 82 / 30 / 0 / 11

HEX #29A0E4

RGB 41 160 228

HSL 201.82, 0.78%, 0.53%

LAB 62.69, -8.52, -43.27

 

CMYK 0 / 82 / 64 / 10

HEX #E52A53

RGB 229 42 83

HSL 346.84, 0.78%, 0.53%

LAB 50.62, 70.23, 24.59

 

CMYK 63 / 0 / 82 / 11

HEX #55E429

RGB 85 228 41

HSL 105.88, 0.78%, 0.53%

LAB 80.5, -68.53, 71.76

 

CMYK 82 / 63 / 0 / 11

HEX #2955E4

RGB 41 85 228

HSL 225.88, 0.78%, 0.53%

LAB 42.11, 37.55, -76.34

 

CMYK 0 / 82 / 64 / 10

HEX #E52A53

RGB 229 42 83

HSL 346.84, 0.78%, 0.53%

LAB 50.62, 70.23, 24.59

 

CMYK 0 / 3 / 82 / 11

HEX #E4DE29

RGB 228 222 41

HSL 58.07, 0.78%, 0.53%

LAB 86.45, -16.25, 79.93

 

CMYK 82 / 0 / 19 / 11

HEX #29E4B9

RGB 41 228 185

HSL 166.2, 0.78%, 0.53%

LAB 81.54, -54.01, 8.51

 

CMYK 82 / 79 / 0 / 11

HEX #292FE4

RGB 41 47 228

HSL 238.07, 0.78%, 0.53%

LAB 34.2, 59.31, -89.38

 

CMYK 0 / 82 / 64 / 10

HEX #E52A53

RGB 229 42 83

HSL 346.84, 0.78%, 0.53%

LAB 50.62, 70.23, 24.59

 

CMYK 22 / 0 / 82 / 11

HEX #B2E429

RGB 178 228 41

HSL 76.04, 0.78%, 0.53%

LAB 84.54, -39.38, 76.89

 

CMYK 82 / 0 / 19 / 11

HEX #29E4B9

RGB 41 228 185

HSL 166.2, 0.78%, 0.53%

LAB 81.54, -54.01, 8.51

 

CMYK 60 / 82 / 0 / 11

HEX #5B29E4

RGB 91 41 228

HSL 256.04, 0.78%, 0.53%

LAB 36.76, 65.49, -85.03

 

Description

Color code: HEX #E52A53 | qconv.com Color code: HEX #E52A53 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 42 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 42 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 64 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 64% 10% C M Y K

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Provide designers and agencies with accurate color values.

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