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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E53286 it is the complementary color #1ACD79. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E53286. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E53286 shade: #EA3281, #FB4494, #FF56A7, #FF68BA and #FF7ACD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E53286. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E53286 shade: #E53286, #D42073, #C30E60, #B2004D and #A1003A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E53286 shade: #E43386, #E43357 and #E43333

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E53286 shade: #E43386, #E433B6, #E333E4, #B333E4 and #8333E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E53286 shade matches the following richer shades: #E43386 and #F72185

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E53286 shade: #E43386, #D24687, #BF5989, #AC6B8A and #9A7E8B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E53286 shade: #E133E4, #E433B8, #E43389, #E4335A and #E43C33

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E53286 shade: #AF165E, #D31B71, #E43386, #E9589C and #EE7CB2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E53286 shade: #E53286, #E4B233 and #33CFE4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E53286 shade: #E53286, #89E433 and #3389E4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E53286 shade: #E53286, #E4B233, #33E48F and #3365E4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E53286 shade: #E53286, #E1E433, #33E48F and #3633E4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 41 / 10

HEX #E53286

RGB 229 50 134

HSL 331.84, 0.77%, 0.55%

LAB 52.58, 71.97, -3.5

 

Complementary color

CMYK 87 / 0 / 41 / 20

HEX #1ACD79

RGB 26 205 121

HSL 151.84, 0.77%, 0.45%

LAB 73.06, -60.54, 30.33

 

CMYK 0 / 79 / 45 / 8

HEX #EA3281

RGB 234 50 129

HSL 334.24, 0.81%, 0.56%

LAB 53.34, 72.78, 0.73

 

CMYK 0 / 73 / 41 / 2

HEX #FB4494

RGB 251 68 148

HSL 333.77, 0.96%, 0.63%

LAB 58.77, 73.65, -2.23

 

CMYK 0 / 66 / 35 / 0

HEX #FF56A7

RGB 255 86 167

HSL 331.24, 1%, 0.67%

LAB 62.26, 70.42, -8.04

 

CMYK 0 / 59 / 27 / 0

HEX #FF68BA

RGB 255 104 186

HSL 327.42, 1%, 0.7%

LAB 65.52, 65.42, -14.01

 

CMYK 0 / 52 / 20 / 0

HEX #FF7ACD

RGB 255 122 205

HSL 322.56, 1%, 0.74%

LAB 69.17, 59.92, -19.17

 

CMYK 0 / 78 / 41 / 10

HEX #E53286

RGB 229 50 134

HSL 331.84, 0.77%, 0.55%

LAB 52.58, 71.97, -3.5

 

CMYK 0 / 85 / 46 / 17

HEX #D42073

RGB 212 32 115

HSL 332.33, 0.74%, 0.48%

LAB 47.32, 70.34, -0.05

 

CMYK 0 / 93 / 51 / 24

HEX #C30E60

RGB 195 14 96

HSL 332.82, 0.87%, 0.41%

LAB 42.4, 67.66, 4.21

 

CMYK 0 / 100 / 57 / 30

HEX #B2004D

RGB 178 0 77

HSL 334.04, 1%, 0.35%

LAB 37.84, 63.81, 9.37

 

CMYK 0 / 100 / 64 / 37

HEX #A1003A

RGB 161 0 58

HSL 338.39, 1%, 0.32%

LAB 33.74, 58.56, 15.55

 

CMYK 0 / 78 / 41 / 11

HEX #E43386

RGB 228 51 134

HSL 331.86, 0.77%, 0.55%

LAB 52.49, 71.45, -3.65

 

CMYK 0 / 78 / 62 / 11

HEX #E43357

RGB 228 51 87

HSL 347.8, 0.77%, 0.55%

LAB 51.32, 67.85, 23.07

 

CMYK 0 / 78 / 78 / 11

HEX #E43333

RGB 228 51 51

HSL 0, 0.77%, 0.55%

LAB 50.8, 66.2, 43.38

 

CMYK 0 / 78 / 41 / 11

HEX #E43386

RGB 228 51 134

HSL 331.86, 0.77%, 0.55%

LAB 52.49, 71.45, -3.65

 

CMYK 0 / 78 / 20 / 11

HEX #E433B6

RGB 228 51 182

HSL 315.59, 0.77%, 0.55%

LAB 54.28, 76.76, -29.28

 

CMYK 0 / 78 / 0 / 11

HEX #E333E4

RGB 227 51 228

HSL 299.66, 0.77%, 0.55%

LAB 56.39, 83, -52.31

 

CMYK 21 / 78 / 0 / 11

HEX #B333E4

RGB 179 51 228

HSL 283.39, 0.77%, 0.55%

LAB 48.95, 74.21, -64.65

 

CMYK 43 / 78 / 0 / 11

HEX #8333E4

RGB 131 51 228

HSL 267.12, 0.77%, 0.55%

LAB 42.45, 66.47, -75.52

 

CMYK 0 / 78 / 41 / 11

HEX #E43386

RGB 228 51 134

HSL 331.86, 0.77%, 0.55%

LAB 52.49, 71.45, -3.65

 

CMYK 0 / 87 / 46 / 3

HEX #F72185

RGB 247 33 133

HSL 331.96, 0.93%, 0.55%

LAB 54.61, 79.88, 0.48

 

CMYK 0 / 78 / 41 / 11

HEX #E43386

RGB 228 51 134

HSL 331.86, 0.77%, 0.55%

LAB 52.49, 71.45, -3.65

 

CMYK 0 / 67 / 36 / 18

HEX #D24687

RGB 210 70 135

HSL 332.14, 0.61%, 0.55%

LAB 51.65, 60.35, -5.84

 

CMYK 0 / 53 / 28 / 25

HEX #BF5989

RGB 191 89 137

HSL 331.76, 0.44%, 0.55%

LAB 51.87, 46.28, -7.02

 

CMYK 0 / 38 / 20 / 33

HEX #AC6B8A

RGB 172 107 138

HSL 331.38, 0.28%, 0.55%

LAB 53.08, 30.34, -6.09

 

CMYK 0 / 18 / 10 / 40

HEX #9A7E8B

RGB 154 126 139

HSL 332.14, 0.12%, 0.55%

LAB 55.74, 13.03, -2.96

 

CMYK 1 / 78 / 0 / 11

HEX #E133E4

RGB 225 51 228

HSL 298.98, 0.77%, 0.55%

LAB 56.06, 82.62, -52.84

 

CMYK 0 / 78 / 19 / 11

HEX #E433B8

RGB 228 51 184

HSL 314.92, 0.77%, 0.55%

LAB 54.37, 77.02, -30.31

 

CMYK 0 / 78 / 40 / 11

HEX #E43389

RGB 228 51 137

HSL 330.85, 0.77%, 0.55%

LAB 52.58, 71.73, -5.3

 

CMYK 0 / 78 / 61 / 11

HEX #E4335A

RGB 228 51 90

HSL 346.78, 0.77%, 0.55%

LAB 51.38, 68.03, 21.34

 

CMYK 0 / 74 / 78 / 11

HEX #E43C33

RGB 228 60 51

HSL 3.05, 0.77%, 0.55%

LAB 51.8, 63.43, 44.41

 

CMYK 0 / 87 / 46 / 31

HEX #AF165E

RGB 175 22 94

HSL 331.76, 0.78%, 0.39%

LAB 38.72, 61.47, -0.37

 

CMYK 0 / 87 / 46 / 17

HEX #D31B71

RGB 211 27 113

HSL 331.96, 0.77%, 0.47%

LAB 46.74, 70.88, 0.31

 

CMYK 0 / 78 / 41 / 11

HEX #E43386

RGB 228 51 134

HSL 331.86, 0.77%, 0.55%

LAB 52.49, 71.45, -3.65

 

CMYK 0 / 62 / 33 / 9

HEX #E9589C

RGB 233 88 156

HSL 331.86, 0.77%, 0.63%

LAB 58.7, 62.14, -7.34

 

CMYK 0 / 48 / 25 / 7

HEX #EE7CB2

RGB 238 124 178

HSL 331.58, 0.77%, 0.71%

LAB 66.37, 49.93, -8.45

 

CMYK 0 / 78 / 41 / 10

HEX #E53286

RGB 229 50 134

HSL 331.84, 0.77%, 0.55%

LAB 52.58, 71.97, -3.5

 

CMYK 0 / 22 / 78 / 11

HEX #E4B233

RGB 228 178 51

HSL 43.05, 0.77%, 0.55%

LAB 75.19, 6.54, 67.13

 

CMYK 78 / 9 / 0 / 11

HEX #33CFE4

RGB 51 207 228

HSL 187.12, 0.77%, 0.55%

LAB 76.64, -31.99, -21.68

 

CMYK 0 / 78 / 41 / 10

HEX #E53286

RGB 229 50 134

HSL 331.84, 0.77%, 0.55%

LAB 52.58, 71.97, -3.5

 

CMYK 40 / 0 / 78 / 11

HEX #89E433

RGB 137 228 51

HSL 90.85, 0.77%, 0.55%

LAB 82.4, -53.69, 71.49

 

CMYK 78 / 40 / 0 / 11

HEX #3389E4

RGB 51 137 228

HSL 210.85, 0.77%, 0.55%

LAB 56.28, 5.83, -53.39

 

CMYK 0 / 78 / 41 / 10

HEX #E53286

RGB 229 50 134

HSL 331.84, 0.77%, 0.55%

LAB 52.58, 71.97, -3.5

 

CMYK 0 / 22 / 78 / 11

HEX #E4B233

RGB 228 178 51

HSL 43.05, 0.77%, 0.55%

LAB 75.19, 6.54, 67.13

 

CMYK 78 / 0 / 37 / 11

HEX #33E48F

RGB 51 228 143

HSL 151.19, 0.77%, 0.55%

LAB 80.84, -62.23, 29.41

 

CMYK 78 / 56 / 0 / 11

HEX #3365E4

RGB 51 101 228

HSL 223.05, 0.77%, 0.55%

LAB 46.46, 28.27, -69.22

 

CMYK 0 / 78 / 41 / 10

HEX #E53286

RGB 229 50 134

HSL 331.84, 0.77%, 0.55%

LAB 52.58, 71.97, -3.5

 

CMYK 1 / 0 / 78 / 11

HEX #E1E433

RGB 225 228 51

HSL 61.02, 0.77%, 0.55%

LAB 87.84, -20.12, 78.46

 

CMYK 78 / 0 / 37 / 11

HEX #33E48F

RGB 51 228 143

HSL 151.19, 0.77%, 0.55%

LAB 80.84, -62.23, 29.41

 

CMYK 76 / 78 / 0 / 11

HEX #3633E4

RGB 54 51 228

HSL 241.02, 0.77%, 0.55%

LAB 35.51, 58.09, -87.2

 

Description

Color code: HEX #E53286 | qconv.com Color code: HEX #E53286 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 50 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 50 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 41 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 41% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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