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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E53DD2 it is the complementary color #1AC22D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E53DD2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E53DD2 shade: #EA3DCD, #FB4FE0, #FF61F3, #FF73FF and #FF85FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E53DD2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E53DD2 shade: #E53DD2, #D42BBF, #C319AC, #B20799 and #A10086

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E53DD2 shade: #E43ED1, #E43EA4, #E43E77, #E43E4A and #E43E3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E53DD2 shade: #E43ED1, #CA3EE4, #9D3EE4, #703EE4 and #433EE4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E53DD2 shade matches the following richer shades: #E43ED1 and #F62CDF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E53DD2 shade: #E43ED1, #D24FC4, #C161B6, #AF73A8 and #9D849A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E53DD2 shade: #9C3EE4, #C83EE4, #E43ED4, #E43EA7 and #E43E7B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E53DD2 shade: #B718A5, #DB1DC6, #E43ED1, #E962DA and #EE86E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E53DD2 shade: #E53DD2, #E4703E and #3EE4B2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E53DD2 shade: #E53DD2, #D4E43E and #3ED4E4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E53DD2 shade: #E53DD2, #E4703E, #3EE44E and #3EB2E4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E53DD2 shade: #E53DD2, #E4A23E, #3EE44E and #3E80E4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 8 / 10

HEX #E53DD2

RGB 229 61 210

HSL 306.79, 0.76%, 0.57%

LAB 56.73, 77.97, -41.55

 

Complementary color

CMYK 87 / 0 / 77 / 24

HEX #1AC22D

RGB 26 194 45

HSL 126.79, 0.76%, 0.43%

LAB 68.75, -66.94, 59.17

 

CMYK 0 / 74 / 12 / 8

HEX #EA3DCD

RGB 234 61 205

HSL 310.06, 0.8%, 0.58%

LAB 57.31, 78.34, -37.73

 

CMYK 0 / 69 / 11 / 2

HEX #FB4FE0

RGB 251 79 224

HSL 309.42, 0.96%, 0.65%

LAB 62.91, 79.11, -39.5

 

CMYK 0 / 62 / 5 / 0

HEX #FF61F3

RGB 255 97 243

HSL 304.56, 1%, 0.69%

LAB 66.73, 76.3, -44.04

 

CMYK 0 / 55 / 0 / 0

HEX #FF73FF

RGB 255 115 255

HSL 300, 1%, 0.73%

LAB 69.99, 70.8, -45.51

 

CMYK 0 / 48 / 0 / 0

HEX #FF85FF

RGB 255 133 255

HSL 300, 1%, 0.76%

LAB 73.06, 62.61, -40.71

 

CMYK 0 / 73 / 8 / 10

HEX #E53DD2

RGB 229 61 210

HSL 306.79, 0.76%, 0.57%

LAB 56.73, 77.97, -41.55

 

CMYK 0 / 80 / 10 / 17

HEX #D42BBF

RGB 212 43 191

HSL 307.46, 0.66%, 0.5%

LAB 51.25, 76.58, -39.45

 

CMYK 0 / 87 / 12 / 24

HEX #C319AC

RGB 195 25 172

HSL 308.12, 0.77%, 0.43%

LAB 46.01, 74.28, -36.78

 

CMYK 0 / 96 / 14 / 30

HEX #B20799

RGB 178 7 153

HSL 308.77, 0.92%, 0.36%

LAB 41.08, 70.79, -33.38

 

CMYK 0 / 100 / 17 / 37

HEX #A10086

RGB 161 0 134

HSL 310.06, 1%, 0.32%

LAB 36.55, 65.84, -29.1

 

CMYK 0 / 73 / 8 / 11

HEX #E43ED1

RGB 228 62 209

HSL 306.87, 0.75%, 0.57%

LAB 56.63, 77.3, -41.15

 

CMYK 0 / 73 / 28 / 11

HEX #E43EA4

RGB 228 62 164

HSL 323.13, 0.75%, 0.57%

LAB 54.68, 71.35, -18.15

 

CMYK 0 / 73 / 48 / 11

HEX #E43E77

RGB 228 62 119

HSL 339.4, 0.75%, 0.57%

LAB 53.24, 66.77, 6.45

 

CMYK 0 / 73 / 68 / 11

HEX #E43E4A

RGB 228 62 74

HSL 355.66, 0.75%, 0.57%

LAB 52.32, 63.72, 32.05

 

CMYK 0 / 73 / 73 / 11

HEX #E43E3E

RGB 228 62 62

HSL 0, 0.75%, 0.57%

LAB 52.16, 63.17, 38.75

 

CMYK 0 / 73 / 8 / 11

HEX #E43ED1

RGB 228 62 209

HSL 306.87, 0.75%, 0.57%

LAB 56.63, 77.3, -41.15

 

CMYK 11 / 73 / 0 / 11

HEX #CA3EE4

RGB 202 62 228

HSL 290.6, 0.75%, 0.57%

LAB 53.6, 74.94, -56.98

 

CMYK 31 / 73 / 0 / 11

HEX #9D3EE4

RGB 157 62 228

HSL 274.34, 0.75%, 0.57%

LAB 47.26, 66.38, -67.54

 

CMYK 51 / 73 / 0 / 11

HEX #703EE4

RGB 112 62 228

HSL 258.07, 0.75%, 0.57%

LAB 41.99, 58.94, -76.36

 

CMYK 71 / 73 / 0 / 11

HEX #433EE4

RGB 67 62 228

HSL 241.81, 0.75%, 0.57%

LAB 38.27, 53.43, -82.61

 

CMYK 0 / 73 / 8 / 11

HEX #E43ED1

RGB 228 62 209

HSL 306.87, 0.75%, 0.57%

LAB 56.63, 77.3, -41.15

 

CMYK 0 / 82 / 9 / 4

HEX #F62CDF

RGB 246 44 223

HSL 306.83, 0.92%, 0.57%

LAB 58.72, 87.48, -45.6

 

CMYK 0 / 73 / 8 / 11

HEX #E43ED1

RGB 228 62 209

HSL 306.87, 0.75%, 0.57%

LAB 56.63, 77.3, -41.15

 

CMYK 0 / 62 / 7 / 18

HEX #D24FC4

RGB 210 79 196

HSL 306.41, 0.59%, 0.57%

LAB 55.36, 65.04, -35.9

 

CMYK 0 / 50 / 6 / 24

HEX #C161B6

RGB 193 97 182

HSL 306.88, 0.44%, 0.57%

LAB 55.34, 49.88, -28.06

 

CMYK 0 / 34 / 4 / 31

HEX #AF73A8

RGB 175 115 168

HSL 307, 0.27%, 0.57%

LAB 56.29, 32.13, -18.71

 

CMYK 0 / 16 / 2 / 38

HEX #9D849A

RGB 157 132 154

HSL 307.2, 0.11%, 0.57%

LAB 58.04, 13.51, -8.18

 

CMYK 32 / 73 / 0 / 11

HEX #9C3EE4

RGB 156 62 228

HSL 273.98, 0.75%, 0.57%

LAB 47.12, 66.2, -67.76

 

CMYK 12 / 73 / 0 / 11

HEX #C83EE4

RGB 200 62 228

HSL 289.88, 0.75%, 0.57%

LAB 53.3, 74.54, -57.48

 

CMYK 0 / 73 / 7 / 11

HEX #E43ED4

RGB 228 62 212

HSL 305.78, 0.75%, 0.57%

LAB 56.77, 77.74, -42.63

 

CMYK 0 / 73 / 27 / 11

HEX #E43EA7

RGB 228 62 167

HSL 322.05, 0.75%, 0.57%

LAB 54.79, 71.71, -19.74

 

CMYK 0 / 73 / 46 / 11

HEX #E43E7B

RGB 228 62 123

HSL 337.95, 0.75%, 0.57%

LAB 53.35, 67.11, 4.21

 

CMYK 0 / 87 / 10 / 28

HEX #B718A5

RGB 183 24 165

HSL 306.79, 0.77%, 0.41%

LAB 43.41, 71.15, -36.86

 

CMYK 0 / 87 / 10 / 14

HEX #DB1DC6

RGB 219 29 198

HSL 306.63, 0.77%, 0.49%

LAB 51.86, 81.73, -42.47

 

CMYK 0 / 73 / 8 / 11

HEX #E43ED1

RGB 228 62 209

HSL 306.87, 0.75%, 0.57%

LAB 56.63, 77.3, -41.15

 

CMYK 0 / 58 / 6 / 9

HEX #E962DA

RGB 233 98 218

HSL 306.67, 0.75%, 0.65%

LAB 62.61, 66.47, -36.81

 

CMYK 0 / 44 / 5 / 7

HEX #EE86E2

RGB 238 134 226

HSL 306.92, 0.75%, 0.73%

LAB 69.98, 52.31, -29.78

 

CMYK 0 / 73 / 8 / 10

HEX #E53DD2

RGB 229 61 210

HSL 306.79, 0.76%, 0.57%

LAB 56.73, 77.97, -41.55

 

CMYK 0 / 51 / 73 / 11

HEX #E4703E

RGB 228 112 62

HSL 18.07, 0.75%, 0.57%

LAB 60.28, 41.69, 47.72

 

CMYK 73 / 0 / 22 / 11

HEX #3EE4B2

RGB 62 228 178

HSL 161.93, 0.75%, 0.57%

LAB 81.69, -53.49, 12.44

 

CMYK 0 / 73 / 8 / 10

HEX #E53DD2

RGB 229 61 210

HSL 306.79, 0.76%, 0.57%

LAB 56.73, 77.97, -41.55

 

CMYK 7 / 0 / 73 / 11

HEX #D4E43E

RGB 212 228 62

HSL 65.78, 0.75%, 0.57%

LAB 86.91, -25.02, 73.92

 

CMYK 73 / 7 / 0 / 11

HEX #3ED4E4

RGB 62 212 228

HSL 185.78, 0.75%, 0.57%

LAB 78.29, -33.21, -19.15

 

CMYK 0 / 73 / 8 / 10

HEX #E53DD2

RGB 229 61 210

HSL 306.79, 0.76%, 0.57%

LAB 56.73, 77.97, -41.55

 

CMYK 0 / 51 / 73 / 11

HEX #E4703E

RGB 228 112 62

HSL 18.07, 0.75%, 0.57%

LAB 60.28, 41.69, 47.72

 

CMYK 73 / 0 / 66 / 11

HEX #3EE44E

RGB 62 228 78

HSL 125.78, 0.75%, 0.57%

LAB 80.21, -70.15, 59.08

 

CMYK 73 / 22 / 0 / 11

HEX #3EB2E4

RGB 62 178 228

HSL 198.07, 0.75%, 0.57%

LAB 68.36, -16.12, -34.37

 

CMYK 0 / 73 / 8 / 10

HEX #E53DD2

RGB 229 61 210

HSL 306.79, 0.76%, 0.57%

LAB 56.73, 77.97, -41.55

 

CMYK 0 / 29 / 73 / 11

HEX #E4A23E

RGB 228 162 62

HSL 36.14, 0.75%, 0.57%

LAB 71.34, 15.49, 59.21

 

CMYK 73 / 0 / 66 / 11

HEX #3EE44E

RGB 62 228 78

HSL 125.78, 0.75%, 0.57%

LAB 80.21, -70.15, 59.08

 

CMYK 73 / 44 / 0 / 11

HEX #3E80E4

RGB 62 128 228

HSL 216.14, 0.75%, 0.57%

LAB 54.09, 12.62, -56.88

 

Description

Color code: HEX #E53DD2 | qconv.com Color code: HEX #E53DD2 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 61 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 61 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 8 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 8% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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