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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E54CB1 it is the complementary color #1AB34E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E54CB1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E54CB1 shade: #EA4CAC, #FB5EBF, #FF70D2, #FF82E5 and #FF94F8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E54CB1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E54CB1 shade: #E54CB1, #D43A9E, #C3288B, #B21678 and #A10465

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E54CB1 shade: #E54CB1, #E54C88, #E54C5E and #E54C4C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E54CB1 shade: #E54CB1, #E54CDA, #C64CE5, #9D4CE5 and #744CE5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E54CB1 shade matches the following richer shades: #E54CB1 and #F63BB6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E54CB1 shade: #E54CB1, #D45DAC, #C46DA6, #B37EA1 and #A38E9C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E54CB1 shade: #C64CE5, #E54CDB, #E54CB2, #E54C89 and #E54C60

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E54CB1 shade: #C31B8A, #E028A1, #E54CB1, #EA70C1 and #EF94D0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E54CB1 shade: #E54CB1, #E59E4C and #4CE5DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E54CB1 shade: #E54CB1, #B2E54C and #4CB2E5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E54CB1 shade: #E54CB1, #E59E4C, #4CE57F and #4C93E5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E54CB1 shade: #E54CB1, #E5CC4C, #4CE57F and #4C65E5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 23 / 10

HEX #E54CB1

RGB 229 76 177

HSL 320.39, 0.75%, 0.6%

LAB 57.08, 68.35, -22.05

 

Complementary color

CMYK 85 / 0 / 56 / 30

HEX #1AB34E

RGB 26 179 78

HSL 140.39, 0.75%, 0.4%

LAB 64.17, -58.84, 40.67

 

CMYK 0 / 68 / 26 / 8

HEX #EA4CAC

RGB 234 76 172

HSL 323.54, 0.79%, 0.61%

LAB 57.69, 69.03, -18.14

 

CMYK 0 / 63 / 24 / 2

HEX #FB5EBF

RGB 251 94 191

HSL 322.93, 0.95%, 0.68%

LAB 63.57, 69.06, -19.86

 

CMYK 0 / 56 / 18 / 0

HEX #FF70D2

RGB 255 112 210

HSL 318.88, 1%, 0.72%

LAB 67.65, 65.15, -24.28

 

CMYK 0 / 49 / 10 / 0

HEX #FF82E5

RGB 255 130 229

HSL 312.48, 1%, 0.75%

LAB 71.48, 59.74, -28.95

 

CMYK 0 / 42 / 3 / 0

HEX #FF94F8

RGB 255 148 248

HSL 303.93, 1%, 0.79%

LAB 75.59, 54.11, -32.99

 

CMYK 0 / 67 / 23 / 10

HEX #E54CB1

RGB 229 76 177

HSL 320.39, 0.75%, 0.6%

LAB 57.08, 68.35, -22.05

 

CMYK 0 / 73 / 25 / 17

HEX #D43A9E

RGB 212 58 158

HSL 321.04, 0.64%, 0.53%

LAB 51.26, 67.92, -20.09

 

CMYK 0 / 79 / 29 / 24

HEX #C3288B

RGB 195 40 139

HSL 321.68, 0.66%, 0.46%

LAB 45.61, 66.83, -17.61

 

CMYK 0 / 88 / 33 / 30

HEX #B21678

RGB 178 22 120

HSL 322.31, 0.78%, 0.39%

LAB 40.24, 64.76, -14.42

 

CMYK 0 / 98 / 37 / 37

HEX #A10465

RGB 161 4 101

HSL 322.93, 0.95%, 0.32%

LAB 35.21, 61.48, -10.37

 

CMYK 0 / 67 / 23 / 10

HEX #E54CB1

RGB 229 76 177

HSL 320.39, 0.75%, 0.6%

LAB 57.08, 68.35, -22.05

 

CMYK 0 / 67 / 41 / 10

HEX #E54C88

RGB 229 76 136

HSL 336.47, 0.75%, 0.6%

LAB 55.69, 63.62, -0.12

 

CMYK 0 / 67 / 59 / 10

HEX #E54C5E

RGB 229 76 94

HSL 352.94, 0.75%, 0.6%

LAB 54.69, 60.1, 23.37

 

CMYK 0 / 67 / 67 / 10

HEX #E54C4C

RGB 229 76 76

HSL 0, 0.75%, 0.6%

LAB 54.4, 59.01, 33.47

 

CMYK 0 / 67 / 23 / 10

HEX #E54CB1

RGB 229 76 177

HSL 320.39, 0.75%, 0.6%

LAB 57.08, 68.35, -22.05

 

CMYK 0 / 67 / 5 / 10

HEX #E54CDA

RGB 229 76 218

HSL 304.31, 0.75%, 0.6%

LAB 58.87, 74.21, -42.71

 

CMYK 14 / 67 / 0 / 10

HEX #C64CE5

RGB 198 76 229

HSL 287.84, 0.75%, 0.6%

LAB 54.9, 69.15, -55.5

 

CMYK 31 / 67 / 0 / 10

HEX #9D4CE5

RGB 157 76 229

HSL 271.76, 0.75%, 0.6%

LAB 49.49, 60.53, -64.49

 

CMYK 49 / 67 / 0 / 10

HEX #744CE5

RGB 116 76 229

HSL 255.69, 0.75%, 0.6%

LAB 45, 52.81, -71.99

 

CMYK 0 / 67 / 23 / 10

HEX #E54CB1

RGB 229 76 177

HSL 320.39, 0.75%, 0.6%

LAB 57.08, 68.35, -22.05

 

CMYK 0 / 76 / 26 / 4

HEX #F63BB6

RGB 246 59 182

HSL 320.53, 0.91%, 0.6%

LAB 58.13, 78.68, -23.09

 

CMYK 0 / 67 / 23 / 10

HEX #E54CB1

RGB 229 76 177

HSL 320.39, 0.75%, 0.6%

LAB 57.08, 68.35, -22.05

 

CMYK 0 / 56 / 19 / 17

HEX #D45DAC

RGB 212 93 172

HSL 320.17, 0.58%, 0.6%

LAB 56.88, 55.83, -19.68

 

CMYK 0 / 44 / 15 / 23

HEX #C46DA6

RGB 196 109 166

HSL 320.69, 0.42%, 0.6%

LAB 57.49, 42.02, -15.49

 

CMYK 0 / 30 / 10 / 30

HEX #B37EA1

RGB 179 126 161

HSL 320.38, 0.26%, 0.6%

LAB 59.05, 26.1, -10.47

 

CMYK 0 / 13 / 4 / 36

HEX #A38E9C

RGB 163 142 156

HSL 320, 0.1%, 0.6%

LAB 61.25, 10.38, -4.5

 

CMYK 14 / 67 / 0 / 10

HEX #C64CE5

RGB 198 76 229

HSL 287.84, 0.75%, 0.6%

LAB 54.9, 69.15, -55.5

 

CMYK 0 / 67 / 4 / 10

HEX #E54CDB

RGB 229 76 219

HSL 303.92, 0.75%, 0.6%

LAB 58.92, 74.36, -43.2

 

CMYK 0 / 67 / 22 / 10

HEX #E54CB2

RGB 229 76 178

HSL 320, 0.75%, 0.6%

LAB 57.12, 68.49, -22.57

 

CMYK 0 / 67 / 40 / 10

HEX #E54C89

RGB 229 76 137

HSL 336.08, 0.75%, 0.6%

LAB 55.72, 63.72, -0.67

 

CMYK 0 / 67 / 58 / 10

HEX #E54C60

RGB 229 76 96

HSL 352.16, 0.75%, 0.6%

LAB 54.73, 60.23, 22.24

 

CMYK 0 / 86 / 29 / 24

HEX #C31B8A

RGB 195 27 138

HSL 320.36, 0.76%, 0.44%

LAB 44.55, 69.66, -18.63

 

CMYK 0 / 82 / 28 / 12

HEX #E028A1

RGB 224 40 161

HSL 320.54, 0.75%, 0.52%

LAB 51.77, 76.02, -20.9

 

CMYK 0 / 67 / 23 / 10

HEX #E54CB1

RGB 229 76 177

HSL 320.39, 0.75%, 0.6%

LAB 57.08, 68.35, -22.05

 

CMYK 0 / 52 / 18 / 8

HEX #EA70C1

RGB 234 112 193

HSL 320.16, 0.74%, 0.68%

LAB 64.11, 56.59, -20.4

 

CMYK 0 / 38 / 13 / 6

HEX #EF94D0

RGB 239 148 208

HSL 320.44, 0.74%, 0.76%

LAB 72.29, 42.51, -16.32

 

CMYK 0 / 67 / 23 / 10

HEX #E54CB1

RGB 229 76 177

HSL 320.39, 0.75%, 0.6%

LAB 57.08, 68.35, -22.05

 

CMYK 0 / 31 / 67 / 10

HEX #E59E4C

RGB 229 158 76

HSL 32.16, 0.75%, 0.6%

LAB 70.62, 18.77, 52.25

 

CMYK 67 / 0 / 4 / 10

HEX #4CE5DB

RGB 76 229 219

HSL 176.08, 0.75%, 0.6%

LAB 83.28, -41.76, -6.87

 

CMYK 0 / 67 / 23 / 10

HEX #E54CB1

RGB 229 76 177

HSL 320.39, 0.75%, 0.6%

LAB 57.08, 68.35, -22.05

 

CMYK 22 / 0 / 67 / 10

HEX #B2E54C

RGB 178 229 76

HSL 80, 0.75%, 0.6%

LAB 85.01, -38.09, 66.32

 

CMYK 67 / 22 / 0 / 10

HEX #4CB2E5

RGB 76 178 229

HSL 200, 0.75%, 0.6%

LAB 68.78, -13.84, -34.25

 

CMYK 0 / 67 / 23 / 10

HEX #E54CB1

RGB 229 76 177

HSL 320.39, 0.75%, 0.6%

LAB 57.08, 68.35, -22.05

 

CMYK 0 / 31 / 67 / 10

HEX #E59E4C

RGB 229 158 76

HSL 32.16, 0.75%, 0.6%

LAB 70.62, 18.77, 52.25

 

CMYK 67 / 0 / 45 / 10

HEX #4CE57F

RGB 76 229 127

HSL 140, 0.75%, 0.6%

LAB 81.35, -61.81, 38.21

 

CMYK 67 / 36 / 0 / 10

HEX #4C93E5

RGB 76 147 229

HSL 212.16, 0.75%, 0.6%

LAB 59.94, 3.58, -48.09

 

CMYK 0 / 67 / 23 / 10

HEX #E54CB1

RGB 229 76 177

HSL 320.39, 0.75%, 0.6%

LAB 57.08, 68.35, -22.05

 

CMYK 0 / 11 / 67 / 10

HEX #E5CC4C

RGB 229 204 76

HSL 50.2, 0.75%, 0.6%

LAB 82.04, -5.38, 64.42

 

CMYK 67 / 0 / 45 / 10

HEX #4CE57F

RGB 76 229 127

HSL 140, 0.75%, 0.6%

LAB 81.35, -61.81, 38.21

 

CMYK 67 / 56 / 0 / 10

HEX #4C65E5

RGB 76 101 229

HSL 230.2, 0.75%, 0.6%

LAB 47.63, 31.71, -67.84

 

Description

Color code: HEX #E54CB1 | qconv.com Color code: HEX #E54CB1 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 76 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 76 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 23 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 23% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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