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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E54FE7 it is the complementary color #1AB018. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E54FE7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E54FE7 shade: #EA4FE2, #FB61F5, #FF73FF, #FF85FF and #FF97FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E54FE7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E54FE7 shade: #E54FE7, #D43DD4, #C32BC1, #B219AE and #A1079B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E54FE7 shade: #E54FE7, #E74FC0, #E74F97, #E74F6E and #E74F4F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E54FE7 shade: #E54FE7, #BC4FE7, #934FE7, #6A4FE7 and #4F4FE7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E54FE7 shade matches the following richer shades: #E54FE7 and #F43FF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E54FE7 shade: #E54FE7, #D560D7, #C570C6, #B680B6 and #A690A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E54FE7 shade: #934FE7, #BC4FE7, #E44FE7, #E74FC1 and #E74F99

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E54FE7 shade: #C61BC9, #DF2BE2, #E54FE7, #EA74EC and #EF98F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E54FE7 shade: #E54FE7, #E76B4F and #4FE7A8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E54FE7 shade: #E54FE7, #E7E44F and #4FE7E4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E54FE7 shade: #E54FE7, #E76B4F, #52E74F and #4FCBE7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E54FE7 shade: #E54FE7, #E7994F, #52E74F and #4F9EE7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 66 / 0 / 9

HEX #E54FE7

RGB 229 79 231

HSL 299.21, 0.76%, 0.61%

LAB 59.91, 75.18, -48.39

 

Complementary color

CMYK 85 / 0 / 86 / 31

HEX #1AB018

RGB 26 176 24

HSL 119.21, 0.76%, 0.39%

LAB 62.79, -62.87, 59.47

 

CMYK 0 / 66 / 3 / 8

HEX #EA4FE2

RGB 234 79 226

HSL 303.1, 0.79%, 0.61%

LAB 60.41, 75.52, -44.75

 

CMYK 0 / 61 / 2 / 2

HEX #FB61F5

RGB 251 97 245

HSL 302.34, 0.95%, 0.68%

LAB 66.25, 75.66, -45.94

 

CMYK 0 / 55 / 0 / 0

HEX #FF73FF

RGB 255 115 255

HSL 300, 1%, 0.73%

LAB 69.99, 70.8, -45.51

 

CMYK 0 / 48 / 0 / 0

HEX #FF85FF

RGB 255 133 255

HSL 300, 1%, 0.76%

LAB 73.06, 62.61, -40.71

 

CMYK 0 / 41 / 0 / 0

HEX #FF97FF

RGB 255 151 255

HSL 300, 1%, 0.8%

LAB 76.44, 53.83, -35.45

 

CMYK 1 / 66 / 0 / 9

HEX #E54FE7

RGB 229 79 231

HSL 299.21, 0.76%, 0.61%

LAB 59.91, 75.18, -48.39

 

CMYK 0 / 71 / 0 / 17

HEX #D43DD4

RGB 212 61 212

HSL 300, 0.64%, 0.54%

LAB 54.12, 74.64, -46.99

 

CMYK 0 / 78 / 1 / 24

HEX #C32BC1

RGB 195 43 193

HSL 300.79, 0.64%, 0.47%

LAB 48.49, 73.45, -45.18

 

CMYK 0 / 86 / 2 / 30

HEX #B219AE

RGB 178 25 174

HSL 301.57, 0.75%, 0.4%

LAB 43.09, 71.33, -42.79

 

CMYK 0 / 96 / 4 / 37

HEX #A1079B

RGB 161 7 155

HSL 302.34, 0.92%, 0.33%

LAB 38.01, 67.96, -39.66

 

CMYK 1 / 66 / 0 / 9

HEX #E54FE7

RGB 229 79 231

HSL 299.21, 0.76%, 0.61%

LAB 59.91, 75.18, -48.39

 

CMYK 0 / 66 / 17 / 9

HEX #E74FC0

RGB 231 79 192

HSL 315.39, 0.76%, 0.61%

LAB 58.4, 69.76, -28.63

 

CMYK 0 / 66 / 35 / 9

HEX #E74F97

RGB 231 79 151

HSL 331.58, 0.76%, 0.61%

LAB 56.89, 64.62, -7.14

 

CMYK 0 / 66 / 52 / 9

HEX #E74F6E

RGB 231 79 110

HSL 347.76, 0.76%, 0.61%

LAB 55.79, 60.71, 15.47

 

CMYK 0 / 66 / 66 / 9

HEX #E74F4F

RGB 231 79 79

HSL 0, 0.76%, 0.61%

LAB 55.22, 58.63, 32.84

 

CMYK 1 / 66 / 0 / 9

HEX #E54FE7

RGB 229 79 231

HSL 299.21, 0.76%, 0.61%

LAB 59.91, 75.18, -48.39

 

CMYK 19 / 66 / 0 / 9

HEX #BC4FE7

RGB 188 79 231

HSL 283.03, 0.76%, 0.61%

LAB 54.08, 66.13, -58.01

 

CMYK 36 / 66 / 0 / 9

HEX #934FE7

RGB 147 79 231

HSL 266.84, 0.76%, 0.61%

LAB 48.96, 57.57, -66.53

 

CMYK 54 / 66 / 0 / 9

HEX #6A4FE7

RGB 106 79 231

HSL 250.66, 0.76%, 0.61%

LAB 44.84, 50.09, -73.42

 

CMYK 66 / 66 / 0 / 9

HEX #4F4FE7

RGB 79 79 231

HSL 240, 0.76%, 0.61%

LAB 42.8, 46.14, -76.84

 

CMYK 1 / 66 / 0 / 9

HEX #E54FE7

RGB 229 79 231

HSL 299.21, 0.76%, 0.61%

LAB 59.91, 75.18, -48.39

 

CMYK 1 / 74 / 0 / 3

HEX #F43FF7

RGB 244 63 247

HSL 299.02, 0.92%, 0.61%

LAB 61.22, 85.99, -55.07

 

CMYK 1 / 66 / 0 / 9

HEX #E54FE7

RGB 229 79 231

HSL 299.21, 0.76%, 0.61%

LAB 59.91, 75.18, -48.39

 

CMYK 1 / 55 / 0 / 16

HEX #D560D7

RGB 213 96 215

HSL 298.99, 0.6%, 0.61%

LAB 59.36, 61.64, -40.41

 

CMYK 1 / 43 / 0 / 22

HEX #C570C6

RGB 197 112 198

HSL 299.3, 0.43%, 0.61%

LAB 59.47, 46.3, -30.78

 

CMYK 0 / 30 / 0 / 29

HEX #B680B6

RGB 182 128 182

HSL 300, 0.27%, 0.61%

LAB 60.57, 29.88, -20.13

 

CMYK 0 / 13 / 0 / 35

HEX #A690A6

RGB 166 144 166

HSL 300, 0.11%, 0.61%

LAB 62.34, 12.24, -8.53

 

CMYK 36 / 66 / 0 / 9

HEX #934FE7

RGB 147 79 231

HSL 266.84, 0.76%, 0.61%

LAB 48.96, 57.57, -66.53

 

CMYK 19 / 66 / 0 / 9

HEX #BC4FE7

RGB 188 79 231

HSL 283.03, 0.76%, 0.61%

LAB 54.08, 66.13, -58.01

 

CMYK 1 / 66 / 0 / 9

HEX #E44FE7

RGB 228 79 231

HSL 298.82, 0.76%, 0.61%

LAB 59.76, 74.96, -48.63

 

CMYK 0 / 66 / 16 / 9

HEX #E74FC1

RGB 231 79 193

HSL 315, 0.76%, 0.61%

LAB 58.44, 69.9, -29.14

 

CMYK 0 / 66 / 34 / 9

HEX #E74F99

RGB 231 79 153

HSL 330.79, 0.76%, 0.61%

LAB 56.96, 64.84, -8.21

 

CMYK 1 / 87 / 0 / 21

HEX #C61BC9

RGB 198 27 201

HSL 298.97, 0.76%, 0.45%

LAB 48.27, 78.69, -50.13

 

CMYK 1 / 81 / 0 / 11

HEX #DF2BE2

RGB 223 43 226

HSL 299.02, 0.76%, 0.53%

LAB 54.98, 83.83, -53.47

 

CMYK 1 / 66 / 0 / 9

HEX #E54FE7

RGB 229 79 231

HSL 299.21, 0.76%, 0.61%

LAB 59.91, 75.18, -48.39

 

CMYK 1 / 51 / 0 / 7

HEX #EA74EC

RGB 234 116 236

HSL 299, 0.76%, 0.69%

LAB 66.55, 61.64, -40.66

 

CMYK 1 / 37 / 0 / 5

HEX #EF98F1

RGB 239 152 241

HSL 298.65, 0.76%, 0.77%

LAB 74.29, 46.08, -31.34

 

CMYK 1 / 66 / 0 / 9

HEX #E54FE7

RGB 229 79 231

HSL 299.21, 0.76%, 0.61%

LAB 59.91, 75.18, -48.39

 

CMYK 0 / 54 / 66 / 9

HEX #E76B4F

RGB 231 107 79

HSL 11.05, 0.76%, 0.61%

LAB 59.95, 46.14, 38.58

 

CMYK 66 / 0 / 27 / 9

HEX #4FE7A8

RGB 79 231 168

HSL 155.13, 0.76%, 0.61%

LAB 82.72, -54.4, 19.17

 

CMYK 1 / 66 / 0 / 9

HEX #E54FE7

RGB 229 79 231

HSL 299.21, 0.76%, 0.61%

LAB 59.91, 75.18, -48.39

 

CMYK 0 / 1 / 66 / 9

HEX #E7E44F

RGB 231 228 79

HSL 58.82, 0.76%, 0.61%

LAB 88.47, -16.4, 69.9

 

CMYK 66 / 0 / 1 / 9

HEX #4FE7E4

RGB 79 231 228

HSL 178.82, 0.76%, 0.61%

LAB 84.18, -39.81, -10.28

 

CMYK 1 / 66 / 0 / 9

HEX #E54FE7

RGB 229 79 231

HSL 299.21, 0.76%, 0.61%

LAB 59.91, 75.18, -48.39

 

CMYK 0 / 54 / 66 / 9

HEX #E76B4F

RGB 231 107 79

HSL 11.05, 0.76%, 0.61%

LAB 59.95, 46.14, 38.58

 

CMYK 65 / 0 / 66 / 9

HEX #52E74F

RGB 82 231 79

HSL 118.82, 0.76%, 0.61%

LAB 81.57, -67.49, 60.28

 

CMYK 66 / 12 / 0 / 9

HEX #4FCBE7

RGB 79 203 231

HSL 191.05, 0.76%, 0.61%

LAB 76.16, -25.67, -23.97

 

CMYK 1 / 66 / 0 / 9

HEX #E54FE7

RGB 229 79 231

HSL 299.21, 0.76%, 0.61%

LAB 59.91, 75.18, -48.39

 

CMYK 0 / 34 / 66 / 9

HEX #E7994F

RGB 231 153 79

HSL 29.21, 0.76%, 0.61%

LAB 69.71, 22.44, 49.87

 

CMYK 65 / 0 / 66 / 9

HEX #52E74F

RGB 82 231 79

HSL 118.82, 0.76%, 0.61%

LAB 81.57, -67.49, 60.28

 

CMYK 66 / 32 / 0 / 9

HEX #4F9EE7

RGB 79 158 231

HSL 208.82, 0.76%, 0.61%

LAB 63.25, -1.63, -43.97

 

Description

Color code: HEX #E54FE7 | qconv.com Color code: HEX #E54FE7 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 79 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 79 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 66 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 66% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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