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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E5529B it is the complementary color #1AAD64. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E5529B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E5529B shade: #EA5296, #FB64A9, #FF76BC, #FF88CF and #FF9AE2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E5529B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E5529B shade: #E5529B, #D44088, #C32E75, #B21C62 and #A10A4F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E5529B shade: #E5519B, #E55173 and #E55151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E5529B shade: #E5519B, #E551C2, #DF51E5, #B851E5 and #9051E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E5529B shade matches the following richer shades: #E5519B and #F5419A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E5529B shade: #E5519B, #D5629B, #C4729B, #B4829B and #A4929B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E5529B shade: #E051E5, #E551C2, #E5519B, #E55174 and #E55651

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E5529B shade: #C61D71, #DF2E86, #E5519B, #EA75AF and #EF99C4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E5529B shade: #E5529B, #E5B851 and #51D6E5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E5529B shade: #E5529B, #9BE551 and #519BE5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E5529B shade: #E5529B, #E5B851, #51E59B and #517EE5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E5529B shade: #E5529B, #E5E551, #51E59B and #5151E5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 32 / 10

HEX #E5529B

RGB 229 82 155

HSL 330.2, 0.74%, 0.61%

LAB 57.13, 63.32, -9.16

 

Complementary color

CMYK 85 / 0 / 42 / 32

HEX #1AAD64

RGB 26 173 100

HSL 150.2, 0.74%, 0.39%

LAB 62.53, -53.13, 27.46

 

CMYK 0 / 65 / 36 / 8

HEX #EA5296

RGB 234 82 150

HSL 333.16, 0.78%, 0.62%

LAB 57.78, 64.19, -5.19

 

CMYK 0 / 60 / 33 / 2

HEX #FB64A9

RGB 251 100 169

HSL 332.58, 0.95%, 0.69%

LAB 63.74, 63.9, -7.04

 

CMYK 0 / 54 / 26 / 0

HEX #FF76BC

RGB 255 118 188

HSL 329.34, 1%, 0.73%

LAB 67.91, 59.47, -11.55

 

CMYK 0 / 47 / 19 / 0

HEX #FF88CF

RGB 255 136 207

HSL 324.2, 1%, 0.77%

LAB 71.81, 53.53, -16.29

 

CMYK 0 / 40 / 11 / 0

HEX #FF9AE2

RGB 255 154 226

HSL 317.23, 1%, 0.8%

LAB 75.98, 47.44, -20.41

 

CMYK 0 / 64 / 32 / 10

HEX #E5529B

RGB 229 82 155

HSL 330.2, 0.74%, 0.61%

LAB 57.13, 63.32, -9.16

 

CMYK 0 / 70 / 36 / 17

HEX #D44088

RGB 212 64 136

HSL 330.81, 0.63%, 0.54%

LAB 51.2, 63.28, -7.07

 

CMYK 0 / 76 / 40 / 24

HEX #C32E75

RGB 195 46 117

HSL 331.41, 0.62%, 0.47%

LAB 45.41, 62.72, -4.46

 

CMYK 0 / 84 / 45 / 30

HEX #B21C62

RGB 178 28 98

HSL 332, 0.73%, 0.4%

LAB 39.88, 61.32, -1.14

 

CMYK 0 / 94 / 51 / 37

HEX #A10A4F

RGB 161 10 79

HSL 332.58, 0.88%, 0.34%

LAB 34.72, 58.71, 3.14

 

CMYK 0 / 65 / 32 / 10

HEX #E5519B

RGB 229 81 155

HSL 330, 0.74%, 0.61%

LAB 56.99, 63.72, -9.38

 

CMYK 0 / 65 / 50 / 10

HEX #E55173

RGB 229 81 115

HSL 346.22, 0.74%, 0.61%

LAB 55.87, 59.7, 12.56

 

CMYK 0 / 65 / 65 / 10

HEX #E55151

RGB 229 81 81

HSL 0, 0.74%, 0.61%

LAB 55.21, 57.27, 31.61

 

CMYK 0 / 65 / 32 / 10

HEX #E5519B

RGB 229 81 155

HSL 330, 0.74%, 0.61%

LAB 56.99, 63.72, -9.38

 

CMYK 0 / 65 / 15 / 10

HEX #E551C2

RGB 229 81 194

HSL 314.19, 0.74%, 0.61%

LAB 58.45, 68.77, -29.72

 

CMYK 3 / 65 / 0 / 10

HEX #DF51E5

RGB 223 81 229

HSL 297.57, 0.74%, 0.61%

LAB 59.19, 72.75, -48.46

 

CMYK 20 / 65 / 0 / 10

HEX #B851E5

RGB 184 81 229

HSL 281.76, 0.74%, 0.61%

LAB 53.74, 63.99, -57.46

 

CMYK 37 / 65 / 0 / 10

HEX #9051E5

RGB 144 81 229

HSL 265.54, 0.74%, 0.61%

LAB 48.85, 55.48, -65.6

 

CMYK 0 / 65 / 32 / 10

HEX #E5519B

RGB 229 81 155

HSL 330, 0.74%, 0.61%

LAB 56.99, 63.72, -9.38

 

CMYK 0 / 73 / 37 / 4

HEX #F5419A

RGB 245 65 154

HSL 330.33, 0.9%, 0.61%

LAB 57.58, 73.61, -7.62

 

CMYK 0 / 65 / 32 / 10

HEX #E5519B

RGB 229 81 155

HSL 330, 0.74%, 0.61%

LAB 56.99, 63.72, -9.38

 

CMYK 0 / 54 / 27 / 16

HEX #D5629B

RGB 213 98 155

HSL 330.26, 0.58%, 0.61%

LAB 57.32, 51.43, -9.14

 

CMYK 0 / 42 / 21 / 23

HEX #C4729B

RGB 196 114 155

HSL 330, 0.41%, 0.61%

LAB 58.17, 37.67, -8.11

 

CMYK 0 / 28 / 14 / 29

HEX #B4829B

RGB 180 130 155

HSL 330, 0.25%, 0.61%

LAB 59.92, 23.19, -5.71

 

CMYK 0 / 11 / 5 / 36

HEX #A4929B

RGB 164 146 155

HSL 330, 0.09%, 0.61%

LAB 62.35, 8.31, -2.3

 

CMYK 2 / 65 / 0 / 10

HEX #E051E5

RGB 224 81 229

HSL 297.97, 0.74%, 0.61%

LAB 59.33, 72.98, -48.22

 

CMYK 0 / 65 / 15 / 10

HEX #E551C2

RGB 229 81 194

HSL 314.19, 0.74%, 0.61%

LAB 58.45, 68.77, -29.72

 

CMYK 0 / 65 / 32 / 10

HEX #E5519B

RGB 229 81 155

HSL 330, 0.74%, 0.61%

LAB 56.99, 63.72, -9.38

 

CMYK 0 / 65 / 49 / 10

HEX #E55174

RGB 229 81 116

HSL 345.81, 0.74%, 0.61%

LAB 55.89, 59.78, 12.01

 

CMYK 0 / 62 / 65 / 10

HEX #E55651

RGB 229 86 81

HSL 2.03, 0.74%, 0.61%

LAB 56, 55.17, 32.58

 

CMYK 0 / 85 / 43 / 22

HEX #C61D71

RGB 198 29 113

HSL 330.18, 0.74%, 0.45%

LAB 44.34, 67.4, -3.51

 

CMYK 0 / 79 / 40 / 13

HEX #DF2E86

RGB 223 46 134

HSL 330.17, 0.73%, 0.53%

LAB 51.11, 71.53, -5.79

 

CMYK 0 / 65 / 32 / 10

HEX #E5519B

RGB 229 81 155

HSL 330, 0.74%, 0.61%

LAB 56.99, 63.72, -9.38

 

CMYK 0 / 50 / 25 / 8

HEX #EA75AF

RGB 234 117 175

HSL 330.26, 0.74%, 0.69%

LAB 64.41, 51.66, -9.73

 

CMYK 0 / 36 / 18 / 6

HEX #EF99C4

RGB 239 153 196

HSL 330, 0.73%, 0.77%

LAB 72.97, 38.04, -8.67

 

CMYK 0 / 64 / 32 / 10

HEX #E5529B

RGB 229 82 155

HSL 330.2, 0.74%, 0.61%

LAB 57.13, 63.32, -9.16

 

CMYK 0 / 20 / 65 / 10

HEX #E5B851

RGB 229 184 81

HSL 41.76, 0.74%, 0.61%

LAB 77, 5.27, 56.95

 

CMYK 65 / 7 / 0 / 10

HEX #51D6E5

RGB 81 214 229

HSL 186.08, 0.74%, 0.61%

LAB 79.33, -31.32, -18.08

 

CMYK 0 / 64 / 32 / 10

HEX #E5529B

RGB 229 82 155

HSL 330.2, 0.74%, 0.61%

LAB 57.13, 63.32, -9.16

 

CMYK 32 / 0 / 65 / 10

HEX #9BE551

RGB 155 229 81

HSL 90, 0.74%, 0.61%

LAB 83.76, -46.09, 62.65

 

CMYK 65 / 32 / 0 / 10

HEX #519BE5

RGB 81 155 229

HSL 210, 0.74%, 0.61%

LAB 62.38, -0.24, -44.23

 

CMYK 0 / 64 / 32 / 10

HEX #E5529B

RGB 229 82 155

HSL 330.2, 0.74%, 0.61%

LAB 57.13, 63.32, -9.16

 

CMYK 0 / 20 / 65 / 10

HEX #E5B851

RGB 229 184 81

HSL 41.76, 0.74%, 0.61%

LAB 77, 5.27, 56.95

 

CMYK 65 / 0 / 32 / 10

HEX #51E59B

RGB 81 229 155

HSL 150, 0.74%, 0.61%

LAB 81.92, -55.92, 24.82

 

CMYK 65 / 45 / 0 / 10

HEX #517EE5

RGB 81 126 229

HSL 221.76, 0.74%, 0.61%

LAB 54.37, 17.01, -56.95

 

CMYK 0 / 64 / 32 / 10

HEX #E5529B

RGB 229 82 155

HSL 330.2, 0.74%, 0.61%

LAB 57.13, 63.32, -9.16

 

CMYK 0 / 0 / 65 / 10

HEX #E5E551

RGB 229 229 81

HSL 60, 0.74%, 0.61%

LAB 88.59, -17.6, 69.2

 

CMYK 65 / 0 / 32 / 10

HEX #51E59B

RGB 81 229 155

HSL 150, 0.74%, 0.61%

LAB 81.92, -55.92, 24.82

 

CMYK 65 / 65 / 0 / 10

HEX #5151E5

RGB 81 81 229

HSL 240, 0.74%, 0.61%

LAB 43.2, 44.58, -75.04

 

Description

Color code: HEX #E5529B | qconv.com Color code: HEX #E5529B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 82 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 82 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 32 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 32% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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