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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E565F4 it is the complementary color #1A9A0B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E565F4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E565F4 shade: #EA65EF, #FB77FF, #FF89FF, #FF9BFF and #FFADFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E565F4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E565F4 shade: #E565F4, #D453E1, #C341CE, #B22FBB and #A11DA8

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E565F4 shade: #E566F4, #F466DC, #F466B6, #F46690 and #F4666A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E565F4 shade: #E566F4, #BF66F4, #9866F4, #7266F4 and #6666F4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E565F4 shade matches the following richer shades: #E566F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E565F4 shade: #E566F4, #DB73E7, #D080D9, #C68ECC and #BB9BBF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E565F4 shade: #9866F4, #BD66F4, #E366F4, #F466DF and #F466B9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E565F4 shade: #D819EF, #DF3FF1, #E566F4, #EB8CF7 and #F2B3F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E565F4 shade: #E565F4, #F47266 and #66F4AB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E565F4 shade: #E565F4, #F4E366 and #66F4E3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E565F4 shade: #E565F4, #F47266, #76F466 and #66E8F4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E565F4 shade: #E565F4, #F49C66, #76F466 and #66BDF4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 59 / 0 / 4

HEX #E565F4

RGB 229 101 244

HSL 293.71, 0.87%, 0.68%

LAB 63.75, 68.55, -49.53

 

Complementary color

CMYK 83 / 0 / 93 / 40

HEX #1A9A0B

RGB 26 154 11

HSL 113.71, 0.87%, 0.32%

LAB 55.44, -56.79, 55.64

 

CMYK 2 / 58 / 0 / 6

HEX #EA65EF

RGB 234 101 239

HSL 297.83, 0.81%, 0.67%

LAB 64.19, 68.91, -46.03

 

CMYK 2 / 53 / 0 / 0

HEX #FB77FF

RGB 251 119 255

HSL 298.24, 1%, 0.73%

LAB 70.12, 68.01, -45.34

 

CMYK 0 / 46 / 0 / 0

HEX #FF89FF

RGB 255 137 255

HSL 300, 1%, 0.77%

LAB 73.79, 60.7, -39.58

 

CMYK 0 / 39 / 0 / 0

HEX #FF9BFF

RGB 255 155 255

HSL 300, 1%, 0.8%

LAB 77.23, 51.82, -34.23

 

CMYK 0 / 32 / 0 / 0

HEX #FFADFF

RGB 255 173 255

HSL 300, 1%, 0.84%

LAB 80.94, 42.6, -28.53

 

CMYK 6 / 59 / 0 / 4

HEX #E565F4

RGB 229 101 244

HSL 293.71, 0.87%, 0.68%

LAB 63.75, 68.55, -49.53

 

CMYK 6 / 63 / 0 / 12

HEX #D453E1

RGB 212 83 225

HSL 294.51, 0.7%, 0.6%

LAB 57.67, 68.74, -48.71

 

CMYK 5 / 68 / 0 / 19

HEX #C341CE

RGB 195 65 206

HSL 295.32, 0.59%, 0.53%

LAB 51.65, 68.59, -47.64

 

CMYK 5 / 75 / 0 / 27

HEX #B22FBB

RGB 178 47 187

HSL 296.14, 0.6%, 0.46%

LAB 45.75, 67.89, -46.2

 

CMYK 4 / 83 / 0 / 34

HEX #A11DA8

RGB 161 29 168

HSL 296.98, 0.71%, 0.39%

LAB 40.05, 66.34, -44.23

 

CMYK 6 / 58 / 0 / 4

HEX #E566F4

RGB 229 102 244

HSL 293.66, 0.87%, 0.68%

LAB 63.91, 68.12, -49.28

 

CMYK 0 / 58 / 10 / 4

HEX #F466DC

RGB 244 102 220

HSL 310.14, 0.87%, 0.68%

LAB 64.89, 67.96, -34.26

 

CMYK 0 / 58 / 25 / 4

HEX #F466B6

RGB 244 102 182

HSL 326.2, 0.87%, 0.68%

LAB 63.44, 62.58, -15.04

 

CMYK 0 / 58 / 41 / 4

HEX #F46690

RGB 244 102 144

HSL 342.25, 0.87%, 0.68%

LAB 62.3, 58.17, 5.08

 

CMYK 0 / 58 / 57 / 4

HEX #F4666A

RGB 244 102 106

HSL 358.31, 0.87%, 0.68%

LAB 61.46, 54.83, 25.8

 

CMYK 6 / 58 / 0 / 4

HEX #E566F4

RGB 229 102 244

HSL 293.66, 0.87%, 0.68%

LAB 63.91, 68.12, -49.28

 

CMYK 22 / 58 / 0 / 4

HEX #BF66F4

RGB 191 102 244

HSL 277.61, 0.87%, 0.68%

LAB 59.08, 58.94, -57.26

 

CMYK 38 / 58 / 0 / 4

HEX #9866F4

RGB 152 102 244

HSL 261.13, 0.87%, 0.68%

LAB 54.77, 49.99, -64.4

 

CMYK 53 / 58 / 0 / 4

HEX #7266F4

RGB 114 102 244

HSL 245.07, 0.87%, 0.68%

LAB 51.4, 42.27, -70.02

 

CMYK 58 / 58 / 0 / 4

HEX #6666F4

RGB 102 102 244

HSL 240, 0.87%, 0.68%

LAB 50.52, 40.16, -71.48

 

CMYK 6 / 58 / 0 / 4

HEX #E566F4

RGB 229 102 244

HSL 293.66, 0.87%, 0.68%

LAB 63.91, 68.12, -49.28

 

CMYK 6 / 58 / 0 / 4

HEX #E566F4

RGB 229 102 244

HSL 293.66, 0.87%, 0.68%

LAB 63.91, 68.12, -49.28

 

CMYK 5 / 50 / 0 / 9

HEX #DB73E7

RGB 219 115 231

HSL 293.79, 0.71%, 0.68%

LAB 64.23, 57.16, -41.66

 

CMYK 4 / 41 / 0 / 15

HEX #D080D9

RGB 208 128 217

HSL 293.93, 0.54%, 0.68%

LAB 64.85, 44.8, -33.01

 

CMYK 3 / 30 / 0 / 20

HEX #C68ECC

RGB 198 142 204

HSL 294.19, 0.38%, 0.68%

LAB 66.3, 31.64, -23.62

 

CMYK 2 / 19 / 0 / 25

HEX #BB9BBF

RGB 187 155 191

HSL 293.33, 0.22%, 0.68%

LAB 67.85, 18.26, -14.12

 

CMYK 38 / 58 / 0 / 4

HEX #9866F4

RGB 152 102 244

HSL 261.13, 0.87%, 0.68%

LAB 54.77, 49.99, -64.4

 

CMYK 23 / 58 / 0 / 4

HEX #BD66F4

RGB 189 102 244

HSL 276.76, 0.87%, 0.68%

LAB 58.84, 58.46, -57.65

 

CMYK 7 / 58 / 0 / 4

HEX #E366F4

RGB 227 102 244

HSL 292.82, 0.87%, 0.68%

LAB 63.64, 67.63, -49.72

 

CMYK 0 / 58 / 9 / 4

HEX #F466DF

RGB 244 102 223

HSL 308.87, 0.87%, 0.68%

LAB 65.01, 68.42, -35.74

 

CMYK 0 / 58 / 24 / 4

HEX #F466B9

RGB 244 102 185

HSL 324.93, 0.87%, 0.68%

LAB 63.54, 62.97, -16.59

 

CMYK 10 / 90 / 0 / 6

HEX #D819EF

RGB 216 25 239

HSL 293.55, 0.87%, 0.52%

LAB 53.52, 87.85, -63.19

 

CMYK 7 / 74 / 0 / 5

HEX #DF3FF1

RGB 223 63 241

HSL 293.93, 0.86%, 0.6%

LAB 57.65, 80.96, -57.62

 

CMYK 6 / 58 / 0 / 4

HEX #E566F4

RGB 229 102 244

HSL 293.66, 0.87%, 0.68%

LAB 63.91, 68.12, -49.28

 

CMYK 5 / 43 / 0 / 3

HEX #EB8CF7

RGB 235 140 247

HSL 293.27, 0.87%, 0.76%

LAB 71.65, 52.15, -38.74

 

CMYK 3 / 28 / 0 / 2

HEX #F2B3F9

RGB 242 179 249

HSL 294, 0.85%, 0.84%

LAB 80.71, 34.31, -25.78

 

CMYK 6 / 59 / 0 / 4

HEX #E565F4

RGB 229 101 244

HSL 293.71, 0.87%, 0.68%

LAB 63.75, 68.55, -49.53

 

CMYK 0 / 53 / 58 / 4

HEX #F47266

RGB 244 114 102

HSL 5.07, 0.87%, 0.68%

LAB 63.53, 48.97, 30.75

 

CMYK 58 / 0 / 30 / 4

HEX #66F4AB

RGB 102 244 171

HSL 149.15, 0.87%, 0.68%

LAB 87.23, -54.72, 23.93

 

CMYK 6 / 59 / 0 / 4

HEX #E565F4

RGB 229 101 244

HSL 293.71, 0.87%, 0.68%

LAB 63.75, 68.55, -49.53

 

CMYK 0 / 7 / 58 / 4

HEX #F4E366

RGB 244 227 102

HSL 52.82, 0.87%, 0.68%

LAB 89.45, -9.17, 61.8

 

CMYK 58 / 0 / 7 / 4

HEX #66F4E3

RGB 102 244 227

HSL 172.82, 0.87%, 0.68%

LAB 88.48, -42.22, -3.33

 

CMYK 6 / 59 / 0 / 4

HEX #E565F4

RGB 229 101 244

HSL 293.71, 0.87%, 0.68%

LAB 63.75, 68.55, -49.53

 

CMYK 0 / 53 / 58 / 4

HEX #F47266

RGB 244 114 102

HSL 5.07, 0.87%, 0.68%

LAB 63.53, 48.97, 30.75

 

CMYK 52 / 0 / 58 / 4

HEX #76F466

RGB 118 244 102

HSL 113.24, 0.87%, 0.68%

LAB 86.76, -61.42, 56.75

 

CMYK 58 / 5 / 0 / 4

HEX #66E8F4

RGB 102 232 244

HSL 185.07, 0.87%, 0.68%

LAB 85.54, -32.26, -16.62

 

CMYK 6 / 59 / 0 / 4

HEX #E565F4

RGB 229 101 244

HSL 293.71, 0.87%, 0.68%

LAB 63.75, 68.55, -49.53

 

CMYK 0 / 36 / 58 / 4

HEX #F49C66

RGB 244 156 102

HSL 22.82, 0.87%, 0.68%

LAB 72.21, 27.67, 41.63

 

CMYK 52 / 0 / 58 / 4

HEX #76F466

RGB 118 244 102

HSL 113.24, 0.87%, 0.68%

LAB 86.76, -61.42, 56.75

 

CMYK 58 / 23 / 0 / 4

HEX #66BDF4

RGB 102 189 244

HSL 203.24, 0.87%, 0.68%

LAB 73.38, -10.56, -35.18

 

Description

Color code: HEX #E565F4 | qconv.com Color code: HEX #E565F4 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 101 green and 244 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 101 244 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 59 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 59% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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