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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E56171 it is the complementary color #1A9E8E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E56171. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E56171 shade: #EA616C, #FB737F, #FF8592, #FF97A5 and #FFA9B8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E56171. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E56171 shade: #E56171, #D44F5E, #C33D4B, #B22B38 and #A11925

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E56171 shade: #E56171 and #E56161

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E56171 shade: #E56171, #E56194, #E561B8, #E561DC and #CA61E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E56171 shade matches the following richer shades: #E56171 and #F45265

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E56171 shade: #E56171, #D66F7C, #C77E87, #B88D92 and #A99C9E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E56171 shade: #E561B9, #E56195, #E56172, #E57261 and #E59561

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E56171 shade: #D12237, #DF3D51, #E56171, #EB8491 and #F0A8B0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E56171 shade: #E56171, #DCE561 and #61A7E5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E56171 shade: #E56171, #72E561 and #6172E5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E56171 shade: #E56171, #DCE561, #61E5D3 and #6961E5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E56171 shade: #E56171, #B4E561, #61E5D3 and #9161E5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 51 / 10

HEX #E56171

RGB 229 97 113

HSL 352.73, 0.72%, 0.64%

LAB 58.41, 52.59, 17.26

 

Complementary color

CMYK 84 / 0 / 10 / 38

HEX #1A9E8E

RGB 26 158 142

HSL 172.73, 0.72%, 0.36%

LAB 58.63, -37.03, -1.19

 

CMYK 0 / 59 / 54 / 8

HEX #EA616C

RGB 234 97 108

HSL 355.18, 0.77%, 0.65%

LAB 59.09, 53.86, 21.21

 

CMYK 0 / 54 / 49 / 2

HEX #FB737F

RGB 251 115 127

HSL 354.71, 0.94%, 0.72%

LAB 65.2, 52.93, 19.06

 

CMYK 0 / 48 / 43 / 0

HEX #FF8592

RGB 255 133 146

HSL 353.61, 1%, 0.76%

LAB 69.55, 47.45, 14.46

 

CMYK 0 / 41 / 35 / 0

HEX #FF97A5

RGB 255 151 165

HSL 351.92, 1%, 0.8%

LAB 73.62, 40.48, 9.64

 

CMYK 0 / 34 / 28 / 0

HEX #FFA9B8

RGB 255 169 184

HSL 349.53, 1%, 0.83%

LAB 77.93, 33.55, 5.4

HEX #FFA9B8

CMYK 0 / 58 / 51 / 10

HEX #E56171

RGB 229 97 113

HSL 352.73, 0.72%, 0.64%

LAB 58.41, 52.59, 17.26

 

CMYK 0 / 63 / 56 / 17

HEX #D44F5E

RGB 212 79 94

HSL 353.23, 0.61%, 0.57%

LAB 52.28, 53.39, 19.65

 

CMYK 0 / 69 / 62 / 24

HEX #C33D4B

RGB 195 61 75

HSL 353.73, 0.53%, 0.5%

LAB 46.24, 53.97, 22.52

 

CMYK 0 / 76 / 69 / 30

HEX #B22B38

RGB 178 43 56

HSL 354.22, 0.61%, 0.43%

LAB 40.37, 54.09, 26.03

 

CMYK 0 / 84 / 77 / 37

HEX #A11925

RGB 161 25 37

HSL 354.71, 0.73%, 0.36%

LAB 34.81, 53.43, 30.3

 

CMYK 0 / 58 / 51 / 10

HEX #E56171

RGB 229 97 113

HSL 352.73, 0.72%, 0.64%

LAB 58.41, 52.59, 17.26

 

CMYK 0 / 58 / 58 / 10

HEX #E56161

RGB 229 97 97

HSL 0, 0.72%, 0.64%

LAB 58.1, 51.32, 26.11

 

CMYK 0 / 58 / 51 / 10

HEX #E56171

RGB 229 97 113

HSL 352.73, 0.72%, 0.64%

LAB 58.41, 52.59, 17.26

 

CMYK 0 / 58 / 35 / 10

HEX #E56194

RGB 229 97 148

HSL 336.82, 0.72%, 0.64%

LAB 59.29, 56.1, -1.88

 

CMYK 0 / 58 / 20 / 10

HEX #E561B8

RGB 229 97 184

HSL 320.45, 0.72%, 0.64%

LAB 60.49, 60.7, -20.86

 

CMYK 0 / 58 / 4 / 10

HEX #E561DC

RGB 229 97 220

HSL 304.09, 0.72%, 0.64%

LAB 61.98, 66.19, -38.96

 

CMYK 12 / 58 / 0 / 10

HEX #CA61E5

RGB 202 97 229

HSL 287.73, 0.72%, 0.64%

LAB 58.75, 60.95, -49.33

 

CMYK 0 / 58 / 51 / 10

HEX #E56171

RGB 229 97 113

HSL 352.73, 0.72%, 0.64%

LAB 58.41, 52.59, 17.26

 

CMYK 0 / 66 / 59 / 4

HEX #F45265

RGB 244 82 101

HSL 352.96, 0.88%, 0.64%

LAB 58.23, 62.89, 24.42

 

CMYK 0 / 58 / 51 / 10

HEX #E56171

RGB 229 97 113

HSL 352.73, 0.72%, 0.64%

LAB 58.41, 52.59, 17.26

 

CMYK 0 / 48 / 42 / 16

HEX #D66F7C

RGB 214 111 124

HSL 352.43, 0.56%, 0.64%

LAB 59.09, 41.62, 11.48

 

CMYK 0 / 37 / 32 / 22

HEX #C77E87

RGB 199 126 135

HSL 352.6, 0.39%, 0.64%

LAB 60.62, 29.46, 7.04

 

CMYK 0 / 23 / 21 / 28

HEX #B88D92

RGB 184 141 146

HSL 353.02, 0.23%, 0.64%

LAB 62.77, 17.06, 3.65

 

CMYK 0 / 8 / 7 / 34

HEX #A99C9E

RGB 169 156 158

HSL 350.77, 0.07%, 0.64%

LAB 65.5, 5.11, 0.67

 

CMYK 0 / 58 / 19 / 10

HEX #E561B9

RGB 229 97 185

HSL 320, 0.72%, 0.64%

LAB 60.52, 60.84, -21.38

 

CMYK 0 / 58 / 35 / 10

HEX #E56195

RGB 229 97 149

HSL 336.36, 0.72%, 0.64%

LAB 59.32, 56.21, -2.42

 

CMYK 0 / 58 / 50 / 10

HEX #E56172

RGB 229 97 114

HSL 352.27, 0.72%, 0.64%

LAB 58.44, 52.68, 16.71

 

CMYK 0 / 50 / 58 / 10

HEX #E57261

RGB 229 114 97

HSL 7.73, 0.72%, 0.64%

LAB 61.27, 43.16, 30.2

 

CMYK 0 / 35 / 58 / 10

HEX #E59561

RGB 229 149 97

HSL 23.64, 0.72%, 0.64%

LAB 68.76, 24.97, 39.61

 

CMYK 0 / 84 / 74 / 18

HEX #D12237

RGB 209 34 55

HSL 352.8, 0.72%, 0.48%

LAB 45.6, 65.41, 34.34

 

CMYK 0 / 73 / 64 / 13

HEX #DF3D51

RGB 223 61 81

HSL 352.59, 0.72%, 0.56%

LAB 51.4, 62.95, 26.58

 

CMYK 0 / 58 / 51 / 10

HEX #E56171

RGB 229 97 113

HSL 352.73, 0.72%, 0.64%

LAB 58.41, 52.59, 17.26

 

CMYK 0 / 44 / 38 / 8

HEX #EB8491

RGB 235 132 145

HSL 352.43, 0.72%, 0.72%

LAB 66.68, 40.75, 10.6

 

CMYK 0 / 30 / 27 / 6

HEX #F0A8B0

RGB 240 168 176

HSL 353.33, 0.71%, 0.8%

LAB 75.86, 27.59, 6.58

 

CMYK 0 / 58 / 51 / 10

HEX #E56171

RGB 229 97 113

HSL 352.73, 0.72%, 0.64%

LAB 58.41, 52.59, 17.26

 

CMYK 4 / 0 / 58 / 10

HEX #DCE561

RGB 220 229 97

HSL 64.09, 0.72%, 0.64%

LAB 88.03, -20.2, 61.85

 

CMYK 58 / 27 / 0 / 10

HEX #61A7E5

RGB 97 167 229

HSL 208.18, 0.72%, 0.64%

LAB 66.39, -4.11, -37.89

 

CMYK 0 / 58 / 51 / 10

HEX #E56171

RGB 229 97 113

HSL 352.73, 0.72%, 0.64%

LAB 58.41, 52.59, 17.26

 

CMYK 50 / 0 / 58 / 10

HEX #72E561

RGB 114 229 97

HSL 112.27, 0.72%, 0.64%

LAB 82.1, -57.37, 53.53

 

CMYK 58 / 50 / 0 / 10

HEX #6172E5

RGB 97 114 229

HSL 232.27, 0.72%, 0.64%

LAB 52.1, 27.21, -60.55

 

CMYK 0 / 58 / 51 / 10

HEX #E56171

RGB 229 97 113

HSL 352.73, 0.72%, 0.64%

LAB 58.41, 52.59, 17.26

 

CMYK 4 / 0 / 58 / 10

HEX #DCE561

RGB 220 229 97

HSL 64.09, 0.72%, 0.64%

LAB 88.03, -20.2, 61.85

 

CMYK 58 / 0 / 8 / 10

HEX #61E5D3

RGB 97 229 211

HSL 171.82, 0.72%, 0.64%

LAB 83.59, -40.42, -2.12

 

CMYK 54 / 58 / 0 / 10

HEX #6961E5

RGB 105 97 229

HSL 243.64, 0.72%, 0.64%

LAB 48.52, 38.98, -66.3

 

CMYK 0 / 58 / 51 / 10

HEX #E56171

RGB 229 97 113

HSL 352.73, 0.72%, 0.64%

LAB 58.41, 52.59, 17.26

 

CMYK 21 / 0 / 58 / 10

HEX #B4E561

RGB 180 229 97

HSL 82.27, 0.72%, 0.64%

LAB 85.3, -35.74, 58.05

 

CMYK 58 / 0 / 8 / 10

HEX #61E5D3

RGB 97 229 211

HSL 171.82, 0.72%, 0.64%

LAB 83.59, -40.42, -2.12

 

CMYK 37 / 58 / 0 / 10

HEX #9161E5

RGB 145 97 229

HSL 261.82, 0.72%, 0.64%

LAB 52.09, 47.29, -60.36

 

Description

Color code: HEX #E56171 | qconv.com Color code: HEX #E56171 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 97 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 97 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 51 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 51% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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