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Color name
HEX #E579E5

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E579E5 it is the complementary color #1A861A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E579E5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E579E5 shade: #EA79E0, #FB8BF3, #FF9DFF, #FFAFFF and #FFC1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E579E5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E579E5 shade: #E579E5, #D467D2, #C355BF, #B243AC and #A13199

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E579E5 shade: #E57AE5, #E57AC8, #E57AAB, #E57A8E and #E57A7A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E579E5 shade: #E57AE5, #C87AE5, #AB7AE5, #8E7AE5 and #7A7AE5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E579E5 shade matches the following richer shades: #E57AE5 and #F26DF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E579E5 shade: #E57AE5, #D886D8, #CC93CC, #BFA0BF and #B2ADB2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E579E5 shade: #AC7AE5, #C97AE5, #E57AE5, #E57AC9 and #E57AAC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E579E5 shade: #D834D8, #DF57DF, #E57AE5, #EC9CEC and #F2BFF2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E579E5 shade: #E579E5, #E58F7A and #7AE5BA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E579E5 shade: #E579E5, #E5E57A and #7AE5E5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E579E5 shade: #E579E5, #E58F7A, #7AE57A and #7AD0E5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E579E5 shade: #E579E5, #E5AF7A, #7AE57A and #7AAFE5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 0 / 10

HEX #E579E5

RGB 229 121 229

HSL 300, 0.68%, 0.69%

LAB 66.51, 56.65, -36.9

 

Complementary color

CMYK 81 / 0 / 81 / 47

HEX #1A861A

RGB 26 134 26

HSL 120, 0.68%, 0.31%

LAB 48.69, -49.79, 45.93

 

CMYK 0 / 48 / 4 / 8

HEX #EA79E0

RGB 234 121 224

HSL 305.31, 0.73%, 0.7%

LAB 66.94, 57.2, -33.41

 

CMYK 0 / 45 / 3 / 2

HEX #FB8BF3

RGB 251 139 243

HSL 304.29, 0.93%, 0.76%

LAB 73.18, 56.54, -34.02

 

CMYK 0 / 38 / 0 / 0

HEX #FF9DFF

RGB 255 157 255

HSL 300, 1%, 0.81%

LAB 77.63, 50.81, -33.61

 

CMYK 0 / 31 / 0 / 0

HEX #FFAFFF

RGB 255 175 255

HSL 300, 1%, 0.84%

LAB 81.37, 41.56, -27.87

 

CMYK 0 / 24 / 0 / 0

HEX #FFC1FF

RGB 255 193 255

HSL 300, 1%, 0.88%

LAB 85.31, 32.15, -21.87

 

CMYK 0 / 47 / 0 / 10

HEX #E579E5

RGB 229 121 229

HSL 300, 0.68%, 0.69%

LAB 66.51, 56.65, -36.9

 

CMYK 0 / 51 / 1 / 17

HEX #D467D2

RGB 212 103 210

HSL 301.1, 0.56%, 0.62%

LAB 60.2, 57.25, -36.27

 

CMYK 0 / 56 / 2 / 24

HEX #C355BF

RGB 195 85 191

HSL 302.18, 0.48%, 0.55%

LAB 53.88, 57.72, -35.51

 

CMYK 0 / 62 / 3 / 30

HEX #B243AC

RGB 178 67 172

HSL 303.24, 0.45%, 0.48%

LAB 47.57, 57.95, -34.52

 

CMYK 0 / 70 / 5 / 37

HEX #A13199

RGB 161 49 153

HSL 304.29, 0.53%, 0.41%

LAB 41.33, 57.74, -33.19

 

CMYK 0 / 47 / 0 / 10

HEX #E57AE5

RGB 229 122 229

HSL 300, 0.67%, 0.69%

LAB 66.7, 56.16, -36.61

 

CMYK 0 / 47 / 13 / 10

HEX #E57AC8

RGB 229 122 200

HSL 316.26, 0.67%, 0.69%

LAB 65.55, 51.3, -22.2

 

CMYK 0 / 47 / 25 / 10

HEX #E57AAB

RGB 229 122 171

HSL 332.52, 0.67%, 0.69%

LAB 64.58, 47.01, -7.28

 

CMYK 0 / 47 / 38 / 10

HEX #E57A8E

RGB 229 122 142

HSL 348.79, 0.67%, 0.69%

LAB 63.78, 43.37, 8.07

 

CMYK 0 / 47 / 47 / 10

HEX #E57A7A

RGB 229 122 122

HSL 0, 0.67%, 0.69%

LAB 63.33, 41.27, 18.83

 

CMYK 0 / 47 / 0 / 10

HEX #E57AE5

RGB 229 122 229

HSL 300, 0.67%, 0.69%

LAB 66.7, 56.16, -36.61

 

CMYK 13 / 47 / 0 / 10

HEX #C87AE5

RGB 200 122 229

HSL 283.74, 0.67%, 0.69%

LAB 63.22, 47.99, -42.29

 

CMYK 25 / 47 / 0 / 10

HEX #AB7AE5

RGB 171 122 229

HSL 267.48, 0.67%, 0.69%

LAB 60.1, 39.99, -47.43

 

CMYK 38 / 47 / 0 / 10

HEX #8E7AE5

RGB 142 122 229

HSL 251.21, 0.67%, 0.69%

LAB 57.39, 32.42, -51.89

 

CMYK 47 / 47 / 0 / 10

HEX #7A7AE5

RGB 122 122 229

HSL 240, 0.67%, 0.69%

LAB 55.8, 27.62, -54.52

 

CMYK 0 / 47 / 0 / 10

HEX #E57AE5

RGB 229 122 229

HSL 300, 0.67%, 0.69%

LAB 66.7, 56.16, -36.61

 

CMYK 0 / 55 / 0 / 5

HEX #F26DF2

RGB 242 109 242

HSL 300, 0.84%, 0.69%

LAB 66.69, 67.95, -43.68

 

CMYK 0 / 47 / 0 / 10

HEX #E57AE5

RGB 229 122 229

HSL 300, 0.67%, 0.69%

LAB 66.7, 56.16, -36.61

 

CMYK 0 / 38 / 0 / 15

HEX #D886D8

RGB 216 134 216

HSL 300, 0.51%, 0.69%

LAB 66.98, 43.89, -29.08

 

CMYK 0 / 28 / 0 / 20

HEX #CC93CC

RGB 204 147 204

HSL 300, 0.36%, 0.69%

LAB 68.07, 30.87, -20.86

 

CMYK 0 / 16 / 0 / 25

HEX #BFA0BF

RGB 191 160 191

HSL 300, 0.19%, 0.69%

LAB 69.45, 16.86, -11.67

 

CMYK 0 / 3 / 0 / 30

HEX #B2ADB2

RGB 178 173 178

HSL 300, 0.03%, 0.69%

LAB 71.26, 2.71, -1.93

 

CMYK 25 / 47 / 0 / 10

HEX #AC7AE5

RGB 172 122 229

HSL 268.04, 0.67%, 0.69%

LAB 60.2, 40.26, -47.26

 

CMYK 12 / 47 / 0 / 10

HEX #C97AE5

RGB 201 122 229

HSL 284.3, 0.67%, 0.69%

LAB 63.34, 48.27, -42.11

 

CMYK 0 / 47 / 0 / 10

HEX #E57AE5

RGB 229 122 229

HSL 300, 0.67%, 0.69%

LAB 66.7, 56.16, -36.61

 

CMYK 0 / 47 / 12 / 10

HEX #E57AC9

RGB 229 122 201

HSL 315.7, 0.67%, 0.69%

LAB 65.59, 51.46, -22.7

 

CMYK 0 / 47 / 25 / 10

HEX #E57AAC

RGB 229 122 172

HSL 331.96, 0.67%, 0.69%

LAB 64.61, 47.15, -7.81

 

CMYK 0 / 76 / 0 / 15

HEX #D834D8

RGB 216 52 216

HSL 300, 0.68%, 0.53%

LAB 54.04, 78.76, -49.36

 

CMYK 0 / 61 / 0 / 13

HEX #DF57DF

RGB 223 87 223

HSL 300, 0.68%, 0.61%

LAB 59.74, 69.38, -44.22

 

CMYK 0 / 47 / 0 / 10

HEX #E57AE5

RGB 229 122 229

HSL 300, 0.67%, 0.69%

LAB 66.7, 56.16, -36.61

 

CMYK 0 / 34 / 0 / 7

HEX #EC9CEC

RGB 236 156 236

HSL 300, 0.68%, 0.77%

LAB 74.61, 42.17, -28.15

 

CMYK 0 / 21 / 0 / 5

HEX #F2BFF2

RGB 242 191 242

HSL 300, 0.66%, 0.85%

LAB 83.2, 26.65, -18.25

 

CMYK 0 / 47 / 0 / 10

HEX #E579E5

RGB 229 121 229

HSL 300, 0.68%, 0.69%

LAB 66.51, 56.65, -36.9

 

CMYK 0 / 38 / 47 / 10

HEX #E58F7A

RGB 229 143 122

HSL 11.78, 0.67%, 0.69%

LAB 67.8, 30.33, 24.89

 

CMYK 47 / 0 / 19 / 10

HEX #7AE5BA

RGB 122 229 186

HSL 155.89, 0.67%, 0.69%

LAB 83.82, -40.83, 11.5

 

CMYK 0 / 47 / 0 / 10

HEX #E579E5

RGB 229 121 229

HSL 300, 0.68%, 0.69%

LAB 66.51, 56.65, -36.9

 

CMYK 0 / 0 / 47 / 10

HEX #E5E57A

RGB 229 229 122

HSL 60, 0.67%, 0.69%

LAB 88.97, -14.57, 51.79

 

CMYK 47 / 0 / 0 / 10

HEX #7AE5E5

RGB 122 229 229

HSL 180, 0.67%, 0.69%

LAB 84.91, -30.83, -9.58

 

CMYK 0 / 47 / 0 / 10

HEX #E579E5

RGB 229 121 229

HSL 300, 0.68%, 0.69%

LAB 66.51, 56.65, -36.9

 

CMYK 0 / 38 / 47 / 10

HEX #E58F7A

RGB 229 143 122

HSL 11.78, 0.67%, 0.69%

LAB 67.8, 30.33, 24.89

 

CMYK 47 / 0 / 47 / 10

HEX #7AE57A

RGB 122 229 122

HSL 120, 0.67%, 0.69%

LAB 82.69, -52.08, 42.65

 

CMYK 47 / 9 / 0 / 10

HEX #7AD0E5

RGB 122 208 229

HSL 191.78, 0.67%, 0.69%

LAB 78.99, -20.53, -18.46

 

CMYK 0 / 47 / 0 / 10

HEX #E579E5

RGB 229 121 229

HSL 300, 0.68%, 0.69%

LAB 66.51, 56.65, -36.9

 

CMYK 0 / 24 / 47 / 10

HEX #E5AF7A

RGB 229 175 122

HSL 29.72, 0.67%, 0.69%

LAB 75.28, 13.27, 34.71

 

CMYK 47 / 0 / 47 / 10

HEX #7AE57A

RGB 122 229 122

HSL 120, 0.67%, 0.69%

LAB 82.69, -52.08, 42.65

 

CMYK 47 / 24 / 0 / 10

HEX #7AAFE5

RGB 122 175 229

HSL 210.28, 0.67%, 0.69%

LAB 69.79, -3.08, -32.52

 

Description

Color code: HEX #E579E5 | qconv.com Color code: HEX #E579E5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 121 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 121 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 0% 10% C M Y K

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Provide designers and agencies with accurate color values.

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