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Color name
HEX #E57F2D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E57F2D it is the complementary color #1A80D2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E57F2D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E57F2D shade: #EA7F28, #FB913B, #FFA34E, #FFB561 and #FFC774

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E57F2D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E57F2D shade: #E57F2D, #D46D1A, #C35B07, #B24900 and #A13700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E57F2D shade: #E57F2E, #E54E2E and #E52E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E57F2D shade: #E57F2E, #E5B12E, #E5E22E, #B6E52E and #85E52E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E57F2D shade matches the following richer shades: #E57F2E and #F87D1B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E57F2D shade: #E57F2E, #D28141, #BF8354, #AC8567 and #99887A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E57F2D shade: #E52E40, #E54C2E, #E57D2E, #E5AE2E and #E5DF2E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E57F2D shade: #AB5815, #D06B19, #E57F2E, #E99652 and #EEAC77

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E57F2D shade: #E57F2D, #71E52E and #342EE5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E57F2D shade: #E57F2D, #2EE57D and #7D2EE5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E57F2D shade: #E57F2D, #71E52E, #2E95E5 and #A22EE5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E57F2D shade: #E57F2D, #3AE52E, #2E95E5 and #D82EE5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 80 / 10

HEX #E57F2D

RGB 229 127 45

HSL 26.74, 0.78%, 0.54%

LAB 63.36, 33.78, 58.53

 

Complementary color

CMYK 88 / 39 / 0 / 18

HEX #1A80D2

RGB 26 128 210

HSL 206.74, 0.78%, 0.46%

LAB 52.19, 2.38, -49.84

 

CMYK 0 / 46 / 83 / 8

HEX #EA7F28

RGB 234 127 40

HSL 26.91, 0.82%, 0.54%

LAB 64.02, 35.64, 61.29

 

CMYK 0 / 42 / 76 / 2

HEX #FB913B

RGB 251 145 59

HSL 26.88, 0.96%, 0.61%

LAB 70.23, 33.82, 60.3

 

CMYK 0 / 36 / 69 / 0

HEX #FFA34E

RGB 255 163 78

HSL 28.81, 1%, 0.65%

LAB 74.83, 26.95, 56.78

 

CMYK 0 / 29 / 62 / 0

HEX #FFB561

RGB 255 181 97

HSL 31.9, 1%, 0.69%

LAB 79.14, 18.65, 52.66

 

CMYK 0 / 22 / 55 / 0

HEX #FFC774

RGB 255 199 116

HSL 35.83, 1%, 0.73%

LAB 83.64, 10.64, 48.77

 

CMYK 0 / 45 / 80 / 10

HEX #E57F2D

RGB 229 127 45

HSL 26.74, 0.78%, 0.54%

LAB 63.36, 33.78, 58.53

 

CMYK 0 / 49 / 88 / 17

HEX #D46D1A

RGB 212 109 26

HSL 26.77, 0.78%, 0.47%

LAB 57.08, 35.72, 59.11

 

CMYK 0 / 53 / 96 / 24

HEX #C35B07

RGB 195 91 7

HSL 26.81, 0.93%, 0.4%

LAB 50.8, 37.81, 58.32

 

CMYK 0 / 59 / 100 / 30

HEX #B24900

RGB 178 73 0

HSL 24.61, 1%, 0.35%

LAB 44.56, 39.99, 54.89

 

CMYK 0 / 66 / 100 / 37

HEX #A13700

RGB 161 55 0

HSL 20.5, 1%, 0.32%

LAB 38.39, 42, 49.98

 

CMYK 0 / 45 / 80 / 10

HEX #E57F2E

RGB 229 127 46

HSL 26.56, 0.78%, 0.54%

LAB 63.37, 33.81, 58.13

 

CMYK 0 / 66 / 80 / 10

HEX #E54E2E

RGB 229 78 46

HSL 10.49, 0.78%, 0.54%

LAB 54.35, 56.96, 49.59

 

CMYK 0 / 80 / 80 / 10

HEX #E52E2E

RGB 229 46 46

HSL 0, 0.78%, 0.54%

LAB 50.46, 67.7, 45.78

 

CMYK 0 / 45 / 80 / 10

HEX #E57F2E

RGB 229 127 46

HSL 26.56, 0.78%, 0.54%

LAB 63.37, 33.81, 58.13

 

CMYK 0 / 23 / 80 / 10

HEX #E5B12E

RGB 229 177 46

HSL 42.95, 0.78%, 0.54%

LAB 75.01, 7.33, 68.68

 

CMYK 0 / 1 / 80 / 10

HEX #E5E22E

RGB 229 226 46

HSL 59.02, 0.78%, 0.54%

LAB 87.61, -17.65, 79.71

 

CMYK 21 / 0 / 80 / 10

HEX #B6E52E

RGB 182 229 46

HSL 75.41, 0.78%, 0.54%

LAB 85.09, -38.1, 76.22

 

CMYK 42 / 0 / 80 / 10

HEX #85E52E

RGB 133 229 46

HSL 91.48, 0.78%, 0.54%

LAB 82.5, -55.62, 72.91

 

CMYK 0 / 45 / 80 / 10

HEX #E57F2E

RGB 229 127 46

HSL 26.56, 0.78%, 0.54%

LAB 63.37, 33.81, 58.13

 

CMYK 0 / 50 / 89 / 3

HEX #F87D1B

RGB 248 125 27

HSL 26.61, 0.94%, 0.54%

LAB 65.52, 41.89, 67.53

 

CMYK 0 / 45 / 80 / 10

HEX #E57F2E

RGB 229 127 46

HSL 26.56, 0.78%, 0.54%

LAB 63.37, 33.81, 58.13

 

CMYK 0 / 39 / 69 / 18

HEX #D28141

RGB 210 129 65

HSL 26.48, 0.62%, 0.54%

LAB 61.47, 25.77, 46.82

 

CMYK 0 / 31 / 56 / 25

HEX #BF8354

RGB 191 131 84

HSL 26.36, 0.46%, 0.54%

LAB 59.84, 18.01, 34.51

 

CMYK 0 / 23 / 40 / 33

HEX #AC8567

RGB 172 133 103

HSL 26.09, 0.29%, 0.54%

LAB 58.53, 10.83, 21.91

 

CMYK 0 / 11 / 20 / 40

HEX #99887A

RGB 153 136 122

HSL 27.1, 0.13%, 0.54%

LAB 57.83, 4.04, 9.85

 

CMYK 0 / 80 / 72 / 10

HEX #E52E40

RGB 229 46 64

HSL 354.1, 0.78%, 0.54%

LAB 50.67, 68.33, 35.94

 

CMYK 0 / 67 / 80 / 10

HEX #E54C2E

RGB 229 76 46

HSL 9.84, 0.78%, 0.54%

LAB 54.05, 57.76, 49.3

 

CMYK 0 / 45 / 80 / 10

HEX #E57D2E

RGB 229 125 46

HSL 25.9, 0.78%, 0.54%

LAB 62.95, 34.84, 57.73

 

CMYK 0 / 24 / 80 / 10

HEX #E5AE2E

RGB 229 174 46

HSL 41.97, 0.78%, 0.54%

LAB 74.27, 8.91, 68.02

 

CMYK 0 / 3 / 80 / 10

HEX #E5DF2E

RGB 229 223 46

HSL 58.03, 0.78%, 0.54%

LAB 86.82, -16.18, 79.03

 

CMYK 0 / 49 / 88 / 33

HEX #AB5815

RGB 171 88 21

HSL 26.8, 0.78%, 0.38%

LAB 46.57, 29.77, 49.83

 

CMYK 0 / 49 / 88 / 18

HEX #D06B19

RGB 208 107 25

HSL 26.89, 0.79%, 0.46%

LAB 56.08, 35.11, 58.39

 

CMYK 0 / 45 / 80 / 10

HEX #E57F2E

RGB 229 127 46

HSL 26.56, 0.78%, 0.54%

LAB 63.37, 33.81, 58.13

 

CMYK 0 / 36 / 65 / 9

HEX #E99652

RGB 233 150 82

HSL 27.02, 0.77%, 0.62%

LAB 69.29, 25.04, 47.99

 

CMYK 0 / 28 / 50 / 7

HEX #EEAC77

RGB 238 172 119

HSL 26.72, 0.78%, 0.7%

LAB 75.46, 18.2, 36.71

 

CMYK 0 / 45 / 80 / 10

HEX #E57F2D

RGB 229 127 45

HSL 26.74, 0.78%, 0.54%

LAB 63.36, 33.78, 58.53

 

CMYK 51 / 0 / 80 / 10

HEX #71E52E

RGB 113 229 46

HSL 98.03, 0.78%, 0.54%

LAB 81.7, -61.64, 71.88

 

CMYK 77 / 80 / 0 / 10

HEX #342EE5

RGB 52 46 229

HSL 241.97, 0.78%, 0.54%

LAB 34.68, 60.66, -89.14

 

CMYK 0 / 45 / 80 / 10

HEX #E57F2D

RGB 229 127 45

HSL 26.74, 0.78%, 0.54%

LAB 63.36, 33.78, 58.53

 

CMYK 80 / 0 / 45 / 10

HEX #2EE57D

RGB 46 229 125

HSL 145.9, 0.78%, 0.54%

LAB 80.79, -66.34, 38.38

 

CMYK 45 / 80 / 0 / 10

HEX #7D2EE5

RGB 125 46 229

HSL 265.9, 0.78%, 0.54%

LAB 41.17, 67.74, -78.21

 

CMYK 0 / 45 / 80 / 10

HEX #E57F2D

RGB 229 127 45

HSL 26.74, 0.78%, 0.54%

LAB 63.36, 33.78, 58.53

 

CMYK 51 / 0 / 80 / 10

HEX #71E52E

RGB 113 229 46

HSL 98.03, 0.78%, 0.54%

LAB 81.7, -61.64, 71.88

 

CMYK 80 / 35 / 0 / 10

HEX #2E95E5

RGB 46 149 229

HSL 206.23, 0.78%, 0.54%

LAB 59.65, -1.42, -48.61

 

CMYK 29 / 80 / 0 / 10

HEX #A22EE5

RGB 162 46 229

HSL 278.03, 0.78%, 0.54%

LAB 46.03, 73.13, -70.07

 

CMYK 0 / 45 / 80 / 10

HEX #E57F2D

RGB 229 127 45

HSL 26.74, 0.78%, 0.54%

LAB 63.36, 33.78, 58.53

 

CMYK 75 / 0 / 80 / 10

HEX #3AE52E

RGB 58 229 46

HSL 116.07, 0.78%, 0.54%

LAB 80.26, -73.49, 70.02

 

CMYK 80 / 35 / 0 / 10

HEX #2E95E5

RGB 46 149 229

HSL 206.23, 0.78%, 0.54%

LAB 59.65, -1.42, -48.61

 

CMYK 6 / 80 / 0 / 10

HEX #D82EE5

RGB 216 46 229

HSL 295.74, 0.78%, 0.54%

LAB 54.25, 82.34, -56.39

 

Description

Color code: HEX #E57F2D | qconv.com Color code: HEX #E57F2D | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 127 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 127 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 80 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 80% 10% C M Y K

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