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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E589CB it is the complementary color #1A7634. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E589CB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E589CB shade: #EA89C6, #FB9BD9, #FFADEC, #FFBFFF and #FFD1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E589CB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E589CB shade: #E589CB, #D477B8, #C365A5, #B25392 and #A1417F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E589CB shade: #E589CB, #E589B2, #E5899A and #E58989

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E589CB shade: #E589CB, #E589E4, #CD89E5, #B589E5 and #9C89E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E589CB shade matches the following richer shades: #E589CB, #F07ED0 and #FC72D5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E589CB shade: #E589CB, #D995C6, #CEA1C1, #C2ACBC and #B7B8B7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E589CB shade: #CC89E5, #E589E5, #E589CC, #E589B4 and #E5899C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E589CB shade: #D646AD, #DD68BC, #E589CB, #ECABDA and #F4CDE9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E589CB shade: #E589CB, #E5B489 and #89E5D9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E589CB shade: #E589CB, #CCE589 and #89CCE5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E589CB shade: #E589CB, #E5B489, #89E5A2 and #89BAE5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E589CB shade: #E589CB, #E5CF89, #89E5A2 and #899FE5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 11 / 10

HEX #E589CB

RGB 229 137 203

HSL 316.96, 0.64%, 0.72%

LAB 68.65, 44.17, -19.16

 

Complementary color

CMYK 78 / 0 / 56 / 54

HEX #1A7634

RGB 26 118 52

HSL 136.96, 0.64%, 0.28%

LAB 43.4, -41.33, 28.73

 

CMYK 0 / 41 / 15 / 8

HEX #EA89C6

RGB 234 137 198

HSL 322.27, 0.7%, 0.73%

LAB 69.08, 44.98, -15.66

 

CMYK 0 / 38 / 14 / 2

HEX #FB9BD9

RGB 251 155 217

HSL 321.25, 0.92%, 0.8%

LAB 75.43, 44.23, -16.38

 

CMYK 0 / 32 / 7 / 0

HEX #FFADEC

RGB 255 173 236

HSL 313.9, 1%, 0.84%

LAB 80.29, 39.3, -19.31

 

CMYK 0 / 25 / 0 / 0

HEX #FFBFFF

RGB 255 191 255

HSL 300, 1%, 0.87%

LAB 84.86, 33.2, -22.55

 

CMYK 0 / 18 / 0 / 0

HEX #FFD1FF

RGB 255 209 255

HSL 300, 1%, 0.91%

LAB 88.96, 23.75, -16.36

 

CMYK 0 / 40 / 11 / 10

HEX #E589CB

RGB 229 137 203

HSL 316.96, 0.64%, 0.72%

LAB 68.65, 44.17, -19.16

 

CMYK 0 / 44 / 13 / 17

HEX #D477B8

RGB 212 119 184

HSL 318.06, 0.52%, 0.65%

LAB 62.21, 44.92, -18.45

 

CMYK 0 / 48 / 15 / 24

HEX #C365A5

RGB 195 101 165

HSL 319.15, 0.44%, 0.58%

LAB 55.71, 45.66, -17.62

 

CMYK 0 / 53 / 18 / 30

HEX #B25392

RGB 178 83 146

HSL 320.21, 0.38%, 0.51%

LAB 49.16, 46.35, -16.64

 

CMYK 0 / 60 / 21 / 37

HEX #A1417F

RGB 161 65 127

HSL 321.25, 0.42%, 0.44%

LAB 42.6, 46.88, -15.42

 

CMYK 0 / 40 / 11 / 10

HEX #E589CB

RGB 229 137 203

HSL 316.96, 0.64%, 0.72%

LAB 68.65, 44.17, -19.16

 

CMYK 0 / 40 / 22 / 10

HEX #E589B2

RGB 229 137 178

HSL 333.26, 0.64%, 0.72%

LAB 67.85, 40.31, -6.38

 

CMYK 0 / 40 / 33 / 10

HEX #E5899A

RGB 229 137 154

HSL 348.91, 0.64%, 0.72%

LAB 67.19, 37.07, 6.15

 

CMYK 0 / 40 / 40 / 10

HEX #E58989

RGB 229 137 137

HSL 0, 0.64%, 0.72%

LAB 66.79, 35.06, 15.15

 

CMYK 0 / 40 / 11 / 10

HEX #E589CB

RGB 229 137 203

HSL 316.96, 0.64%, 0.72%

LAB 68.65, 44.17, -19.16

 

CMYK 0 / 40 / 0 / 10

HEX #E589E4

RGB 229 137 228

HSL 300.65, 0.64%, 0.72%

LAB 69.58, 48.45, -31.59

 

CMYK 10 / 40 / 0 / 10

HEX #CD89E5

RGB 205 137 229

HSL 284.35, 0.64%, 0.72%

LAB 66.92, 41.49, -36.47

 

CMYK 21 / 40 / 0 / 10

HEX #B589E5

RGB 181 137 229

HSL 268.7, 0.64%, 0.72%

LAB 64.46, 34.46, -40.49

 

CMYK 32 / 40 / 0 / 10

HEX #9C89E5

RGB 156 137 229

HSL 252.39, 0.64%, 0.72%

LAB 62.18, 27.43, -44.23

 

CMYK 0 / 40 / 11 / 10

HEX #E589CB

RGB 229 137 203

HSL 316.96, 0.64%, 0.72%

LAB 68.65, 44.17, -19.16

 

CMYK 0 / 48 / 13 / 6

HEX #F07ED0

RGB 240 126 208

HSL 316.84, 0.79%, 0.72%

LAB 68.02, 53.94, -22.78

 

CMYK 0 / 55 / 15 / 1

HEX #FC72D5

RGB 252 114 213

HSL 316.96, 0.96%, 0.72%

LAB 67.68, 63.85, -25.95

 

CMYK 0 / 40 / 11 / 10

HEX #E589CB

RGB 229 137 203

HSL 316.96, 0.64%, 0.72%

LAB 68.65, 44.17, -19.16

 

CMYK 0 / 31 / 9 / 15

HEX #D995C6

RGB 217 149 198

HSL 316.76, 0.47%, 0.72%

LAB 69.7, 33.03, -14.92

 

CMYK 0 / 22 / 6 / 19

HEX #CEA1C1

RGB 206 161 193

HSL 317.33, 0.31%, 0.72%

LAB 71.19, 21.87, -10.04

 

CMYK 0 / 11 / 3 / 24

HEX #C2ACBC

RGB 194 172 188

HSL 316.36, 0.15%, 0.72%

LAB 72.63, 10.75, -5.26

 

CMYK 1 / 0 / 1 / 28

HEX #B7B8B7

RGB 183 184 183

HSL 120, 0.01%, 0.72%

LAB 74.68, -0.53, 0.38

 

CMYK 11 / 40 / 0 / 10

HEX #CC89E5

RGB 204 137 229

HSL 283.7, 0.64%, 0.72%

LAB 66.81, 41.19, -36.65

 

CMYK 0 / 40 / 0 / 10

HEX #E589E5

RGB 229 137 229

HSL 300, 0.64%, 0.72%

LAB 69.62, 48.63, -32.08

 

CMYK 0 / 40 / 11 / 10

HEX #E589CC

RGB 229 137 204

HSL 316.3, 0.64%, 0.72%

LAB 68.69, 44.33, -19.66

 

CMYK 0 / 40 / 21 / 10

HEX #E589B4

RGB 229 137 180

HSL 331.96, 0.64%, 0.72%

LAB 67.91, 40.61, -7.42

 

CMYK 0 / 40 / 32 / 10

HEX #E5899C

RGB 229 137 156

HSL 347.61, 0.64%, 0.72%

LAB 67.24, 37.32, 5.1

 

CMYK 0 / 67 / 19 / 16

HEX #D646AD

RGB 214 70 173

HSL 317.08, 0.64%, 0.56%

LAB 53.7, 66.17, -25.12

 

CMYK 0 / 53 / 15 / 13

HEX #DD68BC

RGB 221 104 188

HSL 316.92, 0.63%, 0.64%

LAB 60.7, 55.75, -22.93

 

CMYK 0 / 40 / 11 / 10

HEX #E589CB

RGB 229 137 203

HSL 316.96, 0.64%, 0.72%

LAB 68.65, 44.17, -19.16

 

CMYK 0 / 28 / 8 / 7

HEX #ECABDA

RGB 236 171 218

HSL 316.62, 0.63%, 0.8%

LAB 77.29, 31.06, -14.29

 

CMYK 0 / 16 / 5 / 4

HEX #F4CDE9

RGB 244 205 233

HSL 316.92, 0.64%, 0.88%

LAB 86.39, 18.3, -8.67

 

CMYK 0 / 40 / 11 / 10

HEX #E589CB

RGB 229 137 203

HSL 316.96, 0.64%, 0.72%

LAB 68.65, 44.17, -19.16

 

CMYK 0 / 21 / 40 / 10

HEX #E5B489

RGB 229 180 137

HSL 28.04, 0.64%, 0.72%

LAB 76.74, 12.17, 28.71

 

CMYK 40 / 0 / 5 / 10

HEX #89E5D9

RGB 137 229 217

HSL 172.17, 0.64%, 0.72%

LAB 85.18, -30.21, -2.78

 

CMYK 0 / 40 / 11 / 10

HEX #E589CB

RGB 229 137 203

HSL 316.96, 0.64%, 0.72%

LAB 68.65, 44.17, -19.16

 

CMYK 11 / 0 / 40 / 10

HEX #CCE589

RGB 204 229 137

HSL 76.3, 0.64%, 0.72%

LAB 87.33, -22.67, 42.09

 

CMYK 40 / 11 / 0 / 10

HEX #89CCE5

RGB 137 204 229

HSL 196.3, 0.64%, 0.72%

LAB 78.56, -14.86, -19.05

 

CMYK 0 / 40 / 11 / 10

HEX #E589CB

RGB 229 137 203

HSL 316.96, 0.64%, 0.72%

LAB 68.65, 44.17, -19.16

 

CMYK 0 / 21 / 40 / 10

HEX #E5B489

RGB 229 180 137

HSL 28.04, 0.64%, 0.72%

LAB 76.74, 12.17, 28.71

 

CMYK 40 / 0 / 29 / 10

HEX #89E5A2

RGB 137 229 162

HSL 136.3, 0.64%, 0.72%

LAB 83.95, -41.52, 24.28

 

CMYK 40 / 19 / 0 / 10

HEX #89BAE5

RGB 137 186 229

HSL 208.04, 0.64%, 0.72%

LAB 73.61, -5.34, -26.59

 

CMYK 0 / 40 / 11 / 10

HEX #E589CB

RGB 229 137 203

HSL 316.96, 0.64%, 0.72%

LAB 68.65, 44.17, -19.16

 

CMYK 0 / 10 / 40 / 10

HEX #E5CF89

RGB 229 207 137

HSL 45.65, 0.64%, 0.72%

LAB 83.49, -1.97, 37.56

 

CMYK 40 / 0 / 29 / 10

HEX #89E5A2

RGB 137 229 162

HSL 136.3, 0.64%, 0.72%

LAB 83.95, -41.52, 24.28

 

CMYK 40 / 31 / 0 / 10

HEX #899FE5

RGB 137 159 229

HSL 225.65, 0.64%, 0.72%

LAB 66.35, 9.68, -37.81

 

Description

Color code: HEX #E589CB | qconv.com Color code: HEX #E589CB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 137 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 137 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 11 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 11% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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