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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E58E21 it is the complementary color #1A71DE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E58E21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E58E21 shade: #EA8E1C, #FBA02F, #FFB242, #FFC455 and #FFD668

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E58E21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E58E21 shade: #E58E21, #D47C0E, #C36A00, #B25800 and #A14600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E58E21 shade: #E48D1F, #E4571F, #E4221F and #E41F1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E58E21 shade: #E48D1F, #E4C21F, #D1E41F, #9CE41F and #67E41F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E58E21 shade matches the following richer shades: #E48D1F and #F88F0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E58E21 shade: #E48D1F, #D08A33, #BC8847, #A8865B and #938470

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E58E21 shade: #E4221F, #E4571F, #E48B1F, #E4C01F and #D4E41F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E58E21 shade: #9E6012, #C37716, #E48D1F, #E99F44 and #EDB269

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E58E21 shade: #E58E21, #50E41F and #3C1FE4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E58E21 shade: #E58E21, #1FE48B and #8B1FE4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E58E21 shade: #E58E21, #50E41F, #1F78E4 and #B31FE4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E58E21 shade: #E58E21, #1FE429, #1F78E4 and #E41FDA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 86 / 10

HEX #E58E21

RGB 229 142 33

HSL 33.37, 0.79%, 0.51%

LAB 66.61, 25.56, 65.56

 

Complementary color

CMYK 88 / 49 / 0 / 13

HEX #1A71DE

RGB 26 113 222

HSL 213.37, 0.79%, 0.49%

LAB 48.64, 16.35, -62.32

 

CMYK 0 / 39 / 88 / 8

HEX #EA8E1C

RGB 234 142 28

HSL 33.2, 0.83%, 0.51%

LAB 67.22, 27.54, 67.73

 

CMYK 0 / 36 / 81 / 2

HEX #FBA02F

RGB 251 160 47

HSL 33.24, 0.96%, 0.58%

LAB 73.45, 25.63, 67.91

 

CMYK 0 / 30 / 74 / 0

HEX #FFB242

RGB 255 178 66

HSL 35.56, 1%, 0.63%

LAB 78.17, 18.56, 65.37

 

CMYK 0 / 23 / 67 / 0

HEX #FFC455

RGB 255 196 85

HSL 39.18, 1%, 0.67%

LAB 82.59, 10.11, 61.99

 

CMYK 0 / 16 / 59 / 0

HEX #FFD668

RGB 255 214 104

HSL 43.71, 1%, 0.7%

LAB 87.17, 2.02, 58.59

 

CMYK 0 / 38 / 86 / 10

HEX #E58E21

RGB 229 142 33

HSL 33.37, 0.79%, 0.51%

LAB 66.61, 25.56, 65.56

 

CMYK 0 / 42 / 93 / 17

HEX #D47C0E

RGB 212 124 14

HSL 33.33, 0.88%, 0.44%

LAB 60.29, 27.63, 64.55

 

CMYK 0 / 46 / 100 / 24

HEX #C36A00

RGB 195 106 0

HSL 32.62, 1%, 0.38%

LAB 53.93, 29.91, 61.74

 

CMYK 0 / 51 / 100 / 30

HEX #B25800

RGB 178 88 0

HSL 29.66, 1%, 0.35%

LAB 47.55, 32.36, 56.61

 

CMYK 0 / 57 / 100 / 37

HEX #A14600

RGB 161 70 0

HSL 26.09, 1%, 0.32%

LAB 41.15, 34.76, 51.48

 

CMYK 0 / 38 / 86 / 11

HEX #E48D1F

RGB 228 141 31

HSL 33.5, 0.78%, 0.51%

LAB 66.25, 25.62, 65.8

 

CMYK 0 / 62 / 86 / 11

HEX #E4571F

RGB 228 87 31

HSL 17.06, 0.78%, 0.51%

LAB 55.49, 52.44, 57.13

 

CMYK 0 / 85 / 86 / 11

HEX #E4221F

RGB 228 34 31

HSL 0.91, 0.78%, 0.51%

LAB 49.18, 69.83, 52.03

 

CMYK 0 / 86 / 86 / 11

HEX #E41F1F

RGB 228 31 31

HSL 0, 0.78%, 0.51%

LAB 48.97, 70.41, 51.87

 

CMYK 0 / 38 / 86 / 11

HEX #E48D1F

RGB 228 141 31

HSL 33.5, 0.78%, 0.51%

LAB 66.25, 25.62, 65.8

 

CMYK 0 / 15 / 86 / 11

HEX #E4C21F

RGB 228 194 31

HSL 49.64, 0.78%, 0.51%

LAB 79.14, -2.38, 76.18

 

CMYK 8 / 0 / 86 / 11

HEX #D1E41F

RGB 209 228 31

HSL 65.79, 0.78%, 0.51%

LAB 86.57, -27.29, 81.55

 

CMYK 32 / 0 / 86 / 11

HEX #9CE41F

RGB 156 228 31

HSL 81.93, 0.78%, 0.51%

LAB 83.26, -47.91, 77.45

 

CMYK 55 / 0 / 86 / 11

HEX #67E41F

RGB 103 228 31

HSL 98.07, 0.78%, 0.51%

LAB 81, -64.62, 74.63

 

CMYK 0 / 38 / 86 / 11

HEX #E48D1F

RGB 228 141 31

HSL 33.5, 0.78%, 0.51%

LAB 66.25, 25.62, 65.8

 

CMYK 0 / 42 / 96 / 3

HEX #F88F0B

RGB 248 143 11

HSL 33.42, 0.94%, 0.51%

LAB 69.2, 32.56, 73.4

 

CMYK 0 / 38 / 86 / 11

HEX #E48D1F

RGB 228 141 31

HSL 33.5, 0.78%, 0.51%

LAB 66.25, 25.62, 65.8

 

CMYK 0 / 34 / 75 / 18

HEX #D08A33

RGB 208 138 51

HSL 33.25, 0.63%, 0.51%

LAB 63.2, 19.38, 54.96

 

CMYK 0 / 28 / 62 / 26

HEX #BC8847

RGB 188 136 71

HSL 33.33, 0.47%, 0.51%

LAB 60.56, 12.97, 42.09

 

CMYK 0 / 20 / 46 / 34

HEX #A8865B

RGB 168 134 91

HSL 33.51, 0.31%, 0.51%

LAB 58.16, 7.24, 28.03

 

CMYK 0 / 10 / 24 / 42

HEX #938470

RGB 147 132 112

HSL 34.29, 0.14%, 0.51%

LAB 55.96, 2.33, 12.87

 

CMYK 0 / 85 / 86 / 11

HEX #E4221F

RGB 228 34 31

HSL 0.91, 0.78%, 0.51%

LAB 49.18, 69.83, 52.03

 

CMYK 0 / 62 / 86 / 11

HEX #E4571F

RGB 228 87 31

HSL 17.06, 0.78%, 0.51%

LAB 55.49, 52.44, 57.13

 

CMYK 0 / 39 / 86 / 11

HEX #E48B1F

RGB 228 139 31

HSL 32.89, 0.78%, 0.51%

LAB 65.79, 26.68, 65.44

 

CMYK 0 / 16 / 86 / 11

HEX #E4C01F

RGB 228 192 31

HSL 49.04, 0.78%, 0.51%

LAB 78.63, -1.35, 75.77

 

CMYK 7 / 0 / 86 / 11

HEX #D4E41F

RGB 212 228 31

HSL 64.87, 0.78%, 0.51%

LAB 86.79, -26.05, 81.82

 

CMYK 0 / 39 / 89 / 38

HEX #9E6012

RGB 158 96 18

HSL 33.43, 0.8%, 0.35%

LAB 46.55, 19.59, 50.04

 

CMYK 0 / 39 / 89 / 24

HEX #C37716

RGB 195 119 22

HSL 33.64, 0.8%, 0.43%

LAB 56.93, 23.2, 59.18

 

CMYK 0 / 38 / 86 / 11

HEX #E48D1F

RGB 228 141 31

HSL 33.5, 0.78%, 0.51%

LAB 66.25, 25.62, 65.8

 

CMYK 0 / 32 / 71 / 9

HEX #E99F44

RGB 233 159 68

HSL 33.09, 0.79%, 0.59%

LAB 71.24, 19.48, 56.7

 

CMYK 0 / 25 / 56 / 7

HEX #EDB269

RGB 237 178 105

HSL 33.18, 0.79%, 0.67%

LAB 76.6, 13.44, 45.27

 

CMYK 0 / 38 / 86 / 10

HEX #E58E21

RGB 229 142 33

HSL 33.37, 0.79%, 0.51%

LAB 66.61, 25.56, 65.56

 

CMYK 65 / 0 / 86 / 11

HEX #50E41F

RGB 80 228 31

HSL 105.08, 0.78%, 0.51%

LAB 80.34, -70, 73.8

 

CMYK 74 / 86 / 0 / 11

HEX #3C1FE4

RGB 60 31 228

HSL 248.83, 0.78%, 0.51%

LAB 33.01, 66.86, -91.33

 

CMYK 0 / 38 / 86 / 10

HEX #E58E21

RGB 229 142 33

HSL 33.37, 0.79%, 0.51%

LAB 66.61, 25.56, 65.56

 

CMYK 86 / 0 / 39 / 11

HEX #1FE48B

RGB 31 228 139

HSL 152.89, 0.78%, 0.51%

LAB 80.54, -64.81, 31.01

 

CMYK 39 / 86 / 0 / 11

HEX #8B1FE4

RGB 139 31 228

HSL 272.89, 0.78%, 0.51%

LAB 41.33, 73.86, -77.32

 

CMYK 0 / 38 / 86 / 10

HEX #E58E21

RGB 229 142 33

HSL 33.37, 0.79%, 0.51%

LAB 66.61, 25.56, 65.56

 

CMYK 65 / 0 / 86 / 11

HEX #50E41F

RGB 80 228 31

HSL 105.08, 0.78%, 0.51%

LAB 80.34, -70, 73.8

 

CMYK 86 / 47 / 0 / 11

HEX #1F78E4

RGB 31 120 228

HSL 212.89, 0.78%, 0.51%

LAB 51.07, 14.56, -61.79

 

CMYK 21 / 86 / 0 / 11

HEX #B31FE4

RGB 179 31 228

HSL 285.08, 0.78%, 0.51%

LAB 47.19, 79.35, -67.5

 

CMYK 0 / 38 / 86 / 10

HEX #E58E21

RGB 229 142 33

HSL 33.37, 0.79%, 0.51%

LAB 66.61, 25.56, 65.56

 

CMYK 86 / 0 / 82 / 11

HEX #1FE429

RGB 31 228 41

HSL 123.05, 0.78%, 0.51%

LAB 79.58, -76.5, 70.58

 

CMYK 86 / 47 / 0 / 11

HEX #1F78E4

RGB 31 120 228

HSL 212.89, 0.78%, 0.51%

LAB 51.07, 14.56, -61.79

 

CMYK 0 / 86 / 4 / 11

HEX #E41FDA

RGB 228 31 218

HSL 303.05, 0.78%, 0.51%

LAB 54.59, 85.83, -49.5

 

Description

Color code: HEX #E58E21 | qconv.com Color code: HEX #E58E21 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 142 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 142 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 86 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 86% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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