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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E58FA5 it is the complementary color #1A705A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E58FA5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E58FA5 shade: #EA8FA0, #FBA1B3, #FFB3C6, #FFC5D9 and #FFD7EC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E58FA5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E58FA5 shade: #E58FA5, #D47D92, #C36B7F, #B2596C and #A14759

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E58FA5 shade: #E48FA5 and #E48F8F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E58FA5 shade: #E48FA5, #E48FBC, #E48FD3, #DF8FE4 and #C88FE4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E58FA5 shade matches the following richer shades: #E48FA5, #EF849F and #FB799A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E58FA5 shade: #E48FA5, #D99AAA, #CEA5B0, #C3B0B5 and #B8BCBB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E58FA5 shade: #E48FD3, #E48FBC, #E48FA6, #E48F8F and #E4A68F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E58FA5 shade: #D54C6F, #DC6E8A, #E48FA5, #ECB0C0 and #F4D2DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E58FA5 shade: #E58FA5, #E4DF8F and #8FC8E4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E58FA5 shade: #E58FA5, #A6E48F and #8FA6E4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E58FA5 shade: #E58FA5, #E4DF8F, #8FE4CE and #8F95E4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E58FA5 shade: #E58FA5, #D0E48F, #8FE4CE and #A38FE4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 28 / 10

HEX #E58FA5

RGB 229 143 165

HSL 344.65, 0.62%, 0.73%

LAB 68.77, 35.35, 2.25

 

Complementary color

CMYK 77 / 0 / 20 / 56

HEX #1A705A

RGB 26 112 90

HSL 164.65, 0.62%, 0.27%

LAB 42.07, -30.59, 5.12

 

CMYK 0 / 39 / 32 / 8

HEX #EA8FA0

RGB 234 143 160

HSL 348.79, 0.68%, 0.74%

LAB 69.24, 36.49, 5.81

 

CMYK 0 / 36 / 29 / 2

HEX #FBA1B3

RGB 251 161 179

HSL 348, 0.92%, 0.81%

LAB 75.61, 35.63, 4.73

 

CMYK 0 / 30 / 22 / 0

HEX #FFB3C6

RGB 255 179 198

HSL 345, 1%, 0.85%

LAB 80.5, 30.25, 1.53

 

CMYK 0 / 23 / 15 / 0

HEX #FFC5D9

RGB 255 197 217

HSL 339.31, 1%, 0.89%

LAB 85.1, 23.64, -1.96

 

CMYK 0 / 16 / 7 / 0

HEX #FFD7EC

RGB 255 215 236

HSL 328.5, 1%, 0.92%

LAB 89.82, 17.3, -5.08

 

CMYK 0 / 38 / 28 / 10

HEX #E58FA5

RGB 229 143 165

HSL 344.65, 0.62%, 0.73%

LAB 68.77, 35.35, 2.25

 

CMYK 0 / 41 / 31 / 17

HEX #D47D92

RGB 212 125 146

HSL 345.52, 0.5%, 0.66%

LAB 62.29, 36.23, 3.35

 

CMYK 0 / 45 / 35 / 24

HEX #C36B7F

RGB 195 107 127

HSL 346.36, 0.42%, 0.59%

LAB 55.74, 37.15, 4.61

 

CMYK 0 / 50 / 39 / 30

HEX #B2596C

RGB 178 89 108

HSL 347.19, 0.37%, 0.52%

LAB 49.12, 38.12, 6.07

 

CMYK 0 / 56 / 45 / 37

HEX #A14759

RGB 161 71 89

HSL 348, 0.39%, 0.45%

LAB 42.47, 39.07, 7.84

 

CMYK 0 / 37 / 28 / 11

HEX #E48FA5

RGB 228 143 165

HSL 344.47, 0.61%, 0.73%

LAB 68.65, 34.99, 2.07

 

CMYK 0 / 37 / 37 / 11

HEX #E48F8F

RGB 228 143 143

HSL 0, 0.61%, 0.73%

LAB 68.11, 32.21, 13.62

 

CMYK 0 / 37 / 28 / 11

HEX #E48FA5

RGB 228 143 165

HSL 344.47, 0.61%, 0.73%

LAB 68.65, 34.99, 2.07

 

CMYK 0 / 37 / 18 / 11

HEX #E48FBC

RGB 228 143 188

HSL 328.24, 0.61%, 0.73%

LAB 69.31, 38.33, -9.82

 

CMYK 0 / 37 / 7 / 11

HEX #E48FD3

RGB 228 143 211

HSL 312, 0.61%, 0.73%

LAB 70.07, 42.06, -21.46

 

CMYK 2 / 37 / 0 / 11

HEX #DF8FE4

RGB 223 143 228

HSL 296.47, 0.61%, 0.73%

LAB 70.13, 43.52, -30.79

 

CMYK 12 / 37 / 0 / 11

HEX #C88FE4

RGB 200 143 228

HSL 280.24, 0.61%, 0.73%

LAB 67.67, 36.54, -34.8

 

CMYK 0 / 37 / 28 / 11

HEX #E48FA5

RGB 228 143 165

HSL 344.47, 0.61%, 0.73%

LAB 68.65, 34.99, 2.07

 

CMYK 0 / 45 / 33 / 6

HEX #EF849F

RGB 239 132 159

HSL 344.86, 0.77%, 0.73%

LAB 67.54, 43.81, 4.01

 

CMYK 0 / 52 / 39 / 2

HEX #FB799A

RGB 251 121 154

HSL 344.77, 0.94%, 0.73%

LAB 66.91, 52.74, 6.14

 

CMYK 0 / 37 / 28 / 11

HEX #E48FA5

RGB 228 143 165

HSL 344.47, 0.61%, 0.73%

LAB 68.65, 34.99, 2.07

 

CMYK 0 / 29 / 22 / 15

HEX #D99AAA

RGB 217 154 170

HSL 344.76, 0.45%, 0.73%

LAB 70.01, 25.84, 1.11

 

CMYK 0 / 20 / 15 / 19

HEX #CEA5B0

RGB 206 165 176

HSL 343.9, 0.29%, 0.73%

LAB 71.67, 16.79, 0.06

 

CMYK 0 / 10 / 7 / 24

HEX #C3B0B5

RGB 195 176 181

HSL 344.21, 0.14%, 0.73%

LAB 73.54, 7.68, -0.08

 

CMYK 2 / 0 / 1 / 26

HEX #B8BCBB

RGB 184 188 187

HSL 165, 0.03%, 0.73%

LAB 75.91, -1.57, 0.01

HEX #B8BCBB

CMYK 0 / 37 / 7 / 11

HEX #E48FD3

RGB 228 143 211

HSL 312, 0.61%, 0.73%

LAB 70.07, 42.06, -21.46

 

CMYK 0 / 37 / 18 / 11

HEX #E48FBC

RGB 228 143 188

HSL 328.24, 0.61%, 0.73%

LAB 69.31, 38.33, -9.82

 

CMYK 0 / 37 / 27 / 11

HEX #E48FA6

RGB 228 143 166

HSL 343.76, 0.61%, 0.73%

LAB 68.67, 35.13, 1.55

 

CMYK 0 / 37 / 37 / 11

HEX #E48F8F

RGB 228 143 143

HSL 0, 0.61%, 0.73%

LAB 68.11, 32.21, 13.62

 

CMYK 0 / 27 / 37 / 11

HEX #E4A68F

RGB 228 166 143

HSL 16.24, 0.61%, 0.73%

LAB 73.38, 19.94, 20.93

 

CMYK 0 / 64 / 48 / 16

HEX #D54C6F

RGB 213 76 111

HSL 344.67, 0.62%, 0.57%

LAB 52.36, 56.41, 9.63

 

CMYK 0 / 50 / 37 / 14

HEX #DC6E8A

RGB 220 110 138

HSL 344.73, 0.61%, 0.65%

LAB 60.07, 45.79, 4.89

 

CMYK 0 / 37 / 28 / 11

HEX #E48FA5

RGB 228 143 165

HSL 344.47, 0.61%, 0.73%

LAB 68.65, 34.99, 2.07

 

CMYK 0 / 25 / 19 / 7

HEX #ECB0C0

RGB 236 176 192

HSL 344, 0.61%, 0.81%

LAB 77.69, 24.2, 0.45

 

CMYK 0 / 14 / 10 / 4

HEX #F4D2DB

RGB 244 210 219

HSL 344.12, 0.61%, 0.89%

LAB 87.21, 13.31, -0.05

 

CMYK 0 / 38 / 28 / 10

HEX #E58FA5

RGB 229 143 165

HSL 344.65, 0.62%, 0.73%

LAB 68.77, 35.35, 2.25

 

CMYK 0 / 2 / 37 / 11

HEX #E4DF8F

RGB 228 223 143

HSL 56.47, 0.61%, 0.73%

LAB 87.61, -9.85, 39.83

 

CMYK 37 / 12 / 0 / 11

HEX #8FC8E4

RGB 143 200 228

HSL 199.76, 0.61%, 0.73%

LAB 77.73, -11.47, -19.74

 

CMYK 0 / 38 / 28 / 10

HEX #E58FA5

RGB 229 143 165

HSL 344.65, 0.62%, 0.73%

LAB 68.77, 35.35, 2.25

 

CMYK 27 / 0 / 37 / 11

HEX #A6E48F

RGB 166 228 143

HSL 103.76, 0.61%, 0.73%

LAB 84.78, -35.05, 35.35

 

CMYK 37 / 27 / 0 / 11

HEX #8FA6E4

RGB 143 166 228

HSL 223.76, 0.61%, 0.73%

LAB 68.54, 7.03, -33.81

 

CMYK 0 / 38 / 28 / 10

HEX #E58FA5

RGB 229 143 165

HSL 344.65, 0.62%, 0.73%

LAB 68.77, 35.35, 2.25

 

CMYK 0 / 2 / 37 / 11

HEX #E4DF8F

RGB 228 223 143

HSL 56.47, 0.61%, 0.73%

LAB 87.61, -9.85, 39.83

 

CMYK 37 / 0 / 10 / 11

HEX #8FE4CE

RGB 143 228 206

HSL 164.47, 0.61%, 0.73%

LAB 84.89, -30.65, 2.62

 

CMYK 37 / 35 / 0 / 11

HEX #8F95E4

RGB 143 149 228

HSL 235.76, 0.61%, 0.73%

LAB 64.11, 16.73, -40.72

 

CMYK 0 / 38 / 28 / 10

HEX #E58FA5

RGB 229 143 165

HSL 344.65, 0.62%, 0.73%

LAB 68.77, 35.35, 2.25

 

CMYK 9 / 0 / 37 / 11

HEX #D0E48F

RGB 208 228 143

HSL 74.12, 0.61%, 0.73%

LAB 87.43, -19.97, 39.3

 

CMYK 37 / 0 / 10 / 11

HEX #8FE4CE

RGB 143 228 206

HSL 164.47, 0.61%, 0.73%

LAB 84.89, -30.65, 2.62

 

CMYK 29 / 37 / 0 / 11

HEX #A38FE4

RGB 163 143 228

HSL 254.12, 0.61%, 0.73%

LAB 64.19, 25.69, -40.49

 

Description

Color code: HEX #E58FA5 | qconv.com Color code: HEX #E58FA5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 143 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 143 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 28 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 28% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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