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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E590B5 it is the complementary color #1A6F4A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E590B5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E590B5 shade: #EA90B0, #FBA2C3, #FFB4D6, #FFC6E9 and #FFD8FC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E590B5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E590B5 shade: #E590B5, #D47EA2, #C36C8F, #B25A7C and #A14869

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E590B5 shade: #E48FB4, #E48F9D and #E48F8F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E590B5 shade: #E48FB4, #E48FCB, #E48FE2, #CF8FE4 and #B88FE4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E590B5 shade matches the following richer shades: #E48FB4, #EF84B3 and #FB79B1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E590B5 shade: #E48FB4, #D99AB6, #CEA5B7, #C3B0B8 and #B8BCBA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E590B5 shade: #E48FE3, #E48FCC, #E48FB5, #E48F9F and #E4968F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E590B5 shade: #D54C88, #DC6E9E, #E48FB4, #ECB0CA and #F4D2E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E590B5 shade: #E590B5, #E4CF8F and #8FD8E4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E590B5 shade: #E590B5, #B5E48F and #8FB5E4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E590B5 shade: #E590B5, #E4CF8F, #8FE4BE and #8FA4E4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E590B5 shade: #E590B5, #E0E48F, #8FE4BE and #938FE4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 21 / 10

HEX #E590B5

RGB 229 144 181

HSL 333.88, 0.62%, 0.73%

LAB 69.43, 37.09, -5.72

 

Complementary color

CMYK 77 / 0 / 33 / 56

HEX #1A6F4A

RGB 26 111 74

HSL 153.88, 0.62%, 0.27%

LAB 41.35, -34.2, 13.65

 

CMYK 0 / 38 / 25 / 8

HEX #EA90B0

RGB 234 144 176

HSL 338.67, 0.68%, 0.74%

LAB 69.88, 38.1, -2.2

 

CMYK 0 / 35 / 22 / 2

HEX #FBA2C3

RGB 251 162 195

HSL 337.75, 0.92%, 0.81%

LAB 76.25, 37.3, -3.12

 

CMYK 0 / 29 / 16 / 0

HEX #FFB4D6

RGB 255 180 214

HSL 332.8, 1%, 0.85%

LAB 81.16, 32.1, -6.15

 

CMYK 0 / 22 / 9 / 0

HEX #FFC6E9

RGB 255 198 233

HSL 323.16, 1%, 0.89%

LAB 85.77, 25.7, -9.49

 

CMYK 0 / 15 / 1 / 0

HEX #FFD8FC

RGB 255 216 252

HSL 304.62, 1%, 0.92%

LAB 90.51, 19.54, -12.47

 

CMYK 0 / 37 / 21 / 10

HEX #E590B5

RGB 229 144 181

HSL 333.88, 0.62%, 0.73%

LAB 69.43, 37.09, -5.72

 

CMYK 0 / 41 / 24 / 17

HEX #D47EA2

RGB 212 126 162

HSL 334.88, 0.5%, 0.66%

LAB 62.95, 37.9, -4.81

 

CMYK 0 / 45 / 27 / 24

HEX #C36C8F

RGB 195 108 143

HSL 335.86, 0.42%, 0.59%

LAB 56.4, 38.75, -3.78

 

CMYK 0 / 49 / 30 / 30

HEX #B25A7C

RGB 178 90 124

HSL 336.82, 0.36%, 0.53%

LAB 49.78, 39.61, -2.58

 

CMYK 0 / 55 / 35 / 37

HEX #A14869

RGB 161 72 105

HSL 337.75, 0.38%, 0.46%

LAB 43.11, 40.44, -1.12

 

CMYK 0 / 37 / 21 / 11

HEX #E48FB4

RGB 228 143 180

HSL 333.88, 0.61%, 0.73%

LAB 69.06, 37.12, -5.71

 

CMYK 0 / 37 / 31 / 11

HEX #E48F9D

RGB 228 143 157

HSL 350.12, 0.61%, 0.73%

LAB 68.44, 33.93, 6.25

 

CMYK 0 / 37 / 37 / 11

HEX #E48F8F

RGB 228 143 143

HSL 0, 0.61%, 0.73%

LAB 68.11, 32.21, 13.62

 

CMYK 0 / 37 / 21 / 11

HEX #E48FB4

RGB 228 143 180

HSL 333.88, 0.61%, 0.73%

LAB 69.06, 37.12, -5.71

 

CMYK 0 / 37 / 11 / 11

HEX #E48FCB

RGB 228 143 203

HSL 317.65, 0.61%, 0.73%

LAB 69.79, 40.72, -17.44

 

CMYK 0 / 37 / 1 / 11

HEX #E48FE2

RGB 228 143 226

HSL 301.41, 0.61%, 0.73%

LAB 70.61, 44.69, -28.9

 

CMYK 9 / 37 / 0 / 11

HEX #CF8FE4

RGB 207 143 228

HSL 285.18, 0.61%, 0.73%

LAB 68.4, 38.66, -33.61

 

CMYK 19 / 37 / 0 / 11

HEX #B88FE4

RGB 184 143 228

HSL 268.94, 0.61%, 0.73%

LAB 66.09, 31.77, -37.38

 

CMYK 0 / 37 / 21 / 11

HEX #E48FB4

RGB 228 143 180

HSL 333.88, 0.61%, 0.73%

LAB 69.06, 37.12, -5.71

 

CMYK 0 / 45 / 25 / 6

HEX #EF84B3

RGB 239 132 179

HSL 333.64, 0.77%, 0.73%

LAB 68.1, 46.4, -6.43

 

CMYK 0 / 52 / 29 / 2

HEX #FB79B1

RGB 251 121 177

HSL 334.15, 0.94%, 0.73%

LAB 67.54, 55.43, -5.95

 

CMYK 0 / 37 / 21 / 11

HEX #E48FB4

RGB 228 143 180

HSL 333.88, 0.61%, 0.73%

LAB 69.06, 37.12, -5.71

 

CMYK 0 / 29 / 16 / 15

HEX #D99AB6

RGB 217 154 182

HSL 333.33, 0.45%, 0.73%

LAB 70.34, 27.69, -5.07

 

CMYK 0 / 20 / 11 / 19

HEX #CEA5B7

RGB 206 165 183

HSL 333.66, 0.29%, 0.73%

LAB 71.86, 17.96, -3.52

 

CMYK 0 / 10 / 6 / 24

HEX #C3B0B8

RGB 195 176 184

HSL 334.74, 0.14%, 0.73%

LAB 73.62, 8.21, -1.6

 

CMYK 2 / 0 / 1 / 26

HEX #B8BCBA

RGB 184 188 186

HSL 150, 0.03%, 0.73%

LAB 75.89, -1.76, 0.51

 

CMYK 0 / 37 / 0 / 11

HEX #E48FE3

RGB 228 143 227

HSL 300.71, 0.61%, 0.73%

LAB 70.65, 44.87, -29.39

 

CMYK 0 / 37 / 11 / 11

HEX #E48FCC

RGB 228 143 204

HSL 316.94, 0.61%, 0.73%

LAB 69.82, 40.88, -17.95

 

CMYK 0 / 37 / 21 / 11

HEX #E48FB5

RGB 228 143 181

HSL 333.18, 0.61%, 0.73%

LAB 69.09, 37.27, -6.23

 

CMYK 0 / 37 / 30 / 11

HEX #E48F9F

RGB 228 143 159

HSL 348.71, 0.61%, 0.73%

LAB 68.49, 34.19, 5.2

 

CMYK 0 / 34 / 37 / 11

HEX #E4968F

RGB 228 150 143

HSL 4.94, 0.61%, 0.73%

LAB 69.68, 28.49, 15.8

 

CMYK 0 / 64 / 36 / 16

HEX #D54C88

RGB 213 76 136

HSL 333.72, 0.62%, 0.57%

LAB 53.05, 58.93, -4.3

 

CMYK 0 / 50 / 28 / 14

HEX #DC6E9E

RGB 220 110 158

HSL 333.82, 0.61%, 0.65%

LAB 60.64, 48.27, -5.83

 

CMYK 0 / 37 / 21 / 11

HEX #E48FB4

RGB 228 143 180

HSL 333.88, 0.61%, 0.73%

LAB 69.06, 37.12, -5.71

 

CMYK 0 / 25 / 14 / 7

HEX #ECB0CA

RGB 236 176 202

HSL 334, 0.61%, 0.81%

LAB 77.96, 25.75, -4.59

 

CMYK 0 / 14 / 8 / 4

HEX #F4D2E1

RGB 244 210 225

HSL 333.53, 0.61%, 0.89%

LAB 87.37, 14.3, -2.99

 

CMYK 0 / 37 / 21 / 10

HEX #E590B5

RGB 229 144 181

HSL 333.88, 0.62%, 0.73%

LAB 69.43, 37.09, -5.72

 

CMYK 0 / 9 / 37 / 11

HEX #E4CF8F

RGB 228 207 143

HSL 45.18, 0.61%, 0.73%

LAB 83.5, -1.7, 34.49

 

CMYK 37 / 5 / 0 / 11

HEX #8FD8E4

RGB 143 216 228

HSL 188.47, 0.61%, 0.73%

LAB 82.14, -19.68, -13.1

 

CMYK 0 / 37 / 21 / 10

HEX #E590B5

RGB 229 144 181

HSL 333.88, 0.62%, 0.73%

LAB 69.43, 37.09, -5.72

 

CMYK 21 / 0 / 37 / 11

HEX #B5E48F

RGB 181 228 143

HSL 93.18, 0.61%, 0.73%

LAB 85.65, -29.85, 36.65

 

CMYK 37 / 21 / 0 / 11

HEX #8FB5E4

RGB 143 181 228

HSL 213.18, 0.61%, 0.73%

LAB 72.55, -1.3, -27.63

 

CMYK 0 / 37 / 21 / 10

HEX #E590B5

RGB 229 144 181

HSL 333.88, 0.62%, 0.73%

LAB 69.43, 37.09, -5.72

 

CMYK 0 / 9 / 37 / 11

HEX #E4CF8F

RGB 228 207 143

HSL 45.18, 0.61%, 0.73%

LAB 83.5, -1.7, 34.49

 

CMYK 37 / 0 / 17 / 11

HEX #8FE4BE

RGB 143 228 190

HSL 153.18, 0.61%, 0.73%

LAB 84.51, -34.04, 10.49

 

CMYK 37 / 28 / 0 / 11

HEX #8FA4E4

RGB 143 164 228

HSL 225.18, 0.61%, 0.73%

LAB 68.01, 8.16, -34.63

 

CMYK 0 / 37 / 21 / 10

HEX #E590B5

RGB 229 144 181

HSL 333.88, 0.62%, 0.73%

LAB 69.43, 37.09, -5.72

 

CMYK 2 / 0 / 37 / 11

HEX #E0E48F

RGB 224 228 143

HSL 62.82, 0.61%, 0.73%

LAB 88.6, -13.89, 41.04

 

CMYK 37 / 0 / 17 / 11

HEX #8FE4BE

RGB 143 228 190

HSL 153.18, 0.61%, 0.73%

LAB 84.51, -34.04, 10.49

 

CMYK 36 / 37 / 0 / 11

HEX #938FE4

RGB 147 143 228

HSL 242.82, 0.61%, 0.73%

LAB 62.89, 21.27, -42.62

 

Description

Color code: HEX #E590B5 | qconv.com Color code: HEX #E590B5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 144 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 144 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 21 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 21% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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