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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E590BD it is the complementary color #1A6F42. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E590BD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E590BD shade: #EA90B8, #FBA2CB, #FFB4DE, #FFC6F1 and #FFD8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E590BD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E590BD shade: #E590BD, #D47EAA, #C36C97, #B25A84 and #A14871

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E590BD shade: #E48FBC, #E48FA5 and #E48F8F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E590BD shade: #E48FBC, #E48FD3, #DE8FE4, #C78FE4 and #B08FE4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E590BD shade matches the following richer shades: #E48FBC, #EF84BD and #FB79BD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E590BD shade: #E48FBC, #D99ABC, #CEA5BB, #C3B0BA and #B8BCBA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E590BD shade: #DF8FE4, #E48FD3, #E48FBC, #E48FA6 and #E48F8F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E590BD shade: #D54C94, #DC6EA8, #E48FBC, #ECB0D0 and #F4D2E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E590BD shade: #E590BD, #E4C88F and #8FDFE4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E590BD shade: #E590BD, #BCE48F and #8FBCE4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E590BD shade: #E590BD, #E4C88F, #8FE4B7 and #8FABE4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E590BD shade: #E590BD, #E4E18F, #8FE4B7 and #8F92E4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 17 / 10

HEX #E590BD

RGB 229 144 189

HSL 328.24, 0.62%, 0.73%

LAB 69.67, 38.29, -9.83

 

Complementary color

CMYK 77 / 0 / 41 / 56

HEX #1A6F42

RGB 26 111 66

HSL 148.24, 0.62%, 0.27%

LAB 41.19, -35.98, 18.12

 

CMYK 0 / 38 / 21 / 8

HEX #EA90B8

RGB 234 144 184

HSL 333.33, 0.68%, 0.74%

LAB 70.11, 39.25, -6.33

 

CMYK 0 / 35 / 19 / 2

HEX #FBA2CB

RGB 251 162 203

HSL 332.36, 0.92%, 0.81%

LAB 76.47, 38.47, -7.16

 

CMYK 0 / 29 / 13 / 0

HEX #FFB4DE

RGB 255 180 222

HSL 326.4, 1%, 0.85%

LAB 81.39, 33.35, -10.12

 

CMYK 0 / 22 / 5 / 0

HEX #FFC6F1

RGB 255 198 241

HSL 314.74, 1%, 0.89%

LAB 86.01, 27.06, -13.39

 

CMYK 0 / 15 / 0 / 0

HEX #FFD8FF

RGB 255 216 255

HSL 300, 1%, 0.92%

LAB 90.59, 20.08, -13.92

 

CMYK 0 / 37 / 17 / 10

HEX #E590BD

RGB 229 144 189

HSL 328.24, 0.62%, 0.73%

LAB 69.67, 38.29, -9.83

 

CMYK 0 / 41 / 20 / 17

HEX #D47EAA

RGB 212 126 170

HSL 329.3, 0.5%, 0.66%

LAB 63.19, 39.08, -9.01

 

CMYK 0 / 45 / 23 / 24

HEX #C36C97

RGB 195 108 151

HSL 330.34, 0.42%, 0.59%

LAB 56.65, 39.9, -8.07

 

CMYK 0 / 49 / 26 / 30

HEX #B25A84

RGB 178 90 132

HSL 331.36, 0.36%, 0.53%

LAB 50.03, 40.72, -6.99

 

CMYK 0 / 55 / 30 / 37

HEX #A14871

RGB 161 72 113

HSL 332.36, 0.38%, 0.46%

LAB 43.37, 41.49, -5.67

 

CMYK 0 / 37 / 18 / 11

HEX #E48FBC

RGB 228 143 188

HSL 328.24, 0.61%, 0.73%

LAB 69.31, 38.33, -9.82

 

CMYK 0 / 37 / 28 / 11

HEX #E48FA5

RGB 228 143 165

HSL 344.47, 0.61%, 0.73%

LAB 68.65, 34.99, 2.07

 

CMYK 0 / 37 / 37 / 11

HEX #E48F8F

RGB 228 143 143

HSL 0, 0.61%, 0.73%

LAB 68.11, 32.21, 13.62

 

CMYK 0 / 37 / 18 / 11

HEX #E48FBC

RGB 228 143 188

HSL 328.24, 0.61%, 0.73%

LAB 69.31, 38.33, -9.82

 

CMYK 0 / 37 / 7 / 11

HEX #E48FD3

RGB 228 143 211

HSL 312, 0.61%, 0.73%

LAB 70.07, 42.06, -21.46

 

CMYK 3 / 37 / 0 / 11

HEX #DE8FE4

RGB 222 143 228

HSL 295.76, 0.61%, 0.73%

LAB 70.02, 43.22, -30.97

 

CMYK 13 / 37 / 0 / 11

HEX #C78FE4

RGB 199 143 228

HSL 279.53, 0.61%, 0.73%

LAB 67.57, 36.24, -34.96

 

CMYK 23 / 37 / 0 / 11

HEX #B08FE4

RGB 176 143 228

HSL 263.29, 0.61%, 0.73%

LAB 65.34, 29.42, -38.6

 

CMYK 0 / 37 / 18 / 11

HEX #E48FBC

RGB 228 143 188

HSL 328.24, 0.61%, 0.73%

LAB 69.31, 38.33, -9.82

 

CMYK 0 / 45 / 21 / 6

HEX #EF84BD

RGB 239 132 189

HSL 328.04, 0.77%, 0.73%

LAB 68.41, 47.8, -11.58

 

CMYK 0 / 52 / 25 / 2

HEX #FB79BD

RGB 251 121 189

HSL 328.62, 0.94%, 0.73%

LAB 67.92, 56.98, -12.16

 

CMYK 0 / 37 / 18 / 11

HEX #E48FBC

RGB 228 143 188

HSL 328.24, 0.61%, 0.73%

LAB 69.31, 38.33, -9.82

 

CMYK 0 / 29 / 13 / 15

HEX #D99ABC

RGB 217 154 188

HSL 327.62, 0.45%, 0.73%

LAB 70.52, 28.66, -8.14

 

CMYK 0 / 20 / 9 / 19

HEX #CEA5BB

RGB 206 165 187

HSL 327.8, 0.29%, 0.73%

LAB 71.97, 18.64, -5.56

 

CMYK 0 / 10 / 5 / 24

HEX #C3B0BA

RGB 195 176 186

HSL 328.42, 0.14%, 0.73%

LAB 73.67, 8.57, -2.62

 

CMYK 2 / 0 / 1 / 26

HEX #B8BCBA

RGB 184 188 186

HSL 150, 0.03%, 0.73%

LAB 75.89, -1.76, 0.51

 

CMYK 2 / 37 / 0 / 11

HEX #DF8FE4

RGB 223 143 228

HSL 296.47, 0.61%, 0.73%

LAB 70.13, 43.52, -30.79

 

CMYK 0 / 37 / 7 / 11

HEX #E48FD3

RGB 228 143 211

HSL 312, 0.61%, 0.73%

LAB 70.07, 42.06, -21.46

 

CMYK 0 / 37 / 18 / 11

HEX #E48FBC

RGB 228 143 188

HSL 328.24, 0.61%, 0.73%

LAB 69.31, 38.33, -9.82

 

CMYK 0 / 37 / 27 / 11

HEX #E48FA6

RGB 228 143 166

HSL 343.76, 0.61%, 0.73%

LAB 68.67, 35.13, 1.55

 

CMYK 0 / 37 / 37 / 11

HEX #E48F8F

RGB 228 143 143

HSL 0, 0.61%, 0.73%

LAB 68.11, 32.21, 13.62

 

CMYK 0 / 64 / 31 / 16

HEX #D54C94

RGB 213 76 148

HSL 328.47, 0.62%, 0.57%

LAB 53.44, 60.32, -10.84

 

CMYK 0 / 50 / 24 / 14

HEX #DC6EA8

RGB 220 110 168

HSL 328.36, 0.61%, 0.65%

LAB 60.95, 49.62, -11.11

 

CMYK 0 / 37 / 18 / 11

HEX #E48FBC

RGB 228 143 188

HSL 328.24, 0.61%, 0.73%

LAB 69.31, 38.33, -9.82

 

CMYK 0 / 25 / 12 / 7

HEX #ECB0D0

RGB 236 176 208

HSL 328, 0.61%, 0.81%

LAB 78.13, 26.72, -7.6

 

CMYK 0 / 14 / 7 / 4

HEX #F4D2E4

RGB 244 210 228

HSL 328.24, 0.61%, 0.89%

LAB 87.45, 14.81, -4.46

 

CMYK 0 / 37 / 17 / 10

HEX #E590BD

RGB 229 144 189

HSL 328.24, 0.62%, 0.73%

LAB 69.67, 38.29, -9.83

 

CMYK 0 / 12 / 37 / 11

HEX #E4C88F

RGB 228 200 143

HSL 40.24, 0.61%, 0.73%

LAB 81.72, 1.92, 32.15

 

CMYK 37 / 2 / 0 / 11

HEX #8FDFE4

RGB 143 223 228

HSL 183.53, 0.61%, 0.73%

LAB 84.08, -23.17, -10.2

 

CMYK 0 / 37 / 17 / 10

HEX #E590BD

RGB 229 144 189

HSL 328.24, 0.62%, 0.73%

LAB 69.67, 38.29, -9.83

 

CMYK 18 / 0 / 37 / 11

HEX #BCE48F

RGB 188 228 143

HSL 88.24, 0.61%, 0.73%

LAB 86.09, -27.35, 37.3

 

CMYK 37 / 18 / 0 / 11

HEX #8FBCE4

RGB 143 188 228

HSL 208.24, 0.61%, 0.73%

LAB 74.45, -5.1, -24.72

 

CMYK 0 / 37 / 17 / 10

HEX #E590BD

RGB 229 144 189

HSL 328.24, 0.62%, 0.73%

LAB 69.67, 38.29, -9.83

 

CMYK 0 / 12 / 37 / 11

HEX #E4C88F

RGB 228 200 143

HSL 40.24, 0.61%, 0.73%

LAB 81.72, 1.92, 32.15

 

CMYK 37 / 0 / 20 / 11

HEX #8FE4B7

RGB 143 228 183

HSL 148.24, 0.61%, 0.73%

LAB 84.35, -35.44, 13.95

 

CMYK 37 / 25 / 0 / 11

HEX #8FABE4

RGB 143 171 228

HSL 220.24, 0.61%, 0.73%

LAB 69.87, 4.23, -31.76

 

CMYK 0 / 37 / 17 / 10

HEX #E590BD

RGB 229 144 189

HSL 328.24, 0.62%, 0.73%

LAB 69.67, 38.29, -9.83

 

CMYK 0 / 1 / 37 / 11

HEX #E4E18F

RGB 228 225 143

HSL 57.88, 0.61%, 0.73%

LAB 88.13, -10.85, 40.49

 

CMYK 37 / 0 / 20 / 11

HEX #8FE4B7

RGB 143 228 183

HSL 148.24, 0.61%, 0.73%

LAB 84.35, -35.44, 13.95

 

CMYK 37 / 36 / 0 / 11

HEX #8F92E4

RGB 143 146 228

HSL 237.88, 0.61%, 0.73%

LAB 63.34, 18.46, -41.93

 

Description

Color code: HEX #E590BD | qconv.com Color code: HEX #E590BD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 144 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 144 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 17 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 17% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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