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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E59FCD it is the complementary color #1A6032. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E59FCD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E59FCD shade: #EA9FC8, #FBB1DB, #FFC3EE, #FFD5FF and #FFE7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E59FCD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E59FCD shade: #E59FCD, #D48DBA, #C37BA7, #B26994 and #A15781

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E59FCD shade: #E49ECC, #E49EB9, #E49EA7 and #E49E9E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E59FCD shade: #E49ECC, #E49EDF, #D69EE4, #C49EE4 and #B19EE4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E59FCD shade matches the following richer shades: #E49ECC, #EE95CF and #F88BD2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E59FCD shade: #E49ECC, #DAA8C9, #D0B2C6, #C6BCC3 and #BDC6C0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E59FCD shade: #D69EE4, #E49EE0, #E49ECD, #E49EBA and #E49EA8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E59FCD shade: #D25EAA, #DB7EBB, #E49ECC, #EDBFDD and #F6DFEE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E59FCD shade: #E59FCD, #E4C49E and #9EE4E0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E59FCD shade: #E59FCD, #CDE49E and #9ECDE4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E59FCD shade: #E59FCD, #E4C49E, #9EE4B6 and #9EBFE4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E59FCD shade: #E59FCD, #E4D99E, #9EE4B6 and #9EAAE4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 10 / 10

HEX #E59FCD

RGB 229 159 205

HSL 320.57, 0.57%, 0.76%

LAB 73.46, 32.91, -13.01

 

Complementary color

CMYK 73 / 0 / 48 / 62

HEX #1A6032

RGB 26 96 50

HSL 140.57, 0.57%, 0.24%

LAB 35.63, -32.9, 20.14

 

CMYK 0 / 32 / 15 / 8

HEX #EA9FC8

RGB 234 159 200

HSL 327.2, 0.64%, 0.77%

LAB 73.84, 33.79, -9.63

 

CMYK 0 / 29 / 13 / 2

HEX #FBB1DB

RGB 251 177 219

HSL 325.95, 0.9%, 0.84%

LAB 80.22, 33.1, -10.29

 

CMYK 0 / 24 / 7 / 0

HEX #FFC3EE

RGB 255 195 238

HSL 317, 1%, 0.88%

LAB 85.23, 28.12, -12.95

 

CMYK 0 / 16 / 0 / 0

HEX #FFD5FF

RGB 255 213 255

HSL 300, 1%, 0.92%

LAB 89.89, 21.65, -14.97

 

CMYK 0 / 9 / 0 / 0

HEX #FFE7FF

RGB 255 231 255

HSL 300, 1%, 0.95%

LAB 94.15, 12.27, -8.61

 

CMYK 0 / 31 / 10 / 10

HEX #E59FCD

RGB 229 159 205

HSL 320.57, 0.57%, 0.76%

LAB 73.46, 32.91, -13.01

 

CMYK 0 / 33 / 12 / 17

HEX #D48DBA

RGB 212 141 186

HSL 321.97, 0.45%, 0.69%

LAB 66.97, 33.62, -12.39

 

CMYK 0 / 37 / 14 / 24

HEX #C37BA7

RGB 195 123 167

HSL 323.33, 0.38%, 0.62%

LAB 60.39, 34.38, -11.71

 

CMYK 0 / 41 / 17 / 30

HEX #B26994

RGB 178 105 148

HSL 324.66, 0.32%, 0.55%

LAB 53.71, 35.17, -10.94

 

CMYK 0 / 46 / 20 / 37

HEX #A15781

RGB 161 87 129

HSL 325.95, 0.3%, 0.49%

LAB 46.95, 35.99, -10.05

 

CMYK 0 / 31 / 11 / 11

HEX #E49ECC

RGB 228 158 204

HSL 320.57, 0.56%, 0.76%

LAB 73.09, 32.94, -13.02

 

CMYK 0 / 31 / 19 / 11

HEX #E49EB9

RGB 228 158 185

HSL 336.86, 0.56%, 0.76%

LAB 72.53, 29.9, -3.38

 

CMYK 0 / 31 / 27 / 11

HEX #E49EA7

RGB 228 158 167

HSL 352.29, 0.56%, 0.76%

LAB 72.05, 27.28, 5.88

 

CMYK 0 / 31 / 31 / 11

HEX #E49E9E

RGB 228 158 158

HSL 0, 0.56%, 0.76%

LAB 71.84, 26.08, 10.54

 

CMYK 0 / 31 / 11 / 11

HEX #E49ECC

RGB 228 158 204

HSL 320.57, 0.56%, 0.76%

LAB 73.09, 32.94, -13.02

 

CMYK 0 / 31 / 2 / 11

HEX #E49EDF

RGB 228 158 223

HSL 304.29, 0.56%, 0.76%

LAB 73.72, 36.24, -22.49

 

CMYK 6 / 31 / 0 / 11

HEX #D69EE4

RGB 214 158 228

HSL 288, 0.56%, 0.76%

LAB 72.46, 32.71, -27.28

 

CMYK 14 / 31 / 0 / 11

HEX #C49EE4

RGB 196 158 228

HSL 272.57, 0.56%, 0.76%

LAB 70.73, 27.08, -30.1

 

CMYK 22 / 31 / 0 / 11

HEX #B19EE4

RGB 177 158 228

HSL 256.29, 0.56%, 0.76%

LAB 69.04, 21.29, -32.84

 

CMYK 0 / 31 / 11 / 11

HEX #E49ECC

RGB 228 158 204

HSL 320.57, 0.56%, 0.76%

LAB 73.09, 32.94, -13.02

 

CMYK 0 / 37 / 13 / 7

HEX #EE95CF

RGB 238 149 207

HSL 320.9, 0.72%, 0.76%

LAB 72.35, 41.51, -15.68

 

CMYK 0 / 44 / 15 / 3

HEX #F88BD2

RGB 248 139 210

HSL 320.92, 0.89%, 0.76%

LAB 71.61, 50.3, -18.34

 

CMYK 0 / 31 / 11 / 11

HEX #E49ECC

RGB 228 158 204

HSL 320.57, 0.56%, 0.76%

LAB 73.09, 32.94, -13.02

 

CMYK 0 / 23 / 8 / 15

HEX #DAA8C9

RGB 218 168 201

HSL 320.4, 0.4%, 0.76%

LAB 74.27, 23.63, -9.72

 

CMYK 0 / 14 / 5 / 18

HEX #D0B2C6

RGB 208 178 198

HSL 320, 0.24%, 0.76%

LAB 75.65, 14.2, -6.12

 

CMYK 0 / 5 / 2 / 22

HEX #C6BCC3

RGB 198 188 195

HSL 318, 0.08%, 0.76%

LAB 77.23, 4.78, -2.27

 

CMYK 5 / 0 / 3 / 22

HEX #BDC6C0

RGB 189 198 192

HSL 140, 0.07%, 0.76%

LAB 79.05, -4.2, 1.92

 

CMYK 6 / 31 / 0 / 11

HEX #D69EE4

RGB 214 158 228

HSL 288, 0.56%, 0.76%

LAB 72.46, 32.71, -27.28

 

CMYK 0 / 31 / 2 / 11

HEX #E49EE0

RGB 228 158 224

HSL 303.43, 0.56%, 0.76%

LAB 73.76, 36.42, -22.98

 

CMYK 0 / 31 / 10 / 11

HEX #E49ECD

RGB 228 158 205

HSL 319.71, 0.56%, 0.76%

LAB 73.13, 33.1, -13.52

 

CMYK 0 / 31 / 18 / 11

HEX #E49EBA

RGB 228 158 186

HSL 336, 0.56%, 0.76%

LAB 72.56, 30.05, -3.89

 

CMYK 0 / 31 / 26 / 11

HEX #E49EA8

RGB 228 158 168

HSL 351.43, 0.56%, 0.76%

LAB 72.08, 27.42, 5.36

 

CMYK 0 / 55 / 19 / 18

HEX #D25EAA

RGB 210 94 170

HSL 320.69, 0.56%, 0.6%

LAB 56.69, 54.48, -18.84

 

CMYK 0 / 42 / 15 / 14

HEX #DB7EBB

RGB 219 126 187

HSL 320.65, 0.56%, 0.68%

LAB 64.62, 44.05, -16.41

 

CMYK 0 / 31 / 11 / 11

HEX #E49ECC

RGB 228 158 204

HSL 320.57, 0.56%, 0.76%

LAB 73.09, 32.94, -13.02

 

CMYK 0 / 19 / 7 / 7

HEX #EDBFDD

RGB 237 191 221

HSL 320.87, 0.56%, 0.84%

LAB 82.1, 21.26, -8.71

 

CMYK 0 / 9 / 3 / 4

HEX #F6DFEE

RGB 246 223 238

HSL 320.87, 0.56%, 0.92%

LAB 91.03, 10.42, -4.44

 

CMYK 0 / 31 / 10 / 10

HEX #E59FCD

RGB 229 159 205

HSL 320.57, 0.57%, 0.76%

LAB 73.46, 32.91, -13.01

 

CMYK 0 / 14 / 31 / 11

HEX #E4C49E

RGB 228 196 158

HSL 32.57, 0.56%, 0.76%

LAB 80.98, 5.83, 23.29

 

CMYK 31 / 0 / 2 / 11

HEX #9EE4E0

RGB 158 228 224

HSL 176.57, 0.56%, 0.76%

LAB 86.08, -22.57, -5.05

 

CMYK 0 / 31 / 10 / 10

HEX #E59FCD

RGB 229 159 205

HSL 320.57, 0.57%, 0.76%

LAB 73.46, 32.91, -13.01

 

CMYK 10 / 0 / 31 / 11

HEX #CDE49E

RGB 205 228 158

HSL 79.71, 0.56%, 0.76%

LAB 87.45, -19.18, 31.72

 

CMYK 31 / 10 / 0 / 11

HEX #9ECDE4

RGB 158 205 228

HSL 199.71, 0.56%, 0.76%

LAB 79.92, -9.98, -16.35

 

CMYK 0 / 31 / 10 / 10

HEX #E59FCD

RGB 229 159 205

HSL 320.57, 0.57%, 0.76%

LAB 73.46, 32.91, -13.01

 

CMYK 0 / 14 / 31 / 11

HEX #E4C49E

RGB 228 196 158

HSL 32.57, 0.56%, 0.76%

LAB 80.98, 5.83, 23.29

 

CMYK 31 / 0 / 20 / 11

HEX #9EE4B6

RGB 158 228 182

HSL 140.57, 0.56%, 0.76%

LAB 85.06, -31.22, 15.58

 

CMYK 31 / 16 / 0 / 11

HEX #9EBFE4

RGB 158 191 228

HSL 211.71, 0.56%, 0.76%

LAB 76.15, -2.56, -22.05

 

CMYK 0 / 31 / 10 / 10

HEX #E59FCD

RGB 229 159 205

HSL 320.57, 0.57%, 0.76%

LAB 73.46, 32.91, -13.01

 

CMYK 0 / 5 / 31 / 11

HEX #E4D99E

RGB 228 217 158

HSL 50.57, 0.56%, 0.76%

LAB 86.3, -5.04, 30.48

 

CMYK 31 / 0 / 20 / 11

HEX #9EE4B6

RGB 158 228 182

HSL 140.57, 0.56%, 0.76%

LAB 85.06, -31.22, 15.58

 

CMYK 31 / 25 / 0 / 11

HEX #9EAAE4

RGB 158 170 228

HSL 229.71, 0.56%, 0.76%

LAB 70.61, 8.97, -30.54

 

Description

Color code: HEX #E59FCD | qconv.com Color code: HEX #E59FCD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 159 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 159 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 10 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 10% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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