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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E5A670 it is the complementary color #1A598F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E5A670. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E5A670 shade: #EAA66B, #FBB87E, #FFCA91, #FFDCA4 and #FFEEB7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E5A670. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E5A670 shade: #E5A670, #D4945D, #C3824A, #B27037 and #A15E24

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E5A670 shade: #E4A670, #E48770 and #E47070

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E5A670 shade: #E4A670, #E4C570, #E4E470, #C5E470 and #A6E470

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E5A670 shade matches the following richer shades: #E4A670 and #F2A563

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E5A670 shade: #E4A670, #D7A77E, #C9A88C, #BCA999 and #AEAAA7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E5A670 shade: #E4707A, #E48670, #E4A570, #E4C470 and #E4E270

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E5A670 shade: #D87A2B, #DE904D, #E4A670, #EBBC93 and #F1D1B6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E5A670 shade: #E5A670, #99E470 and #7670E4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E5A670 shade: #E5A670, #70E4A5 and #A570E4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E5A670 shade: #E5A670, #99E470, #70B0E4 and #BC70E4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E5A670 shade: #E5A670, #76E470, #70B0E4 and #DF70E4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 51 / 10

HEX #E5A670

RGB 229 166 112

HSL 27.69, 0.69%, 0.67%

LAB 72.96, 17.14, 36.99

 

Complementary color

CMYK 82 / 38 / 0 / 44

HEX #1A598F

RGB 26 89 143

HSL 207.69, 0.69%, 0.33%

LAB 36.64, 0.61, -35.38

 

CMYK 0 / 29 / 54 / 8

HEX #EAA66B

RGB 234 166 107

HSL 27.87, 0.75%, 0.67%

LAB 73.43, 18.74, 40.3

 

CMYK 0 / 27 / 50 / 2

HEX #FBB87E

RGB 251 184 126

HSL 27.84, 0.94%, 0.74%

LAB 79.78, 17.7, 38.86

 

CMYK 0 / 21 / 43 / 0

HEX #FFCA91

RGB 255 202 145

HSL 31.09, 1%, 0.78%

LAB 84.76, 11.7, 35.58

 

CMYK 0 / 14 / 36 / 0

HEX #FFDCA4

RGB 255 220 164

HSL 36.92, 1%, 0.82%

LAB 89.45, 4.47, 32.02

 

CMYK 0 / 7 / 28 / 0

HEX #FFEEB7

RGB 255 238 183

HSL 45.83, 1%, 0.86%

LAB 94.24, -2.37, 28.75

 

CMYK 0 / 28 / 51 / 10

HEX #E5A670

RGB 229 166 112

HSL 27.69, 0.69%, 0.67%

LAB 72.96, 17.14, 36.99

 

CMYK 0 / 30 / 56 / 17

HEX #D4945D

RGB 212 148 93

HSL 27.73, 0.58%, 0.6%

LAB 66.49, 18.23, 38.47

 

CMYK 0 / 33 / 62 / 24

HEX #C3824A

RGB 195 130 74

HSL 27.77, 0.5%, 0.53%

LAB 59.94, 19.49, 40.04

 

CMYK 0 / 37 / 69 / 30

HEX #B27037

RGB 178 112 55

HSL 27.8, 0.53%, 0.46%

LAB 53.31, 20.95, 41.65

 

CMYK 0 / 42 / 78 / 37

HEX #A15E24

RGB 161 94 36

HSL 27.84, 0.63%, 0.39%

LAB 46.59, 22.66, 43.14

 

CMYK 0 / 27 / 51 / 11

HEX #E4A670

RGB 228 166 112

HSL 27.93, 0.68%, 0.67%

LAB 72.85, 16.73, 36.83

 

CMYK 0 / 41 / 51 / 11

HEX #E48770

RGB 228 135 112

HSL 11.9, 0.68%, 0.67%

LAB 65.74, 33.23, 27.65

 

CMYK 0 / 51 / 51 / 11

HEX #E47070

RGB 228 112 112

HSL 0, 0.68%, 0.67%

LAB 61, 45, 21.34

 

CMYK 0 / 27 / 51 / 11

HEX #E4A670

RGB 228 166 112

HSL 27.93, 0.68%, 0.67%

LAB 72.85, 16.73, 36.83

 

CMYK 0 / 14 / 51 / 11

HEX #E4C570

RGB 228 197 112

HSL 43.97, 0.68%, 0.67%

LAB 80.51, 0.36, 46.34

 

CMYK 0 / 0 / 51 / 11

HEX #E4E470

RGB 228 228 112

HSL 60, 0.68%, 0.67%

LAB 88.52, -15.34, 55.89

 

CMYK 14 / 0 / 51 / 11

HEX #C5E470

RGB 197 228 112

HSL 76.03, 0.68%, 0.67%

LAB 86.27, -27.48, 52.68

 

CMYK 27 / 0 / 51 / 11

HEX #A6E470

RGB 166 228 112

HSL 92.07, 0.68%, 0.67%

LAB 84.36, -38.91, 49.94

 

CMYK 0 / 27 / 51 / 11

HEX #E4A670

RGB 228 166 112

HSL 27.93, 0.68%, 0.67%

LAB 72.85, 16.73, 36.83

 

CMYK 0 / 32 / 59 / 5

HEX #F2A563

RGB 242 165 99

HSL 27.69, 0.85%, 0.67%

LAB 73.99, 21.9, 45.27

 

CMYK 0 / 27 / 51 / 11

HEX #E4A670

RGB 228 166 112

HSL 27.93, 0.68%, 0.67%

LAB 72.85, 16.73, 36.83

 

CMYK 0 / 22 / 41 / 16

HEX #D7A77E

RGB 215 167 126

HSL 27.64, 0.53%, 0.67%

LAB 71.95, 12.33, 27.97

 

CMYK 0 / 16 / 30 / 21

HEX #C9A88C

RGB 201 168 140

HSL 27.54, 0.36%, 0.67%

LAB 71.09, 7.93, 18.98

 

CMYK 0 / 10 / 19 / 26

HEX #BCA999

RGB 188 169 153

HSL 27.43, 0.21%, 0.67%

LAB 70.43, 4.24, 10.75

 

CMYK 0 / 2 / 4 / 32

HEX #AEAAA7

RGB 174 170 167

HSL 25.71, 0.04%, 0.67%

LAB 69.85, 0.88, 2.04

 

CMYK 0 / 51 / 46 / 11

HEX #E4707A

RGB 228 112 122

HSL 354.83, 0.68%, 0.67%

LAB 61.21, 45.92, 15.89

 

CMYK 0 / 41 / 51 / 11

HEX #E48670

RGB 228 134 112

HSL 11.38, 0.68%, 0.67%

LAB 65.53, 33.75, 27.37

 

CMYK 0 / 28 / 51 / 11

HEX #E4A570

RGB 228 165 112

HSL 27.41, 0.68%, 0.67%

LAB 72.61, 17.26, 36.52

 

CMYK 0 / 14 / 51 / 11

HEX #E4C470

RGB 228 196 112

HSL 43.45, 0.68%, 0.67%

LAB 80.26, 0.88, 46.04

 

CMYK 0 / 1 / 51 / 11

HEX #E4E270

RGB 228 226 112

HSL 58.97, 0.68%, 0.67%

LAB 88, -14.36, 55.28

 

CMYK 0 / 44 / 80 / 15

HEX #D87A2B

RGB 216 122 43

HSL 27.4, 0.69%, 0.51%

LAB 60.51, 31.02, 56.05

 

CMYK 0 / 35 / 65 / 13

HEX #DE904D

RGB 222 144 77

HSL 27.72, 0.69%, 0.59%

LAB 66.53, 23.4, 46.97

 

CMYK 0 / 27 / 51 / 11

HEX #E4A670

RGB 228 166 112

HSL 27.93, 0.68%, 0.67%

LAB 72.85, 16.73, 36.83

 

CMYK 0 / 20 / 37 / 8

HEX #EBBC93

RGB 235 188 147

HSL 27.95, 0.69%, 0.75%

LAB 79.46, 11.42, 27.16

 

CMYK 0 / 13 / 24 / 5

HEX #F1D1B6

RGB 241 209 182

HSL 27.46, 0.68%, 0.83%

LAB 85.85, 7.15, 17.52

 

CMYK 0 / 28 / 51 / 10

HEX #E5A670

RGB 229 166 112

HSL 27.69, 0.69%, 0.67%

LAB 72.96, 17.14, 36.99

 

CMYK 33 / 0 / 51 / 11

HEX #99E470

RGB 153 228 112

HSL 98.79, 0.68%, 0.67%

LAB 83.67, -43.38, 48.94

 

CMYK 48 / 51 / 0 / 11

HEX #7670E4

RGB 118 112 228

HSL 243.1, 0.68%, 0.67%

LAB 52.99, 32.38, -58.47

 

CMYK 0 / 28 / 51 / 10

HEX #E5A670

RGB 229 166 112

HSL 27.69, 0.69%, 0.67%

LAB 72.96, 17.14, 36.99

 

CMYK 51 / 0 / 28 / 11

HEX #70E4A5

RGB 112 228 165

HSL 147.41, 0.68%, 0.67%

LAB 82.73, -47.09, 20.88

 

CMYK 28 / 51 / 0 / 11

HEX #A570E4

RGB 165 112 228

HSL 267.41, 0.68%, 0.67%

LAB 57.26, 43.68, -51.41

 

CMYK 0 / 28 / 51 / 10

HEX #E5A670

RGB 229 166 112

HSL 27.69, 0.69%, 0.67%

LAB 72.96, 17.14, 36.99

 

CMYK 33 / 0 / 51 / 11

HEX #99E470

RGB 153 228 112

HSL 98.79, 0.68%, 0.67%

LAB 83.67, -43.38, 48.94

 

CMYK 51 / 23 / 0 / 11

HEX #70B0E4

RGB 112 176 228

HSL 206.9, 0.68%, 0.67%

LAB 69.54, -6.23, -32.41

 

CMYK 18 / 51 / 0 / 11

HEX #BC70E4

RGB 188 112 228

HSL 279.31, 0.68%, 0.67%

LAB 59.78, 49.72, -47.25

 

CMYK 0 / 28 / 51 / 10

HEX #E5A670

RGB 229 166 112

HSL 27.69, 0.69%, 0.67%

LAB 72.96, 17.14, 36.99

 

CMYK 48 / 0 / 51 / 11

HEX #76E470

RGB 118 228 112

HSL 116.9, 0.68%, 0.67%

LAB 82.11, -54.11, 46.7

 

CMYK 51 / 23 / 0 / 11

HEX #70B0E4

RGB 112 176 228

HSL 206.9, 0.68%, 0.67%

LAB 69.54, -6.23, -32.41

 

CMYK 2 / 51 / 0 / 11

HEX #DF70E4

RGB 223 112 228

HSL 297.41, 0.68%, 0.67%

LAB 64.06, 59.15, -40.22

 

Description

Color code: HEX #E5A670 | qconv.com Color code: HEX #E5A670 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 166 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 166 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 51 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 51% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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