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Color name
HEX #E5A814

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E5A814 it is the complementary color #1A57EB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E5A814. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E5A814 shade: #EAA80F, #FBBA22, #FFCC35, #FFDE48 and #FFF05B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E5A814. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E5A814 shade: #E5A814, #D49601, #C38400, #B27200 and #A16000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E5A814 shade: #E5A813, #E57013, #E53713 and #E51313

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E5A814 shade: #E5A813, #E5E113, #B1E513, #79E513 and #40E513

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E5A814 shade matches the following richer shades: #E5A813

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E5A814 shade: #E5A813, #D1A028, #BD973C, #A98F50 and #958664

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E5A814 shade: #E53613, #E56E13, #E5A613, #E5DE13 and #B4E513

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E5A814 shade: #99700D, #BF8C10, #E5A813, #EDB735 and #F0C55B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E5A814 shade: #E5A814, #28E513 and #5213E5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E5A814 shade: #E5A814, #13E5A6 and #A613E5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E5A814 shade: #E5A814, #28E513, #1352E5 and #D013E5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E5A814 shade: #E5A814, #13E53D, #1352E5 and #E513BB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 91 / 10

HEX #E5A814

RGB 229 168 20

HSL 42.49, 0.84%, 0.49%

LAB 72.7, 11.48, 73.41

 

Complementary color

CMYK 89 / 63 / 0 / 8

HEX #1A57EB

RGB 26 87 235

HSL 222.49, 0.84%, 0.51%

LAB 42.81, 37.97, -79.16

 

CMYK 0 / 28 / 94 / 8

HEX #EAA80F

RGB 234 168 15

HSL 41.92, 0.88%, 0.49%

LAB 73.24, 13.57, 74.87

 

CMYK 0 / 26 / 86 / 2

HEX #FBBA22

RGB 251 186 34

HSL 42.03, 0.96%, 0.56%

LAB 79.47, 11.7, 76.72

 

CMYK 0 / 20 / 79 / 0

HEX #FFCC35

RGB 255 204 53

HSL 44.85, 1%, 0.6%

LAB 84.33, 4.59, 75.75

 

CMYK 0 / 13 / 72 / 0

HEX #FFDE48

RGB 255 222 72

HSL 49.18, 1%, 0.64%

LAB 88.91, -3.84, 73.61

 

CMYK 0 / 6 / 64 / 0

HEX #FFF05B

RGB 255 240 91

HSL 54.51, 1%, 0.68%

LAB 93.6, -11.82, 71.14

 

CMYK 0 / 27 / 91 / 10

HEX #E5A814

RGB 229 168 20

HSL 42.49, 0.84%, 0.49%

LAB 72.7, 11.48, 73.41

 

CMYK 0 / 29 / 100 / 17

HEX #D49601

RGB 212 150 1

HSL 42.37, 0.99%, 0.42%

LAB 66.38, 13.48, 70.72

 

CMYK 0 / 32 / 100 / 24

HEX #C38400

RGB 195 132 0

HSL 40.62, 1%, 0.38%

LAB 59.98, 15.76, 65.63

 

CMYK 0 / 36 / 100 / 30

HEX #B27200

RGB 178 114 0

HSL 38.43, 1%, 0.35%

LAB 53.49, 18.14, 60.33

 

CMYK 0 / 40 / 100 / 37

HEX #A16000

RGB 161 96 0

HSL 35.78, 1%, 0.32%

LAB 46.9, 20.62, 54.96

 

CMYK 0 / 27 / 92 / 10

HEX #E5A813

RGB 229 168 19

HSL 42.57, 0.85%, 0.49%

LAB 72.7, 11.46, 73.59

 

CMYK 0 / 51 / 92 / 10

HEX #E57013

RGB 229 112 19

HSL 26.57, 0.85%, 0.49%

LAB 60.15, 40.82, 64.47

 

CMYK 0 / 76 / 92 / 10

HEX #E53713

RGB 229 55 19

HSL 10.29, 0.85%, 0.49%

LAB 51.2, 64.59, 58.36

 

CMYK 0 / 92 / 92 / 10

HEX #E51313

RGB 229 19 19

HSL 0, 0.85%, 0.49%

LAB 48.47, 72.32, 56.62

 

CMYK 0 / 27 / 92 / 10

HEX #E5A813

RGB 229 168 19

HSL 42.57, 0.85%, 0.49%

LAB 72.7, 11.46, 73.59

 

CMYK 0 / 2 / 92 / 10

HEX #E5E113

RGB 229 225 19

HSL 58.86, 0.85%, 0.49%

LAB 87.27, -17.75, 84.6

 

CMYK 23 / 0 / 92 / 10

HEX #B1E513

RGB 177 229 19

HSL 74.86, 0.85%, 0.49%

LAB 84.71, -40.75, 81.03

 

CMYK 47 / 0 / 92 / 10

HEX #79E513

RGB 121 229 19

HSL 90.86, 0.85%, 0.49%

LAB 81.92, -60.23, 77.62

 

CMYK 72 / 0 / 92 / 10

HEX #40E513

RGB 64 229 19

HSL 107.14, 0.85%, 0.49%

LAB 80.28, -73.61, 75.59

 

CMYK 0 / 27 / 92 / 10

HEX #E5A813

RGB 229 168 19

HSL 42.57, 0.85%, 0.49%

LAB 72.7, 11.46, 73.59

 

CMYK 0 / 27 / 92 / 10

HEX #E5A813

RGB 229 168 19

HSL 42.57, 0.85%, 0.49%

LAB 72.7, 11.46, 73.59

 

CMYK 0 / 23 / 81 / 18

HEX #D1A028

RGB 209 160 40

HSL 42.6, 0.68%, 0.49%

LAB 68.64, 7.49, 64.18

 

CMYK 0 / 20 / 68 / 26

HEX #BD973C

RGB 189 151 60

HSL 42.33, 0.52%, 0.49%

LAB 64.39, 4.46, 51.58

 

CMYK 0 / 15 / 53 / 34

HEX #A98F50

RGB 169 143 80

HSL 42.47, 0.36%, 0.49%

LAB 60.48, 1.58, 36.87

 

CMYK 0 / 10 / 33 / 42

HEX #958664

RGB 149 134 100

HSL 41.63, 0.2%, 0.49%

LAB 56.45, 0.3, 20.4

 

CMYK 0 / 76 / 92 / 10

HEX #E53613

RGB 229 54 19

HSL 10, 0.85%, 0.49%

LAB 51.09, 64.9, 58.29

 

CMYK 0 / 52 / 92 / 10

HEX #E56E13

RGB 229 110 19

HSL 26, 0.85%, 0.49%

LAB 59.76, 41.82, 64.19

 

CMYK 0 / 28 / 92 / 10

HEX #E5A613

RGB 229 166 19

HSL 42, 0.85%, 0.49%

LAB 72.21, 12.52, 73.23

 

CMYK 0 / 3 / 92 / 10

HEX #E5DE13

RGB 229 222 19

HSL 58, 0.85%, 0.49%

LAB 86.48, -16.28, 84

 

CMYK 21 / 0 / 92 / 10

HEX #B4E513

RGB 180 229 19

HSL 74, 0.85%, 0.49%

LAB 84.89, -39.59, 81.25

 

CMYK 0 / 27 / 92 / 40

HEX #99700D

RGB 153 112 13

HSL 42.43, 0.84%, 0.33%

LAB 49.97, 8.04, 53.81

 

CMYK 0 / 27 / 92 / 25

HEX #BF8C10

RGB 191 140 16

HSL 42.51, 0.85%, 0.41%

LAB 61.54, 9.78, 63.91

 

CMYK 0 / 27 / 92 / 10

HEX #E5A813

RGB 229 168 19

HSL 42.57, 0.85%, 0.49%

LAB 72.7, 11.46, 73.59

 

CMYK 0 / 23 / 78 / 7

HEX #EDB735

RGB 237 183 53

HSL 42.39, 0.84%, 0.57%

LAB 77.36, 7.84, 68.77

 

CMYK 0 / 18 / 62 / 6

HEX #F0C55B

RGB 240 197 91

HSL 42.68, 0.83%, 0.65%

LAB 81.41, 3.72, 57.61

 

CMYK 0 / 27 / 91 / 10

HEX #E5A814

RGB 229 168 20

HSL 42.49, 0.84%, 0.49%

LAB 72.7, 11.48, 73.41

 

CMYK 83 / 0 / 92 / 10

HEX #28E513

RGB 40 229 19

HSL 114, 0.85%, 0.49%

LAB 79.92, -76.79, 75.14

 

CMYK 64 / 92 / 0 / 10

HEX #5213E5

RGB 82 19 229

HSL 258, 0.85%, 0.49%

LAB 33.81, 71.67, -90.53

 

CMYK 0 / 27 / 91 / 10

HEX #E5A814

RGB 229 168 20

HSL 42.49, 0.84%, 0.49%

LAB 72.7, 11.48, 73.41

 

CMYK 92 / 0 / 28 / 10

HEX #13E5A6

RGB 19 229 166

HSL 162, 0.85%, 0.49%

LAB 81.25, -60.23, 18.05

 

CMYK 28 / 92 / 0 / 10

HEX #A613E5

RGB 166 19 229

HSL 282, 0.85%, 0.49%

LAB 44.56, 79.78, -72.44

 

CMYK 0 / 27 / 91 / 10

HEX #E5A814

RGB 229 168 20

HSL 42.49, 0.84%, 0.49%

LAB 72.7, 11.48, 73.41

 

CMYK 83 / 0 / 92 / 10

HEX #28E513

RGB 40 229 19

HSL 114, 0.85%, 0.49%

LAB 79.92, -76.79, 75.14

 

CMYK 92 / 64 / 0 / 10

HEX #1352E5

RGB 19 82 229

HSL 222, 0.85%, 0.49%

LAB 40.94, 38.61, -78.84

 

CMYK 9 / 92 / 0 / 10

HEX #D013E5

RGB 208 19 229

HSL 294, 0.85%, 0.49%

LAB 51.3, 85.8, -61.19

 

CMYK 0 / 27 / 91 / 10

HEX #E5A814

RGB 229 168 20

HSL 42.49, 0.84%, 0.49%

LAB 72.7, 11.48, 73.41

 

CMYK 92 / 0 / 73 / 10

HEX #13E53D

RGB 19 229 61

HSL 132, 0.85%, 0.49%

LAB 79.91, -76.28, 64.92

 

CMYK 92 / 64 / 0 / 10

HEX #1352E5

RGB 19 82 229

HSL 222, 0.85%, 0.49%

LAB 40.94, 38.61, -78.84

 

CMYK 0 / 92 / 18 / 10

HEX #E513BB

RGB 229 19 187

HSL 312, 0.85%, 0.49%

LAB 52.63, 83.54, -34.75

 

Description

Color code: HEX #E5A814 | qconv.com Color code: HEX #E5A814 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 168 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 168 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 91 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 91% 10% C M Y K

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Provide designers and agencies with accurate color values.

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