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Color name
HEX #E5B7A8

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E5B7A8 it is the complementary color #1A4857. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E5B7A8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E5B7A8 shade: #EAB7A3, #FBC9B6, #FFDBC9, #FFEDDC and #FFFFEF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E5B7A8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E5B7A8 shade: #E5B7A8, #D4A595, #C39382, #B2816F and #A16F5C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E5B7A8 shade: #E5B7A8 and #E5A8A8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E5B7A8 shade: #E5B7A8, #E5C7A8, #E5D8A8, #E1E5A8 and #D1E5A8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E5B7A8 shade matches the following richer shades: #E5B7A8, #EEB29F and #F7AE96

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E5B7A8 shade: #E5B7A8, #DCBCB1, #D3C0BA, #C9C5C3 and #C0C9CC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E5B7A8 shade: #E5A8BA, #E5A8AA, #E5B6A8, #E5C6A8 and #E5D7A8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E5B7A8 shade: #D28269, #DB9D88, #E5B7A8, #EED1C8 and #F8ECE8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E5B7A8 shade: #E5B7A8, #CAE5A8 and #A8B2E5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E5B7A8 shade: #E5B7A8, #A8E5B6 and #B6A8E5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E5B7A8 shade: #E5B7A8, #CAE5A8, #A8D7E5 and #C2A8E5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E5B7A8 shade: #E5B7A8, #B8E5A8, #A8D7E5 and #D5A8E5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 27 / 10

HEX #E5B7A8

RGB 229 183 168

HSL 14.75, 0.54%, 0.78%

LAB 78.08, 14.42, 13.93

 

Complementary color

CMYK 70 / 17 / 0 / 66

HEX #1A4857

RGB 26 72 87

HSL 194.75, 0.54%, 0.22%

LAB 28.23, -10.24, -13.53

 

CMYK 0 / 22 / 30 / 8

HEX #EAB7A3

RGB 234 183 163

HSL 16.9, 0.63%, 0.78%

LAB 78.46, 15.65, 17.23

 

CMYK 0 / 20 / 27 / 2

HEX #FBC9B6

RGB 251 201 182

HSL 16.52, 0.9%, 0.85%

LAB 84.82, 15.04, 16.22

 

CMYK 0 / 14 / 21 / 0

HEX #FFDBC9

RGB 255 219 201

HSL 20, 1%, 0.89%

LAB 89.92, 9.77, 13.46

 

CMYK 0 / 7 / 14 / 0

HEX #FFEDDC

RGB 255 237 220

HSL 29.14, 1%, 0.93%

LAB 94.74, 3.35, 10.42

 

CMYK 0 / 0 / 6 / 0

HEX #FFFFEF

RGB 255 255 239

HSL 60, 1%, 0.97%

LAB 99.62, -2.71, 7.63

 

CMYK 0 / 20 / 27 / 10

HEX #E5B7A8

RGB 229 183 168

HSL 14.75, 0.54%, 0.78%

LAB 78.08, 14.42, 13.93

 

CMYK 0 / 22 / 30 / 17

HEX #D4A595

RGB 212 165 149

HSL 15.24, 0.42%, 0.71%

LAB 71.61, 15.03, 14.93

 

CMYK 0 / 25 / 33 / 24

HEX #C39382

RGB 195 147 130

HSL 15.69, 0.35%, 0.64%

LAB 65.03, 15.73, 16.02

 

CMYK 0 / 28 / 38 / 30

HEX #B2816F

RGB 178 129 111

HSL 16.12, 0.3%, 0.57%

LAB 58.33, 16.51, 17.22

 

CMYK 0 / 31 / 43 / 37

HEX #A16F5C

RGB 161 111 92

HSL 16.52, 0.27%, 0.5%

LAB 51.52, 17.43, 18.55

 

CMYK 0 / 20 / 27 / 10

HEX #E5B7A8

RGB 229 183 168

HSL 14.75, 0.54%, 0.78%

LAB 78.08, 14.42, 13.93

 

CMYK 0 / 27 / 27 / 10

HEX #E5A8A8

RGB 229 168 168

HSL 0, 0.54%, 0.78%

LAB 74.5, 22.44, 8.85

 

CMYK 0 / 20 / 27 / 10

HEX #E5B7A8

RGB 229 183 168

HSL 14.75, 0.54%, 0.78%

LAB 78.08, 14.42, 13.93

 

CMYK 0 / 13 / 27 / 10

HEX #E5C7A8

RGB 229 199 168

HSL 30.49, 0.54%, 0.78%

LAB 82.02, 5.96, 19.43

 

CMYK 0 / 6 / 27 / 10

HEX #E5D8A8

RGB 229 216 168

HSL 47.21, 0.54%, 0.78%

LAB 86.3, -2.86, 25.33

 

CMYK 2 / 0 / 27 / 10

HEX #E1E5A8

RGB 225 229 168

HSL 63.93, 0.54%, 0.78%

LAB 89.33, -10.95, 29.38

 

CMYK 9 / 0 / 27 / 10

HEX #D1E5A8

RGB 209 229 168

HSL 79.67, 0.54%, 0.78%

LAB 88.17, -16.83, 27.61

 

CMYK 0 / 20 / 27 / 10

HEX #E5B7A8

RGB 229 183 168

HSL 14.75, 0.54%, 0.78%

LAB 78.08, 14.42, 13.93

 

CMYK 0 / 25 / 33 / 7

HEX #EEB29F

RGB 238 178 159

HSL 14.43, 0.7%, 0.78%

LAB 77.59, 19.31, 18.23

 

CMYK 0 / 30 / 39 / 3

HEX #F7AE96

RGB 247 174 150

HSL 14.85, 0.86%, 0.78%

LAB 77.43, 23.81, 23.01

 

CMYK 0 / 20 / 27 / 10

HEX #E5B7A8

RGB 229 183 168

HSL 14.75, 0.54%, 0.78%

LAB 78.08, 14.42, 13.93

 

CMYK 0 / 15 / 20 / 14

HEX #DCBCB1

RGB 220 188 177

HSL 15.35, 0.38%, 0.78%

LAB 78.67, 9.69, 9.79

 

CMYK 0 / 9 / 12 / 17

HEX #D3C0BA

RGB 211 192 186

HSL 14.4, 0.22%, 0.78%

LAB 79.09, 5.69, 5.44

 

CMYK 0 / 2 / 3 / 21

HEX #C9C5C3

RGB 201 197 195

HSL 20, 0.05%, 0.78%

LAB 79.78, 1.03, 1.48

 

CMYK 6 / 1 / 0 / 20

HEX #C0C9CC

RGB 192 201 204

HSL 195, 0.11%, 0.78%

LAB 80.37, -2.49, -2.57

 

CMYK 0 / 27 / 19 / 10

HEX #E5A8BA

RGB 229 168 186

HSL 342.3, 0.54%, 0.78%

LAB 74.96, 25.05, -0.36

 

CMYK 0 / 27 / 26 / 10

HEX #E5A8AA

RGB 229 168 170

HSL 358.03, 0.54%, 0.78%

LAB 74.55, 22.72, 7.82

 

CMYK 0 / 21 / 27 / 10

HEX #E5B6A8

RGB 229 182 168

HSL 13.77, 0.54%, 0.78%

LAB 77.84, 14.95, 13.59

 

CMYK 0 / 14 / 27 / 10

HEX #E5C6A8

RGB 229 198 168

HSL 29.51, 0.54%, 0.78%

LAB 81.77, 6.48, 19.08

 

CMYK 0 / 6 / 27 / 10

HEX #E5D7A8

RGB 229 215 168

HSL 46.23, 0.54%, 0.78%

LAB 86.05, -2.35, 24.98

 

CMYK 0 / 38 / 50 / 18

HEX #D28269

RGB 210 130 105

HSL 14.29, 0.54%, 0.62%

LAB 62.24, 28.19, 26.51

 

CMYK 0 / 28 / 38 / 14

HEX #DB9D88

RGB 219 157 136

HSL 15.18, 0.54%, 0.7%

LAB 70.14, 20.45, 20.16

 

CMYK 0 / 20 / 27 / 10

HEX #E5B7A8

RGB 229 183 168

HSL 14.75, 0.54%, 0.78%

LAB 78.08, 14.42, 13.93

 

CMYK 0 / 12 / 16 / 7

HEX #EED1C8

RGB 238 209 200

HSL 14.21, 0.53%, 0.86%

LAB 85.98, 8.68, 8.16

 

CMYK 0 / 5 / 6 / 3

HEX #F8ECE8

RGB 248 236 232

HSL 15, 0.53%, 0.94%

LAB 94.22, 3.37, 3.37

 

CMYK 0 / 20 / 27 / 10

HEX #E5B7A8

RGB 229 183 168

HSL 14.75, 0.54%, 0.78%

LAB 78.08, 14.42, 13.93

 

CMYK 12 / 0 / 27 / 10

HEX #CAE5A8

RGB 202 229 168

HSL 86.56, 0.54%, 0.78%

LAB 87.69, -19.35, 26.88

 

CMYK 27 / 22 / 0 / 10

HEX #A8B2E5

RGB 168 178 229

HSL 230.16, 0.54%, 0.78%

LAB 73.43, 7.69, -26.68

 

CMYK 0 / 20 / 27 / 10

HEX #E5B7A8

RGB 229 183 168

HSL 14.75, 0.54%, 0.78%

LAB 78.08, 14.42, 13.93

 

CMYK 27 / 0 / 21 / 10

HEX #A8E5B6

RGB 168 229 182

HSL 133.77, 0.54%, 0.78%

LAB 85.88, -28.59, 16.8

 

CMYK 21 / 27 / 0 / 10

HEX #B6A8E5

RGB 182 168 229

HSL 253.77, 0.54%, 0.78%

LAB 71.97, 17.45, -28.84

 

CMYK 0 / 20 / 27 / 10

HEX #E5B7A8

RGB 229 183 168

HSL 14.75, 0.54%, 0.78%

LAB 78.08, 14.42, 13.93

 

CMYK 12 / 0 / 27 / 10

HEX #CAE5A8

RGB 202 229 168

HSL 86.56, 0.54%, 0.78%

LAB 87.69, -19.35, 26.88

 

CMYK 27 / 6 / 0 / 10

HEX #A8D7E5

RGB 168 215 229

HSL 193.77, 0.54%, 0.78%

LAB 83.22, -12.06, -11.87

 

CMYK 15 / 27 / 0 / 10

HEX #C2A8E5

RGB 194 168 229

HSL 265.57, 0.54%, 0.78%

LAB 72.98, 21.16, -27.2

 

CMYK 0 / 20 / 27 / 10

HEX #E5B7A8

RGB 229 183 168

HSL 14.75, 0.54%, 0.78%

LAB 78.08, 14.42, 13.93

 

CMYK 20 / 0 / 27 / 10

HEX #B8E5A8

RGB 184 229 168

HSL 104.26, 0.54%, 0.78%

LAB 86.53, -25.66, 25.11

 

CMYK 27 / 6 / 0 / 10

HEX #A8D7E5

RGB 168 215 229

HSL 193.77, 0.54%, 0.78%

LAB 83.22, -12.06, -11.87

 

CMYK 7 / 27 / 0 / 10

HEX #D5A8E5

RGB 213 168 229

HSL 284.26, 0.54%, 0.78%

LAB 74.7, 27.17, -24.4

 

Description

Color code: HEX #E5B7A8 | qconv.com Color code: HEX #E5B7A8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 183 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 183 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 27 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 27% 10% C M Y K

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