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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E5B03C it is the complementary color #1A4FC3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E5B03C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E5B03C shade: #EAB037, #FBC24A, #FFD45D, #FFE670 and #FFF883

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E5B03C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E5B03C shade: #E5B03C, #D49E29, #C38C16, #B27A03 and #A16800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E5B03C shade: #E4B03E, #E4833E, #E4563E and #E43E3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E5B03C shade: #E4B03E, #E4DD3E, #BFE43E, #92E43E and #65E43E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E5B03C shade matches the following richer shades: #E4B03E and #F6B72C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E5B03C shade: #E4B03E, #D2A94F, #C1A361, #AF9C73 and #9D9584

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E5B03C shade: #E4573E, #E4833E, #E4AF3E, #E4DC3E and #C0E43E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E5B03C shade: #B78518, #DBA01D, #E4B03E, #E9BF62 and #EECD86

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E5B03C shade: #E5B03C, #51E43E and #6D3EE4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E5B03C shade: #E5B03C, #3EE4AF and #AF3EE4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E5B03C shade: #E5B03C, #51E43E, #3E72E4 and #D13EE4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E5B03C shade: #E5B03C, #3EE45C, #3E72E4 and #E43EC6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 74 / 10

HEX #E5B03C

RGB 229 176 60

HSL 41.18, 0.76%, 0.57%

LAB 74.85, 8.39, 63.53

 

Complementary color

CMYK 87 / 59 / 0 / 24

HEX #1A4FC3

RGB 26 79 195

HSL 221.18, 0.76%, 0.43%

LAB 37.39, 27.95, -65.09

 

CMYK 0 / 25 / 76 / 8

HEX #EAB037

RGB 234 176 55

HSL 40.56, 0.81%, 0.57%

LAB 75.34, 10.32, 66.07

 

CMYK 0 / 23 / 71 / 2

HEX #FBC24A

RGB 251 194 74

HSL 40.68, 0.96%, 0.64%

LAB 81.61, 8.91, 65.46

 

CMYK 0 / 17 / 64 / 0

HEX #FFD45D

RGB 255 212 93

HSL 44.07, 1%, 0.68%

LAB 86.57, 2.33, 62.81

 

CMYK 0 / 10 / 56 / 0

HEX #FFE670

RGB 255 230 112

HSL 49.51, 1%, 0.72%

LAB 91.24, -5.5, 59.62

 

CMYK 0 / 3 / 49 / 0

HEX #FFF883

RGB 255 248 131

HSL 56.61, 1%, 0.76%

LAB 96.01, -12.88, 56.52

 

CMYK 0 / 23 / 74 / 10

HEX #E5B03C

RGB 229 176 60

HSL 41.18, 0.76%, 0.57%

LAB 74.85, 8.39, 63.53

 

CMYK 0 / 25 / 81 / 17

HEX #D49E29

RGB 212 158 41

HSL 41.05, 0.68%, 0.5%

LAB 68.47, 9.91, 63.82

 

CMYK 0 / 28 / 89 / 24

HEX #C38C16

RGB 195 140 22

HSL 40.92, 0.8%, 0.43%

LAB 62.01, 11.68, 63.16

 

CMYK 0 / 31 / 98 / 30

HEX #B27A03

RGB 178 122 3

HSL 40.8, 0.97%, 0.35%

LAB 55.47, 13.72, 61.09

 

CMYK 0 / 35 / 100 / 37

HEX #A16800

RGB 161 104 0

HSL 38.76, 1%, 0.32%

LAB 48.86, 16.09, 56.23

 

CMYK 0 / 23 / 73 / 11

HEX #E4B03E

RGB 228 176 62

HSL 41.2, 0.75%, 0.57%

LAB 74.76, 8.05, 62.63

 

CMYK 0 / 43 / 73 / 11

HEX #E4833E

RGB 228 131 62

HSL 24.94, 0.75%, 0.57%

LAB 64.22, 31.95, 51.9

 

CMYK 0 / 62 / 73 / 11

HEX #E4563E

RGB 228 86 62

HSL 8.67, 0.75%, 0.57%

LAB 55.58, 53.87, 42.59

 

CMYK 0 / 73 / 73 / 11

HEX #E43E3E

RGB 228 62 62

HSL 0, 0.75%, 0.57%

LAB 52.16, 63.17, 38.75

 

CMYK 0 / 23 / 73 / 11

HEX #E4B03E

RGB 228 176 62

HSL 41.2, 0.75%, 0.57%

LAB 74.76, 8.05, 62.63

 

CMYK 0 / 3 / 73 / 11

HEX #E4DD3E

RGB 228 221 62

HSL 57.47, 0.75%, 0.57%

LAB 86.28, -15.03, 73.76

 

CMYK 16 / 0 / 73 / 11

HEX #BFE43E

RGB 191 228 62

HSL 73.37, 0.75%, 0.57%

LAB 85.46, -33.43, 72.02

 

CMYK 36 / 0 / 73 / 11

HEX #92E43E

RGB 146 228 62

HSL 89.64, 0.75%, 0.57%

LAB 82.88, -50.08, 68.64

 

CMYK 56 / 0 / 73 / 11

HEX #65E43E

RGB 101 228 62

HSL 105.9, 0.75%, 0.57%

LAB 81.07, -63.55, 66.23

 

CMYK 0 / 23 / 73 / 11

HEX #E4B03E

RGB 228 176 62

HSL 41.2, 0.75%, 0.57%

LAB 74.76, 8.05, 62.63

 

CMYK 0 / 26 / 82 / 4

HEX #F6B72C

RGB 246 183 44

HSL 41.29, 0.92%, 0.57%

LAB 78.25, 11.39, 72.82

 

CMYK 0 / 23 / 73 / 11

HEX #E4B03E

RGB 228 176 62

HSL 41.2, 0.75%, 0.57%

LAB 74.76, 8.05, 62.63

 

CMYK 0 / 20 / 62 / 18

HEX #D2A94F

RGB 210 169 79

HSL 41.22, 0.59%, 0.57%

LAB 71.31, 5.03, 51.04

 

CMYK 0 / 16 / 50 / 24

HEX #C1A361

RGB 193 163 97

HSL 41.25, 0.44%, 0.57%

LAB 68.31, 2.49, 38.18

 

CMYK 0 / 11 / 34 / 31

HEX #AF9C73

RGB 175 156 115

HSL 41, 0.27%, 0.57%

LAB 65.06, 0.8, 24.06

 

CMYK 0 / 5 / 16 / 38

HEX #9D9584

RGB 157 149 132

HSL 40.8, 0.11%, 0.57%

LAB 61.94, -0.04, 10.03

 

CMYK 0 / 62 / 73 / 11

HEX #E4573E

RGB 228 87 62

HSL 9.04, 0.75%, 0.57%

LAB 55.74, 53.43, 42.77

 

CMYK 0 / 43 / 73 / 11

HEX #E4833E

RGB 228 131 62

HSL 24.94, 0.75%, 0.57%

LAB 64.22, 31.95, 51.9

 

CMYK 0 / 23 / 73 / 11

HEX #E4AF3E

RGB 228 175 62

HSL 40.84, 0.75%, 0.57%

LAB 74.51, 8.58, 62.38

 

CMYK 0 / 4 / 73 / 11

HEX #E4DC3E

RGB 228 220 62

HSL 57.11, 0.75%, 0.57%

LAB 86.02, -14.53, 73.51

 

CMYK 16 / 0 / 73 / 11

HEX #C0E43E

RGB 192 228 62

HSL 73.01, 0.75%, 0.57%

LAB 85.52, -33.04, 72.11

 

CMYK 0 / 27 / 87 / 28

HEX #B78518

RGB 183 133 24

HSL 41.13, 0.77%, 0.41%

LAB 58.89, 10.21, 59.57

 

CMYK 0 / 27 / 87 / 14

HEX #DBA01D

RGB 219 160 29

HSL 41.37, 0.77%, 0.49%

LAB 69.68, 11.56, 68.66

 

CMYK 0 / 23 / 73 / 11

HEX #E4B03E

RGB 228 176 62

HSL 41.2, 0.75%, 0.57%

LAB 74.76, 8.05, 62.63

 

CMYK 0 / 18 / 58 / 9

HEX #E9BF62

RGB 233 191 98

HSL 41.33, 0.75%, 0.65%

LAB 79.31, 4.42, 51.8

 

CMYK 0 / 14 / 44 / 7

HEX #EECD86

RGB 238 205 134

HSL 40.96, 0.75%, 0.73%

LAB 83.74, 2.32, 39.56

 

CMYK 0 / 23 / 74 / 10

HEX #E5B03C

RGB 229 176 60

HSL 41.18, 0.76%, 0.57%

LAB 74.85, 8.39, 63.53

 

CMYK 64 / 0 / 73 / 11

HEX #51E43E

RGB 81 228 62

HSL 113.13, 0.75%, 0.57%

LAB 80.51, -68.12, 65.48

 

CMYK 52 / 73 / 0 / 11

HEX #6D3EE4

RGB 109 62 228

HSL 256.99, 0.75%, 0.57%

LAB 41.69, 58.5, -76.87

 

CMYK 0 / 23 / 74 / 10

HEX #E5B03C

RGB 229 176 60

HSL 41.18, 0.76%, 0.57%

LAB 74.85, 8.39, 63.53

 

CMYK 73 / 0 / 23 / 11

HEX #3EE4AF

RGB 62 228 175

HSL 160.84, 0.75%, 0.57%

LAB 81.62, -54.18, 13.93

 

CMYK 23 / 73 / 0 / 11

HEX #AF3EE4

RGB 175 62 228

HSL 280.84, 0.75%, 0.57%

LAB 49.69, 69.71, -63.48

 

CMYK 0 / 23 / 74 / 10

HEX #E5B03C

RGB 229 176 60

HSL 41.18, 0.76%, 0.57%

LAB 74.85, 8.39, 63.53

 

CMYK 64 / 0 / 73 / 11

HEX #51E43E

RGB 81 228 62

HSL 113.13, 0.75%, 0.57%

LAB 80.51, -68.12, 65.48

 

CMYK 73 / 50 / 0 / 11

HEX #3E72E4

RGB 62 114 228

HSL 221.2, 0.75%, 0.57%

LAB 50.29, 21.31, -63

 

CMYK 8 / 73 / 0 / 11

HEX #D13EE4

RGB 209 62 228

HSL 293.13, 0.75%, 0.57%

LAB 54.66, 76.33, -55.23

 

CMYK 0 / 23 / 74 / 10

HEX #E5B03C

RGB 229 176 60

HSL 41.18, 0.76%, 0.57%

LAB 74.85, 8.39, 63.53

 

CMYK 73 / 0 / 60 / 11

HEX #3EE45C

RGB 62 228 92

HSL 130.84, 0.75%, 0.57%

LAB 80.34, -68.65, 53.34

 

CMYK 73 / 50 / 0 / 11

HEX #3E72E4

RGB 62 114 228

HSL 221.2, 0.75%, 0.57%

LAB 50.29, 21.31, -63

 

CMYK 0 / 73 / 13 / 11

HEX #E43EC6

RGB 228 62 198

HSL 310.84, 0.75%, 0.57%

LAB 56.1, 75.73, -35.68

 

Description

Color code: HEX #E5B03C | qconv.com Color code: HEX #E5B03C | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 176 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 176 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 74 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 74% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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