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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E5B39A it is the complementary color #1A4C65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E5B39A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E5B39A shade: #EAB395, #FBC5A8, #FFD7BB, #FFE9CE and #FFFBE1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E5B39A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E5B39A shade: #E5B39A, #D4A187, #C38F74, #B27D61 and #A16B4E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E5B39A shade: #E4B299, #E49E99 and #E49999

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E5B39A shade: #E4B299, #E4C699, #E4DB99, #DAE499 and #C5E499

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E5B39A shade matches the following richer shades: #E4B299, #EFAF8F and #F9AB85

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E5B39A shade: #E4B299, #DAB6A3, #D0B9AE, #C5BDB8 and #BBC0C2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E5B39A shade: #E499A8, #E49E99, #E4B299, #E4C699 and #E4DA99

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E5B39A shade: #D38158, #DC9A78, #E4B299, #EDCBBA and #F5E4DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E5B39A shade: #E5B39A, #BCE499 and #999EE4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E5B39A shade: #E5B39A, #99E4B2 and #B299E4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E5B39A shade: #E5B39A, #BCE499, #99CBE4 and #C199E4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E5B39A shade: #E5B39A, #A6E499, #99CBE4 and #D899E4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 33 / 10

HEX #E5B39A

RGB 229 179 154

HSL 20, 0.59%, 0.75%

LAB 76.82, 14.71, 19.72

 

Complementary color

CMYK 74 / 25 / 0 / 60

HEX #1A4C65

RGB 26 76 101

HSL 200, 0.59%, 0.25%

LAB 30.23, -7.52, -19.41

 

CMYK 0 / 24 / 36 / 8

HEX #EAB395

RGB 234 179 149

HSL 21.18, 0.67%, 0.75%

LAB 77.22, 16.04, 23.04

 

CMYK 0 / 22 / 33 / 2

HEX #FBC5A8

RGB 251 197 168

HSL 20.96, 0.91%, 0.82%

LAB 83.58, 15.34, 21.91

 

CMYK 0 / 16 / 27 / 0

HEX #FFD7BB

RGB 255 215 187

HSL 24.71, 1%, 0.87%

LAB 88.66, 9.9, 19.01

 

CMYK 0 / 9 / 19 / 0

HEX #FFE9CE

RGB 255 233 206

HSL 33.06, 1%, 0.9%

LAB 93.45, 3.3, 15.84

 

CMYK 0 / 2 / 12 / 0

HEX #FFFBE1

RGB 255 251 225

HSL 52, 1%, 0.94%

LAB 98.31, -2.95, 12.93

 

CMYK 0 / 22 / 33 / 10

HEX #E5B39A

RGB 229 179 154

HSL 20, 0.59%, 0.75%

LAB 76.82, 14.71, 19.72

 

CMYK 0 / 24 / 36 / 17

HEX #D4A187

RGB 212 161 135

HSL 20.26, 0.47%, 0.68%

LAB 70.34, 15.42, 20.86

 

CMYK 0 / 27 / 41 / 24

HEX #C38F74

RGB 195 143 116

HSL 20.51, 0.4%, 0.61%

LAB 63.76, 16.22, 22.1

 

CMYK 0 / 30 / 46 / 30

HEX #B27D61

RGB 178 125 97

HSL 20.74, 0.34%, 0.54%

LAB 57.07, 17.14, 23.46

 

CMYK 0 / 34 / 52 / 37

HEX #A16B4E

RGB 161 107 78

HSL 20.96, 0.35%, 0.47%

LAB 50.27, 18.22, 24.98

 

CMYK 0 / 22 / 33 / 11

HEX #E4B299

RGB 228 178 153

HSL 20, 0.58%, 0.75%

LAB 76.46, 14.74, 19.74

 

CMYK 0 / 31 / 33 / 11

HEX #E49E99

RGB 228 158 153

HSL 4, 0.58%, 0.75%

LAB 71.72, 25.44, 13.14

 

CMYK 0 / 33 / 33 / 11

HEX #E49999

RGB 228 153 153

HSL 0, 0.58%, 0.75%

LAB 70.58, 28.11, 11.53

 

CMYK 0 / 22 / 33 / 11

HEX #E4B299

RGB 228 178 153

HSL 20, 0.58%, 0.75%

LAB 76.46, 14.74, 19.74

 

CMYK 0 / 13 / 33 / 11

HEX #E4C699

RGB 228 198 153

HSL 36, 0.58%, 0.75%

LAB 81.39, 4.16, 26.48

 

CMYK 0 / 4 / 33 / 11

HEX #E4DB99

RGB 228 219 153

HSL 52.8, 0.58%, 0.75%

LAB 86.73, -6.67, 33.62

 

CMYK 4 / 0 / 33 / 11

HEX #DAE499

RGB 218 228 153

HSL 68, 0.58%, 0.75%

LAB 88.3, -14.99, 35.55

 

CMYK 14 / 0 / 33 / 11

HEX #C5E499

RGB 197 228 153

HSL 84.8, 0.58%, 0.75%

LAB 86.83, -22.77, 33.33

 

CMYK 0 / 22 / 33 / 11

HEX #E4B299

RGB 228 178 153

HSL 20, 0.58%, 0.75%

LAB 76.46, 14.74, 19.74

 

CMYK 0 / 27 / 40 / 6

HEX #EFAF8F

RGB 239 175 143

HSL 20, 0.75%, 0.75%

LAB 76.68, 19.42, 25.6

 

CMYK 0 / 31 / 47 / 2

HEX #F9AB85

RGB 249 171 133

HSL 19.66, 0.91%, 0.75%

LAB 76.65, 24.39, 31.1

 

CMYK 0 / 22 / 33 / 11

HEX #E4B299

RGB 228 178 153

HSL 20, 0.58%, 0.75%

LAB 76.46, 14.74, 19.74

 

CMYK 0 / 17 / 25 / 15

HEX #DAB6A3

RGB 218 182 163

HSL 20.73, 0.43%, 0.75%

LAB 76.68, 10.11, 14.51

 

CMYK 0 / 11 / 16 / 18

HEX #D0B9AE

RGB 208 185 174

HSL 19.41, 0.27%, 0.75%

LAB 76.78, 6.4, 8.56

 

CMYK 0 / 4 / 7 / 23

HEX #C5BDB8

RGB 197 189 184

HSL 23.08, 0.1%, 0.75%

LAB 77.12, 1.93, 3.51

 

CMYK 4 / 1 / 0 / 24

HEX #BBC0C2

RGB 187 192 194

HSL 197.14, 0.05%, 0.75%

LAB 77.38, -1.34, -1.62

 

CMYK 0 / 33 / 26 / 11

HEX #E499A8

RGB 228 153 168

HSL 348, 0.58%, 0.75%

LAB 70.94, 30.09, 3.72

 

CMYK 0 / 31 / 33 / 11

HEX #E49E99

RGB 228 158 153

HSL 4, 0.58%, 0.75%

LAB 71.72, 25.44, 13.14

 

CMYK 0 / 22 / 33 / 11

HEX #E4B299

RGB 228 178 153

HSL 20, 0.58%, 0.75%

LAB 76.46, 14.74, 19.74

 

CMYK 0 / 13 / 33 / 11

HEX #E4C699

RGB 228 198 153

HSL 36, 0.58%, 0.75%

LAB 81.39, 4.16, 26.48

 

CMYK 0 / 4 / 33 / 11

HEX #E4DA99

RGB 228 218 153

HSL 52, 0.58%, 0.75%

LAB 86.47, -6.17, 33.28

 

CMYK 0 / 39 / 58 / 17

HEX #D38158

RGB 211 129 88

HSL 20, 0.58%, 0.59%

LAB 61.87, 27.69, 35.4

 

CMYK 0 / 30 / 45 / 14

HEX #DC9A78

RGB 220 154 120

HSL 20.4, 0.59%, 0.67%

LAB 69.24, 20.71, 27.71

 

CMYK 0 / 22 / 33 / 11

HEX #E4B299

RGB 228 178 153

HSL 20, 0.58%, 0.75%

LAB 76.46, 14.74, 19.74

 

CMYK 0 / 14 / 22 / 7

HEX #EDCBBA

RGB 237 203 186

HSL 20, 0.59%, 0.83%

LAB 84.1, 9.37, 12.9

 

CMYK 0 / 7 / 11 / 4

HEX #F5E4DB

RGB 245 228 219

HSL 20.77, 0.57%, 0.91%

LAB 91.69, 4.3, 6.46

 

CMYK 0 / 22 / 33 / 10

HEX #E5B39A

RGB 229 179 154

HSL 20, 0.59%, 0.75%

LAB 76.82, 14.71, 19.72

 

CMYK 18 / 0 / 33 / 11

HEX #BCE499

RGB 188 228 153

HSL 92, 0.58%, 0.75%

LAB 86.24, -26, 32.45

 

CMYK 33 / 31 / 0 / 11

HEX #999EE4

RGB 153 158 228

HSL 236, 0.58%, 0.75%

LAB 67.15, 14.31, -35.93

 

CMYK 0 / 22 / 33 / 10

HEX #E5B39A

RGB 229 179 154

HSL 20, 0.59%, 0.75%

LAB 76.82, 14.71, 19.72

 

CMYK 33 / 0 / 22 / 11

HEX #99E4B2

RGB 153 228 178

HSL 140, 0.58%, 0.75%

LAB 84.73, -33.48, 17.16

 

CMYK 22 / 33 / 0 / 11

HEX #B299E4

RGB 178 153 228

HSL 260, 0.58%, 0.75%

LAB 67.91, 24.39, -34.59

 

CMYK 0 / 22 / 33 / 10

HEX #E5B39A

RGB 229 179 154

HSL 20, 0.59%, 0.75%

LAB 76.82, 14.71, 19.72

 

CMYK 18 / 0 / 33 / 11

HEX #BCE499

RGB 188 228 153

HSL 92, 0.58%, 0.75%

LAB 86.24, -26, 32.45

 

CMYK 33 / 11 / 0 / 11

HEX #99CBE4

RGB 153 203 228

HSL 200, 0.58%, 0.75%

LAB 79.09, -10.33, -17.62

 

CMYK 15 / 33 / 0 / 11

HEX #C199E4

RGB 193 153 228

HSL 272, 0.58%, 0.75%

LAB 69.27, 28.92, -32.37

 

CMYK 0 / 22 / 33 / 10

HEX #E5B39A

RGB 229 179 154

HSL 20, 0.59%, 0.75%

LAB 76.82, 14.71, 19.72

 

CMYK 27 / 0 / 33 / 11

HEX #A6E499

RGB 166 228 153

HSL 109.6, 0.58%, 0.75%

LAB 84.94, -33.58, 30.49

 

CMYK 33 / 11 / 0 / 11

HEX #99CBE4

RGB 153 203 228

HSL 200, 0.58%, 0.75%

LAB 79.09, -10.33, -17.62

 

CMYK 5 / 33 / 0 / 11

HEX #D899E4

RGB 216 153 228

HSL 290.4, 0.58%, 0.75%

LAB 71.54, 36.04, -28.68

 

Description

Color code: HEX #E5B39A | qconv.com Color code: HEX #E5B39A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 179 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 179 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 33 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 33% 10% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

13% - Shapewear, Lingerie ...
Link: http://us.triumph.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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