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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E5BA37 it is the complementary color #1A45C8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E5BA37. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E5BA37 shade: #EABA32, #FBCC45, #FFDE58, #FFF06B and #FFFF7E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E5BA37. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E5BA37 shade: #E5BA37, #D4A824, #C39611, #B28400 and #A17200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E5BA37 shade: #E5BA38, #E58B38, #E55D38 and #E53838

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E5BA37 shade: #E5BA38, #E1E538, #B2E538, #84E538 and #55E538

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E5BA37 shade matches the following richer shades: #E5BA38 and #F7C326

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E5BA37 shade: #E5BA38, #D3B14A, #C0A85C, #AE9E6E and #9C9581

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E5BA37 shade: #E55D38, #E58B38, #E5B938, #E2E538 and #B4E538

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E5BA37 shade: #B38D17, #D8A91C, #E5BA38, #E9C75C and #EED381

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E5BA37 shade: #E5BA37, #41E538 and #7438E5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E5BA37 shade: #E5BA37, #38E5B9 and #B938E5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E5BA37 shade: #E5BA37, #41E538, #3863E5 and #DC38E5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E5BA37 shade: #E5BA37, #38E563, #3863E5 and #E538B9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 76 / 10

HEX #E5BA37

RGB 229 186 55

HSL 45.17, 0.77%, 0.56%

LAB 77.31, 2.93, 67.74

 

Complementary color

CMYK 87 / 66 / 0 / 22

HEX #1A45C8

RGB 26 69 200

HSL 225.17, 0.77%, 0.44%

LAB 35.29, 36.39, -71.45

 

CMYK 0 / 21 / 79 / 8

HEX #EABA32

RGB 234 186 50

HSL 44.35, 0.81%, 0.56%

LAB 77.78, 4.89, 70.06

 

CMYK 0 / 19 / 73 / 2

HEX #FBCC45

RGB 251 204 69

HSL 44.51, 0.96%, 0.63%

LAB 84.03, 3.51, 69.83

 

CMYK 0 / 13 / 65 / 0

HEX #FFDE58

RGB 255 222 88

HSL 48.14, 1%, 0.67%

LAB 89.02, -3.03, 67.55

 

CMYK 0 / 6 / 58 / 0

HEX #FFF06B

RGB 255 240 107

HSL 53.92, 1%, 0.71%

LAB 93.73, -10.82, 64.65

 

CMYK 0 / 0 / 51 / 0

HEX #FFFF7E

RGB 255 255 126

HSL 60, 1%, 0.75%

LAB 97.75, -16.7, 60.86

 

CMYK 0 / 19 / 76 / 10

HEX #E5BA37

RGB 229 186 55

HSL 45.17, 0.77%, 0.56%

LAB 77.31, 2.93, 67.74

 

CMYK 0 / 21 / 83 / 17

HEX #D4A824

RGB 212 168 36

HSL 45, 0.71%, 0.49%

LAB 70.96, 4.41, 67.53

 

CMYK 0 / 23 / 91 / 24

HEX #C39611

RGB 195 150 17

HSL 44.83, 0.84%, 0.42%

LAB 64.53, 6.13, 66.18

 

CMYK 0 / 26 / 100 / 30

HEX #B28400

RGB 178 132 0

HSL 44.49, 1%, 0.35%

LAB 58.01, 8.11, 63.35

 

CMYK 0 / 29 / 100 / 37

HEX #A17200

RGB 161 114 0

HSL 42.48, 1%, 0.32%

LAB 51.4, 10.4, 57.92

 

CMYK 0 / 19 / 76 / 10

HEX #E5BA38

RGB 229 186 56

HSL 45.09, 0.77%, 0.56%

LAB 77.32, 2.97, 67.4

 

CMYK 0 / 39 / 76 / 10

HEX #E58B38

RGB 229 139 56

HSL 28.79, 0.77%, 0.56%

LAB 66.07, 27.89, 56.53

 

CMYK 0 / 59 / 76 / 10

HEX #E55D38

RGB 229 93 56

HSL 12.83, 0.77%, 0.56%

LAB 56.85, 50.87, 47.14

 

CMYK 0 / 76 / 76 / 10

HEX #E53838

RGB 229 56 56

HSL 0, 0.77%, 0.56%

LAB 51.58, 65.18, 41.51

 

CMYK 0 / 19 / 76 / 10

HEX #E5BA38

RGB 229 186 56

HSL 45.09, 0.77%, 0.56%

LAB 77.32, 2.97, 67.4

 

CMYK 2 / 0 / 76 / 10

HEX #E1E538

RGB 225 229 56

HSL 61.39, 0.77%, 0.56%

LAB 88.13, -20.42, 77.28

 

CMYK 22 / 0 / 76 / 10

HEX #B2E538

RGB 178 229 56

HSL 77.69, 0.77%, 0.56%

LAB 84.89, -39.22, 73.1

 

CMYK 42 / 0 / 76 / 10

HEX #84E538

RGB 132 229 56

HSL 93.64, 0.77%, 0.56%

LAB 82.5, -55.43, 69.99

 

CMYK 63 / 0 / 76 / 10

HEX #55E538

RGB 85 229 56

HSL 109.94, 0.77%, 0.56%

LAB 80.88, -68.02, 67.87

 

CMYK 0 / 19 / 76 / 10

HEX #E5BA38

RGB 229 186 56

HSL 45.09, 0.77%, 0.56%

LAB 77.32, 2.97, 67.4

 

CMYK 0 / 21 / 85 / 3

HEX #F7C326

RGB 247 195 38

HSL 45.07, 0.93%, 0.56%

LAB 81.26, 5.41, 77.03

 

CMYK 0 / 19 / 76 / 10

HEX #E5BA38

RGB 229 186 56

HSL 45.09, 0.77%, 0.56%

LAB 77.32, 2.97, 67.4

 

CMYK 0 / 16 / 65 / 17

HEX #D3B14A

RGB 211 177 74

HSL 45.11, 0.61%, 0.56%

LAB 73.41, 0.89, 55.65

 

CMYK 0 / 13 / 52 / 25

HEX #C0A85C

RGB 192 168 92

HSL 45.6, 0.44%, 0.56%

LAB 69.46, -1.07, 42.12

 

CMYK 0 / 9 / 37 / 32

HEX #AE9E6E

RGB 174 158 110

HSL 45, 0.28%, 0.56%

LAB 65.42, -1.32, 27.23

 

CMYK 0 / 4 / 17 / 39

HEX #9C9581

RGB 156 149 129

HSL 44.44, 0.12%, 0.56%

LAB 61.78, -0.92, 11.49

 

CMYK 0 / 59 / 76 / 10

HEX #E55D38

RGB 229 93 56

HSL 12.83, 0.77%, 0.56%

LAB 56.85, 50.87, 47.14

 

CMYK 0 / 39 / 76 / 10

HEX #E58B38

RGB 229 139 56

HSL 28.79, 0.77%, 0.56%

LAB 66.07, 27.89, 56.53

 

CMYK 0 / 19 / 76 / 10

HEX #E5B938

RGB 229 185 56

HSL 44.74, 0.77%, 0.56%

LAB 77.07, 3.49, 67.16

 

CMYK 1 / 0 / 76 / 10

HEX #E2E538

RGB 226 229 56

HSL 61.04, 0.77%, 0.56%

LAB 88.21, -20.01, 77.38

 

CMYK 21 / 0 / 76 / 10

HEX #B4E538

RGB 180 229 56

HSL 76.99, 0.77%, 0.56%

LAB 85.01, -38.45, 73.26

 

CMYK 0 / 21 / 87 / 30

HEX #B38D17

RGB 179 141 23

HSL 45.38, 0.77%, 0.4%

LAB 60.51, 3.97, 60.97

 

CMYK 0 / 22 / 87 / 15

HEX #D8A91C

RGB 216 169 28

HSL 45, 0.77%, 0.48%

LAB 71.59, 5.43, 70.31

 

CMYK 0 / 19 / 76 / 10

HEX #E5BA38

RGB 229 186 56

HSL 45.09, 0.77%, 0.56%

LAB 77.32, 2.97, 67.4

 

CMYK 0 / 15 / 61 / 9

HEX #E9C75C

RGB 233 199 92

HSL 45.53, 0.76%, 0.64%

LAB 81.26, -0.16, 56.81

 

CMYK 0 / 11 / 46 / 7

HEX #EED381

RGB 238 211 129

HSL 45.14, 0.76%, 0.72%

LAB 85.17, -1.27, 43.89

 

CMYK 0 / 19 / 76 / 10

HEX #E5BA37

RGB 229 186 55

HSL 45.17, 0.77%, 0.56%

LAB 77.31, 2.93, 67.74

 

CMYK 72 / 0 / 76 / 10

HEX #41E538

RGB 65 229 56

HSL 116.88, 0.77%, 0.56%

LAB 80.43, -71.8, 67.27

 

CMYK 49 / 76 / 0 / 10

HEX #7438E5

RGB 116 56 229

HSL 260.81, 0.77%, 0.56%

LAB 41.53, 62.51, -77.66

 

CMYK 0 / 19 / 76 / 10

HEX #E5BA37

RGB 229 186 55

HSL 45.17, 0.77%, 0.56%

LAB 77.31, 2.93, 67.74

 

CMYK 76 / 0 / 19 / 10

HEX #38E5B9

RGB 56 229 185

HSL 164.74, 0.77%, 0.56%

LAB 82.05, -52.96, 9.25

 

CMYK 19 / 76 / 0 / 10

HEX #B938E5

RGB 185 56 229

HSL 284.74, 0.77%, 0.56%

LAB 50.45, 73.87, -62.75

 

CMYK 0 / 19 / 76 / 10

HEX #E5BA37

RGB 229 186 55

HSL 45.17, 0.77%, 0.56%

LAB 77.31, 2.93, 67.74

 

CMYK 72 / 0 / 76 / 10

HEX #41E538

RGB 65 229 56

HSL 116.88, 0.77%, 0.56%

LAB 80.43, -71.8, 67.27

 

CMYK 76 / 57 / 0 / 10

HEX #3863E5

RGB 56 99 229

HSL 225.09, 0.77%, 0.56%

LAB 46.21, 30.43, -70.19

 

CMYK 4 / 76 / 0 / 10

HEX #DC38E5

RGB 220 56 229

HSL 296.88, 0.77%, 0.56%

LAB 55.79, 80.48, -53.89

 

CMYK 0 / 19 / 76 / 10

HEX #E5BA37

RGB 229 186 55

HSL 45.17, 0.77%, 0.56%

LAB 77.31, 2.93, 67.74

 

CMYK 76 / 0 / 57 / 10

HEX #38E563

RGB 56 229 99

HSL 134.91, 0.77%, 0.56%

LAB 80.62, -68.97, 50.52

 

CMYK 76 / 57 / 0 / 10

HEX #3863E5

RGB 56 99 229

HSL 225.09, 0.77%, 0.56%

LAB 46.21, 30.43, -70.19

 

CMYK 0 / 76 / 19 / 10

HEX #E538B9

RGB 229 56 185

HSL 315.26, 0.77%, 0.56%

LAB 55.06, 76, -29.8

 

Description

Color code: HEX #E5BA37 | qconv.com Color code: HEX #E5BA37 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 186 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 186 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 76 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 76% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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