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Color name
HEX #E5BC8F

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E5BC8F it is the complementary color #1A4370. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E5BC8F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E5BC8F shade: #EABC8A, #FBCE9D, #FFE0B0, #FFF2C3 and #FFFFD6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E5BC8F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E5BC8F shade: #E5BC8F, #D4AA7C, #C39869, #B28656 and #A17443

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E5BC8F shade: #E4BC8F, #E4A58F and #E48F8F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E5BC8F shade: #E4BC8F, #E4D38F, #DFE48F, #C8E48F and #B1E48F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E5BC8F shade matches the following richer shades: #E4BC8F, #EFBC84 and #FBBD79

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E5BC8F shade: #E4BC8F, #D9BB9A, #CEBBA5, #C3BAB0 and #B8BABC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E5BC8F shade: #E48F90, #E4A48F, #E4BB8F, #E4D28F and #E0E48F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E5BC8F shade: #D5944C, #DCA86E, #E4BC8F, #ECD0B0 and #F4E4D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E5BC8F shade: #E5BC8F, #A7E48F and #998FE4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E5BC8F shade: #E5BC8F, #8FE4BB and #BB8FE4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E5BC8F shade: #E5BC8F, #A7E48F, #8FB8E4 and #CC8FE4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E5BC8F shade: #E5BC8F, #8FE490, #8FB8E4 and #E48FE3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 38 / 10

HEX #E5BC8F

RGB 229 188 143

HSL 31.4, 0.62%, 0.73%

LAB 78.81, 8.61, 28.3

 

Complementary color

CMYK 77 / 40 / 0 / 56

HEX #1A4370

RGB 26 67 112

HSL 211.4, 0.62%, 0.27%

LAB 27.86, 2.68, -30.12

 

CMYK 0 / 20 / 41 / 8

HEX #EABC8A

RGB 234 188 138

HSL 31.25, 0.7%, 0.73%

LAB 79.21, 10.03, 31.55

 

CMYK 0 / 18 / 37 / 2

HEX #FBCE9D

RGB 251 206 157

HSL 31.28, 0.92%, 0.8%

LAB 85.55, 9.36, 30.35

 

CMYK 0 / 12 / 31 / 0

HEX #FFE0B0

RGB 255 224 176

HSL 36.46, 1%, 0.85%

LAB 90.65, 3.86, 27.46

 

CMYK 0 / 5 / 24 / 0

HEX #FFF2C3

RGB 255 242 195

HSL 47, 1%, 0.88%

LAB 95.46, -2.81, 24.3

 

CMYK 0 / 0 / 16 / 0

HEX #FFFFD6

RGB 255 255 214

HSL 60, 1%, 0.92%

LAB 99.08, -6.61, 19.64

 

CMYK 0 / 18 / 38 / 10

HEX #E5BC8F

RGB 229 188 143

HSL 31.4, 0.62%, 0.73%

LAB 78.81, 8.61, 28.3

 

CMYK 0 / 20 / 42 / 17

HEX #D4AA7C

RGB 212 170 124

HSL 31.36, 0.51%, 0.66%

LAB 72.36, 9.3, 29.52

 

CMYK 0 / 22 / 46 / 24

HEX #C39869

RGB 195 152 105

HSL 31.33, 0.43%, 0.59%

LAB 65.81, 10.08, 30.83

 

CMYK 0 / 25 / 52 / 30

HEX #B28656

RGB 178 134 86

HSL 31.3, 0.37%, 0.52%

LAB 59.15, 11.01, 32.24

 

CMYK 0 / 28 / 58 / 37

HEX #A17443

RGB 161 116 67

HSL 31.28, 0.41%, 0.45%

LAB 52.37, 12.1, 33.74

 

CMYK 0 / 18 / 37 / 11

HEX #E4BC8F

RGB 228 188 143

HSL 31.76, 0.61%, 0.73%

LAB 78.72, 8.22, 28.16

 

CMYK 0 / 28 / 37 / 11

HEX #E4A58F

RGB 228 165 143

HSL 15.53, 0.61%, 0.73%

LAB 73.15, 20.47, 20.6

 

CMYK 0 / 37 / 37 / 11

HEX #E48F8F

RGB 228 143 143

HSL 0, 0.61%, 0.73%

LAB 68.11, 32.21, 13.62

 

CMYK 0 / 18 / 37 / 11

HEX #E4BC8F

RGB 228 188 143

HSL 31.76, 0.61%, 0.73%

LAB 78.72, 8.22, 28.16

 

CMYK 0 / 7 / 37 / 11

HEX #E4D38F

RGB 228 211 143

HSL 48, 0.61%, 0.73%

LAB 84.52, -3.76, 35.82

 

CMYK 2 / 0 / 37 / 11

HEX #DFE48F

RGB 223 228 143

HSL 63.53, 0.61%, 0.73%

LAB 88.52, -14.27, 40.92

 

CMYK 12 / 0 / 37 / 11

HEX #C8E48F

RGB 200 228 143

HSL 79.76, 0.61%, 0.73%

LAB 86.87, -22.96, 38.47

 

CMYK 22 / 0 / 37 / 11

HEX #B1E48F

RGB 177 228 143

HSL 96, 0.61%, 0.73%

LAB 85.41, -31.26, 36.29

 

CMYK 0 / 18 / 37 / 11

HEX #E4BC8F

RGB 228 188 143

HSL 31.76, 0.61%, 0.73%

LAB 78.72, 8.22, 28.16

 

CMYK 0 / 21 / 45 / 6

HEX #EFBC84

RGB 239 188 132

HSL 31.4, 0.77%, 0.73%

LAB 79.6, 11.39, 35.29

 

CMYK 0 / 25 / 52 / 2

HEX #FBBD79

RGB 251 189 121

HSL 31.38, 0.94%, 0.73%

LAB 80.9, 14.65, 42.82

 

CMYK 0 / 18 / 37 / 11

HEX #E4BC8F

RGB 228 188 143

HSL 31.76, 0.61%, 0.73%

LAB 78.72, 8.22, 28.16

 

CMYK 0 / 14 / 29 / 15

HEX #D9BB9A

RGB 217 187 154

HSL 31.43, 0.45%, 0.73%

LAB 77.65, 5.83, 20.69

 

CMYK 0 / 9 / 20 / 19

HEX #CEBBA5

RGB 206 187 165

HSL 32.2, 0.29%, 0.73%

LAB 76.91, 3.2, 13.59

 

CMYK 0 / 5 / 10 / 24

HEX #C3BAB0

RGB 195 186 176

HSL 31.58, 0.14%, 0.73%

LAB 75.98, 1.43, 6.19

 

CMYK 2 / 1 / 0 / 26

HEX #B8BABC

RGB 184 186 188

HSL 210, 0.03%, 0.73%

LAB 75.41, -0.32, -1.26

 

CMYK 0 / 37 / 37 / 11

HEX #E48F90

RGB 228 143 144

HSL 359.29, 0.61%, 0.73%

LAB 68.13, 32.33, 13.09

 

CMYK 0 / 28 / 37 / 11

HEX #E4A48F

RGB 228 164 143

HSL 14.82, 0.61%, 0.73%

LAB 72.91, 21.01, 20.28

 

CMYK 0 / 18 / 37 / 11

HEX #E4BB8F

RGB 228 187 143

HSL 31.06, 0.61%, 0.73%

LAB 78.47, 8.75, 27.83

 

CMYK 0 / 8 / 37 / 11

HEX #E4D28F

RGB 228 210 143

HSL 47.29, 0.61%, 0.73%

LAB 84.26, -3.25, 35.49

 

CMYK 2 / 0 / 37 / 11

HEX #E0E48F

RGB 224 228 143

HSL 62.82, 0.61%, 0.73%

LAB 88.6, -13.89, 41.04

 

CMYK 0 / 31 / 64 / 16

HEX #D5944C

RGB 213 148 76

HSL 31.53, 0.62%, 0.57%

LAB 66.4, 17.42, 47.04

 

CMYK 0 / 24 / 50 / 14

HEX #DCA86E

RGB 220 168 110

HSL 31.64, 0.61%, 0.65%

LAB 72.46, 12.21, 37.2

 

CMYK 0 / 18 / 37 / 11

HEX #E4BC8F

RGB 228 188 143

HSL 31.76, 0.61%, 0.73%

LAB 78.72, 8.22, 28.16

 

CMYK 0 / 12 / 25 / 7

HEX #ECD0B0

RGB 236 208 176

HSL 32, 0.61%, 0.81%

LAB 85.04, 4.98, 19.49

 

CMYK 0 / 7 / 14 / 4

HEX #F4E4D2

RGB 244 228 210

HSL 31.76, 0.61%, 0.89%

LAB 91.4, 2.53, 10.73

 

CMYK 0 / 18 / 38 / 10

HEX #E5BC8F

RGB 229 188 143

HSL 31.4, 0.62%, 0.73%

LAB 78.81, 8.61, 28.3

 

CMYK 27 / 0 / 37 / 11

HEX #A7E48F

RGB 167 228 143

HSL 103.06, 0.61%, 0.73%

LAB 84.84, -34.71, 35.43

 

CMYK 33 / 37 / 0 / 11

HEX #998FE4

RGB 153 143 228

HSL 247.06, 0.61%, 0.73%

LAB 63.36, 22.9, -41.85

 

CMYK 0 / 18 / 38 / 10

HEX #E5BC8F

RGB 229 188 143

HSL 31.4, 0.62%, 0.73%

LAB 78.81, 8.61, 28.3

 

CMYK 37 / 0 / 18 / 11

HEX #8FE4BB

RGB 143 228 187

HSL 151.06, 0.61%, 0.73%

LAB 84.44, -34.64, 11.97

 

CMYK 18 / 37 / 0 / 11

HEX #BB8FE4

RGB 187 143 228

HSL 271.06, 0.61%, 0.73%

LAB 66.38, 32.66, -36.91

 

CMYK 0 / 18 / 38 / 10

HEX #E5BC8F

RGB 229 188 143

HSL 31.4, 0.62%, 0.73%

LAB 78.81, 8.61, 28.3

 

CMYK 27 / 0 / 37 / 11

HEX #A7E48F

RGB 167 228 143

HSL 103.06, 0.61%, 0.73%

LAB 84.84, -34.71, 35.43

 

CMYK 37 / 19 / 0 / 11

HEX #8FB8E4

RGB 143 184 228

HSL 211.06, 0.61%, 0.73%

LAB 73.36, -2.93, -26.38

 

CMYK 11 / 37 / 0 / 11

HEX #CC8FE4

RGB 204 143 228

HSL 283.06, 0.61%, 0.73%

LAB 68.08, 37.75, -34.12

 

CMYK 0 / 18 / 38 / 10

HEX #E5BC8F

RGB 229 188 143

HSL 31.4, 0.62%, 0.73%

LAB 78.81, 8.61, 28.3

 

CMYK 37 / 0 / 37 / 11

HEX #8FE490

RGB 143 228 144

HSL 120.71, 0.61%, 0.73%

LAB 83.62, -42.3, 33.1

 

CMYK 37 / 19 / 0 / 11

HEX #8FB8E4

RGB 143 184 228

HSL 211.06, 0.61%, 0.73%

LAB 73.36, -2.93, -26.38

 

CMYK 0 / 37 / 0 / 11

HEX #E48FE3

RGB 228 143 227

HSL 300.71, 0.61%, 0.73%

LAB 70.65, 44.87, -29.39

 

Description

Color code: HEX #E5BC8F | qconv.com Color code: HEX #E5BC8F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 188 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 188 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 38 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 38% 10% C M Y K

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Provide designers and agencies with accurate color values.

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